As we reported last fall, the mighty Ron Regé, Jr. will be leading a week-long intensive workshop at SAW, the Sequential Artists Workshop, from March 4th through 8th, in Gainesville, Florida!

Ron says, "If you are curious about, say, Jodorowsky's Psychomagic, surrealist revolution, alchemical archetypes, or other aspects of pulling spirits through the chaos of the ether (in relation to comics?) then come on over and we'll see what happens!" And who isn't curious about all those things?

Friend Ron on Facebook, and you'll get a sneak peek at his upcoming curriculum! He's been sharing PDF's and YouTube clips related to what he'll be throwin' down. It'll be the most magical Spring Break in Florida ever! And there's still time to sign up -- you can also get the "package deal" and take John Porcellino's class the week before. 

Wednesday, January 9th

• Los Angeles, CA: As we've mentioned previously on FLOG, when the great Ron Regé, Jr. isn't making awesome comics, he can be found making music, and this Wednesday, he'll be making a rare, special appearance at the Hyperion Tavern as "The Discombobulated Ventriloquist," performing songs on his new Casiotone mt400v! Do not miss this! (more info)  

Thursday, January 10th

• Seattle, WA: Our extraordinary Love and Rockets 30th Anniversary exhibit comes to an end at the Fantagraphics Bookstore & Gallery, so make a visit to see it in person while you can, or check out our Flickr gallery if you live outside the area! (more info)   

Friday, January 11th

• Santiago, Chile: Join co-editor Nico Vassilakis for the launch of an exhibition of The Last Vispo Anthology: Visual Poetry 1998-2008! Special guests include Crystal Curry, José Luis Bobadilla Acevedo and Gregorio Fontén, who will perform readings and book signings! (more info) 

Saturday, January 12th

The sweetest tea of Online Commentaries & Diversions: 

• Review: The Atlantic writes on The Heart of Thomas by Moto Hagio. Noah Berlatsky looks at it from every angle, "The boys' love genre, then, freed Hagio and her audience to cross and recross boundaries of identity, sexuality, and gender…Bodies and character flicker in and out, a sequence of surfaces, tied together less by narrative than by the heightened emotions of melodrama—jealousy, anger, trauma, desire, friendship, and love in the heart of Thomas."

• Plug: David Brothers and Comics Alliance posts a preview of The Heart of Thomas plus a few thoughts on Moto Hagio that works outside of his comfort zone. "What there is, though, is drama. No -- it has melodrama…the sheer level of theatrical drama in this book is enough to keep a skeptic hooked…Heart of Thomas is a trip, and a good one. I wasn't expecting to enjoy it as much as I did, and it was nice to enjoy something outside of my usual comfort zones."

• Plug: Johanna Carlson of Comics Worth Reading is ready for the world to read The Heart of Thomas by Moto Hagio. "This solid hardcover contains the entire classic shojo series, and it’s a must-read for anyone interested in the development of the genre. It’s also surprisingly gripping in its own right…"

• Plug: Brigid Alverson starts the year off right with The Heart of Thomas by Moto Hagio on MTV Geek.

• Review: Chris Mautner interviews Jim Woodring's Problematic on Robot 6. "Problematic is both a stroll through Woodring’s unique imagination and an opportunity to see his working process" and Woodring thinks "having a pocket sketchbook on me at all times means fleeting impressions and ideas that might otherwise be lost are captured…Everything I draw is reality-based."

• Plug: BoingBoing is ready for Jim Woodring's Problematic to come out. "There are many reasons to be grateful to be alive, and owning this brand new facsimile edition of artist Jim Woodring's Moleskine sketchbooks is as good as any," says Mark Frauenfelder.

• Interview/Review: Publishers Weekly looks at 7 Miles a Second, and Grace Bello interviews artists James Romberger and Marguerite Van Cook on writer David Wojnarowicz, the gay activist who wrote the comic before dying of AIDS-related complications. Romberger is quoted, "It really is so much about what David was about, channeling his anger into a statement…" "The gay experience is not only 'less invisible'—it’s on prime time TV. But the feral energy and raw hunger in 7 Miles a Second still resonate" states Bello.

• Review: Jason Sacks of Comics Bulletin presents 20 Facts and Opinions on Joe Kubert's Weird Horrors & Daring Adventures, edited by Bill Schelly. "Schelly and the always sterling Fantagraphics production team do a nice job of preserving the look and feel of these comics…the master cartoonist was equally at home doing broad humor as intense action/adventure as well as lighter, Archie-style teen humor."

