Search / Login

Quick Links:
Latest Releases
Browse by Artist
Love and Rockets Guide
Peanuts books
Disney books
More browsing options under "Browse Shop" above


Search: All Titles

Advanced Search
Login / Free Registration
Detail Search
Download Area
Show Cart
Your Cart is currently empty.

Subscribe

Sign up for our email newsletters for updates on new releases, events, special deals and more.


Category >> Roy Crane

Daily OCD: 8/20/10
Written by Mike Baehr | Filed under Roy CranereviewsPrince ValiantPopeyePeanutsMichael KuppermanJoe DalyJasonHal FosterEC SegarDaily OCDCharles M SchulzCaptain Easy 20 Aug 2010 6:31 PM

Online Commentary & Diversions:

Reviews: At Vice, it's time for another installment of "Nick Gazin's Comic Book Witch Hunt":

Popeye Vol. 4:

"Name a funnier comic than Popeye. Wrong, idiot, there isn’t one. Not only is Popeye the best ever, but this volume of Fantagraphics Popeye series is the best one yet. Oh yeah? Name a better one. Wrong. ... Like most great strips, Popeye has a strong philosophy. That philosophy is the world’s full of crooks. I wish there was a real Popeye to enforce some sort of rough fist-justice but I’m pretty sure there’s no justice and there’s certainly no Popeye, just crooks."

Prince  Valiant Vol. 2: 1939-1940 [Pre-Order]

"The original [Prince Valiant] was a giant Sunday page with some of the greatest illustrations ever done. The colors in the latest reprint series are so superior to those in the previous printings that the old ones might as well have been in black and white. This shit is tremendous. ... Get this book or I’ll get you."

The Complete Peanuts 1977-1978 (Vol. 14) [NORTH AMERICA ONLY]

"I keep waiting for the quality of the comics in these [Complete Peanuts] books to take a sharp downturn but it hasn’t hit yet. ... So many personality types that I find in adult life were first found in these comics."

"Jason returns with another really good comic [Werewolves of Montpellier]... Jason uses just a few lines but his aesthetics are super superior and he can express intense emotions with simplicity."

Captain Easy, Soldier of  Fortune: The Complete Sunday Newspaper  Strips Vol. 1 (1933-1935)

"...[T]he art and colors [in Captain Easy Vol. 1] are mind bogglingly beautiful. It’s like Darger. Beautiful candy-colored lunacy."

Tales Designed to Thrizzle #6

"You know the drill. The art’s kinda like clip art and a bunch of really funny things are said and done [in Tales Designed to Thrizzle #6]."

Dungeon Quest, Book 1  [Pre-Order]

Review: "Dungeon Quest: Book One offers an interesting and amusing read, full of lots of laughs about youth and nerd culture, with a surprising layers of sardonic social commentary folded in for good measure." – Jordan Magill, San Francisco Book Review

Plug: Michelle from Giant Robot left the following message on our Facebook page: "Oscar Nunez from The Office came into GR today looking for Michael Kupperman, on the recommendation of Conan O'Brien. You guys win!"

Daily OCD: 8/2/10
Written by Mike Baehr | Filed under Tim LaneRoy CranereviewsRand HolmesPirus and MezzoPatrick RosenkranzMoto HagioLove and RocketsJim WoodringJacques TardiDaily OCDCCICaptain EasyBlake BellBill EverettBen Schwartzaudio 2 Aug 2010 2:54 PM

Online Commentary & Diversions:

Newave! The Underground Mini Comix of the 1980s

Review: "By the 1980s, however, the anti-establishment sensibility of the underground comix had been replaced by a faith in just 'do-it-yourself' — making your own 'zines,' and that sense of independence is what [editor Michael] Dowers praises [in Newave! The Underground Mini Comix of the 1980s]." – George Elliott Clarke, The Chronicle Herald

Weathercraft

Review: "...Jim Woodring's Weathercraft creates a fantastic alternative universe. ...Woodring constructs a nightmarish tale in which Manhog falls victim to the villainous depredations of the all-too-aptly named Whim and the spells of the witchy pair Betty and Veronica. Those unfamiliar with the Woodring dreamscape may want to pick up The Frank Book collection as a primer, but the stand-alone Weathercraft requires no real prep work — just an openness to disturbing, id-derived imagery." – Cliff Froehlich, St. Louis Post-Dipatch

