• Review: "Surrealism is dangerous. Mostly, when you leave the rails, the result is less glorious freedom and more quick kablooie. It’s an easy method for the lazy writer, but somehow when Ray Fenwick does it, it works. Mascots, his second book, is short on — but not absent — narrative. Its pages are made up of paintings on book covers that are largely text-based... Somehow, they hang together enough to produce a fuzzy but charming impression." – Hillary Brown, Paste
• Review: "...[T]he impressive thing about [Special Exits] is that, despite depressing subject matter, it’s extremely readable and fairly funny. Yes, you’ll think about the horrors of getting old and failing to maintain your independence, not to mention the even scarier prospect of taking care of your own parents. But if Farmer’s book is meant to soothe your fears, it kind of works." – Hillary Brown, Paste
• Review: "The black-and-white Hey, Wait… and Sshhh! are low-key ruminations on grief, loss and aging that bear Jason’s trademark anthropomorphic animals, clean lines and Scandinavian black humor. [...] Jason’s beautiful craftsmanship overcomes The Iron Wagon’s familiar material and, along with the rest of What I Did, foreshadows the excellent work to come later in the decade." – Garrett Martin, Paste
• Review: "There's no doubt in anyone's mind that Roy Crane was a first-class cartoonist, frequently making panels on the newspaper page that were absolutely to die for, stop-and-study moments of the kind that inspire the best students and discourage the worst. There are times when reading these rousing adventures of Navy pilot Buz Sawyer and his support man Roscoe Sweeney that it's hard to believe anything this striking ever appeared on the comics pages..." – Tom Spurgeon, The Comics Reporter
• Review: "A book like this should be must reading for those who want to know how the shojo we know today came to be. A Drunken Dream and Other Stories is not just for lovers of girl's manga, however. It's a book worthy to be read by anyone who likes good comics with a touch of fantasy and a touch of sadness. As with any book by a great creator, the appeal is almost universal... Hopefully, this will be the start of getting Hagio's name on the same pillar as Tezuka, which is clearly where she belongs. If by some chance you haven't read this manga yet, you owe it to yourself to find a copy right away. [...] This is one of those books that is not to be missed. It's destined to be a classic." – Rob McMonigal, Panel Patter
• Review: "...[E]ach page is a single panel, but each of those panels is so attractively detailed and evocative that the storytelling structure never feels rigid. Instead, it comes across as economical and precise while still filled with event and emotion. It’s a quick read, but it’s very satisfying, and it just invites you to revisit the story again. [...] Set to Sea ... is artistically successful on every front, but Weing’s substantial craftsmanship never overwhelms the simple, heartfelt story he’s telling." – David Welsh, The Manga Curmudgeon
• Review: "Destroy All Movies is an addictive, ambitious, behemoth of a book and it’s funny as all hell. There are too many sidesplitting takedowns of bad movies to list in this review, but if you enjoy bad movies (and especially if you enjoy stuff like Mystery Science Theater 3000), you will love this book. [...] Destroy All Movies truly shines as a lengthy love letter to cult cinema, punk pride notwithstanding. [...] You will want to refer to it and reread it over and over. It’s got that much good, not-so-clean, fun packed into its 500-plus pages." – Less Lee Moore, Popshifter
• Reviews (Audio): The new episode of Easy Rider, the radio show for "rock, punk rock, country, power pop, garage and comics" from Radio PFM out of Arras in northern France, features FUC_ __U, _SS __LE: Blecky Yuckerella Vol. 4 by Johnny Ryan and Bent by Dave Cooper among their Comics of the Week
• Plugs: Chris Mautner of Robot 6 on the newest volumes of Krazy & Ignatz, Popeye & Prince Valiant: "What stands out for me here, other than George Herriman’s usual artistry, is the subtle jokes about race… Considering Herriman’s own ethnic and racial heritage, I find moments like this fascinatingly telling. [...] I’ve gone on and on about my love for Segar’s Thimble Theater… Suffice it to say I think it’s an American classic and earns my heartiest recommendation… I still can’t quite get over just how much fun Hal Foster’s medieval epic is. Far from the dull, staid, storybook slog a first glance would suggest, the strip bursts with life and adventure, and not a little bit of bloodsport."