• Review: Comics Alliance and Caleb Goellner continues their Best of 2012 series with Prison Pit Book 4 by Johnny Ryan. "It was like looking at a baby book of bad ideas from boyhood as an adult who'd learned to function in polite society…it's bliss to kick back and watch humankind's most immature impulses play out in the safety of Ryan's Prison Pit."

• Review: The Weekly Crisis lists its Top 10 books of 2012 and Johnny Ryan's Prison Pit Book 4 lands at #2. Taylor Pithers states "he is interested in is fighting and hyper violence, which to be fair, would be more acceptable to the masses if it was drawn by Ivan Reis or another one of Geoff Johns' collaborators…Honestly, there isn't a comic that has given me more belly laughs in my entire life."

• Review: Comiks Debris posts its Best of 2012 books and Johnny Ryan's Prison Pit Book 4 comes in as #8. Marc-Oliver Frisch writes "structurally, Prison Pit reminds me a lot of Jarmusch's The Limits of Control… The artwork looks ugly, crude and perfunctory. The characters eat, shit, fuck and, most of all, fight their way through the book…It's one mean, sick motherfucker of a comic, and I can't wait what happens next."

• Plug: Tucker Stone on The Comics Journal rates his top comics of 2012. Prison Pit Book 4 by Johnny Ryan comes in at 18. "…it’s hard to explain how intense the surprise was for a follower of Angry Youth and Ryan’s humiliation comics to open that first Prison Pit…"

• Review: Delphine by Richard Sala gets reviewed on Comic Book Resources. Kelly Thompson claims, "One part comic book and one part fever dream…Rare is the opportunity that I'm so engaged I consider yelling at an inanimate object such as a book…Delphine is also a nice contrast to the unrelentingly bright and happy fairy tales that are so often seen when it comes to modern reinterpretations of those early dark tales."

• Review: The New York Journal of Books thumbs through Spacehawk by Basil Wolverton. "Basil Wolverton rises to the occasion and gives the reader a detailed and hilarious look at megalomania while throwing in some fantastic aerial fight scenes…Fantagraphics Publishing brings Wolverton’s art to the reader in as detailed and perfect a form as possible. Each wave of space, every geometric shape and all the incredibly ugly aliens look better than they ever have in their entire lives," writes Mark Squirek.

• Review: Crave Online looks at Spacehawk by Basil Wolverton. "This is the medium when there were no rules, no event series and no giant corporations standing watch over what the creators were doing. If you love the Golden Age, science fiction and adventure, nothing compares to the world Basil Wolverton put together for Spacehawk," writes Iann Robinson.

• Review: The Weekly Crisis lists its Top 10 books of 2012 and Josh Simmon's The Furry Trap ranks as #1. Taylor Pithers writes, "The Furry Trap is pure exploitation; violent, disgusting, and bound to make you feel uncomfortable but it also does what the best fiction is meant to, it stays with you long after you have put the book down…Simmons is a cartoonist of the highest caliber. This is not a book for the faint hearted, but if you can stomach it will be a true experience."

• Review: NPR and Glen Weldon write on Books of 2012 they haven't told you about. Heads or Tails by Lilli Carré "The whole collection has the feel of a dream in which remembering how to fly is as simple as forgetting that you can't."

 • Review: Noel Murray and The A.V. Club write about the Top 10 Fiction books of 2012. Heads or Tails comes in at #7. "Lilli Carré’s stories are like dreamy what-ifs that take the familiar and tweak it."

• Plug: Whitney Matheson of USA Today's Popcandy mentions her favorite things including Heads or Tails by Lilli Carré: "…a lovely volume from one of my favorite cartoonists that includes several beautifully strange short stories. I'm a longtime fan and even have a framed Carre print hanging in the baby's room."

• Plug: Chris Mautner of Comic Book Resources lists his Best reprint/reissue series of 2012 with many Fantagraphics titles: Spacehawk by Basil Wolverton as #1. "I had more fun reading this than just about anything else this year." #2 was Dal Tokyo by Gary Panter, # 3 was Is That All There Is? by Joost Swarte. #5 was Heads or Tails by Lilli Carré. The Furry Trap by Josh Simmons made the list at #10.

• Interview: The Comics Journal interviews Ron Regé, Jr. on The Cartoon Utopia, evolving comics and more. Regé on his book, "People should use bibilomancy—randomly opening to a page—to access the information if they’d like. Nothing in the book tells you to treat it that way, but I think people will get the idea anyway."