King of the Flies Vol. 1: Hallorave

Review: "Although King of the Flies... is anchored in a sharply delineated but deliberately generic suburbia, the book plunges us into an often violent, always profane environment that recalls David Lynch's Blue Velvet. Using multiple narrators, the book is an intricately constructed series of interlocking short stories that acidly etch a disquieting portrait of modern alienation and unease." – Cliff Froehlich, St. Louis Post-Dipatch

It Was the War of the Trenches

Review: "French master Tardi gives an infantry-level view of World War I's meat-grinder carnage in grim vignettes that primarily keep tight, telling focus on the stories of individual soldiers. ...[It Was the War of the Trenches] deserves a place on the top shelf of graphic lit." – Cliff Froehlich, St. Louis Post-Dipatch

Review: "Reading Jacques Tardi's It Was the War of the Trenches, I realized just how short most American war comics fall in portraying the reality and horror of war. ... Tardi brings every ounce of his talent to the task of trying to articulate the sheer horror of this war. And while he doesn't flinch once, neither does he resort to trite 'war is bad' or 'good versus evil' oversimplifications. He merely puts you directly in the soldiers' viewpoint and then tries to relate their experiences to you. ... It's a raw, uncompromising, devastating book, and, I'm kind of sad to say, unlike anything that's been published on these shores." – Chris Mautner, Robot 6

Captain Easy, Soldier of  Fortune: The Complete Sunday Newspaper  Strips Vol. 1 (1933-1935)

Review: "...[O]ne of comics' purest entertainments... Combining cartoony figure drawing and considerable humor with rousing adventure, Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips, Vol. 1 exceeds even Steven Spielberg's Indiana Jones films in exuberant action and breathless pace." – Cliff Froehlich, St. Louis Post-Dipatch

Abandoned Cars [Softcover Ed. - Pre-Order]

Review: "...St. Louisan Tim Lane's Abandoned Cars, one of 2008's essential comics, has recently been reissued in paperback with two variant covers that vividly recall the lurid pulps of the 1930s." – Cliff Froehlich, St. Louis Post-Dipatch

Review: "It can sometimes be hard to get a grip on what Jason is going for in his stories, since even when he approaches a familiar subject, he takes a strange angle and dwells on the types of moments that wouldn’t normally receive focus in these sorts of tales. Werewolves of Montpellier goes even further afield... Leave it to Jason to dwell on the awkwardness of the 29 non-full-moon days of the month in which the werewolf has to pass as a normal human." – Matthew J. Brady, Indie Pulp

The Best American Comics Criticism

Review: "What I think is most interesting about [The Best American Comics Criticism] is that in his choices of pieces, [editor] Schwartz is laying out a theory of lit comics. It's a theory that rings very true to me. Part of this theory goes that as literary comics grew, they made necessary a reevaluation and relearning of certain classic comics." – Robert Boyd, The Great God Pan Is Dead (via The Comics Reporter)

The Artist Himself: A Rand Holmes Retrospective [Pre-Order]

Profile: Steve Duin of The Oregonian talks to Patrick Rosenkranz about assembling The Artist Himself: A Rand Holmes Retrospective: "With rare access to Holmes' journals and sketchbooks, Rosenkranz succeeds in giving readers access to the cartoonist that Holmes denied his closest friends. And he succeeds because of a compulsion, born 45 years ago, to understand the world in which these artists moved 'and how what happened in their lives affected their work.'"

Fire & Water: Bill Everett,  the Sub-Mariner and the Birth of  Marvel Comics [September 2010]

Interview: Listen as Chris Rosa of Meltdown Comics talks to Blake Bell about his book Fire & Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics on the convention center floor at Comic-Con in this episode of the Meltcast podcast

The Nice Paper - Jim Woodring

Interview: A 1992 Q&A with Jim Woodring, dug out of the archives by Chris Reilly and presented at TCJ.com's Guttergeek blog

Love and  Rockets: New Stories #3 [Pre-Order]

Links: Another Love and Rockets link-stravaganza from the fine folks at Love & Maggie

Moto Hagio - photo: Deb Aoki

Comic-Con: At About.com: Manga, Deb Aoki gives a quick report from the Moto Hagio Spotlight Panel at Comic-Con 2010, with a promise of more to come: "...Hagio-sensei charmed the audience with her self-effacing wit and matter-of-fact responses to questions..."

