Our cartoonists and creators are not only available in print form but LIVE IN PERSON on panels, talking about things they're all about and answering questions (which we know you're all about). Check 'em out and rest those tootsies, you'll be walking on them allll weekend long. Click on these wonder-links if you're wondering about our new books debuting and when people will be signing at our table.
Thursday, July 18th
12:30pm Spotlight On: Gene Deitch Comic-Con special guest Gene Deitch is a legendary cartoonist, animator, Academy Award-winning filmmaker, and creator of Tom Terrific. Join him for a tour thru his 70-year career, including his years directing cartoons for UPA and Weston Woods, as well as creating the comic strip Terr'ble Thompson and crossing paths with everyone from Pete Seeger and John Lee Hooker to Maurice Sendak and Jules Feiffer. Moderated by animation historian Jerry Beck and famed movie critic and author-and Comic-Con special guest-Leonard Maltin! Thursday July 18, 2013 12:30pm - 1:30pm Room 8
12:30pm Dave McKean: Blue Tree
Tree roots as neural networks, the lunacy of Luna, the creation of wolves, the cooking of compost and glimpses of Sandman -- all this and more in an interview panel with artist/writer/musician/director/Mac worrier Dave McKean. Thursday July 18, 2013 12:30pm - 1:30pm Room 4
6:00PM Anything that Loves: Comics Beyond Gay or Straight
In the last 20 years, lesbian and gay people have made great strides toward better representation in pop culture. The road for people who are bisexual, who have fluid sexuality and gender, or who otherwise fall outside of "gay" and "straight" has been much rockier. (Ironically, they are often met with the strongest mistrust and resistance from gay people.) The new comics anthology Anything That Loves assembles 30 creators to delve into the complex world of nonbinary sexuality and hopes to expose some myths, offer some new insights, and bring together an often-splintered LGBT community in a new way. Moderator Charles "Zan" Christensen and contributors to this anthology discuss the origins of the project, why it's important, and the challenges of being a bisexual storyteller. How can bisexual creators resist pressure from both straight and gay communities to put them in categories that don't truly fit? And how can creators effectively reach out to queer potential readers in a way that doesn't alienate straight ones? Find out the answers to these questions and many more! With Ellen Forney (Marbles: Mania, Depression, Michelangelo, and Me), Lena H. Chandhok (Pony Tale), Josh Trujillo (The Provider), Kevin Boze (The Virgin Project), Randall Kirby (BOP! Comics), and Tara Madison Avery (Dirtheads).
6:30pm Indie Comics Marketing and PR 101
Need tips on how to market your comic and yourself to voracious fans and the comic industry at large? Have questions on the best way to do PR? Then this panel is for you! Some of the best and brightest in comics today bring you a roundtable discussion, revealing all the secrets of doing effective marketing and PR to get your comic noticed. Join moderator Chip Mosher (comiXology's PR and marketing maven), J. K. Parkin (from Comic Book Resources and the Eisner Award-nominated blog Robot 6), and Fantagraphics Books's marketing and PR team Jacq Cohen (director of publicity and promotions) and Jen Vaughn (marketing and outreach coordinator) for an inspiring and wide-ranging discussion you won't want to miss! Thursday July 18, 2013 6:30pm - 7:30pm Room 8
Friday, July 19th
11:00am Spotlight on Ellen Forney
Cartoonist Ellen Forney presents her New York Times bestselling graphic memoir, Marbles: Depression, Michaelangelo, and Me, a darkly funny chronicle of her struggle with bipolar disorder. Nominated for a 2013 Eisner Award, "Marbles isn't just a great story; it's proof that artists don't have to be tortured to be brilliant. 'A'" -- Entertainment Weekly. Friday July 19, 2013 11:00am - 12:00pm Room 9
1:00pm Humor in Graphic Novels
From Star Wars's little princess to marbles and depression, from jetpacks and goliaths to dirty dumb eyes, writer/artists Jeffrey Brown (Vader's Little Princess), Ellen Forney (Marbles: Mania, Depression, Michelangelo, & Me,), Tom Gauld (You're All Just Jealous of My Jetpack), and Lisa Hanawalt (My Dirty Dumb Eyes) have the entire spectrum of humor-gag cartoons, self-deprecation, irony, to name just a few- covered in their graphic novels. Moderated by Andrew Farago (Cartoon Art Museum). Friday July 19, 2013 1:00pm - 2:00pm Room 9
2:00pm A Tribute to Kim Thompson of Fantagraphics Books
Gary Groth, Eric Reynolds, and Mike Catron of Fantagraphics Books are joined by Dark Horse's Diana Schutz and Love and Rockets co-creator Gilbert Hernandez to celebrate the life and career of Kim Thompson, whose legacy as co-publisher of Fantagraphics and bande dessinée's greatest ambassador in America spanned five decades.
