Search / Login

Quick Links:
Latest Releases
Browse by Artist
Love and Rockets Guide
Peanuts books
Disney books
More browsing options under "Browse Shop" above


Search: All Titles

Advanced Search
Login / Free Registration
Detail Search
Download Area
Show Cart
Your Cart is currently empty.

Subscribe

Sign up for our email newsletters for updates on new releases, events, special deals and more.


Category >> Robert Crumb

Your Vigor for Life Appalls Me: Robert Crumb Letters 1958-1977 - Previews, Pre-Order
Written by Mike Baehr | Filed under videoRobert Crumbpreviewsnew releases 23 Aug 2012 2:22 PM

Your Vigor for Life Appalls Me: Robert Crumb Letters 1958-1977

Your Vigor for Life Appalls Me: Robert Crumb Letters 1958-1977
by Robert Crumb; edited by Ilse Thompson

264-page black & white 6" x 9" softcover • $19.99
ISBN: 978-1-60699-560-0

Ships in: September 2012 (subject to change) — Pre-Order Now

"R. Crumb's writing, a dimension of his comics that usually passes underappreciated, receives a welcome spotlight in these sparsely illustrated letters that exhibit the artist's ear for the American vernacular." — Rain Taxi Review of Books

“I feel that my work is but a feeble expression of something that in itself is vague and doubtful... Sometimes when I probe myself I find that my intentions in art aren’t as sincere as they should be... Subconsciously I want to make myself immortal among men, leave my mark on the earth to compensate for social inadequacy... So I draw.” — R. Crumb, 1961

Spanning the most formative era of his life, from the painful years of adolescence to the fame and fortune of early adulthood, this collection of personal correspondences with two near-lifelong friends sheds light on the artistic development, bitter struggle, and ultimate triumph of the world’s greatest living cartoonist.

Crumb writes about many key events in his life: the dissolution of his first marriage, the pain of being separated from his first child, his troubles with the IRS, and his obsessions with comics, music and women (including his earliest experiences with Aline Kominsky-Crumb, now his wife of over 30 years). An entertaining and revealing look into the mind of a great artist and thinker; this is Crumb’s sketchbook of words, featuring scores of rare art, including entire letters drawn in cartoon form.

29-page excerpt (download 1.3 MB PDF):

Video & Photo Slideshow Preview (view in new window):



Found: Mystic Funnies #1 by R. Crumb
Written by Mike Baehr | Filed under Robert Crumb 20 Aug 2012 3:53 PM

Mystic Funnies #1 by Robert Crumb

Hey, we just dug 10 copies of Mystic Funnies #1 by Robert Crumb out of our storage annex (a.k.a. Gary's garage)! We also found a few volumes of the R. Crumb Sketchbook series that we thought we were out of. Buy 'em before somebody else does!

Daily OCD 7/9/12
Written by Jen Vaughn | Filed under Tony MillionaireSteve DuinShannon WheelerRobert CrumbPeter BaggePaul NelsonOil and WaterKevin AveryJaime HernandezGilbert HernandezDaily OCD 9 Jul 2012 7:03 PM

The new prepackaged Online Commentaries & Diversion:

 Crumb by Aline

•Commentary: The Huffington Post made it over to the Robert Crumb exhibit called "Crumb: From the Underground to the Genesis" at the Musée d'Art Moderne de la Ville in Paris: "Never one to shy away from his love-hate relationship with women, Crumb invited the world into his most perverted fantasies, one which includes riding on his mother's boot."

 Pete Bagge

•Interview: Zachary Hunchar of Technorati questions Pete Bagge about a long life in comics. "People expect their entertainment to be for free now," said Bagge. "Musicians compensate for it by performing live more often, but the only equivalent to that for cartoonists is more comic conventions."

 Tony Millionaire

•Interview: WTF Podcast with host Marc Maron digs into the essentials of Tony Millionaire's work: "[Marc's place] is like my place, I have a very small garage, built for a model T, and it's cluttered. I have all the corners I need to work in."