One-week Sale on Classic Strip Collections
Written by Mike Baehr | Filed under sales specialsRoy CranePrince ValiantPopeyePeanutsNell BrinkleyMort WalkerKrazy KatJerry DumasJack ColeHal FosterGeorge HerrimanEC SegarDennis the MenaceCharles M Schulz 18 Jun 2010 11:30 PM

Dennis the Menace

We're celebrating Father's Day with a one-week-only, first-time-ever sale on our collections of classic comic strips! Save at least 20% on volumes of The Complete Peanuts, Dennis the Menace, Krazy & Ignatz, Popeye, Prince Valiant, and much more, including one-off collections of rarities like Betsy and Me, The Brinkley Girls, Red Barry, Sam's Strip and more. The sale even includes the brand-new Captain Easy Vol. 1! Browse all sale items here. Order online now or by phone Monday-Friday 9 AM - 6 PM at 800-657-1100 (206-524-1967 outside the U.S.). Sale prices not effective at Fantagraphics Bookstore & Gallery. Sale runs through next Friday, June 25, 2010.

Daily OCD: 6/15/10
Written by Mike Baehr | Filed under Tony MillionaireRoy CranereviewsMichael KuppermanDaily OCDCathy Malkasian 15 Jun 2010 3:44 PM

Online Commentary & Diversions:

Billy Hazelnuts and the Crazy Bird

Review: "This all-ages-friendly tale opens with a comical but sincere note of existential angst, but Billy ultimately discovers his orientation in the world through his relationships with others. ... The tale itself frequently veers toward the lunatic, but if it skirts the surreal it does so precisely by taking the kinds of unfettered narrative turns that characterize the best children's literature. And like those books, Millionaire's [Billy Hazelnuts and the Crazy Bird] creates a safe space for exploration that remains grounded throughout in a humane sensibility that quietly makes itself known by showing, not telling." – Publishers Weekly

Temperance

Review: "...[Temperance is a] twisted allegory... Relying heavily on pencil shadings to establish mood, Malkasian's restraint of line results in vividly drawn but still complex characters: homely Minerva is both desperate and resourceful, Pa appears both menacing and pitiful, and addled Lester retains his fundamental courage." – Publishers Weekly

Captain Easy, Soldier of  Fortune: The Complete Sunday Newspaper   Strips Vol. 1 (1933-1935)

Profile: "It’s easy to toss around the word 'genius,' especially when it comes to comics. We all have our favorites and we all like to think ours are the great ones. But one look at Roy Crane's work and anyone can see that he definitely was worthy of the 'genius' tag." – Tom Mason, Comix 411

Tales Designed to Thrizzle #6

Profile: "Among the many innovative cartoonists published by the Seattle-based Fantagraphics Books, Michael Kupperman is surely one of the most original. ... In 2005, Kupperman hit his stride with the comic book series Tales Designed to Thrizzle, of which No. 6 has just appeared, to the delight of Robert Smigel and other fans." – Benjamin Ivry, Forward

Daily OCD: 6/7/10
Written by Mike Baehr | Filed under The Comics JournalRoy CranereviewsPeanutsMegan KelsoKim DeitchJim WoodringJeremy EatonGene DeitchDrew FriedmanDaily OCDCarol TylerBen SchwartzAl Columbia 7 Jun 2010 5:41 PM

Catching up with Online Commentary & Diversions:

Weathercraft

Review: "Over the last few decades, Jim Wood­ring has been drawing a series of wordless, blissfully cruel slapstick fables, set in a world of grotesque entities and psychedelic minarets: half unshakable nightmare, half Chuck Jones cartoon filtered through the Bhagavad Gita. Weathercraft... flows so smoothly and delightfully from each image to the next that it’s easy to ignore that it has its own idea of sense, which may not jibe with anybody else’s." – Douglas Wolk, The New York Times

Review: "For those who find the work involving enough, Weathercraft will resonate with them on some emotional level — there's moments that unnerve, moments that touch — and while it is an immersive experience, the comic, especially in its hardcover form, operates most like a testimony of events. It's a comic, through and through, but it hews closer to a religious tome than it does a Love & Rockets installment." – Tucker Stone, comiXology

