Shimura Takakoannounces that her new 28-page doujinshi Aoikitoiki (青息吐息) can now be ordered through Comic Zin for ¥420. There are a few sample pages you can check out from each of the 3 short stories, "Eve Confesses," "Friend of My Brother" and "Cover Girl":
(I don't know whether shipping is available outside Japan, but presumably if you're ordering this comic you read Japanese and can suss that out on the Comic Zin website.)
Yesterday's and today's Online Commentary & Diversions:
• Review: "Sala consistently introduces red-cheeked, innocent characters and then puts them through the meat-grinder, and in The Hidden he plays with mad science. ...Sala’s novel features plenty of 'tell,' because if it’s one thing mad scientists enjoy, it’s expository dialogue. There are gorgeous single-panel pages filled with huge dialogue balloons, and it’s to the author and illustrator’s credit that it’s always a hoot; Sala is a professional when it comes to tongue-in-cheek visuals (the friendly looking characters with spilled intestines) and storytelling.... Its ending is... abrupt..., but it leaves ample room for a welcome continuation. The lushly colored package is vintage Fantagraphics, of course." – Alex Carr, Omnivoracious (Amazon.com)
• Review: "Relaunching in a book-sized format, Comics Journal #301 came out from Fantagraphics this summer, and has already gone through a second printing. The magazine is dense, with over three hundred pages, containing enough essays, interviews, reviews, and art pages to easily fill 2-4 of the old issues.... Where else in comics journalism are you going to find a viewpoint of comics encompassing enough to put so many different realms of the artform under the same microscope and give it all due consideration? The drastic shift in format indicates a willingness of Fantagraphics to take risks with its flagship publication." – Greg Baldino, Bleeding Cool
• Review: "...[T]his gentle, inviting series about two transgendered elementary school students... has truly captured my attention.... Wandering Son feels at times more like a series of character sketches that all connect together than a narrative-driven book, but it’s a structure that makes me that much more intrigued... Takako’s art is beautiful here, delicate line drawings that fit well with her story.... Last but not least, props need to go to Fantagraphics for a great physical design of the book.... This isn’t quite like anything else on the market right now, and I’m thrilled to see Fantagraphics exposing it to a wider audience." – Greg McElhatton, Read About Comics
• Interview: The normally Love and Rockets-focused Love & Maggie blog steps out of their usual purview to hit up Gary Groth for more information about our forthcoming series Jack Jackson's American History (starting next year with Los Tejanos/Lost Cause) — if you're at all interested in these books, definitely check this out
• Lore: "Before resuming I should say this: Drug taking, by myself and others, really peaks in this chapter. It isn’t something I’m proud of or a thing I endorse. But it is the way it all happened." So begins the ninth installment of Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com
• List: At his High-Low blog Rob Clough posts his belated Top 50 Books of 2010 list, with Megan Kelso's Artichoke Tales at #1, 4 of our books in the top 5, 5 in the top 10, 8 in the top 20, and 14 overall in the top 50 — it's a long but worthwhile read
• Review: "Calling Congress of the Animals recommended reading is a bit misleading. It’s definitely recommended, but it doesn’t technically involve reading. The entire book doesn’t feature a single word bubble. The only words are on the book jacket. What this is is a story told entirely through pictures — delightful pictures at that.... This was really an entertaining book. It was visually different from anything I’ve ever seen in a comic, the story was unique, and some parts were laugh out loud funny..." – Corey Pung, Panel Discussions (via Americaware)
• Review: "...Skin Deep by Charles Burns... [is a] true masterpiece in which Burns returns to choose the mechanisms and the language of grade-B horror films, crime fiction, pulp, the aesthetics of the 50's and Robert Crumb's comics to make a harsh social criticism.... Stories in which Burns continues to explore the darkest corners of the human condition while keeping us on edge vignette to vignette." – Jesús Jiménez, Radio y Televisión Española (translated from Spanish)
• Review: "...[T]he adventures of a group of twenty-something New York residents, like Friends but with ethnic variation and far more realistic apartments, and, you know, actual problems. The characters of Beg the Question are surrounded by ugliness and idiocy in one of the most complicated cities in the world, yet they are decent human beings who support each other. It’s not supposed to be autobiographical, but you can tell that Fingerman has lived through many of the situations and knows the characters well." – Grant Buist, The Name of This Cartoon Is Brunswick
• Commentary: "So I just finished reading Fantagraphics’ The Complete Peanuts 1981-1982, and... the vast majority of this book was new to me, having not read previous reprintings of the strips from this period (as opposed to the near-memorization of the reprint books from the late ’70s and earlier). One of the great new features of this particular reprint series, aside from, y’know, the whole completeness of the strips reprints and all, is the index in each volume." – Mike Sterling, Mike Sterling's Progressive Ruin