 Love and Rockets: New Stories #5

•Commentary: Tom Spurgeon is afraid of all the press releases for San Diego Comic-Con will overwhelm your normall-observant Hernandez Brothers' radar. On the Comics Reporter, he made an impassioned called for Love and Rockets coverage during the 2012 Comic-Con International: "It's vital for the medium we love . . . that we treat San Diego as a place where Jaime and Gilbert Hernandez have been in attendance more than 25 times each more than we treat it as a place Steven Spielberg has been to once. Both Jaime and Gilbert remain vital, exciting cartoonists. . ."

 Oil and Water

•Plug: Gene Ambaum of Unshelved touches on Oil & Water by Steve Duin, Shannon Wheeler and Michael Rosen: "[an] anti plastic activist and bird enthusiast,” who wears a strange cyclops-like lens to aid his bird watching, says he has 'the poop story to end all poop stories.' He doesn’t tell it until the end of the book, so I had to keep reading."

 Everything is an Afterthought: The Life and Writings of Paul Nelson

•Review: From a rather rough translation of Swedien's second largest newspaper, Expressen, Jan Gradvall speaks on Paul Nelson from the book Everything is an Afterthought: The Life and Writings of Paul Nelson by Kevin Avery: "Paul Nelson invested all of his feelings [in] records, books, movies. Them he could communicate with - not with live people."

Crumb/Groth tête-à-tête en Français
Written by Mike Baehr | Filed under Robert CrumbGary GrothFantagraphics Bookstore 20 Jun 2012 7:07 PM

La Crème de Crumb

From our fine colleagues at Éditions Cornélius comes this gorgeous and excellently-titled hardcover collection La Crème de Crumb, of interest to Fantagraphics loyalists because a) duh, it's Crumb and b) it includes the 1988 interview with Crumb from The Comics Journal #121 by our fearless leader Gary Groth, translated into French (as are all the comics, natch). Francophone Seattleites take note, we'll have a couple of copies for sale at Fantagraphics Bookstore & Gallery next week.

Daily OCD: 5/17/12
Written by Mike Baehr | Filed under Shimura TakakoRobert CrumbPeanutsNo Straight LinesMoto HagioMark KalesnikomangaLove and RocketsJustin HallJaime HernandezinterviewsDaily OCDCharles M Schulz 17 May 2012 7:00 PM

Today's Online Commentary & Diversions:

The Heart of ThomasNo Straight LinesWandering Son Vol. 3

List: At Library Journal, Martha Cornog names "26 Graphic Novels for Pride Month 2012," including The Heart of Thomas by Moto Hagio...

"This book is considered a pioneering example of shonen-ai (boys’ love), often referred to as yaoi in the United States. In a German boarding school, young Thomas Werner kills himself because of unrequited love for a schoolmate, who is in fact in love with Thomas, but secretly. Unpacking the emotional threads among the boys and their fellows leads to a sophisticated and beautifully drawn melodrama."

...No Straight Lines: Four Decades of Queer Comics...

"Herewith a color and black-and-white sampler from a less-recognized underground of gay comics from the past four decades, including Bechdel and Cruse, Europe’s Ralf Koenig, and 2011 ALA keynote speaker Dan Savage (Savage Love; The Kid; It Gets Better). Fantagraphics promises 'smart, funny, and profound' — and uncensored."

...and Wandering Son Vol. 3 by Shimura Takako:

"A serious yet sweet fifth-grade drama about several boys and girls who want to change their gender. Unlike many manga involving boy/girl reversals, this one does not play gender issues for laughs, even if gentle comedy enters the picture along with serious emotional drama."

The Complete Peanuts 1983-1984

Review: "The seventeenth volume of this great series from Fantagraphics [The Compete Peanuts] is just as delightful as all the rest. Yes, the ink line of Charles Schulz is a little wobbly at times, but his humor is just as sharp as ever.... I’ve said it before, but if you want reading material that will make you smile and laugh it’s hard to beat this series. And I’m continuing to admire the subtle and classy cover designs by Seth. Highly recommended." – Todd Klein

The Complete Crumb Comics Vol. 1

Interview: At The Art Newspaper, Sarah Douglas chats with Robert Crumb about his museum retrospective show in Paris: "The contemporary fine art world has never particularly interested me. They started to embrace me and have big fancy gallery shows and museum shows. I’m one of the few cartoonists who mainly work for print who is now finding their way into the fine art world, and it’s the choice of the fine art world; it’s not my choice. I haven’t consciously promoted myself in that world."