Review: "It’s better to experience Woodring’s work than to try and understand it. Weathercraft focuses on Frank’s frequent nemesis Manhog — a representative of humanity at its morally weakest — as he goes through multiple stages of degradation on his way to almost achieving a higher consciousness. The humanoid mongrel Frank hangs around the edges of the story with his loyal pets, but Weathercraft is mainly about how Manhog — and by extension the reader — sees how sick, freaky, and beautiful the world can be… [Grade] A-" – The A.V. Club

Artichoke Tales [Pre-Order]

Review: "Megan Kelso is best known for elegant, small-scale comics... with a historical or memoiristic bent. So it’s surprising and wonderful that Artichoke Tales, her first novel-length work, is the sort of world-­building fantasy story that comes with a family tree and a map on its endpapers. ... Kelso’s ligne claire artwork is consistently sweet and airy, depicting blobby, dot-eyed characters whose body language says as much as their words. The approach provides a likable surface for a story with much darker and stickier depths, about a land whose cultural heritage is rotting away in the aftermath of a civil war." – Douglas Wolk, The New York Times

Dungeon Quest, Book 1  [Pre-Order]

Review: "South African comic book writer/artist Joe Daly’s Dungeon Quest: Book One takes a hilariously askew look at the madness of fantasy quest games. ...[R]eaders with a high tolerance for absurdity and a healthy sense of humor about the subject matter will probably love what's on offer here." – Matt Staggs, Suvudu

Wally Gropius

Review: "Watching [Wally] and his equally gangly, geometric cohorts stretch and sprint and smash their way across Hensley's brighly colored backgrounds and block-lettered sound effects is like reading your favorite poem — or even... Wally Gropius itself — as translated into a language with a totally different alphabet. ... And wonder of wonders, the book finds its own way to be really funny amid all these highfalutin hijinks..." – Sean T. Collins, Attentiondeficitdisorderly

Review: "[Wally Gropius] has quickly become one of my favorite graphic novels. ... The comic is too odd to be described as 'commentary.' It seems far more synthetic than parodic: it blends recognizable influences into something truly new... The plot of Wally Gropius has been described as surreal or random, but it’s coherent and far more complex than I first thought... The book is an encyclopedia of cartoony facial expressions and bodily gestures, and should be studied at the CCS as such. WG radiates a real sense of joy, of 'cartooning unfettered.' ... Hensley is one of the best, and most idiosyncratic, writers of text in comics." – Ken Parille, Blog Flume

Review: "[Daniel] Clowes isn’t as zany as he used to be, so there’s a void to be filled here, and Wally Gropius does that ably: The hardcover collects Hensley’s Gropius stories from the anthology series Mome (with a little extra material thrown in), and his immaculate, vaguely ’50s style owes as much to Mort Walker, Archie Comics, and other vintage teen-humor strips as it does to Clowes. ... [Grade] B" – The A.V. Club

Captain Easy, Soldier of  Fortune: The Complete Sunday Newspaper  Strips Vol. 1 (1933-1935)

Review: "...Captain Easy follows a mysterious agent-for-hire as he travels exotic lands, battling bad guys. ...Crane’s art is stunning, combining simple cartoony figures with richly detailed backgrounds in clever, colorful layouts. It isn’t even necessary to read the dialogue or captions to follow the action; just scan Crane’s dynamic lines, which make every panel look like a unique work of pop art… [Grade] A-" – The A.V. Club

The Best American Comics Criticism

Review: "I was pretty excited when I found out that Fantagraphics was publishing an anthology of The Best American Comics Criticism. ... Editor Ben Schwartz did a great job selecting pieces that comprise a vibrant narrative of the industry. From graphic novels with literary aspirations to comics about capes, the breadth of content in here is really fantastic. ... But of all the essays in the book, only one is written by a woman. That’s a big let down." – Erin Polgreen, Attackerman

Too Soon? - Drew Friedman

Plug: "Drew Friedman is the master American caricaturist of our time. Not only are his portraits of the famous so realistic, they induce double takes, but he also captures truths about personality and draws out (pun intended) the funny in everyone." – Michael Simmons, LA Weekly