• Review: Comics Bulletin and Jason Sacks investigate Blacklung. "Chris Wright seems to channel Melville or Conrad in this book as he explores the uniquely idiosyncratic world that he creates…nobody has ever created characters that look like the characters in this book, with their strange faces and lumpy, malformed bodies…This slim graphic novel is a dense read unlike anything else you've read in comics."

• Review: Noel Murray and The A.V. Club write about the Top 10 Fiction books of 2012. Athos in America is #5. "Jason’s blank-faced animal-headed characters reveal unexpectedly deep passion via deadpan tales of dislocation."

• Review: NPR and Glen Weldon write on Books of 2012 they haven't told you about like Wandering Son by Takako Shimura. "Wandering Son is not the kind of manga in which a happy ending is guaranteed… You'll thus be grateful for the moments of realistic, untempered joy Shimura allows her two protagonists here, as you wait with nervous anticipations for the travails that lie ahead for them…"

• Review: Manga Bookshelf recounts its Favorite Manga Series of 2012 including Wandering Son by Takako Shimura. "This series about two transgender children in modern-day Japan has been a favorite since it debuted last year thanks to its delicate, truthful storytelling and understated artwork…Its most recent volume (three) goes a bit darker and deeper, only heightening my interest in the series" says Melinda Beasi.

• Review: Noel Murray and The A.V. Club write about the Top 5 Archival books of 2012. Harvey Kurtzman's Corpse on the Imjin! landed at #1. "Kurtzman book is especially stunning, almost like a coffee-table art-book combined with a literary collection…an anthology with a strong individual perspective that tries to tell the truth about what war is like from the point of view of the people on both sides of the battlefield."

• Review: Noel Murray and The A.V. Club write about the Top 5 Archival books of 2012. Ernie Bushmiller's Nancy Is Happy: Complete Dailies 1946-48: "bristle-headed Nancy and poor slob Sluggo inadvertently irritate the grown-ups in their lives, in scenarios that Bushmiller illustrated with absurd visual gags—so basic that anyone, anywhere, at any time, could get the joke."

• Review: Nick Gazin of VICE has a pretty fuckin' fancy (his words) edition of The Clouds Above by Jordan Crane. "Jordan Crane is a cartoonist with supreme abilities. He's great at making lines, hand text, and backgrounds and stuff…This is beautifully colored also. Did I mention Jordan Crane's great color sense? His colors are good."

• Review: Steve Donaghue enjoys Prince Valiant Vol. 1 by Hal Foster on Open Letters Monthly. "The ambition becomes most emphatic the more you scrutinize the work. Foster often said he put in between 50 and 60 hours a week on creating the strip, and it shows in these magnificent reproductions, done in a sturdy hardcover with oversized pages and entirely restored colors and shadings."

• Plug: Record Collector magazine (UK) picks Listen, Whitey! by Pat Thomas as one of the top 12 books of 2012. "A socio-polictal account of American racial struggles...an extraordinary study of the way the message of [the Black Panther] movement was recounted and defined on vinyl. "In-depth" doesn't begin to describe it."

• Plug: Tucker Stone on The Comics Journal rates his top comics of 2012. Dungeon Quest 3 by Joe Daly makes the mark at 17. "in times like these, with sandwiches like mine, you have to root for the one who brung you, and that’s dick jokes. Dungeon Quest had so many of them, and they were all wonderful."

• Plug: Johanna Carlson of Comics Worth Reading notes the softcover edition of Castle Waiting Vol. 1 by Linda Medley. "The original hardcover was one of my best of 2006; it’s a gorgeous twist on fairy tales, concentrating on daily life instead of big events, which makes it charming."

• Commentary: Tom Spurgeon lists his top 50 positives about comics right now mentioning Fantagraphics several times. Lilli Carré's Heads or Tails was a hit, the flowering of Gary Groth, Kim Thompson's polyglotism, Mike Catron and Preston White Return to Fangraphics, Generation 3 (Jacq and me, Jen, pictured!), and of course, Love and Rockets 30th Anniversary.

• Plug: Everyone is excited about Nijigahara Holograph by Inio Asano. All Fiction, Anime News Network, and more. 

• Plug: Bleeding Cool reports on Jacques Tardi turning down an award from the French government, The Legion D'Honneur. Punk as shit.

• Plug: Barnaby love over at Forbidden Planet International.

It can be hard being a touring band on the road! When we couldn't manage to schedule a signing at the store with Ron Regé, Jr., we brought the books to him at last week's Lavender Diamond show in Seattle. And while supplies last, you can get one of those autographed copies of The Cartoon Utopia exclusively at the Fantagraphics Bookstore & Gallery! It's a joyous holiday gift!

