As you may know, next spring we are publishing Significant Objects, a collection of writing and images from the project of the same name wherein various writers created narratives inspired by various seemingly valueless objects which were then auctioned on eBay with their respective stories as the item description, to see if the accompaniment of the story would lead to an increase in the objects' value as measured by the bids. So, news comes via the Significant Objects blog that the students in an 11th-grade English class at Wm. E. Hay High School in Stettler, Alberta, Canada are embarking on their own experiment replicating the project, with the objects (some of which were created by the writers) and their stories being posted at the Stettler's Significant Objects blog as well as their eBay listings (proceeds from which go half to the writers and half to charity). Those kids all get an A+ (or whatever the Canadian equivalent is) from us! Go show them some love by checking out the stories and maybe throwing a few bids down.
• Interview:The A.V. Club's Jason Heller talks to Jim Woodring about Weathercraft and his career in comics: "It still is a bit of a hustle, to be honest. I really never know what I’m going to be doing or how I’m going to be making money. It’s the life I chose for myself, so I’m used to it, and I can handle it. But sometimes I sit back and think, 'You know, how am I making a living here? I don’t even know what’s going on.'"
• Feature:The Guardian's Alex Rayner on the Significant Objects project: "The texts are good. Meg Cabot's acutely phrased teen tale reads like the perfect high-school diary entry, William Gibson's ashtray anecdote is filled with military-industrial intrigue, Sheila Heti pours a lot of sexual frustration into a miniature porcelain Cape Cod souvenir shoe, and Neil LaBute's golden-bunny-candle narrative is as sinister as you'd expect."
• Review: "Yes, [It Was the War of the Trenches] is an unpleasant book (even extending to the art, which does its job as well as everything else in making the war look ugly, muddy, dirty, and bloody; defining each character well but making sure to show the awfulness of their circumstances), but one that everyone should read, not only for a sense of history, but to see the horror of death and the suffering of those forced to partake in it." – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "In terms of its writing and its art, [It Was the War of the] Trenches is a masterful work. The stories are elegantly and convincingly told. The images show, at once, deep horror and real beauty — though the one is often so visceral that the other becomes abstract. But the book’s true victory is a moral one. For it shows us, clearly and terribly, the thorough destruction of values inherent in modern war." – Kristian Williams, The Comics Journal
• Review: "At the end of its second decade, Peanuts was still one of the best things on the comics page, and as likely to be concerned with loss, pain, and depression as it ever was. As others have said many times before, it really is astonishing how one of the best and most popular works in a very popular medium was almost entirely about loss and failure." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview: At Comic Book Resources, Alex Dueben talks to Megan Kelso about her new graphic novel Artichoke Tales: "That was just on my mind. That it's a whole subset of comics and storytelling, making up your own world and playing inside of it. I just thought this would be a really fun world to do a whole involved family saga. I planned out the skeleton of the story pretty much right from the beginning. At first, I thought it was going to be a three chapter thing, and then it got more complicated, but always I had this idea of this family and these generations."
• Interview:Newsarama's J. Caleb Mozzocco talks to Tim Hensley about his new graphic novel Wally Gropius: "Well, it's not like those trapped in derivative mortgages are turning to Carl Barks and Harvey artist Ernie Colon for succor. When I started the story in 2005, I was reacting more to Bush's war money siphon, not predicting the bank collapse/executive bonus siphon we have now. And actually none of the few rich people I know are anything like Wally; they have much different problems as far as I can tell." (At his own blog, Mozzocco adds "if you're wondering, 'Hey Caleb, is this book any good? Should I read it?' Then I would answer, 'Yes, yes that book is very good, and you should totally read it.'")
• Preview: "It's cool to see that those behind the Significant Objects projects are still trying to do more with the concept. The auctions apparently are still going on, but now they're trying something different as well. They're taking those stories and compiling them into a book (scarce). In fact, the story behind the book (infinite) makes the physical book more valuable as well. To make it even more 'valuable,' they've brought on some top artists to illustrate the stories — so even if you read them for free online, there's now more value in buying the physical book to have the physical artwork as well." – Mike Masnick, Techdirt
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