The Complete Peanuts 1969-1970 (Vol. 10) [NORTH AMERICA ONLY]

Plug: G4 drops a nice mention of "the ongoing and lovingly assembled Complete Peanuts series" in their review of the Snoopy Flying Ace game for Xbox 360

Pim & Francie: The Golden Bear Days

Interview: Comics Comics' Nicole Rudick sat Al Columbia down for his most candid and revealing interview ever: "So, yeah, I can still draw Pim and Francie. They’re a lot of fun to draw. Almost too much fun. You start to get intoxicated working on them. It’s like, 'This is too much fun. This shouldn’t be allowed. This shouldn’t be legal.' I always put it aside because it just gets me too . . . they’re very intense and fun and maybe fun upsets me."

Jeremy Eaton

Interview: David-Wasting-Paper subjects Jeremy Eaton to his Cartoonist Survey

Gene Deitch

Interview: The Daily Cross Hatch's Brian Heater concludes his conversation with Gene Deitch: "I hate the term '2D.' That’s bullshit. They put us in that category. They say they’re making 3D. They’re not 3D. What Pixar does is not 3D because it’s shaded. The screen is flat. It’s a flat picture. It’s just an illusion."

C. Tyler - photo by Justin Tepe, The News Record

Profile: Taylor Dungjen of University of Cincinnati student newspaper The News Record profiles U of C faculty member C. Tyler: "You might say Tyler is a proud American. You might even call her a patriot. She says she is a liberal hippie chick who supports American troops."

Kim Deitch & Bill Kartalopoulos at Desert Island

Scene: Flickr user Essrog posts a photo and brief report from Kim Deitch 's recent appearance at Desert Island in Brooklyn

It Was the War of the Trenches

Roundtable: The Comics Journal presents parts two and three of their roundtable discussion on comics translation featuring our own multilingualist Kim Thompson

New Comics Day 5/19/10
Written by Mike Baehr | Filed under Tim HensleyRoy CraneNew Comics DayJim Woodring 19 May 2010 12:00 PM

It couldn't be a finer time to be a Fantagraphics fan as we have three major book releases scheduled to land in comic shops this week (with scuttlebutt that some shops may have received them last week). Read on for blogospheric descriptions and reaction:

Weathercraft by Jim Woodring

Weathercraft
by Jim Woodring

104-page black & white 7" x 9.75" hardcover • $19.99
ISBN: 978-1-60699-340-8

"Anecdotal as this is, I’ve heard absolutely nothing but good things about this new Jim Woodring project, a 104-page return to his signature Frank character, although the story itself focuses on damned, slovenly humanoid swine thingy Manhog as he taps into strange cosmic powers. As it was before, expect Woodring’s excellent command of physical comedy (and his story pacing, which always seems to denote improvisation but never dawdles or rambles) to segue from the pliable bodies of cartoon figures into something mythic and transformative about mysteries lurking just behind the atmosphere." – Joe McCulloch, Comics Comics

"The all-new Weathercraft is my book of the week and would be my book for most weeks, frankly." – Tom Spurgeon, The Comics Reporter

Wally Gropius by Tim Hensley

Wally Gropius
by Tim Hensley

64-page full-color 10" x 12.5" hardcover • $18.99
ISBN: 978-1-60699-355-2

"...Tim Hensley... mix[es] and sampl[es] elements in a self-evident way for a gleeful result, though this artist takes it so far that individual character poses seem exclusively isolated from long-forgotten humor comics and pressed into the service of a patchwork ideal of a ‘teenage’ comic (teenage-as-a-genre), possibly going down as the most striking of the original MOME serials once the goats are culled from the sheep. Here’s the collected edition, a 10″ x 12.5″ hardcover album, 64 color pages, almost all of them pretty to very funny. Yet it’s oddly difficult to describe Wally Gropius in more specific terms, but know that it’s about a rich boy and a determined girl and their courtship, and how prolix borrowed comic devices can build into something distressing indeed." – Joe McCulloch, Comics Comics

"Tim Hensley’s sly satire of silly ‘60s kids comics is an amazingly accomplished, spot-on imitation of the look and feel of those books, but with a sharper edged and heavier weight. One-part Archie Andrews, two-parts Richie Rich, Wally Gropius isn’t the German architect (although he’s often confused for him), but is rather a teen rock star bazillionaire." – J. Caleb Mozzocco, Newsarama