Freeway

Commentary: At The Comics Journal, R. Fiore uses Mark Kalesniko's graphic novel Freeway as a springboard to discuss the history of American animation: "The eponymous metaphor of Mark Kalesniko’s Freeway is almost too easy: A transportation network that once granted free and effortless mobility that’s become a morass of stagnation and frustration to symbolize an animation business that promised personal expression amid camaraderie but delivers forced mediocrity in an atmosphere of Machiavellian backbiting. Condemned to a purgatorial traffic jam, Kalesniko’s dog-headed alter ego Alex grinds his teeth to reminiscences about his thwarted career, potentially idyllic but presently in-law plagued romance, and his abortive first expedition into Los Angeles, intermixed with idealized visions of animation’s golden age and premonitions of [SPOILER REDACTED – Ed.]."

Locas II

Commentary: "I’d love to see Locas become a well-made animated television series, because I feel like Jaime Hernandez’ work deserves the widest-possible audience. But is such an idea messing with a classic that doesn’t need such 'help'?" – Graeme McMillan, Spinoff Online

Daily OCD: 5/4-5/8/12
Written by Mike Baehr | Filed under Robert Crumbpreviewsnicolas mahlerMatthias WivelinterviewsHans RickheitDrew FriedmanDiane NoominDaniel ClowesDaily OCDAndrei MolotiuAbstract Comics 9 May 2012 1:43 AM

Starting to catch up on Online Commentary & Diversions:

Folly: The Consequences of Indescretion

Review: "The frighteningly hilarious world of Rickheit’s graphic novel is a deranged cabinet of curiosities, full of biomechanical tanks, writhing organic matter, amorphous monsters birthing adorable kittens, men and women in animal masks, and countless tubes, gas masks, sex toys, and pseudo-Victorian apocalyptic landscapes. It would all be too oppressive if Rickheit’s sense of humor weren’t so addictive.... This juxtaposition of dry humor undercuts the richly drawn horror of Folly, simultaneously adding to its strangeness and making it bearable for a casual read... The result is a narrative mosaic that pairs sumptuous, horrific imagery against a strange but lighthearted sense of humor." – Publishers Weekly

Kolor Klimax: Nordic Comics Now

Review: Walter Wehus looks at Kolor Klimax; key quote as translated by Kolor Klimax editor Matthias Wivel: "the common aspect is quality"

http://www.fantagraphics.com/images/flog/covers/2009/thumbs/bookcover_abstra.jpg

Review: "While exploring this collection, I found myself enjoying the various challenges it presented. It did dare me to eschew my 'western' values of linear, results oriented thinking and simply give way to my intuitive understanding of the art before me. I can’t honestly say I 'get' every comic contained withing this anthology [Abstract Comics]... nor can I truly say I learned something about the medium that I didn’t already know. But to see comics stripped of their representational elements does amplify certain things that are so unique about the medium and probably reveals its potential even more fully. These are comics to be experienced." – Jason Newcomb, StashMyComics

Angelman

Preview: The Beat's Jessica Lee presents a 6-page preview of Nicolas Mahler's Angelman, saying "If you’ve noticed yourself to be a comic enthusiast who has become more and more disillusioned with the corporate transformation of super-hero comics, Angelman could well be the fresh breath of illustrated air you’ve been yearning for. What could easily be one of the most comedic releases thus far this year, Fantagraphics is releasing (in hardcover no less!) a new graphic commentary of the often-times outrageous and unbelievable trends in the comic industry."

Drew Friedman My Way at the Scott Eder Gallery

Profile: The Wall Street Journal's Ralph Gardner Jr. on the work and career of Drew Friedman: "Mr. Friedman's genius is that, on some level, his work is never utterly absent affection, or his subjects black and white, even when they're literally drawn in black and white. It might be a stretch to say that the artist captures their underlying humanity. What he does provide is a picture window onto their troubled psyches so that they and their moral afflictions, whatever they are, must be taken seriously."