• Plug: "Walt Kelly’s Pogo is one of the greatest comic strips I’ve ever read. It’s simply brilliant; quaint and sweet on the surface but deeper readings reveals layers of very smart political and social satire. And as you can clearly see, Walt Kelly’s artwork is magnificent.... Fantagraphics are presenting the entire strip, including the beautiful full colour Sunday strips for the very first time, in a series of 12 hardcover volumes that reprint approximately 2 years worth of material at a time. I guarantee that if you get Volume 1, you’ll be signing up for the remaining 11." – Richard Cowdry, The Forbidden Planet International Blog Log
• Review: "...Shimura Takako tells this story in such a gentle, unobtrusive way, one might believe that this story flows naturally – as if it simply spun itself from nature and is the way it is supposed to be. I think Matt Thorn’s tidy translation, which goes down the mental gullet with such smoothness, is a big reason for how readable this is. Wandering Son is not flashy or aggressive, nor does it pander or try to be hip and stylish. Takako draws the reader in so quietly that some may be surprised to find themselves on a journey of discovery and exploration with these characters. It’s like seeing preadolescence for the first time or seeing it again through fresh eyes and a new perspective.... If only more comic books were so evocative and so clear in their storytelling like Wandering Son, an ideal comic book. Ages 8 to 80 will like Wandering Son. [Grade] A" – Leroy Douresseaux, I Reads You
• Review: "Of the three books collected in this volume [What I Did], Hey, Wait... is a really evocative portrait of how childhood experiences can affect one throughout his entire life, and The Iron Wagon (which adapts an early-twentieth-century Norwegian novel) is a pretty good murder mystery that makes good use of Jason's deadpan style, but it's the middle entry, Sshhhh!, that really sticks with me, immediately jumping to the top of my favorites among the cartoonist's works.... It's sad, wonderful, exhilarating work, a great example of how amazing Jason is at what he does, and how nobody else can do it like him." – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "The plot often takes a sharp turn towards the absurd and downright crazy, but eventually the story always comes back to our heroine. Adele Blanc-Sec takes no crap... It’s really nice to see such a strong female character at the centre of all this mayhem, and her character really pulls the book together.... Tardi’s artwork is great to look at; his panels are vibrant and full of life. In his hands Paris 1911 is a busy metropolitan city still hanging on to its 18th century spirit and facade.... The first volume ofThe Extraordinary Adventures of Adele Blanc-Sec left me with more questions than answers, and volume 2’s release date of November seems all to far away! I look forward to reading more of Adele Blanc-Sec’s adventures." – Will Pond, Good Comic Books
• Review: "Glenn Ganges — the protagonist of the first volume of the series Ganges — is a dreamer, an eccentric, a loving husband, but first and foremost a restless man. Meaningless details do not give rest to him, he makes a mountain out of a molehill, and his fantasies replace the reality. Five stories under one cover are the five pieces of a day in the life of Ganges.... I’d like to meet this Ganges." – Ray Garraty, Endless Falls Up
• Review: "...Willie & Joe: Back Home... is superbly done. Like many Fantagraphics releases over the years, this book easily could be placed in a personal library or on a coffee table for public viewing. In many ways, it can be described best as a piece of art and something to be treasured by collectors, comic-strip enthusiasts and military buffs alike.... The strips are a stunning mix of blunt political messaging with dark, satirical humor." – Michael Taube, The Washington Times
• Review: "While manga isn’t usually known for its subtlety, Wandering Son is an exception. The panels have little in the way of background, and there is less exaggeration and slapstick than you will find in a typical manga. The story builds slowly, drawing you in to the quiet internal thoughts of the two children.... Takako’s Wandering Son works as an insight into how it feels to be transgendered, and also as a metaphor for growing up.... Wandering Son reminds us how hard it can be for anyone, whatever gender, to become who we want to be as a person." – Ashley Cook, Giant Fire Breathing Robot
• Review: "Technically, [The Pin-Up Art of Humorama] isn’t a graphic novel or trade collection, it’s a picture book – but an absolutely stunning one, collecting some of the best and most guiltily funny illustrations ever produced: a beguiling remembrance of a different time and the sexual mores of an entirely alien generation which nevertheless presents an enticing, intoxicating treat for art lovers and, I’m afraid to admit, many hearty laughs. This is work which is still utterly addictive and the book is an honest-to-gosh treasure beyond compare." – Win Wiacek, Now Read This!
