We have four new issues of Ignatz Series series coming soon, available individually or get all 4 for the price of 3 in our Ignatz Summer 2010 Super-Pack! One of them comes with a special exclusive bonus, and to help you catch up on the stories, all back issues of these 4 series are 20% off for a limited time! Read on for details.
In the concluding chapter of Sergio Ponchione’s dreamworld masterpiece, the mysteriously omnipotent O’Blique and the inquisitive Professor Hackensack wrap up all the loose ends, as we see what happened to the three protagonists of the first issue, and what Cryptic City is now like after the cataclysmic events of #2-3. Oh, and we also learn the meaning of life — all in Ponchione’s wildly inventive, super-detailed graphics.
In the climactic final issue, a tormented Angela finally finds her way into “The Forest” and final peace. We could tell you what happens to the other denizens of the apartment building whose lives we’ve been following throughout this 4 issue series, including a struggling couple, the kids, the Creature That Lives in the Basement and Feeds on Dreams, and his envoy the White Rabbit, but wouldn’t you rather find out for yourself?
32-page duotone 8.5" x 11" saddle-stitched softcover with jacket • $7.95 (part of the Ignatz Series ) ISBN: 978-1-60699-421-4
Ships in: July 2010 — Pre-Order Now http://www.fantagraphics.com/niger3
Peculiar happenings in the Burnt Spruce Forest take the spotlight away from the rapidly-growing Dolly. Answering last issue’s question, “What are those crackling and rumbling sounds emanating from Wingman’s nest?,” a rock suddenly sprouts wings! A meeting is convened among the birds and the theory is advanced that it’s a fossilized egg suddenly sprung to life. Back at Cesare’s nest where Dolly lives, a monstrous intruder once again threatens to cut short her brief life...!
32-page duotone 8.5" x 11" saddle-stitched softcover with jacket • $7.95 (part of the Ignatz Series) ISBN: 978-1-60699-426-9
Ships in: July 2010 — Pre-Order Now http://www.fantagraphics.com/sammythemouse3
Our hero Sammy finally gets a chance to sit by himself — but for only three pages! There's more disembodied voices telling Sammy what to do which is followed by the anger, frustration, cursing and free-floating dread you've come to love from this gorgeous, surreal, FUNNY-animal series. Where the heck is Puppy Boy? What's that shovel for? Why all the terrified glassy-eyed staring off into nothingness? You may or may not find out in Sammy the Mouse #3!
While supplies last, get a FREE limited-edition print with this issue! These two-color prints were hand-pressed by Zak Sally and are signed and/or embossed with the La Mano Press seal.
Daily clips & strips — hit the links for improved/additional viewing at the sources:
• This limited-edition print by Sergio Ponchione is available at festivals (I think — the autotranslation is a little sketchy) from Coconino Press. Sergio also reveals that Grotesque #4 is in the can (and coming this summer from Fantagraphics); the complete Italian run of Grotesque will be available in a slipcased set with additional materials, and the slipcase will be available separately (hopefully U.S. fans will be able to order it from overseas); and the full-color Grotesque stories from Linus magazine will appear in future volumes of Mome (hey, that was my suggestion)!
• Review: "Ghost World feels like a really apt bit of social history to me now, rather than a piercing look at real life. I believe it, but I believe it happened, not that it happens, at least not quite this way, at the age shown here. But, what is timeless is the theme that crops up towards the end: the unsettling feeling one gets when contemplating the lurch into adulthood." – Christopher King, Timmy's House of Sprinkles
• Plugs: The bloggers at Comics And... Other Imaginary Tales comment on our offerings in the current issue of Previews, including Four Color Fear ("This will be awesome!"), Grotesque #4 ("This is a great story with great art and well worth the money"), and Wally Gropius ("The dichotomy between the clean and wholesome lines and the dirtyness of the story is what's pulling me in.")
• Profile: Christina Whiting of the Homer News reports on Jim Woodring's current residency at the Bunnell Street Arts Center: "The Bunnell gallery space has been transformed into an exhibition of Woodring's art and into a working studio. His work table is covered with pads of paper, bottles of ink, quill pens and unfinished drawings — basic tools of his trade. ... Throughout the month, Woodring also has been working on a 100-page graphic novel, which he plans to publish. The first 20 pages are currently displayed in the gallery exhibit area, and he is adding a new page to the wall every couple of days. 'I'll likely create ten new pages while I'm here,' Woodring said."
• Interview: At The Comics Journal, Alex Dueben talks to Ho Che Anderson about his new book Sand & Fury: "I’ve always been highly, highly influenced by movies, as much if not more so than comics. There were certainly comic book influences on S&F, like Richard Sala’s work and also Richard Corben whom I’m a big fan of, and even a little Jason Lutes though it’d be difficult to see. But it’s true that the majority of the influences were cinematic, particularly Dario Argento and David Lynch."
• SayethHans Rickheit: "I like Page 15 [of Ectopiary] simply because it contains a stuffy old lady denigrating beatniks and artists; that is always a winning ingredient of any succsessful book, in my opinion."
I might have to start posting these art-blog roundups on the weekends too... these Monday updates are outa control...
• Airbrushed Zippy the Pinhead art (artist unknown)! Posting this on Facebook, Bill Griffith says "This is the 2-page spread ad for the 'Zippy Movie' from Variety magazine, 3/29/90. The ad was taken out by the Aspen Film Society (at that time they were the producers of the movie) in hopes of attracting a studio/distributor. Are we in turnaround yet?" More about it (and the likewise never-to-be Zippy TV show series) here
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