• Profile: Esteemed underground comix historian Patrick Rosenkranz at The Comics Journal: "Spain Rodriguez acknowledges that age hasn’t necessarily brought wisdom, but it does help him appreciate his youthful adventures more, especially the unique experience of growing up in Buffalo, New York in the 1950s, which he portrays in his latest book,Cruisin' with the Hound.... This new volume from Fantagraphics Books tells more about his childhood, the guys and girls in his neighborhood, early encounters with sex, religion, and science fiction, and the birth of rock and roll." Sample quote from Spain: "Each moment is unique. That’s the thing about comics. If affords you the potential to be able to capture that moment, probably more than anything else. It has certain objective and subjective potentiality. It’s something that nobody else can do. Each person is unique, each person sees things in their individual way and comics give you that opportunity."
• Review: "A book with 400 pages of Alex Toth comics is a dream come true. Toth is one of the early greats of comics. Many of the golden age and early silver age comic artists made drawings that were charmingly crude, but there were a few supergeniuses among them. Alex Toth's art is obviously a cut above a lot of his peers. His understanding of how to use areas of black is unequaled. Cartoonists like Frank Miller and Charles Burns, who really like to use as much black as possible, owe a lot to Toth as a guy who really broke new ground in blacking it up. If you want to learn something about shading and composition you go get this book [Setting the Standard] and just black out." – Nick Gazin, VICE
• Review: "I still like looking at Ditko's stuff and think his work is valid. He's not a great drawer but he is clearly full of intense feelings and a lot of rage. Although his actual rendering skills aren't as strong as someone like Toth his ideas, feelings, and visual concepts are strong. This book [Mysterious Traveler] collects various sci-fi and horror comics he drew that are all pretty fun to look at and have neat visual ideas littered throughout." – Nick Gazin, VICE
• Review: "[Glitz-2-Go] deals with feeling unattractive and dressing kinda like a drag queen and being dissatisfied with relationships. The Didi Glitz comics were produced at a time when doing art about the hidden perversions of the 50s was big. Pee Wee Herman, Blue Velvet, John Waters, a lot of stuff Devo did — it all fits in with this book." – Nick Gazin, VICE
• Interview: At PSFK, an excerpt of Rob Walker talking about Significant Objects in Need to Know Magazine: "People value and are attracted to stories, and this often plays out in the world of objects. What we tried to do is take that observation in a different direction. Instead of a traditional story ‘about an object’ (where it was made, why it’s so great, how it will make your life better), we wanted creative writers to invent stories inspired by objects, which can lead to all kinds of unpredictable results. And in this case, the results turned out to be strong enough that the stories stood on their own."
• Commentary: A Fletcher Hanks creation tops Pip Ury's list of "6 Great Old-Timey Comics for (Traumatizing) Kids" at Cracked: "Fantomah, Mystery Woman of the Jungle is often credited as the first comic book superheroine, debuting in early 1940 and predating Wonder Woman by almost two years. Whoever decided she counted as one, however, has an extremely loose definition of what superheroing entails -- for starters, as far as we know superheroes aren't meant to be mind-numbingly terrifying."
• Interview (Audio): Listen to Monday night's episode of Too Much Information on WFMU, in which "Cartoonist Bill Griffith joins Benjamen Walker for an hour long conversation about Underground comics, Newspaper strips and Mainstream culture."
• Review: "Here’s the thing about Pogo. There’s never been anything like it. It’s utterly unique and individual in the same fashion that Peanuts, or Calvin and Hobbes or Little Nemo or any other of the great 20th century comic strips are.... It’s a much weirder strip than I think most people give it credit for and that is certainly something worth both recognizing and admiring." – Chris Mautner, Robot 6
• Review: "I highly recommend anyone who has an interest in LGBT issues to pick up Wandering Son, regardless of whether or not you read a lot of manga. It is, in many ways, distinctly Japanese, but its straightforward and honest deception of gender issues is rare in any medium, and it shines equally as a coming-of-age tale, especially for anyone who's ever felt they never quite fit in." – Anne Lee, Chic Pixel
• Review: "Prior to 1947, romance existed in comics but primarily as the humorous teenage variety for young readers, typified by the gang from Riverdale in Archie Comics. Simon and Kirby re-imagined the concept with mature stories aimed at adults, primarily women.... Fantagraphics recently collected many of these stories in the handsome hardcover Young Romance: The Best of Simon & Kirby's Romance Comics. Within the true artistic mastery of Kirby becomes evident. The same man, well known at the time for his bombastic stories, delivers these subtle, very human tales of angst, betrayal, and of course love. The volume's essays place these tales within the proper historical context. The beautiful reproductions were completely restored and unlike some of the Marvel Kirby reprints, nothing was recolored." – Rick Klaw, The SF Site: Nexus Graphica
• Interview:Drew Friedman writes us: "I wanted to share. This is the new online issue of INK, SVA's Student run comics mag, featuring an interview with me, also an article about WFMU radio's connection to cartoonists. This is pretty impressive I think. Enjoy!"