Friday July 19, 2013 2:00pm - 3:00pm Room 25ABC
3:00pm Snoopy: A Retrospective Paige Braddock (creative director, Schulz Creative Associates; creator, Jane's World), Lex Fajardo (managing editor, kaboom Peanuts; creator, Kid Beowulf), Gary Groth (co-founder, Fantagraphics) and Nat Gertler (writer, The Peanuts Collection and kaboom Peanuts; publisher, About Comics) discuss Snoopy: astronaut, beagle scout, novelist, flying ace, and much-misunderstood pet of Charlie Brown ("If I only had a normal dog"). Celebrate this unique character who debuted in papers on October 4, 1950, created by Charles M. Schulz. Snoopy began his career walking on all fours, and over the next 50 years practically stole the show from his fellow Peanuts cast members. Moderated by, Damian Holbrook (senior writer at TV Guide magazine whose Spirit Animal is Snoopy). Friday July 19, 2013 3:00pm - 4:00pm Room 28DE
Saturday, July 20th
1:00pm Celebrating 10 Years of Prism Comics
In 2003, a new champion appeared on the comics scene, determined to make the industry a better place for lesbian, gay, bisexual, and transgender comics creators and readers. The nonprofit Prism Comics was founded by a small group of comics fans to provide a network for LGBTQ comics professionals and fans through their website, events, and convention appearances. Prism Comics has grown and now supports the next generation of creators through The Prism Comics Queer Press Grant. And diversity in the comics industry has grown as well. Where once LGBTQ comics and characters were marginalized, now they are frequently stepping into the spotlight. ModeratorJustin Hall (No Straight Lines, Glamazonia, Prism advisory board) and panelists Ted Abenheim (president, Prism Comics), Tara Madison Avery (Dirtheads, Prism board), Andy Mangels (co-founder, Prism Comics) Paige Braddock (Jane's World, Prism advisory board), Charles "Zan" Christensen (co-founder, Prism Comics; Northwest Press), Roger Klorese (Prism board), Jon Macy (Teleny and Camille, Prism Queer Press Grant chairperson) offer a look back at where Prism Comics started, celebrate how far they've come, and a peek into the future of where the queer comics scene might be headed. Saturday July 20, 2013 1:00pm - 2:00pm Room 28DE
2:30 Adventure Time Encyclopedia
A conversation moderated by Kent Osborne (head of story, Adventure Time) with Martin Olson (voice actor, The Lord of Evil), and Olivia Olson (voice actor, Marceline The Vampire Queen) about their new book from Abrams, The Adventure Time Encyclopedia, including a slide show and a dramatic reading from the book. Surprises may include a terrifying appearance by Hunson Abadeer himself, a music video from the Nightosphere, and Olivia singing with special surprise guests (like Tony Millionaire). Audience participation is encouraged for maximum chance of survival! Saturday July 20, 2013 2:30pm - 3:30pm Room 8
3:15 Vertigo: The Sandman 25th Anniversary and Beyond!