The Complete Crumb Comics Vol. 1

Interview: I don't think we've previously linked to Ted Widmer's career-spanning interview with Robert Crumb from the Summer 2010 issue of The Paris Review: "I was so eccentric when I was seventeen, eighteen, I used to walk around town wearing an Abe Lincoln frock coat and a stovepipe hat that I’d found in some junk store, defying people to ridicule me or think me eccentric. I was a teenage social outcast. At the time it made me feel very depressed, and rejected by girls. Later I realized I was actually quite lucky because it freed me. I was free to develop and explore on my own all these byways of the culture that, if you’re accepted, you just don’t do. I was free to explore the things that interested me."

Mr. Clowes, we present you with the Katzenjammer Medallion for comic excellence!

Interview (Audio): The Daniel Clowes victory lap continues with an appearance Monday on NPR's Morning Edition: "Clowes never aimed to be the kind of artist museums collect. But now, the walls of the Oakland Museum of California are covered with his drawings. It's 'quite embarrassing,' he laughs. After a stint as an art student at Brooklyn's Pratt Institute in the 1970s, Clowes tried unsuccessfully to get work as an illustrator. Sitting around drawing comics on his own, he decided to send a strip to underground publisher Fantagraphics. He was expecting rejection. Instead, 'they called me up and offered me a monthly comic book, and I felt like I hadn't earned anything,' he says. 'You know, it's like all of a sudden, you're being made president after you've been like, you know, on the city council in Cleveland.'" KQED also posts a couple of outtakes from the interview

Glitz-2-Go

Interview: At The Comics Journal, Nicole Rudick talks with Diane Noomin about her new collection of DiDi Glitz stories, Glitz-2-Go: "In 1974, I did a full-fledged DiDi story for Wimmen’s Comix. It was four pages and was called “She Chose Crime”, and when I was putting this book together I realized that DiDi came out almost fully developed. She hasn’t changed, she hasn’t grown or anything like that. If I look at that first story, the drawing has changed and I’d like to think that certain things have gotten better, but in that story, DiDi’s persona is it. I don’t think I’d realized that."

Friday Follies
Written by Kristy Valenti | Filed under Robert Crumboffice funinterns 27 Apr 2012 11:37 AM

Interns Anna and Madisen model the latest in temporary tat fashion, courtesy of the desk drawer.

annanmaddy.jpg

Daily OCD: 4/17/12
Written by Mike Baehr | Filed under Steven BrowerRobert CrumbreviewsMichel GagneMichael KuppermanJoost SwarteJoe SimonJack KirbyDrew FriedmanDaily OCD 17 Apr 2012 7:39 PM

Today's Online Commentary & Diversions:

Kupperman qua Twain

List: Time Out New York names the "50 Funniest New Yorkers," and coming in at #16: "Cartoonist Michael Kupperman transports his readers to another world altogether. In the recurring comic Tales Designed to Thrizzle and book-length parody Mark Twain's Autobiography 1910–2010, Kupperman perverts antiquated cultural signifiers into a jungle of foreplay robots, nut bras and absurd character concoctions such as the Mannister (a man whose superpower is turning into a bannister). Even in his live appearances — during which he occasionally appears as Twain — Kupperman has the same sort of folksy okey-doke quality as his pulpy '50s source material; but make no mistake, there's an uncanny comedy brain teeming underneath his cool exterior." – Matthew Love

Any Similarity to Persons Living or Dead Is Purely Coincidental: An Anthology of Comic Art, 1979-1985

Plug: Thanks to Howard Stern for plugging Drew & Josh Alan Friedman's Any Similarity to Persons Living or Dead Is Purely Coincidental on his show this morning

Is That All There Is?

Review: "...Swarte’s work does have that free-wheeling and even irreverent feel that you’ll find in the best work of Gilbert Sheldon and Robert Crumb. Chris Ware writes the introduction to this book, and he does a good job of setting up the collection. As he points out, Is That All There Is? contains most of Swarte’s work, which has me wondering what comics were left out, and why. Regardless, this is an incredible collection that spans Swarte’s career from the early 1970s to today." – Derek Parker Royal, Ph.D.