The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.

Seattle skies may be grey, but tomorrow things will take on a purplish hue, as our own Ron Regé, Jr. rolls into town with his rock combo, Lavender Diamond! 

You can catch them Thursday, December 13th at the Sunset Tavern [ 5433 Ballard Avenue Northwest ] with local lass Shelby Earl opening the show. Alas, the concert is 21+, so you young'ins will want to try to stalk him outside the venue to get a book signed.

And Fantagraphics will be on site with copies of Ron's latest masterpiece, The Cartoon Utopia, for sale! Now is your chance to get your books signed by Ron himself, or perhaps get a special holiday wish inscribed in one for a festive gift!

Live outside of the Seattle area?  Lavender Diamond will be LIVE on KEXP at 3:00 PM PST, and you can stream their set worldwide at KEXP.ORG. You live in Portland? Visit Ron this Friday evening at Floating World Comics before their show at the Doug Fir Lounge!

Portland's already a bit of a cartoon utopia, so it's only right to bring the lovely Ron Rege, Jr. to town for a celebration of his magnum opus, The Cartoon Utopia!

Join him this Friday, December 14th at Floating World Comics for this very special signing from 5:00 to 7:00 PM.

In The Cartoon Utopia, “Utopians” of the future world are attempting to send messages through consciousness, outside of the constricts of time as we understand it. These messages appear in the form of art, music and storytelling, three of the very things that Ron will be bringing to the Rose City. After his signing, you can catch Ron on drums with his band, Lavender Diamond, at the Doug Fir Lounge!

Floating World Comics is located at 400 NW Couch St. in the the heart of the Pearl District. 

The cutest Carré animation of Online Commentaries & Diversions*:

• Review: Chris Sims on Comics Alliance looks at the first story (and title story) of the latest Carl Barks collection: Walt Disney's Donald Duck "A Christmas for Shacktown." Sims says, "At 32 pages, it's a sprawling epic (By Barks' standards, anyway) that hits those beautiful Holiday themes of altruism and the spirit of giving. Although to be fair, it does get a little closer to cannibalism than most other Christmas comics.

• Review: Speaking of Christmas comics, John Seven of the North Adams Transcript reads Charlie Brown's Christmas Stocking by Charles M. Schulz. "As with the best of Schulz's work, the humor alternates between deadpan and over the top, and the presentation of religion and holidays both is both irreverent and respectful at the same time. Schulz was a multi-faceted writer and could tackle contradictions through great simplicity. Charlie Brown's Christmas Stocking stands as gift from the past that is greater than the size of the package. It's a real treasure."

• Review (audio): Comic Books are Burning in Hell take you on a whirlwind, family road-trip of a podcast review of Gary Panter, Dal Tokyo and his occasional critics (Andrew Arnold). "Panter is very good at drawing altered states." "What was loose, scrappy and punk rock becomes much tighter." "The later stuff in here is the quote, unquote nicest drawing Gary has ever done, most acceptable comicswise." The evolution of one man's comics.

• Plug (video): Last Gasp makes a cute and cool holiday gift guide featuring Dal Tokyo by Gary Panter, Barack Hussein Obama by Steven Weissman and The Cartoon Utopia by Ron Reje, Jr.

• Plug: Creator of Barack Hussein Obama, Steven Weissman, runs around looking for vintage comics with Love and Rockets co-creator, Mario Hernandez at the Comics Alliance. Need a hot tip? "They stick a lot old stuff in between the new stuff so I always look for the brown spines,"says Mario.

• Review: On the North Adams Transcript, John Seven enjoys Charles Forsman, Oily Comics and The End of the Fucking World. "When I started, I didn't have a real plan for [TEOTFW]," Forsman said. "I just wanted it to be fun. After laboring over the other book, I wanted to have fun again, because when you're working on something for awhile, you can get bogged down in the details."

• Plug: On the Forbidden Planet International site, Simon Moreton praises The End of the Fucking World by Charles Forsman as "It evokes that intoxicating, teen slacker vibe, a cool, calm, detached horror and the intelligence of a well-paced, keenly told tale."

• Review: Filth and Fabulations includes Dungeon Quest 3 by Joe Daly in a Best of 2012 list. "The riffing on classic roleplaying tropes is often hilarious, but the true comedic brilliance of the series lies in the way Daly writes the often drawn out pages of dialogue between the main characters. He manages to capture the way people talk in real life perfectly."

