This week's comic shop shipment is slated to include the following new title. Read on to see what comics-blog commentators and web-savvy comic shops are saying about it (more to be added as they appear), check out our previews at the link, and contact your local shop to confirm availability.

Ganges #4
by Kevin Huizenga

32-page two-color 8.5" x 11" comic book, with jacket • $7.95
Part of the Ignatz Series

"Kevin Huizenga has blessed us all with another issue of Ganges, totally unexpected and entirely wonderful. Let's not disappoint him." – Chris Butcher, The Beguiling

"...Ganges #4 seems to me to be the obvious choice for the $15 and under crowd, continuing everyman Glenn Ganges’ attempts to get some shuteye. This time he attempts to find a really dull book and the results are hugely entertaining." – Chris Mautner, Robot 6

"I’ve been waiting for this one awhile, and glad to see it. $7.95 might seem like a lot for a 32 page book, but Huzienga’s craft really makes it worth it. It’d also be an ideal palette cleanser in case I read some unexpectedly bad books." – Chris Arrant, Robot 6

"I think the third issue of Kevin Huizenga’s series was either at the top of my list of favorite comics of last year, or at least very near the top, so this is one of my most anticipated releases not just for this week, but probably this year." – J.K. Parkin, Robot 6

"...Ganges #4 from Fantagraphics... has crept across this land’s shops like a heart attack down the spine of an insomniac; $7.95. Spooky." – Joe McCulloch, The Comics Journal

"Every single thing that Kevin Huizenga does is a must-have for me. This is a continuation of the insomnia storyline." – Tom Spurgeon, The Comics Reporter

"Great fun as always from Kevin, he certainly knows how to spin a yarn out of almost nothing." – Jonathan Rigby, Page 45

Additionally!...

Congratulations to the great Stan Sakai, whose wonderful Usagi Yojimbo series reaches its milestone 200th issue (#141 of its current Dark Horse incarnation) this week!

And if you're picking up the big Someday Funnies book from Abrams ComicsArts this week, be sure to snag yourself a copy of The Comics Journal #299, which chronicles the long, strange history of this decades-in-the-making anthology.

Join Fantagraphics artists Jaime Hernandez, Jordan Crane, Tony Millionaire, and Stan Sakai tonight at Secret Headquarters in L.A.!

They'll be signing copies of the new First Second title Nursery Rhyme Comics, an anthology featuring 50 classic nursery rhymes as depicited by 50 of your favorite comic artists.  And their original artwork will be on display tonight for the signing!

So, don't sit on a wall and have a great fall, or fetch a pail of water and go tumbling after --- just head to Secret Headquarters [ 3817 W Sunset Blvd, Los Angeles ] tonight at 7 PM!

Somewhat belatedly, a portfolio of candid photographs by roving
photojournalist Lynn Emmert. Captions by her husband (me).

Now that is one fine lookin' booth.

And then I woke up in a cold sweat, as the memories came flooding back.

Kim Thompson and Frank Stack, separated at birth.

Natalia Hernandez, more adorable than three Zooey Deschanels, next to one of her daddy's comics.

Speaking of whom... Partying like it's 1982 (San Diego Comic-Con premiere of Love and Rockets #1, if you'll recall).

It's always sad to see older cartoonists who have become so jaded they can't muster up any enthusiasm when meeting their fans.

Mark Kalesniko, happy to be finally off the FREEWAY (notice clever integration of book title into caption). Also visible, right to left, paying customer, Conrad Groth, Mike Baehr, Eric Buckler, Gilbert Hernandez.

"Well, hello there, do you come here often?" Frank Stack hits on Joyce Farmer by (almost literally) showing her his etchings.

21 author Wilfred Santiago (rockin' the indoor sunglasses) and Sanlida Cheng.

Eisners, man!

Sometimes in the middle of a convention I like to shave my beard down to a goatee and pretend I'm someone famous.

Eric Buckler, Conrad Groth, and Kristy Valenti, workin' the booth.

Did we mention?... Two Eisners for IT WAS THE WAR OF THE TRENCHES! Janice Headley displays.

And it's not a San Diego convention without Stan and Sharon Sakai!

And in case you missed it...

Prince Valiant chronicler (and fine cartoonist in his own right) Brian Kane presented Usagi Yojimbo creator Stan Sakai with this fantastic fan-art mashup of Val and Usagi at the Baltimore Comic Con this past weekend and forwarded it along to us, and now he's given us permission to share it with you! (Click the image for a slightly larger version.)

Inspired by this artwork, we had the idea to offer free standard domestic shipping on orders that include at least one Usagi book and at least one Prince Valiant book for the rest of the week! This offer is not available for online orders, so call 1-800-657-1100 to take advantage. (Offer applies only to in-stock Usagi and Valiant books and expires at 5PM Pacific time on Friday August 26, 2011.)

Apologies for the long delay since the last roundup. I enjoy bringing you these posts but lately it's been hard to squeeze them in. I may need to figure out a new approach or something. Anyway, on with the show:

• "Unemployment" strips by Tim Hensley

• Hey, a new comic from Jonathan Bennett! Spin commissioned a 2-page strip from Jonathan as part of their commemoration of the 20th anniversary of Nirvana's Nevermind and posted it on Facebook (Via Spurge)

• Nate Neal has a new website you should bookmark/subscribe to, with lots & lots of updates, including comics in the video "Comix-O-Matic" format, sneak peeks of a new book he's working on and a whole mess more

• Drew Friedman spotlights those awesome "Cool Art Pencils" that Pentech put out in the early '90s

• Dave Cooper shares this rough preliminary sketch and a whole mess of reference photos (and behind-the-scenes shenanigans) for a new painting he's working on

• Richard Sala — now on Tumblr! Still some previously unshared updates on his Here Lies Richard Sala blog too