Captain Easy, Soldier of Fortune Vol. 1 by Roy Crane

Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips Vol. 1 (1933-1935)
by Roy Crane

114-page 10.5" x 14.75" full-color hardcover • $39.99
ISBN: 978-1-60699-161-9

"...an anticipated-by-many contemporary reprint project collecting Roy Crane’s influential Sunday spin-off from the comedic daily strip titled Wash Tubbs back when it started in 1924, but had since itself become an adventure-toned showcase for the Captain Easy character. Edited by Rick Norwood, with a vintage (1974) foreword by Charles Schulz and a new introduction by Jeet Heer..." – Joe McCulloch, Comics Comics

"The best adventure comic everywhere; Crane's clean, thought-out action scenes are a tonic for all those confused superhero fight scenes out there today." – Tom Spurgeon, The Comics Reporter

As always, complete details and extensive previews of each book can be found at their respective links. Bug your local comic shop to make sure they have them in stock before smashing open your piggy bank.







Now in stock: Captain Easy, Soldier of Fortune Vol. 1 by Roy Crane
Written by Mike Baehr | Filed under Roy Cranenew releases 12 May 2010 12:25 PM

Just arrived in our warehouse and ready to ship:

Captain Easy, Soldier of Fortune Vol. 1 by Roy Crane

Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips Vol. 1 (1933-1935)
by Roy Crane

114-page 10.5" x 14.75" full-color hardcover • $39.99
ISBN: 978-1-60699-161-9

Add to CartMore Info & Previews

Roy Crane is one of America’s greatest cartoonists and Fantagraphics is embarking upon an ambitious reprinting of his best work, beginning with his gorgeous adventure strip — Captain Easy.

Crane created the first American adventure strip — before Hal Foster’s Tarzan and Prince Valiant, before Milton Caniff’s Terry and the Pirates, before Alex Raymond’s Flash Gordon — and quickly established himself as a master of the comic strip. Begun in 1924 under the eponymous title Wash Tubbs, within four months it moved from a gag-a-day strip about a girl-crazy young grocery store clerk to an adventure strip when Wash Tubbs embarks on a treasure hunt. Captain Easy was introduced in 1929 and began starring in his own Sunday page in 1933, which begins our first volume of Captain Easy.

The first of six volumes contains the earliest Sunday pages from 1933 to 1935. In his first adventure, Captain Easy visits a lost city, battles pirates, dons a deep-sea diving suit to explore a sunken ruin in search of treasure, and everywhere he goes, he finds beautiful women — a lost princess, a pirate queen, a savage woman in need of` “taming.” A romantic adventurer from a less politically correct age, Captain Easy is a Soldier of Fortune whose bravery and daring are exceeded only by his Southern gallantry.

Crane created the template for the adventure strip, combining adventure and humor in a Bigfoot cartooning style that perfectly conveyed the tongue-in-cheek tone and light-hearted thrills that kept readers on the edge of their seats. As comics historian Brian Walker put it, “the artist’s patented visual storytelling technique blended humor, drama, heroics, and pretty girls.” Crane’s Captain Easy influenced virtually every cartoonist who followed him — from Chester Gould (Dick Tracy) to Milton Caniff (Terry and the Pirates) — and even Hollywood’s adventure movies starring the likes of Cary Grant or Errol Flynn adopted Crane’s tone of two-fisted, good-natured derring-do. Citing Crane’s influence on comics, the artist Gil Kane once said, “Superman was Captain Easy; Batman was Captain Easy.” According to comic strip historian Richard Marschall, Crane was “a master not only of storytelling but of the art form, developing expressive techniques and a whole dictionary of conventions and signs for future comic strip artists.”

The first volume of Captain Easy also features a selection of Crane's original color guides, a biographical and critical introduction to Crane and his work by comics scholar Jeet Heer illustrated with rare Crane art, a preface by series editor Rick Norwood, and a foreword written by Charles M. Schulz for the 1974 Luna Press Wash Tubbs collection.

Download an EXCLUSIVE 10-page PDF excerpt (12 MB)!