• Review: MTV Geek's Best of Graphic Novel 2012 List includes Athos in America by Jason. "A series of short stories that put Jason's insecurities and imperfections on display in an occassionally uncomfortable and frequently moving way," states Eddie Wright.

• Review: MTV Geek's Best of Graphic Novel 2012 List counts Noah Van Sciver's The Hypo as Numbah One! "A big-budget movie can't capture the subtlety of Lincoln's personality like it's done here," states Valerie. Eddie Wright chimes in and says, "In Van Sciver's well-researched, moving portrait of the troubled president, he's painted as a nuanced, difficult, intriguing and most of all, human figure."

• Review: Noah Bertlatksy of The Hooded Utilitarian looks at Johnny Ryan's Prison Pit 4, the importance of genitals in an invulnerable society. "Prison Pit is a hyberbolic, endless series of incredibly gruesome, pointless, testosterone-fueled battles with muscles and bodily fluids spurting copiously in every direction. . .  everybody, everywhere, is a sack of more or less constantly violated meat, to whom gender is epoxied (literally, in this sequence) as a means of more fully realizing the work of degradation."

• Plug: David Allen of the Daily Bulletin takes a look at all the comic strip reprints out currently, ready to read Pogo: The Complete Syndicated Strips Vol. 2 "Bona Fide Balderdash" by Walt Kelly. "Through his nonsense-spouting critters in the Okefenokee swamp, Kelly often satirized government and national politics, taking on the Red Scare and coining the phrase "We have met the enemy and he is us. But 'Pogo' also had slapstick combined with wordplay and whimsy. Nice to have 'Pogo' back."

*referring to Lilli Carré's looping animation she made for Heads or Tails! Too irresistable. 

The most symmetrical cake slice of Online Commentaries & Diversions:

• Review: Publishers Weekly occasionally lets smart and famous people recommend books. Jeopardy Master Ken Jennings "skipped the obvious Marjane Satrapi and Alison Bechdel entries in favor of this lesser-known three-volume masterpiece, about Tyler’s complicated relationship with her distant dad, a World War II vet. With her playful, fluid brush line and busy patchwork of watercolor woodgrain, Tyler’s art looks like the past feels." Carol Tyler's complete series You'll Never Know is available.

• Review: Booklist Online cooks up a review from some Pogo (The Complete Syndicated Comic Strips Vol. 2: "Bona Fide Balderdash"). Ian Chipman writes, "[Walt Kelly's] hallmarks of deft wordplay, daft swamp critters, and poisonously sharp sociopolitical satire are in full blossom here. The highlight is the 1952 election season that saw Pogo’s first and entirely reluctant presidential run and the birth of the “I Go Pogo” slogan. Mimicking “I Like Ike. . . A must for all collections of comic-strip history."

• Plug: Forces of Geek throws out some good gift recommendations for kids like Walt Disney's Uncle Scrooge "Only a Poor Old Man" by Carl Barks. "Comic books have always been an excellent gateway into reading, and when it comes to smart, imaginative and engaging, you don't have to go much further than Carl Barks. . . What better way to introduce your own Huey, Dewey or Louie to comics?"

• Review: Paste Magazines's 10 Best Collections of 2012 include two Fantagraphics titles. Hillary Brown loved Young Romance, by Joe Simon and Jack Kirby edited by Michel Gagné who "painstakingly restored them (without making them look exactly new, thus giving the book the feel of a vintage compilation that just happens to be in amazing shape). . . Simon and Kirby tried to bring as much excitement to primarily psychological and interpersonal goings-on as to punching and flying." And this might be the last year anything by Carl Barks is on the list, "We’ll just grant it permanent honorary status as the best of the best, like when John Larroquette removed himself from Emmy consideration after winning four straight for Night Court. . . [Walt Disney's Donald Duck "A Christmas for Shacktown] once again proves Barks to be one of the finest draftsmen and storytellers we’ve ever had." Well put, Garrett Martin.

• Plug: The KUER Radiowest Show hosted many book sellers with their holiday gift ideas. Ken Sanders of Rare Books chose Walt Disney’s Donald Duck: “A Christmas for Shacktown” by for the "brilliant, brilliant artwork by Carl Barks" and Walt Disney’s Mickey Mouse: Volume 4 “House of the Seven Haunts” by Floyd Gottfredson to top his 2012 list for kids.