The September 2011 issue of monthly manga magazine Comic Beam contains the landmark 100th serialized chapter of Shimura Takako's Wandering Son, featured (as one might hope) on the cover. We got some catching up to do!
• Review: "Since... humor has emerged as such a tremendous, even defining part of Sala's appeal, I must confess that on a first reading, I was a little put-off to find it reduced to such a dim flicker. But on a second reading, with the understanding that he was exploring grimmer and more downbeat territory, other strengths grew more apparent — dreadful scenes of apocalypse, vistas of desolation, one truly appalling horror flashback set-piece, violence that feels more brutal than delirious, and tension between characters rooted more in how they treat each other than in their comical quirks. ...[O]ne of the great pleasures of reading a Sala comic for me is to let him lead me down the uniquely crooked lanes of his imagination. So buy The Hidden, and enjoy the journey. Highly recommended!" – Curt Purcell, The Groovy Age of Horror
• Plug: "For the last six years, Mome has kind of been to comics what CMJ used to be for music: Open it up, and readers were bound to discover something new and enticing. Sadly, the comics quarterly ends its run this month with Vol. 22, a massive, all-star issue featuring Pop Candy faves like Dash Shaw, Lilli Carre, Anders Nilsen, Paul Hornschemeier, Gabrielle Bell, Jim Rugg and Zak Sally. Even if you're new to the mag, this would be the one issue to purchase." – Whitney Matheson, USA Today Pop Candy
• Profile: The Sydney Morning Herald's Megan Johnston talks to Jim Woodring in anticipation of his appearance at the city's GRAPHIC Festival this weekend: "One thing Woodring does fear, however, is that people will find him 'disappointingly normal' compared with his work. 'All I can say is they should be grateful that they’re seeing me when I’m being that way,' he says."