• Interview: Tom Spurgeon at The Comics Reporter: "It's my hope that the following interview with Tim Kreider comes close to replicating the experience of reading the author's new book, the Fantagraphics-published February offering Twilight of the Assholes. Both are long, both I hope are funny at times nearly all the way through (the book surely is), and both book and interview prove uncompromising in terms of both self-laceration and repeatedly stabbing the country's excesses, shortcomings and hypocrisies right in the face. [...] Kreider is... maybe as skilled a writer as there is out there also working with cartoons, and luckily Twilight of the Assholes includes both the cartoons and mini-essays explaining each one. I find him almost terrifyingly funny, both when I agree with him and when I don't." Kreider: "I think historians are likely look back on those eight years as a last chance squandered, a disastrous passing beyond the point of no return, the moment when America went irreversibly over the edge into terminal decline. Which is great news for me, as my cartoons happen to comprise a document of what it felt like to live through that time."
• List:Robot 6's Chris Mautner names "The six most criminally ignored books of 2010," including:
"1) Captain Easy Vol. 1 by Roy Crane. ...I consider this to be one of the big publishing events of 2010. [...] The Sunday pages in this book are full of high energy, action and slapstick."
"4) High Soft Lisp by Gilbert Hernandez. [...] Those who feel that Hernandez’s work relies too much on female objectification and fetishization need to read this book to understand how self-aware he is of that fact and its real-world consequences."
• List (Audio): On the Inkstuds radio programme, host Robin McConnell discusses the Best of 2010, including Tim Hensley's Wally Gropius, with cartoonists Michael DeForge, Zack Soto and Noah Van Sciver
• List: At Robot 6, Kevin Melrose includes Drew Weing's Set to Sea on his list of The 50 Best Covers of 2010: "The limited palette and gold highlights on the waves help to lend the cover to Drew Weing’s debut graphic novel a gorgeous dream-like quality."
• Review: "In a robust, finely crafted package, Fantagraphics celebrated the 25th anniversary of the wandering rabbit ronin... by collecting the first seven volumes in two hardcover books sheathed in a sturdy, eye-catching slipcase. ...Usagi Yojimbo: The Special Edition is in a class all its own in terms of presentation." – Alex Carr, Omnivoracious
• Commentary: A commenter at Mike Sterling's Progressive Ruin predicts: "The recently announced Carl Barks collections by Fantagraphics will receive public attention on the Today Show via Al Roker and become selections in Oprah’s Book Club. The widespread exposure of clever humor and commentary by 50-year old Donald Duck comics create a nationwide movement of crazy alternative-energy initiatives and treasure hunting." (The Roker part is not completely far-fetched — Al did the Introduction for the next volume of The Complete Peanuts) (Mike also plugs Flog, which is nice of him)
Yeah, we're great, and our books are late. Why, what did you think the headline meant?
Anyway, a new year is upon and it's time to 'fess up about all the late Fantagraphics titles you were expecting to have by now, and don't, because we suck. Specific apologia and weaseling have been added to some titles, others we just pass under mortified silence. 2011 will be better!
The following have been rescheduled: • THE ANTIC CARTOON ART OF T.S. SULLIANT will be reformatted, rethought, re-solicited, and released in early 2012 • FORLORN FUNNIES VOLUME 1 by Paul Hornschemeier will be released in the Summer of 2011 • THE HIDDEN by Richard Sala will be re-solicited and released in July 2011 • HOW TO READ NANCY will be re-solicited and released in 2012 in a vastly expanded version from what we first expected • IS THAT ALL THERE IS? (né MODERN SWARTE, originally announced for 2007) in late Fall 2011: Yes, Joost has turned in all the files and publishers in three countries are synchronizing their watches! • NANCY IS HAPPY will be released in late 2011: It turns out that there was more production work than we anticipated to make the book as perfect as humanly possible.) • POGO VOLUME 1 will be released in the Fall of 2011 - yes, seriously, for real this time
Roy Crane created the adventure comic strip with Wash Tubbs, and many a superhero owes a debt to Crane’s square-jawed, hard-hitting adventurer Captain Easy. But during World War II, he left the Captain Easy strip to create a more realistic fighting man, a Navy pilot named John Singer Sawyer, who fought in the Pacific Theater from 1943 until V-J Day in 1945.