• Plug: The Scotsman lists some of the Best of 2012 as told by the best scotsman. Withered Hand's singer/songwriter Dan Willson has eyes only for Ron Rege, Jr. and states, "[The] Cartoon Utopia , his magnum opus, is quite a head-trip. Thousands of very dense little drawings and words resemble a psychedelic illuminated manuscript peppered with themes of spiritual redemption and good versus evil. It’s a very unusual and beautiful work."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. On Ron Rege Jr.'s The Cartoon Utopia , "The first esoteric text of the new century. The harbinger of the New Aeon. This book will be a staple of Esoteric Lore for millennia to come."

• Plug: Boing Boing makes my job easy by providing the Best Damn Comics of 2012. Compiled by Brian Heater, a lot of creative people offered up their favorite books of the year. Nick Abadzis thinks Kolor Klimax (edited by Matthias Wivel), "feels startling and vital to me and features a wide variety of styles, each as absorbing as all the others contained within these pages. I don't think I've enjoyed an anthology as much as this one in years."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown on Barack Hussein Obama, "Steven Weissman does stuff with actual analog comic materials that most dudes can't even do with photoshop." Jeffrey Brown chimes in on BHO, "Strange, funny and beautiful. Weissman reinvents his comics with the kind of book I wish I would make." Will Dinksi agrees, "Barack Hussein Obama is pretty much my favorite book of the year. . . I get a better appreciation for Weissman's craft in the printed collection where it can feel like you're actually looking at the finished artwork." Mari Naomi says,"I just love what this book is. If I didn't know better, I wouldn't even recognize this as Weissman. And I like that."

• Review: Paris Review checks out The Last Vispo, edited by Nico Vassilakis and Crag Hill. Nicole Rudick states,"it makes sense that in visual form poetry would elicit a kind of motion, an unfolding over the space of a page, and that even its sound would be voiced as a series of discoveries. Movement disrupts the continuity of a sentence, a phrase, a word. And language, unsettled, is unbound."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown continues to wax poetic on Josh Simmons' The Furry Trap, "Funny, even as it makes your hair stand on end and your skin start to crawl... Horror comics that gash their way below the surface."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Shaenon K. Garrity says that The Heart of Thomas by Moto Hagio "is a book I've been awaiting for over ten years, and it exceeds my expectations."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Nate Powell on Interiorae by Gabriella Giandelli, is "just what I look for in a narrative: patient, dreamy, full of seemingly endless layers of shadow, slowly revealing the sweetness inside the rotten, all within the confines of a single high-rise apartment building, surrounded by snow and static."

• Review: Slate finds themselves choosing Heads or Tails, going for broke. Dan Kois says, "Lilli Carré’s short stories are dreamy, unlikely, and unsettling. What transforms the stories from nightmares to fables is Carré’s artwork, which varies with each story. . ."

• Review: Page 45 looks at Heads or Tails by Lilli Carré. "The art reminds me a little of Lynda Barry and the flow of the pages reminded me a little of Walt Holcombe. . .I recently recommended this book to a customer who named their favourite film as Amelie (good choice!) precisely because it has that feeling of whimsy about it."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Jeremy Tinder on Heads or Tails by Lilli Carré, "A nice encapsulation of many of the ways Lilli has been pushing herself both narratively and stylistically over the last few years. If only there was a way to squeeze her animation in there too." Will Dinksi comments on Heads or Tails by Lilli Carré, "Beautiful artwork. Thoughtfully paced. "Of The Essence" is one of the best comic book short stories I've ever read."

• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Robert Kirby on No Straight Lines edited by Justin Hall, "Long overdue, this beautifully-produced, sharply edited retrospective may usher in a new era of respect and recognition for a long-neglected realm of the alt-comics world."

• Review: Blacklung by Chris Wright is whittled on by Tucker Stone at TCJ. It's called "the big, trippy brother to Drew Weing’s Segar influenced Set To Sea. . . . [and] Gore saturates this comic. . .  Brutality for its own sake is the point of some entertaining movies, no reason it can’t be the point of some entertaining comics as well."

• Review: On Filth and Fabulations, Jeppe Mulich states that Chris Wright's "[Blacklung is] not a work of splatter punk or mindless gore, but rather an engaging, breathless, and humorous tale of the dregs of the sea, including a colorful assortment of pirates and madmen, quite clearly drawing inspiration from both Melville, Stevenson and Peckinpah."

• Review: Paste Magazine reviews Charlie Brown's Christmas Stocking by Charles M. Schulz. "Seeing this work isolated and expanded only reinforces the sheer timelessness and brilliance inherent; Schulz was a master of mood and line in equal measure. . . it’s some of the finest nostalgia porn you can put under the tree," quips Sean Edgar. 