• Review: "...[T]he cartoons in Willie & Joe: Back Home capture Mauldin at a low ebb personally, and ferociously inspired professionally.... The material in Back Home is bitter but witty, and remarkable for its courage. Given the platform of a major syndicate, Mauldin used his moral authority — as a firsthand observer of atrocity, venality, and want — to try and make his complacent countrymen feel a little shame. Where his wartime cartoons had said, 'I am one of you' to grunts in the trenches, his post-war work said, 'What the hell happened to you?' to the people who stayed home. At the time, the public rejected Mauldin’s lectures. Today they’re a blistering reminder that life after WWII wasn’t all suburban bliss and baby boom." – Noel Murray, The A.V. Club
• Review: "Told with humor and a great depth of sensitivity, these comics offer a human lens to an epic more often expressed in grandiose terms. Over the past couple of years Fantagraphics has amazed me consistently with its archival releases of seminal cartoonists' work, and Willie and Joe: The WWII Years is yet another fine example." – David Gutowski, Largehearted Boy
• Review: "Toth brought clarity and drama to the page — the equivalent of a top Hollywood director elevating rote material through elegant framing and camera moves.... Nearly every drawing in this book is purposeful and exciting, and they flow together to tell stories so clearly that the words are often superfluous. Setting the Standard is a treasure trove..." – Noel Murray, The A.V. Club
• Review: "...Jacques Tardi is certainly in Toth’s league when it comes to rendering seamy genre fare with real artistry. Like a Sniper Lining Up His Shot ... is a wonderfully wicked piece of work, tracking a hitman as he tries to sever all ties with his past and retire with his childhood sweetheart. The story’s a familiar one... but Manchette’s approach is especially violent and gory, with a tough twist ending. And Tardi picks up on the sadness underlying the brutality, sketching a black-and-white world where the choice to go to the dark side is irrevocable, no matter how hard characters work to wrest control of their fates." – Noel Murray, The A.V. Club
• Review: "...Belgian artist Olivier Schrauwen does a fine job of approximating the high weirdness of early-20th-century newspaper comics in The Man Who Grew His Beard, a collection of seven deeply strange short stories.... Schrauwen mixes ink and paint in ways that blur the distinctions between comics and fine art, and he brings back certain themes — instruction and erotica, primarily — that suggest how men try and fail to place parameters on the primal. But The Man Who Grew His Beard isn’t meant to be 'understood' so much as it is to be entered and experienced, in all its wildness." – Noel Murray, The A.V. Club
• Review: "Kevin Huizenga’s Ganges #4 continues the artist’s increasingly masterful hybrid of direct storytelling and experimental abstraction.... The story suits Huizenga’s style, since he can document both the familiar minutiae of daily life and the sense of unreality that takes hold whenever someone is up half the night. Huizenga works in visual motifs of endlessly branching possibilities and spiraling shapes, showing how becoming 'lost in thought' can be terrifying. In short: This is another terrific installment of a series that’s fast becoming a classic." – Noel Murray, The A.V. Club
• Review: "Mr. Twee Deedle, Raggedy Ann’s Sprightly Cousin: The Forgotten Fantasy Masterpieces of Johnny Gruelle... collects the strip that illustrator Gruelle created to fill the void left by Little Nemo when Winsor McKay departed The New York Herald. Though not as imaginative as McKay, Gruelle’s Mr. Twee Deedle was every bit as colorful and lavishly rendered, telling gentle fairy stories that explore a rich fantasy world existing in tandem with our own, like children having elaborate playtimes mere feet away from their parents’ more prosaic lives." – Noel Murray, The A.V. Club (NOTE: This review was based on samples of the strip provided to the reviewer; the book itself is incomplete and still in production.)
• Review: "...Drawing Power... brings together an eclectic set of examples of comics being used to sell products. The pages are fun to look at — from Mickey Mouse pitching Post Toasties to Dr. Seuss illustrating ads for Esso Marine Products — but the topic is a little too large for a 120-page book, especially one so loosely organized. Then again, maybe that’s the point: to create a reading experience as chaotic and laced with odd beauty as cartooning itself." – Noel Murray, The A.V. Club
• Review: "I have long admired Woodring’s brilliant, hallucinatory, and bizarre Frank comics. But his work has taken a leap forward with last year’s Weathercraft and this year’s Congress of the Animals. The Frank world is one the reader benefits by being immersed in. What might seem a bit incomprehensible in a short strip blossoms into a dark Dionysian dream in these two graphic novels.... If I keep mention them together, it is because I believe they beg to be read together. They show different but complimentary sides of Woodring’s vision. And also because these two books combine to form, I believe, one of the greatest achievements in recent comics. If you are a fan of the strange, the uncanny, the bizarre, the hallucinatory, and the fantastic, I can’t recommend them enough." – Lincoln Michel, The Faster Times
• Review: For Magnet, Marc Bianchi of the band Her Space Holiday (they're good!) pens an appreciation of Charles M. Schulz's Peanuts, adding "A good place to rediscover the Peanuts is through the retrospective that Fantagraphics started releasing in 2004. They are complete and total masterpieces, from the elegant layouts provided by famed comic-book artist Seth to the wonderful guest introductions each volume has... If you are ever in a shop that carries these books, I highly suggest thumbing through one of them. Especially the earliest works (1950-1952 or 1953-1954). You are guaranteed to find something that in one panel can tear your heart apart and, in the next, put it back together again."