This year Vertigo's flagship title The Sandman returns to comics in an all-new series written by Neil Gaiman (The Sandman)! Join Neil for a celebration of the 25th anniversary of this timeless series and an exclusive look at what is in store for the Lord of the Dreaming with Neil and his past and future legendary collaborators, Dave McKean, Sam Kieth, Todd Klein, and J. H. Williams III. Saturday July 20, 2013 3:15pm - 4:15pm Room 6DE
3:30pm Fantagraphics and Drawn & Quarterly Preview
North America boasts the world's two leading comic book companies that have defined the literary genre for comics. Seattle's Fantagraphics and Montreal's Drawn & Quarterly present their fall and winter lists of works from the world's best cartoonists, perhaps even with a few surprises and giveaways! Saturday July 20, 2013 3:30pm - 4:30pm Room 26AB
5:30pm Gays in Comix XXVI
Whether it's the high-flying world of capes, spandex, and gravity-defying breasts or wondrously down-to-earth slice-of-life, the LGBTQ presence in comics has evolved beyond inclusion and visibility. Moderators Roger Klorese (Prism Comics Board) and Paige Braddock (Jane's World) explore the next level of authentic LGBTQ storytelling with panelists Shannon Walters (Kaboom), Eisner Award nominee Justin Hall (No Straight Lines), Leia Weathington (The Legend of Bold Riley), Shena Wolf (Uclick/Universal Press Syndicate), Sina Grace (Li'l Depressed Boy; Not My Bag), and others to be announced. The panel will be followed by the annual Prism Comics Gays Comic Fan Mixer and Silent Auction hosted by and benefiting Prism Comics, the nonprofit organization that supports gay, lesbian, bisexual, and transgendered comics, creators, and readers. Saturday July 20, 2013 5:30pm - 7:00pm Room 6A
7:00pm From Comic Book King to FIne Artist: Extraordinaire: A Chat with Robert Williams
Join friends and colleagues of a true underground comix heavyweight and accomplished fine artist,Robert Williams (ZAP Comix). Panelists include William Stout (illustrator, Wizards), Gwynned Vitello (president, Juxtapoz and Thrasher), Karl Meyer (president, Gentle Giant Studios), and Eric Reynolds (Fantagraphics). Robert will take us though his incredible journey from ZAP Comix, his work with Big Daddy Roth, all the way to his current exploits in the heady realm of fine art. Moderated by Vitello. Saturday July 20, 2013 7:00pm - 8:00pm Room 4
So you KNOW about our new books to debut at The Big Show aka (San Diego Comic Con) but we also have caged some wild cartoonists and even arranged some feeding times for them! Come by table #1718 to meet your favorite creators you've only read about in magazines online!
Keep your well-lubricated eyeballs peeled for more San Diego Comic-Con announcements on our Flog or via this HANDY TAG. Here's a preview of Gilbert and Jaime Hernandez quality con faces from last year!
Hey, want to get some holiday gift shopping out of the way early and make a big impact without breaking the bank? How about limited, signed edition books (some with exclusive prints) by some of the greatest comics creators around? How about HALF PRICE? That's right, get the following books at 50% off now through next Thursday, Nov. 8!
Conceptual Realism by Robert Williams — A catalog of the Fall 2009 solo exhibition of paintings and sculptures by the groundbreaking master of "lowbrow" art, with essays on each piece by the artist, sketches and other supplemental material. Hardcover edition with signed bookplate!
Hysteria in Remission by Robert Williams — This gorgeous volume collects the comics and illustrations of the seminal underground artist, much of it out of print for 25 years! Includes work done for Ed "Big Daddy" Roth, student cartoons and more rarities! Signed & numbered hardcover edition!
Hanging Out with the Dream King — The most intimate look yet into the life and mind of the best-selling author and creator of The Sandman. Over two dozen creators share their thoughts on working with Gaiman. Illustrated with many unpublished photos and comic pages! Hardcover signed by Neil Gaiman!
Jimbo in Purgatory by Gary Panter — This giant hardcover re-imagines Panter's cult hero as the protagonist in Dante's most famous work, with text remixed to include Biblical quotes and pop-culture snippets. An exquisite art object, and a brilliant literary game. With signed & numbered print!
Young GODS and Friends by Barry Windsor-Smith — Superficially resembling the 1960s The Mighty Thor, Young Gods is sexy, ribald, politically incorrect and funny, as three errant gods with mismatched goals and personalities seek fun across the universe. Signed hardcover edition!
Did you know our website has a well-stocked bargain section of Clearance Sale items and Closeout Deals? Well now you do! Here's just a couple of the excellent items we have marked down & priced to move:
Fred the Clown by Roger Langridge — Fred the Clown, the thinking man's idiot, has an eye for the ladies, but all they have for him is a carefully placed kneecap. Part Samuel Beckett, part Tex Avery; beautifully drawn, utterly inspired lunacy. Langridge's recent mainstream work has made him a critical darling — pick up this 2004 collection for some pure, unadulterated Langridge!$16.95$11.30 — You Save: 33.33%!Order Now
Fantagraphics Books President and Co-Publisher Gary Groth announced today at Comic-Con International that the Seattle-based publisher has entered into an agreement to publish The Complete ZAP Comix in Fall of 2012.
ZAP remains the best-known and most influential underground comic of all-time, and in many ways is Ground Zero for the entire field of underground, alternative, literary and art comics that exists today. Created by Robert Crumb, it was one of the defining events in the counterculture of the 1960s and singlehandedly launched the “underground comix” era.
“ZAP took comics from children to adults, crushing The Comics Code Authority in the process,” proclaimed ZAP artist Victor Moscoso.