• Interview:Robot 6's Tim O'Shea has a Q&A with Kevin Huizenga: "Seems to me like you’re doing something wrong as a writer if you’re not affected or surprised by your own work. But it’s not something to talk about. You’re not supposed to laugh at your own jokes. The author at his desk, deeply moved by his own work is a pretty funny image."
• Scene: "In the exhibition, titled, 'Modern Cartoonist: The Art of Daniel Clowes,' we find the artist revealing the weird underbelly of America through quick and methodical strokes of a pen. Furrowed brows, sneers, and nervous beads of sweat accompany many of Clowes' odes to anxiety, causing us to acknowledge the strange and desperately sad state of his characters, who are striving to fit in." – Kathleen Massara, The Huffington Post
...and Folly: The Consequences of Indiscretion by Hans Rickheit! Three great books, three long titles. Look for more & better photos and our video flip-through previews in the coming weeks (and about 5 other previews before that — gettin' hectic around here!).
• Review: "Barks, the artist, is a master cartoonist, drawing lively, expressive characters with a graceful sense of movement. His beautiful, detailed backgrounds plant the ducks in a fully realized world that adds weight to his storytelling.... But besides the entertaining plots, Barks’ appeal is in his characters. He gives his ducks many human frailties and while they usually try to do the right thing, they make mistakes, get angry, frustrated, and even fail. Fantagraphics Books... does its usual high quality work here as well. The design and layout of the book is a handy comic-book size hardcover with bright, colorful reproductions of the comics. Besides the comics, there are articles on Barks and analysis on each story... For both newcomers to Barks' work and diehard fans, [Walt Disney's Donald Duck: Lost in the Andes] is a book that any comic book reader would love to find under the Christmas tree." – Rich Clabaugh, The Christian Science Monitor
• Interview: At The Comics Reporter, Tom Spurgeon talks with Rich Tommaso about his coloring work on our Carl Barks Library series — "[Disney] said we didn't have to be so religious about it. They wanted to make sure the color for the ducks, the reds and blues and the yellows, that those were pretty much bang-on. But they agreed that there was a little bit of leeway. If something looked like a bad color choice, you could find something in the ballpark range of that color. So that's what I would do." — and about his own comics work
• Review: "All aspects of Kubert's career are touched on in this tome, which is loaded with beautiful colour reproductions of its subject's artwork and complemented by a lengthy and insightful critical commentary by comic book historian Bill Schelly. Over the course of the book's 224 pages, you can see quite clearly how Kubert's art evolved and how his storytelling skills developed, but also how his unique style, those striking touch and sinewy images that could have been rendered by no one else, has remained intact. As with Fantagraphics' previous coffee table comic art books, The Art of Joe Kubert makes you want to see more — all! — of the artist's work." – Miles Fielder, The List
• Review: "Frank Zappa once said 'most rock journalism is people who can’t write, interviewing people who can’t talk, for people who can’t read.' However true that might be, Paul Nelson was one who most definitely could write. And he interviewed people who could talk, and plenty of people read what he wrote. Kevin Avery certainly read what Nelson wrote, and has now written Everything Is an Afterthought, which is both a biography of Nelson and a collection of his work, including some pieces that have never been published.... Like the best critics, Nelson was primarily a fan of what he wrote about, subjects that struck a chord with him. And here’s a bio and a collection of his work written by a fan of his." – Robert O'Connor, Spike Magazine
• Plug: Proud contributor to our first Walt Kelly Pogo volume Mark Evanier talks up the book on his blog: "It's a wonderful book and though I am a Consulting Editor — I think that's my title — I can rave about it because I deserve very little credit for its wonderfulness. Any book that properly presents the work of Mr. Kelly is going to be, by definition, wonderful...and Carolyn Kelly (daughter of Walt, companion of mine) and Fantagraphics Books made sure it was properly presented."
Plug: "...Michael Kupperman's new book [Mark Twain's Autobiography 1910-2010]... has everything a boy could want, including Mark Twain on the track of the elusive yeti!... Albert Einstein is a major supporting player in the book (he and Twain open a detective agency, natch) and somehow it behooves me to remind everyone that in real life for really real, Einstein's granddaughter married a renowned bigfoot hunter. That is a fact you can look up on your computer!" – Jack Pendarvis
• Interview:Robot 6's Tim O'Shea talks with Shannon Wheeler, with a couple of revealing behind-the-scenes tidbits about Oil and Water in the second half: "Steve [Duin] understands a scene really well. When all the characters visited the bird cleaning facility there was a large storytelling arc with multiple subplots. I would have been afraid to juggle so many elements. I would have focused on the single note of the horror of the facility. Steve isn’t afraid to trust the reader to understand. I’m a lot less trusting of the reader. Steve showed me how to have more faith in the narrative."
"Andrew Edlin Gallery is pleased to present Zap: Masters of Psychedelic Art, 1965-74, curated by Gary Panter and Chris Byrne. The exhibition will include works by the seven artists from the original Zap lineup: Robert Crumb, Victor Moscoso, Rick Griffin, S. Clay Wilson, Gilbert Shelton, Spain Rodriguez and Robert Williams. The focus of the show is the early days of Zap, when these artists begat their visionary deconstruction of the comic book with remarkable innovations in storytelling and drawing. An accompanying catalogue is being published by the gallery."