Here are some thoughts on last year's comics that I would like to share with you. I don't dare call this a "Best Of" list -- these are merely some comics that I read and that stand out to me, excluding Fantagraphics releases because it's my job to love them all equally, though you'll find some stuff from Fanta folks in here. Listed more or less alphabetically:
• Against Pain by Ron Rege Jr. (D&Q) - A nice hefty slab of Ron's unique vision. I'm always compelled by Ron's stuff and it's great to have this much of it in one place.
• Capacity by Theo Ellsworth (Secret Acres) - A warm, cleverly constructed, visually stunning tour through the artist's amazingly fertile creative imagination. Ellsworth synthesizes his mind-bogglingly detailed fantastical world-building with autobiography in a really natural and satisfying way without seeming like a crazy person, which is quite a feat.
• Dead Ringer by Jason T. Miles (La Mano) - A big, haunting slab of swampy beauty, mortality, cartoon gore, poetry and lovely chipboard. Morbid, funny, sublime, and lowbrow all at once. I get to sit next to this guy at work.
• Fight or Run: Shadow of the Chopper by Kevin Huizenga (Buenaventura) - Huizenga makes an experimental comic and the result is pure, distilled, uncut, unadulterated Comics Fun. Nifty!
• The Man Who Loved Breasts by Robert Goodin (Top Shelf) - Like a master class in expressive cartooning. Just look at George Olavatia's face from panel to panel, for Pete's sake.
• Trubble Club (online and self-published mini) - Cute, weird, gross, sad, funny jam comics from over a dozen participants (including Laura Park and Lilli Carré). Almost every panel goes in a delightfully unexpected direction.
• Welcome to the Dahl House by Ken Dahl (Microcosm) - His story in Papercutter hooked me on his acerbic worldview and crackerjack cartooning. This is mostly earlier stuff and as such a little rougher but it brings you up to where the greatness is.
• Renee French's blog - I look forward to Renee's daily drawings more than anything else in my RSS feeds. I especially love her lo-fi cameraphone (?) doodle snapshots and she occasionally flat out blows my mind.
• Things to see: Photos from Jim Blanchard's art opening at Wall of Sound in Seattle a couple of weekends ago
• Things to see: Photos of Dame Darcy at her exhibit opening in D.C. (with news of an upcoming musical gig in Portland); the D.C. Examiner looks at the exhibit too
I have a solo show at Secret Headquarters called The Monster Show that will feature 14 new paintings/drawings. Opening reception is Feb. 6, from 8 - 10 pm and the show will be up until Feb. 27th. For those not in the Los Angeles area, Secret Headquarters will have the paintings online for purchase as well.
Secret Headquarters 3817 W. Sunset Blvd. Los Angeles, Ca 90026 (323)666 2228
I've seen some of these works in person and they are wonderful.
From Robert Goodin: "I've just launched a blog called Covered that has an artist redrawing a comic cover in their own style. Participating artists will come from the fields of comics, animation, graphic design, and galleries from all over the world and some will be well known and some not so well known." There's just a couple of entries so far, but it looks like it's gonna be great. Above: Jeffrey Brown's version of Secret Wars #10.
Tonight at 7:00, see Mome contributor Robert Goodin at Meltdown in LA for the release of his new comic one-shot from our pals at Top Shelf, The Man Who Loved Breasts. Momes will, of course, also be available, as well as other Goodinalia.
(I dare you not to sing the title of this post to yourself to the tune of the theme from Entertainment Tonight now that I have put the suggestion in your head.)
Mome contributor Robert Goodin has a couple of new items available in his online shop. How can you not want to buy this silkscreened-on-wood-veneer postcard of a giraffe wearing goggles riding a bike with a sissy bar? C'mon!
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