Young Romance: The Best of Simon & Kirby's Romance Comics

Review: "Joe Simon and Jack Kirby, the marquee team of the early days of comics, pioneered the romance genre in 1947 with this title, and, as you'd expect from the creators of Captain America, Young Romance wasn't bad. It had its fair share of melodramatic tear-jerkers, and occasional forays into misogyny (stupid women who need a man to teach them how to live), but Simon & Kirby also flirted with social issues like class distinctions and religious conflicts. And they didn't restrict themselves to small towns or big cities, like most romance stories, finding romance out West or in the Korean War. Young Romance offers 21 of the best of Simon & Kirby's romance stories, and that's probably just the right amount." – Andrew A. Smith, Scripps Howard News Service

Analysis: For Print magazine's Imprint blog, Steven Brower (our resident Mort Meskin expert) examines Jack Kirby's collage artwork in historical context

The Complete Crumb Comics Vol. 1

Analysis: At The Hooded Utilitarian, Robert Stanley Martin presents "one comics critic’s analysis and judgments of [Robert] Crumb’s career. I hope it’s of more interest than a pronouncement that his work is a single big project and one should just read all of it. Breaking his work down into distinct periods does, I think, help one to get a better handle on Crumb, no matter what one’s opinion of this or that individual effort. I certainly don’t think this essay is the last word. With Crumb, no essay ever is."

Comics: Philosophy & Practice at the University of Chicago!
Written by janice headley | Filed under SethRobert CrumbJustin GreenJoe SaccoIvan BrunettiGary PantereventsDaniel ClowesChris WareCharles BurnsCarol TylerAline Kominsky-Crumb 13 Apr 2012 11:49 AM

Hey Chicago! Stop whatever you're doing (yes, that means reading the FLOG) and go register for this NOW! Space is limited, and you do NOT want to miss out.

It's the Comics: Philosophy & Practice conference at the University of Chicago, held May 18th-20th.  And the line-up will make any comics-fan's head spin: it features Ivan Brunetti, Charles Burns, Daniel Clowes, R. Crumb, Aline Kominsky-Crumb, Gary Panter, Joe Sacco, Carol Tyler, and Chris Ware, as well as Lynda Barry, Alison Bechdel, Phoebe Gloeckner, Justin Green, Ben Katchor, Françoise Mouly, Seth, and Art Spiegelman... WOW.

Oh, and did I mention it's FREE? Why are you still reading this?! Registration opens TODAY (Friday, April 13th), but space is limited, so don't delay!

Daily OCD: 4/6-4/9/12
Written by Mike Baehr | Filed under Zak SallyRobert CrumbreviewsPaul NelsonOlivier SchrauwenMonte SchulzLove and RocketsKim DeitchKevin AveryinterviewsGuy PeellaertFantagraphics historyDaily OCDBill Griffith 9 Apr 2012 7:10 PM

A few days of Online Commentary & Diversions:

Everything Is an Afterthought: The Life and Writings of Paul Nelson

Review: "Everything Is an Afterthought: The Life and Writings of Paul Nelson by Salt Lake City native Kevin Avery is a fitting testimonial to a man who pioneered rock 'n' roll criticism. Those familiar and unfamiliar with the culture of the '60s will appreciate this finely written tribute.... Overall, Everything Is an Afterthought will break your heart and inspire you to be a better person. It is a wonderful story of a man who deserves his chance in the spotlight." – Shelby Scoffield, Deseret News

Excerpts: On his blog, writer Rob Trucks has a couple of bite-sized excerpts from Kevin Avery's Everything Is an Afterthought: The Life and Writings of Paul Nelson, here and here

Love and Rockets #1 [Sold Out] (Unpublished)

Review: If you've ever wondered what Tucker Stone might say about Love and Rockets #1, TCJ ahoy