• Review: "To say that Wandering Son isn't a manga for everyone is perhaps stating the obvious, but despite the potential to make light of its cross-dressing, coming of age tale it proves itself to be an impressively subtle and considered take on growing up within this opening volume. ...[G]ive it time and you'll find an impressive, character-driven series beneath its simplistic surface that will both charm and fascinate you, leaving you rooting for its characters and wanting to follow them through to (you hope) eventual happiness." – Andy Hanley, UK Anime Network
• Review: "Supermen!: The First Wave of Comic Book Heroes, 1936-1941 promises to fill gaps in 'the origins and early development of superheroes and the comic book form.' Editor Greg Sadwoski has assembled an eye-catching collection of stories, magazine covers, and house ads showing unfamiliar faces from the first years of American adventures comics. ...Supermen! is most interesting for what didn’t lead anywhere.... Seeing what didn’t work or become the norm can be as illuminating as seeing what did." – J.L. Bell, Oz and Ends (via Robot 6)
• Plug: "...[D]espite his undeniable gift for crafting elegant and vibrant storytelling that transcends all genres, sadly there has never before been a comprehensive, affordably priced reprinting of Carl Barks' Disney work…until now. Fantagraphics Books recently announced that it will begin reprinting the entire catalog of the master’s Disney material, beginning with the release of Walt Disney’s Donald Duck: 'Lost in the Andes' by Carl Barks in October, 2011." – Bill Baker, The Morton Report
• Interview (Audio): The hosts of Comics Alliance's "War Rocket Ajax" podcast talk to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010, crafting his brand of humor and sundry other topics (such as bleu cheese): "It's about things taking the turn that you don't expect, the ball taking the bounce you don't expect. That for me is an example of trying to make the sentence end up in a place that's different from where it started."
• Tribute: At The Comics Journal, Kim Thompson's obituary of Francisco Solano López: "Argentina’s Francisco Solano López was a titan of South American comics, on a level with the great Alberto Breccia, the temporary honorary Argentinean (during the 1950s) Hugo Pratt, and the hugely influential writer Hector Oesterheld (who collaborated with all three)." (Excerpt courtesy TCJ's Tim Hodler)
• Review: "Alex Toth was a tale-teller and a master of erudite refinement, his avowed mission to pare away every unnecessary line and element in life and in work. His dream was to make perfect graphic stories. He was eternally searching for 'how to tell a story, to the exclusion of all else.' This long-awaited collection [Setting the Standard] shows how talent, imagination and dedication to that ideal can elevate even the most genre-locked episode into a masterpiece [of] the form and a comicbook into art." – Win Wiacek, Now Read This!
• Review: "Shimura Takako’s Wandering Son crafts, with the utmost care, a story of the struggles and adversities faced by cross dressing youths at the brink of blossoming into preteens.... Given the delicate subject matter of the main characters involved I felt that Shimura Takako crafted a wonderful introductory volume into the lives of these young individuals as they struggle with their identities, school life, and most of all approaching the brink of puberty." – Amy Grocki, Manga Village
• Plug/Conflict of Interest: Our own Eric Buckler has begun writing a new "Adventures in Indie Comics" column for The Snipe, and in his inaugural post he highlights Walt Disney's Donald Duck: Lost in the Andes: "Drawn by Carl Barks, a pioneer in cartooning and inventor of much of Donald’s universe, the stories highlight the duck at his best 1948-1950. Like the Mickey strips, Barks’ Duck introduces us to an edgy and crazed collection of creatures in contrast to the softer Disney we are used to. The first in a series will be out in October."
• History: A fascinating footnote to Walt Disney's Mickey Mouse by Floyd Gottfredson: at Planet Mouse, Jim Korkis writes about his involvement with eariler, unauthorized attempts to reprint Gottfredson's Mickey strips and presents two introductory essays he wrote for the aborted series
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