The Complete ZAP Comix will be published as a two-volume, slipcased hardcover set, printed slightly larger than the original comics, and shot from the original negatives to the comic books, ensuring the finest reproduction ever seen of the material. It will also include the rarely-seen ZAM, a one-shot mini-comic/jam spinoff of ZAP from 1974, as well as other supplementary features, interviews with the artists, and other surprises.
“ZAP may be the most significant series in the history of American comics,” said Fantagraphics President and Co-Publisher Gary Groth. “Its cultural preeminence is the result of artistic merit, not collectibility or economics and that sets it apart from most comics series that have achieved this level of public awareness or notoriety. The artists that Crumb invited into ZAP each proved to be a stylistic virtuoso with a unique point of view and an uncompromising vision. ZAP was the vanguard of a movement that segued into the alternative comics of the ’80s and the graphic novels of the ’00s. We couldn’t be prouder to collect this landmark series in its entirety in a beautifully packaged two-volume set.”
Originally printed by Beat writer Charles Plymell in an edition of around 3,500 copies, ZAP #1 was the first title published by the late Don Donahue under the Apex Novelties imprint, and was infamously sold on the streets of Haight-Ashbury out of a baby stroller pushed by Crumb’s ex-wife, Dana. Over time, the series’ 16 issues have sold millions of copies.
Although R. Crumb had initially created ZAP as a showcase for his own work, the success of the first issue led him to open up the pages of subsequent issues to several other artists. He invited his peers S. Clay Wilson, Robert Williams, “Spain” Rodriguez, Gilbert Shelton, Victor Moscoso and Rick Griffin to join him, effectively creating an artists’ collective that has remained mostly constant in the subsequent decades; when Rick Griffin died in 1991, the artist Paul Mavrides was invited to join the group.
“Fantagraphics’ The Complete ZAP Comix, as designed by Victor Moscoso, will be a classy item for the bookshelves of underground comics fans — those who can afford it, that is,” said ZAP artist Gilbert Shelton. “I imagine most of the original readers wish they still had their copy of the first edition of ZAP #1, which sells for over ten thousand dollars now, if in perfect condition. But part of the secret of the success of underground comix was that they were cheaply produced and turned yellow and fell apart quickly, and also that they were borrowed and never returned by one’s friends, thereby forcing you to buy another copy. This will not happen with the new collected edition, which will be produced under the most rigorous of quality control.”
“Much as the effect EC’s MAD had on the mid-20th Century, ZAP was equally influential and disruptive to cultural mores at the end of the 20th Century, but without the hindrance of the old comic book code that cramped graphic novel expression for 40 years,” said ZAP artist Robert Williams. “I’m very pleased that Fantagraphics will release this long-awaited compendium of ZAP Comix.”
“When Robert Crumb started ZAP in 1968, no one had any idea that it would still be alive 45 years later,” Shelton added. “This exercise in anarchy — there were never any rules, restrictions, or editorial policy — is still the flagship of the underground comics movement. I tried, and failed, to get my fellow ZAPsters to correct their spelling errors, but they would not be subjected to such editorial tyranny. I also wanted to let other artists into the group, but it was decided to restrict the number of contributors to seven. So be it. Spell free or die, I now say.”
Fantagraphics will be publishing the The Complete ZAP Comix in Fall of 2012.
The Complete ZAP Comix By: R. Crumb, S. Clay Wilson, Robert Williams, Spain Rodriguez, Gilbert Shelton, Victor Moscoso, Rick Griffin, & Paul Mavrides Release Date: Fall 2012 Page Count: 800 PP Black & White • Two-Volume, Slipcased Hardcover Set
"Andrew Edlin Gallery is pleased to present Zap: Masters of Psychedelic Art, 1965-74, curated by Gary Panter and Chris Byrne. The exhibition will include works by the seven artists from the original Zap lineup: Robert Crumb, Victor Moscoso, Rick Griffin, S. Clay Wilson, Gilbert Shelton, Spain Rodriguez and Robert Williams. The focus of the show is the early days of Zap, when these artists begat their visionary deconstruction of the comic book with remarkable innovations in storytelling and drawing. An accompanying catalogue is being published by the gallery."
Ran across this one-page Alan Moore strip in an issue of Moore's Dodgem Logic magazine, and although I've seen Moore's "underground" work before, I was struck by just how heavily influenced by Robert Williams that this page was:
See below for a comparison to Williams' style (from Hysteria In Remission). The lettering, the hulking "Brody Bodine"-esque nitwit, the anthropomorphized pen, the "chicken fat" in the last panel, the stonerish detail, etc. It's impressive. Do more underground comics, Mr. Moore.