The Man Who Grew His Beard

Review: "A little impenetrable in that wordless story kind of way, even when there are words. I like the stories – actually read them – but I’m more interested in studying the way each page sports a new texture or approach. The art is simply fantastic. Some stories retain a color scheme for their entirety and some switch up the limited palette within the story itself. Totally my kind of thing. I like the coloring, the line drawing, the combination of both. The graphic, printmaking quality of it and the 'classical' drawing are also attractive to me. I found myself just flipping through this collection for a long time.... High class stuff. Also, this book gets an award for best endpapers. Check it out." – Frank Santoro, The Comics Journal

Bill Griffith: Lost and Found - Comics 1969-2003

Review: "Lost and Found is the sort of retrospective project that begs summary statements. The introduction reads like a compressed memoir. The book, while extremely dense and a bit overwhelming to read, testifies to Griffith’s heroic output of underground comics, and his commitment to a lifetime of making work that is challenging, inventive, and beautifully drawn. His signature narrative discombobulation and linguistic elasticity unite all these disparate pieces into a cohesive statement of surprise and protest. It is ridiculously quotable. Also, it is very funny. Lost and Found delivers wholesale entertainment value with a socially redeeming dose of satire." – Matthew Thurber & Rebecca Bird, The Comics Journal

Interview (Audio): Inkstuds host Robin McConnell says of his latest episode, "One of the most prolific cartoonists of the underground generation, Bill Griffith, joined me to chat about his new collection, Lost and Found. It is an interesting conversation that touches on a number of different topics, ranging from his Zippy the Pinhead work, to discussing his contemporaries like Rory Hayes."

The Complete Crumb Comics Vol. 10: Crumb Advocates Violent Overthrow! [Hardcover Ed.]

Interview: Paul Gravett chatted with Robert Crumb for Art Review  magazine; he presents an unexpurgated version at his blog: "In the last few years, I’ve got so deeply involved investigating scandalous shit that goes on in modern business and culture. It’s very difficult to interpret in comics, I’m trying to figure it out. There’s not a lot of action or humour, it’s serious, grim shit. You could get your ass in trouble doing that, too. I remember when I did this thing in the Seventies, ‘Frosty the Snowman’, where I had him being this revolutionary who throws bombs at the Rockefeller mansion and shortly after that was published, the Internal Revenue Service came after me."

http://www.fantagraphics.com/images/flog/covers/2009/thumbs/bookcover_likdog.jpg

Interview: Chris Mautner's Q&A with Zak Sally at Robot 6 is a must read: "I’m no Pollyanna, nor am I a hippie; the world is NOT cut and dried with stuff like this, nor do I view it that way — if, for instance, Fantagraphics (who I love dearly) decided to print all their stuff over here, they’d probably have to kill important books by artists who don’t sell as well to ameliorate that extra cost. Or, hell, i don’t know — maybe they’d go under. Do i want either of those things? Heck no. I want Noah van Sciver and Chris Wright’s new books to get out in the world, and to reach their audience. I want Fantagraphics to be around for … forever. BUT: let’s also not fool ourselves that this 'lowest cost' imperative isn’t fucking up our world significantly, all day every day, as an economic paradigm. It’s a real thing, and that can’t be ignored either."

http://www.fantagraphics.com/images/flog/covers/2012/thumbs/9781606995303_jodelle.jpg

Profile: At HiLobrow, Norman Hathaway puts the spotlight on Guy Peellaert: "Years later I realized that Peellaert had also been responsible for one of my favorite pieces of power-pop comic art; Jodelle (and later Pravda), which plastered hip, mid-’60s fashion drawing into a dystopian landscape of the future, done in a completely different linear graphic design-based style."

The Big Town

Profile: Dan Taylor of The Press Democrat chats with Monte Schulz: "'My dad is actually mentioned in a very subtle way in The Big Town,' Schulz said. 'The main character, Harry, is in a barber shop. It says, "Back in St. Paul, he'd gotten his hair cut in the Family Barbershop on North Snelling Avenue by a cigar-smoking German fellow, whose young son drew funny little pictures."'"

Kim Deitch - self portrait

Profile (Video): Enjoy a brief video spotlight on the great Kim Deitch presented by Seth Kushner at Trip City

http://www.fantagraphics.com/images/flog/mike/201203/bestcomicsofthedecadevolifr.jpg

Tribute/History: From last week, at The Stranger, rememberances of our former art director, the late Dale Yarger