This book, the first in a series reprinting the Buz Sawyer strip, reprints all of the daily strips published during World War II. Buz serves aboard an aircraft carrier, flies combat missions against the notorious Japanese Zeros, crash lands behind enemy lines, and is captured by a Japanese submarine.
The book also includes a selection of the best of the Sunday strips, which featured Buz Sawyer’s pal and gunner, Rosco Sweeney, presented as fold-out pages.
Everywhere Buz goes, he finds high adventure and beautiful women—in fact, his fellow flyers kid him about his ability to find romance on even the most hostile Pacific island, where he meets a dangerous spy named Sultry (!). And when he goes home on leave, it is only to be caught up in a rivalry between rich heiress Tot Winter and girl-next-door Christy Jameson.
It features some of Crane’s most atmospheric drawing, aided by his expert use of Craftint tones, luscious romance, and exciting action scenes. These stories amply illustrate why Peanuts artist Charles Schulz called Roy Crane “a treasure.”
Also featured in this handsome archival volume: an introductory essay by comics historian Jeet Heer and a selection letters to and from Roy Crane (including one from "Al Toth").
“[Roy Crane] is a treasure. There is still no one around who draws any better.” — Charles Schulz
“Every time I thought I had come up with something that I had thought no one else had done, damn it, I’d find that Crane or Foster had already done it!” — Al Williamson
“Roy Crane did adventure with a beautiful combination of cartooning and storytelling. Every panel was an entertaining panel, with something to look at. When you combine his storytelling ability, with or without balloons, with his action and those great panels, you can’t fail.” — John Severin
Today's Online Commentary & Diversions (with one carried over from yesterday's post-less day):
• Review: "Normally I wouldn’t put in a spoiler warning for a few blog notes, but this is a special case. I’m going to be talking about Love and Rockets: New Stories #3, which contains what is arguably one of the best comics stories ever... It’s so easy to take the Hernandez Bros. for granted: they’ve been around so long, put out work regularly, and often use the same characters. So the temptation is to just think that they’re a stable public resource, like the library or a museum: they’ll always be there and we can ignore them for years, checking in on them only when we need to. But really, these guys are among the best cartoonists who have ever lived. Like Seth, Chris Ware, Dan Clowes, and Kim Deitch, they are constantly pushing themselves to do better work, and are now at a career peak. We need to give thanks for this, loudly and publicly." – Jeet Heer, Comics Comics
• Review: "Really, it’s hard to know what to make of [Norman Pettingill:] Backwoods Humorist, the first time you flip through its lovingly-curated pages. [...] I fell in love with it almost immediately, first caught completely off guard by the amateurish art in a book compiled by Fantagraphics. Why, precisely had the publisher chosen to compile these works in such a beautiful volume? There is, however, something disarmingly bewitching amongst Pettingill’s grotesque caricatures of country life. [...] In the great scheme of 20th century art, it’s difficult to imagine that Pettingill’s work will ever be regarded as much more than a somewhat high profile curiosity. For those seeking to discover an utterly fascinating body of work, however, that curiosity is certainly worth the price of admission." – Brian Heater, The Daily Cross Hatch
• Review: "Greg Sadowski and John Benson did a superb job on this collection of early 1950s horror stories [Four Color Fear]... In addition to Greg's attractive design throughout, he delivers meticulous, pixel-perfect restorations... There are 25 pages of fascinating, informative notes by both Greg and John. [...] This book is like time-traveling, a document of an era. [...] This will stand as an important reference work that should be shelved alongside David Hajdu's The Ten-Cent Plague." – Bhob Stewart, Potrzebie