•Review: Pheonix New Times unwraps their present early and Jason P. Woodbury interviews Nat Gertler on Charlie Brown's Christmas Stocking by Charles M Schulz. "[Schulz] had done a Christmas book, Christmas is Together-Time, using red and green," Gertler says, explaining the minimal color palette. "We wanted to keep that simplicity and Christmas-sense in there." The stable of Schulz characters transcend fads and time because as Gertler points out "It's not the way kids talk, but they way they feel is the way that kids feel."

• Plug: Drawn blog tops off another the Best of 2012 list with some Ernie Bushmiller. John Martz points out, "Nancy seems to be a love-it-or-leave-it strip, and I am firmly in the Love It camp. . . Often surreal, and always impeccably drawn, there is nothing quite like it. . . these books are a virtual masterclass in cartooning."

• Review: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Tom Kaczynski on Ernie Bushmiller's Nancy is Happy, "The minimalism of the art, the quirky humor, the amazing consistency, it all started with these strips." 

• Review: Getting ready for the hardback release of Delphine by Richard Sala, Carrie Cuinn of SF Portal reviews the tale complete with "dark duotone inking style, little dialogue, and gothic, shadowy, art. . . Overall I think that Sala’s retelling of that well-known love story is affectingly tragic. . . It is, in a word, creepy."

• Review: If MTV Geek knows about The End of the Fucking World then the secret is out: Charles Forsman is amazing! "[It] pulls you in like no other comic this year. Stunning in its simplicity and brave in its subject matter. Charles Forsman is a future force. . . [it] is like stumbling onto the ultimate secret in comic books, but based on how great TEOTFW is, it won't be much a secret longer." 

• Review: Ashley over at Bibliophibien looks at Wandering Son series by Shimura Takako, "While the story is focused on transgender topics, I think that this is a wonderfully moving coming-of-age story and captures the complexities of sexual identity, friendships, and family that teens face."

• Review: Rick Klaw at SF Site enjoys the glossy glory of Action! Mystery! Thrills!, edited by Greg Sadowski. "As in his previous volumes. . . Sadowski supplies copious end notes and annotations. Though this time, the information additionally reads as an entertaining history of early comics. . . Sadowski once again delivers an essential book for anyone with an interest in comics history."

• Plug: John McMurtrie of SF Gate (San Francisco Gate) lists Listen, Whitey! by Pat Thomas as one of the Music Books to Buy of 2012. 

 The first rain-free (HA!) day of Online Commentaries & Diversions:

• Review: Robot 6 reviews The Cartoon Utopia by Ron Rege Jr. Chris Mautner writes "with Rege drawing science, new age spiritualism, the occult, astrology and Jungian archetypes to come up with a personal grand unification theory. There are no plots or characters in the book to speak of, instead Rege merely muses and illustrates his theories, which mainly have to on the interconnectedness of all living matter."

• Plugs: Best covers of the week by Andy Khouri on Comics Alliance. Ron Regé Jr's The Cartoon Utopia: "This cover really makes me smile, and maybe gives me a sense of four-color spiritual well-being. But cartoon utopia looks more outdoorsy than I expected."

• Review: Page 45 enjoys the gentle pages of The Cartoon Utopia. Stephen L. Holland states, "Regé is back with a spiritual manifesto and ode to creativity: a singular, secular vision delivered with all the fervour of a religious sermon. It’s a call not to arms but to peace and perception unshackled from the conditioning of ages, exhorting all to see new possibilities, infinite possibilities, so enabling one’s full potential to be realised in both senses of the word."

• Review: Barack Hussein Obama by Steven Weissman is reviewed on Bookslut. Martyn Pedler says, "His Obama begins as a kind of smug, stoner everyman: telling 'your momma' jokes, discussing old movies with visiting dignitaries . . .  Weissman’s pages -- drawn in ballpoint into a moleskin notebook -- use a four-panel gag structure that makes the book immediately addictive."  

• Review: Publishers Weekly takes on Barack Hussein Obama by Steven Weissman.". . . readers will likely have to be content with being one part giddy and three parts puzzled. . . Perhaps that’s Weissman’s point: that the farce of contemporary politics has the capacity to make one simultaneously giddy, confused, and disenchanted."

• Interview (audio): Speaking of Steven Weissman, Obama and the elections, he is interviewed on KPFK 90.7 FM's show Beneath the Surface. 