Daily OCD: 4/19/10
Written by Mike Baehr | Filed under Roy CranePrince ValiantPopeyePirus and MezzoPeanutsLove and RocketsLos Bros HernandezJean SchulzHans RickheitHal FosterGilbert HernandezEC SegarDaily OCDcontestsCharles M SchulzCaptain Easyaudio 19 Apr 2010 3:56 PM

Online Commentary & Diversions:

Captain Easy, Soldier of  Fortune: The Complete Sunday Newspaper Strips Vol. 1 (1933-1935)

Review: "At every turn, and every turn of the page, in Captain Easy, Soldier of Fortune:  The Complete Sunday Newspaper Strips Vol. 1 from Fantagraphics, the reaction is the same: Good Lord, but Roy Crane could draw. ...There are countless pleasures in this first volume of the Captain Easy Sunday pages." – Steve Duin, The Oregonian

Hate Annual #8

Review: "Of course, the Bradleys story remains the best reason to pick up any of these Hate Annuals, and this time Bagge doesn’t disappoint; even though I still can’t stand Buddy in his Popeye the Sailor look, this story of wife Lisa wanting to get out of the house (since the kid is in school) and do something for herself, eventually ending up in a two-woman rock band playing in a strip club, is consistently funny and sharply observed." – Johnny Bacardi, Popdose

King of the Flies Vol. 1: Hallorave

Plug: In the Portland Mercury, Floating World's Jason Leivian recommends Mezzo & Pirus's King of the Flies for fans of Paul Verhoeven's 1980 film Spetters: "Similar stories of fucked up youngsters spiraling into a black hole of self destruction with incredibly rendered artwork that will appeal to fans of Charles Burns."

Luba

Plug: "If you've not checked out Luba by Gilbert Hernandez, you should. Especially if you live in LA. ... Luba is as funny and delightful as ever in these stories (some super short one-pagers, others much longer, over a hundred stories in this collection) of her and her family and the play between their work lives and personal lives is comical and poignant and over the top in classic Hernandez style." – Callie Miller, LAist (via Robot 6)

Popeye Vol. 4:

Plug: "I've spent most of this week reading "Plunder Island," the fourth and latest collection of classic Popeye comics from Fantagraphics. This is the third time I've read this material... and it still never fails to enthrall me. In fact, I think Popeye has knocked Peanuts and Krazy Kat out of my personal canon to become my MOST FAVORITE COMIC EVER at the moment. There's just something about E.C. Segar's blend of melodrama, adventure and unrestrained, big-footed comedy that really knocks my socks off." – Chris Mautner, Robot 6

The Definitive Prince Valiant Companion [Softcover Ed.]

Interview: Via ¡Journalista!: "New to the TCJ Audio Archive: Over an hour of excerpts from Arn Saba’s 1979 interview with Prince Valiant creator Hal Foster, recorded toward the end of Foster’s life and originally published in The Comics Journal #102," and also reprinted in The Definitive Prince Valiant Companion

Profile: "Other comics publishers have fallen all over themselves trying to leverage a hoped-for crossover appeal into the mainstream of culture in the last twenty or so years. Meanwhile, Fantagraphics has hung surprisingly tight to their mission statement. But the bigger surprise for me came from learning that Fantagraphics still runs its publishing operation out of the same full-to-bursting house in Maple Leaf where they first planted their Seattle roots in 1989." – E. Magnuson, In North Seattle (Seattle P-I)

The Squirrel Machine

Contest: One lucky person will win a free copy of The Squirrel Machine by Hans Rickheit from Kevin Church, who describes the book as "beautifully drawn, disturbing and sad"

Love and Rockets: New  Stories #2

Links: Love & Maggie highlights some recent Hernandez Bros. -related web action

The Complete Peanuts 1975-1976 (Vol. 13) [NORTH AMERICA ONLY]

PSA: In a letter to the editor of the Pittsburgh Post-Gazette, Jean Schulz warns collectors to be on the lookout for counterfeit original Peanuts art (via Mike Lynch via ¡Journalista!) — I guess this lady needn't worry

Nerd-out: Spurge's no. 5 superpower FTW

Captain Easy, Soldier of Fortune Vol. 1 by Roy Crane - Previews, Pre-Order
Written by Mike Baehr | Filed under Roy Cranepreviewsnew releases 23 Mar 2010 7:05 AM

Captain Easy, Soldier of Fortune Vol. 1 by Roy Crane

Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips Vol. 1 (1933-1935)
by Roy Crane

114-page 10.5" x 14.75" full-color hardcover • $39.99
ISBN: 978-1-60699-161-9

Ships in: May 2010 (subject to change) — Pre-Order Now

Roy Crane is one of America’s greatest cartoonists and Fantagraphics is embarking upon an ambitious reprinting of his best work, beginning with his gorgeous adventure strip — Captain Easy.