• Review: "...Mome 19... is the best volume of the series so far. [...] Josh Simmons' 'White Rhinocerous Part 1'... is short, makes sense, is funny: great comic. The rest of Mome 19 doesn't fall apart on the job either... But the real prize here is DJ Bryant... Alongside a group of contemporaries who possess some of comic's most innovative talents, he chose refinement. It fucking worked." – Tucker Stone, The Factual Opinion
• Plugs: "Fire & Water... is a look at the life and body of work created by Bill Everett, the man who created the Sub-Mariner - the character upon which Marvel Comics would be built. [... In] The Sanctuary [Nate] Neal uses a cave-dwelling tribe to explore themes of communication and language and reveals himself to be a master storyteller. [...] Ding Dong Daddy from Dingburg... is the newest collection of comics legend Bill Griffith's Zippy the Pinhead comic strip. In this volume — Joan Rivers, Charles Bukowski, God, riboflavin, and more! Surreal and absurd yuks abound." – Benn Ray (Atomic Books), Largehearted Boy
• Plug: "...[I]f you’re in the mood for some dazzling, filthy violence then perhaps Johnny Ryan’s Prison Pit Volume 2 is... up your alley. It’s got CF the barbarian from outer space on the cover, dripping in blood and wearing nowt but pants." – The Gosh! Comics Blog
• Plug: At Comix 411, Tom Mason, profiling Leslie Turner, Roy Crane's successor on Captain Easy, notes "For those interested in the origins of Captain Easy, you can’t do better than Fantagraphics Books which is reprinting Roy Crane’s classic strip, starting at the beginning."
• Almost Plug: The 1930s "Human Centipede" image that Mark Frauenfelder Boing Boinged today happens to be found in our book Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes
A lot of catching up to do with this batch of clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• A couple of things Bill Griffith has recently shared on Facebook: the rejected first draft of the home screen for the Zippy Comix iPhone app, and a "lost" Wacky Packages design that Bill says is "almost sacrilegious"
• Review: "Remember that kid in school? The one with the pen sketchings on the back of his Trapper Keeper full of wicked violence and jagged lines? Ever wonder what happened to him? Well, he's Johnny Ryan and he's all grown up and making some of the most in your face comics today. Prison Pit is something you have to experience to believe. An artistic achievement in storytelling (most of the pages are wordless) on a pure guttural and simplistic level. Highly recommended for those of you who like a bit of dirt and grit with your comics." – Mark L. Miller, Ain't It Cool News
• Commentary: "My sit-down read of this Captain Easy volume is really the first time I’ve devoted much time to actually digesting the narrative of Crane’s work — and the first time I’ve really read and enjoyed an 'adventure' strip (unless you count Segar’s Popeye)." – Ben Towle
• Analysis: At The Manga Curmudgeon, David Welsh uses a sampling of critical reaction to Moto Hagio's A Drunken Dream and Other Stories to examine "the notion that the creative work of women, particularly when that work is created for women, is critically undervalued."
• Reviews: At Vice, it's time for another installment of "Nick Gazin's Comic Book Witch Hunt":
"Name a funnier comic than Popeye. Wrong, idiot, there isn’t one. Not only is Popeye the best ever, but this volume of Fantagraphics Popeye series is the best one yet. Oh yeah? Name a better one. Wrong. ... Like most great strips, Popeye has a strong philosophy. That philosophy is the world’s full of crooks. I wish there was a real Popeye to enforce some sort of rough fist-justice but I’m pretty sure there’s no justice and there’s certainly no Popeye, just crooks."
"The original [Prince Valiant] was a giant Sunday page with some of the greatest illustrations ever done. The colors in the latest reprint series are so superior to those in the previous printings that the old ones might as well have been in black and white. This shit is tremendous. ... Get this book or I’ll get you."
"I keep waiting for the quality of the comics in these [Complete Peanuts] books to take a sharp downturn but it hasn’t hit yet. ... So many personality types that I find in adult life were first found in these comics."
"Jason returns with another really good comic [Werewolves of Montpellier]... Jason uses just a few lines but his aesthetics are super superior and he can express intense emotions with simplicity."