• Review: Comics Worth Reading looks at Charlie Brown's Christmas Stocking by Charles Schulz. KC Carlson says, "Charlie Brown’s Christmas Stocking is the perfect stocking stuffer for any Peanuts fan — which is probably most of the planet!"

 

• Review: Booklist Online carves out a place in their hearts for Wallace Wood's Came the Dawn. Ray Olson writes, "This volume presenting all his horror and crime stories chronologically shows him refining what is at first a crude though powerful sense of mise-en-scène into one that is assured, highly detailed, and lightly caricatural."

• Interview: Jim Woodring is interviewed by Peter Bebergal on hippies, hallucinations and all the good stuff that goes into his latest work, Problematic, a skechbook. "I frequently saw things at night — silently jabbering heads at the foot of my bed, distorted animals and objects hanging in the air over me. Often I saw a huge staring eye that made me vomit with fear."

 

• Plug: On Boing-Boing, Mark Frauenfelder tips his digi-hat to Floyd Gottfredson: "Gottfredson's Mickey is a plucky, goodhearted imp, bursting with energy and impulsively eager for adventure. . . [Carl] Barks will always have a special place in my heart, but I've added Gottfredson to my short list of great American cartoonists."

• Review: Page 45 looks at The Lost Art of Ah Pook and Stephen L. Holland ponders "Malcom Mc Neill has taken the time to put this eye-frazzling book of art – some of it sequential – into context, for the work itself is very much lost. . . There are vast scenes of ancient ritual, carnal lust and very modern warfare transcending time just as they were always intended."

• Review: Booklist Online likes Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. Ian Chipman states, "from the bitter cold of the Klondike to the bottom of the Caribbean. . . Barks’ comics are an absolute treasure that have aged remarkably well, and are finally getting wide-scale publication to introduce them to a new generation of readers."

• Review: Gene Ambaum of Unshelved happily views covers from Action! Mystery! Thrills!, edited by Greg Sadowski. "Beautiful full-color reproductions of unblemished comic book covers show the amazing art and the breadth of genres on the newsstands before Fredric Wertham screwed everything up in the 1950s. . . The colors are bright, and the art is just plain fun."

• Review: Comic Book Daily reviews Prince Valiant Volume 2: 1939-1940. Scott VanderPloeg write, "All of it beautifully drawn as only Hal Foster could. Each page is a visual feast that begs to be savoured."

• Review: Rod Lott of Bookgasm spends a long, loooong time checking out Sexytime. "[Editor Jacque Boyreau] has a knack for picking images; much like Supreme Court Justice Potter Stewart and hardcore porn, Boyreau knows it when he sees it. And luckily, he shares it, this time from the visual-presentation experts of Fantagraphics Books — a match made in poster-art heaven."

 

• Interview (audio): One of our favorite creators, Ellen Forney, speaks to KUOW/NPR on bi-polar disorder, comics and her new work, Marbles. 

• Plug: Jaime Hernandez will be at the Copenhagen Comics Fest in Copenhagen, Denmark in June of 2013. Mark them calendars!

• Interview: Steven Weissman is a popular man with his presurrealidential comic, Barack Hussein Obama. Comic Book Resources and Alex Dueben interviews Weissman on the evolution of a comic and re-engaging your audience. 

• Interview: Comics Alliance's J. Caleb Mozzocco interviews Steven Weissman on Barack Hussein Obama. "The Barack Hussein Obama that ultimately emerges from the book is a pretty regular guy trapped in a comic strip, struggling to be all things to all people," states Mozzocco.

 • Review: Jim Woodring's sneak peek at his sketchbooks that eventually became Problematic was up on BoingBoing before the video went 'kaput,' now there is Jim inking like a badass with a nib. You can still see sample pages here for Problematic. Video made and featuring the hands of Marketing Director, Mike Baehr, coming soon!

• Plug: Comics Reporter comments on a few of our releases from this week. In reference to The Cartoon Utopia, Tom Spurgeon states, "Ron Regé Jr. is one of those special cartoonists where I buy everything he does without asking questions first. On the strength of this latest collection, with which I'm only about halfway done, Lilli Carré may join that group of cartoonists much sooner than I thought possible. . . " with her collection of stories in Heads or Tails.

• Interview: Andrew Wheeler of Comics Alliance interviews Justin Hall, editor of No Straight Lines. "It's also a testament to how good those early creators were. Howard Cruse, Trina Robbins, Roberta Gregory, they're some of the best cartoonists in the business and they were doing work of surprising sophistication from the very beginning."