Crane created the first American adventure strip — before Hal Foster’s Tarzan and Prince Valiant, before Milton Caniff’s Terry and the Pirates, before Alex Raymond’s Flash Gordon — and quickly established himself as a master of the comic strip. Begun in 1924 under the eponymous title Wash Tubbs, within four months it moved from a gag-a-day strip about a girl-crazy young grocery store clerk to an adventure strip when Wash Tubbs embarks on a treasure hunt. Captain Easy was introduced in 1929 and began starring in his own Sunday page in 1933, which begins our first volume of Captain Easy.

The first of six volumes contains the earliest Sunday pages from 1933 to 1935. In his first adventure, Captain Easy visits a lost city, battles pirates, dons a deep-sea diving suit to explore a sunken ruin in search of treasure, and everywhere he goes, he finds beautiful women — a lost princess, a pirate queen, a savage woman in need of` “taming.” A romantic adventurer from a less politically correct age, Captain Easy is a Soldier of Fortune whose bravery and daring are exceeded only by his Southern gallantry.

Crane created the template for the adventure strip, combining adventure and humor in a Bigfoot cartooning style that perfectly conveyed the tongue-in-cheek tone and light-hearted thrills that kept readers on the edge of their seats. As comics historian Brian Walker put it, “the artist’s patented visual storytelling technique blended humor, drama, heroics, and pretty girls.” Crane’s Captain Easy influenced virtually every cartoonist who followed him — from Chester Gould (Dick Tracy) to Milton Caniff (Terry and the Pirates) — and even Hollywood’s adventure movies starring the likes of Cary Grant or Errol Flynn adopted Crane’s tone of two-fisted, good-natured derring-do. Citing Crane’s influence on comics, the artist Gil Kane once said, “Superman was Captain Easy; Batman was Captain Easy.” According to comic strip historian Richard Marschall, Crane was “a master not only of storytelling but of the art form, developing expressive techniques and a whole dictionary of conventions and signs for future comic strip artists.”

The first volume of Captain Easy also features a selection of Crane's original color guides, a biographical and critical introduction to Crane and his work by comics scholar Jeet Heer illustrated with rare Crane art, a preface by series editor Rick Norwood, and a foreword written by Charles M. Schulz for the 1974 Luna Press Wash Tubbs collection.

Download an EXCLUSIVE 10-page PDF excerpt (12 MB)!

Video & Photo Slideshow Preview (view in new window):





First Looks: Captain Easy Vol. 1, Krazy & Ignatz 1916-1918, Weathercraft
Written by Mike Baehr | Filed under Roy CranepreviewsKrazy KatJim WoodringGeorge HerrimanComing AttractionsChris Ware 17 Mar 2010 11:37 AM

The advance copies have been rolling in to the office all week and here's the lo-fi proof:

Captain Easy, Soldier of Fortune Vol. 1: 1933-1935 by Roy Crane

Captain Easy, Soldier of Fortune Vol. 1: 1933-1935 by Roy Crane

Captain Easy, Soldier of Fortune Vol. 1: 1933-1935 by Roy Crane

 Krazy & Ignatz 1916-1918: Love in a Kestle or Love in a Hut by George Herriman

Krazy & Ignatz 1916-1918: Love in a Kestle or Love in a Hut by George Herriman

Krazy & Ignatz 1916-1918: Love in a Kestle or Love in a Hut by George Herriman (designed by Chris Ware)

 Weathercraft by Jim Woodring

Weathercraft by Jim Woodring

Weathercraft by Jim Woodring

We will, as is customary, be bringing you better-quality and greater-in-quantity photo and video previews in the near future. Our Twitter and Facebook followers are first to get these glimpses, so the impatient among you are encouraged to add us to your feeds there.