"...[T]he art and colors [in Captain Easy Vol. 1] are mind bogglingly beautiful. It’s like Darger. Beautiful candy-colored lunacy."
• Review: "Dungeon Quest: Book One offers an interesting and amusing read, full of lots of laughs about youth and nerd culture, with a surprising layers of sardonic social commentary folded in for good measure." – Jordan Magill, San Francisco Book Review
• Review: "By the 1980s, however, the anti-establishment sensibility of the underground comix had been replaced by a faith in just 'do-it-yourself' — making your own 'zines,' and that sense of independence is what [editor Michael] Dowers praises [in Newave! The Underground Mini Comix of the 1980s]." – George Elliott Clarke, The Chronicle Herald
• Review: "...Jim Woodring's Weathercraft creates a fantastic alternative universe. ...Woodring constructs a nightmarish tale in which Manhog falls victim to the villainous depredations of the all-too-aptly named Whim and the spells of the witchy pair Betty and Veronica. Those unfamiliar with the Woodring dreamscape may want to pick up The Frank Book collection as a primer, but the stand-alone Weathercraft requires no real prep work — just an openness to disturbing, id-derived imagery." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "Although King of the Flies... is anchored in a sharply delineated but deliberately generic suburbia, the book plunges us into an often violent, always profane environment that recalls David Lynch's Blue Velvet. Using multiple narrators, the book is an intricately constructed series of interlocking short stories that acidly etch a disquieting portrait of modern alienation and unease." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "French master Tardi gives an infantry-level view of World War I's meat-grinder carnage in grim vignettes that primarily keep tight, telling focus on the stories of individual soldiers. ...[It Was the War of the Trenches] deserves a place on the top shelf of graphic lit." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "Reading Jacques Tardi's It Was the War of the Trenches, I realized just how short most American war comics fall in portraying the reality and horror of war. ... Tardi brings every ounce of his talent to the task of trying to articulate the sheer horror of this war. And while he doesn't flinch once, neither does he resort to trite 'war is bad' or 'good versus evil' oversimplifications. He merely puts you directly in the soldiers' viewpoint and then tries to relate their experiences to you. ... It's a raw, uncompromising, devastating book, and, I'm kind of sad to say, unlike anything that's been published on these shores." – Chris Mautner, Robot 6
• Review: "...St. Louisan Tim Lane's Abandoned Cars, one of 2008's essential comics, has recently been reissued in paperback with two variant covers that vividly recall the lurid pulps of the 1930s." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "It can sometimes be hard to get a grip on what Jason is going for in his stories, since even when he approaches a familiar subject, he takes a strange angle and dwells on the types of moments that wouldn’t normally receive focus in these sorts of tales. Werewolves of Montpellier goes even further afield... Leave it to Jason to dwell on the awkwardness of the 29 non-full-moon days of the month in which the werewolf has to pass as a normal human." – Matthew J. Brady, Indie Pulp
• Review: "What I think is most interesting about [The Best American Comics Criticism] is that in his choices of pieces, [editor] Schwartz is laying out a theory of lit comics. It's a theory that rings very true to me. Part of this theory goes that as literary comics grew, they made necessary a reevaluation and relearning of certain classic comics." – Robert Boyd, The Great God Pan Is Dead (via The Comics Reporter)
• Profile: Steve Duin of The Oregonian talks to Patrick Rosenkranz about assembling The Artist Himself: A Rand Holmes Retrospective: "With rare access to Holmes' journals and sketchbooks, Rosenkranz succeeds in giving readers access to the cartoonist that Holmes denied his closest friends. And he succeeds because of a compulsion, born 45 years ago, to understand the world in which these artists moved 'and how what happened in their lives affected their work.'"
• Comic-Con: At About.com: Manga, Deb Aoki gives a quick report from the Moto Hagio Spotlight Panel at Comic-Con 2010, with a promise of more to come: "...Hagio-sensei charmed the audience with her self-effacing wit and matter-of-fact responses to questions..."
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