• Tim Lane illustrates the poster & program for the St. Louis Filmmakers Showcase festival

• Lorenzo Mattotti also illustrates for a film festival, Annency Cinéma Italien; plus a New Yorker cover and Johnny Rebb

• Lilli Carré illustrates for the Chicago Reader and animates a Wallace Stevens poem at The Hooded Utilitarian

• You may have heard we've signed Noah Van Sciver's in-progress graphic novel about Abraham Lincoln, The Hypo — here Noah presents an excerpt

• Stephen DeStefano continues to fill up his new Tumblr with Popeye designs, sketches and other stuff

• The usual amazing stuff from Renee French

• Steve Brodner on the debt-ceiling debacle for the Washington Post and additional recent sketches at his blog

• Yes, it's a panel from Kevin Huizenga's eagerly-awaited Ganges #4

• Four weeks worth of Paul Hornschemeier's daily sketches at The Daily Forlorn

• As we enter the dog days of summer Wilfred Santiago's arctic fox is looking mighty cool

• Johnny Ryan gets in the Smurf spirit (Seal Team Smurf? Smurf Team Six? Smurf Team Smurf?) and draws his favorite bullies

• Yowie, this back cover to Stan Sakai's latest annual sketchbook — yowie!

And more Things to See since the last update:

• Glimpses of a new comic from Matthias Lehmann

• Steven Weissman's latest "I, Anonymous" spots and more at his Chewing Gum in Church blog

• A figure painting from a life drawing class by John Hankiewicz

• Dame Darcy's developed a propinquity for dolphins

• Debbie Drechsler returns to her nature-sketching blog Just Around the Corner

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• Sergio Ponchione gives some glimpses of his summer projects (if I'm interpreting the autotranslation correctly)

• Here's the blog of new Mome contributor Nick Drnaso

• Recent sketches (and aquarium videos) by Laura Park

• New drawings from Sophie Crumb

• Anders Nilsen 's book tour travel sketches

• Lots of updates on recent projects and an autobio-ish strip or two from Derek Van Gieson

• Anthony Vukojevich takes on Love and Rockets #1 at the Covered blog

Today's Online Commentary & Diversions:

• Review: "Originally appearing from 1958 to 1960, these insouciant, stylish, and thrilling dramas should appeal to readers of all ages. If they don't hook a whole new batch of bande dessinée fans, France needs to take back the Statue of Liberty in a huff.... Both stories zip by with nary a dull patch. Confections lacking in gravitas, they nevertheless own the supreme virtues of lightness and panache. Tillieux's art is always easy on the eye.... If Spielberg is looking for a second franchise after Tintin, he couldn't go wrong with Gil Jordan." – Paul Di Filippo, The Barnes & Noble Review

• List: At About.com - Manga, Deb Aoki shares comments that she and her fellow panelists on the "Best and Worst Manga" panel at Comic-Con made about Wandering Son Vol. 1 by Shimura Takako (named a Best New Teen Manga and a Best New Grown-Up Manga) and A Drunken Dream and Other Stories by Moto Hagio (named a Best New Grown-Up Manga)

• Review: "Thanks to well known translator Matt Thorn, this volume is a very smooth read. I don’t often comment on such things, but Thorn took great care in interpreting and presenting this book, and it pays off in a very pleasing flow of text. The art is also quite lovely, very simplistic, and flows well from panel to panel. The color pages in the beginning have a beautiful, water color look to them. Fantagraphics has put out a gorgeous hardcover book with Wandering Son." – Kristin Bomba, ComicAttack.net

• Review: "Fantagraphics’ The Pin-Up Art of Humorama collects hundreds of racy cartoons from the once-ubiquitous tasteless humor mag.... The Fantagraphics edition, edited by Alex Chun and Jacob Covey, 'remasters' these toons with a two-color treatment that really captures the graphic feel of the mouldering pulps that still grace the ends of yard-sale tables in cities across America. It must be said that none of these are very funny, but they’re often quite beautiful and nostalgic." – Cory Doctorow, Boing Boing

• Review: "Every once in a while, a book comes along that is simply spectacular. This collection of [Mickey Mouse] comic strips by Floyd Gottfredson is a perfect example of how to present, analyze and reconstruct subject matter that is viewed differently today. The series editors (David Gerstein and Gary Groth) pull no punches in discussing why Mickey was carrying a gun or the use of slang that is noticeably offensive by today's standards. This is a wonderful vehicle for presenting historically accurate art. Other companies should take notice.... This is a stunning work. The historical presentation is flawless, as is the artwork." – George Taylor, Imaginerding

• Review: "[In Celluloid], McKean is attempting to subvert hardened notions of both comics and pornography. It's a book that gets the blood racing just as it raises questions that just won't go away about the nature of art, porn, and the male gaze.... By painting an erotic sequence with a surrealist's brush, McKean reveals the raw sexual current that underscores all pornography." – Peter Bebergal, Bookslut

• Review: "An unapologetically hard-core hardcover, Celluloid follows a young woman’s sexual epiphany... and feels almost like a silent, erotic Alice’s Adventures in Wonderland, with the White Rabbit and the rabbit-hole replaced by an ancient movie camera and a doorway to…somewhere else. By itself, typically, McKean’s technical mastery (beginning with pen and ink and finishing with photography) steals the breath away; ditto his visual motifs — involving fruit, say, or eyes. A bravura performance, Celluloid (which ends, by the way, with signal wit) constitutes an astounding fusion of the Dionysiac and the Apolline, in Nietzschean terms, and less invites reading than demands rereading." – Bryan A. Hollerbach, PLAYBACK:stl

• Review: "In the oneiric power of his work as a writer/artist, Jim Woodring enjoys few rivals in contemporary comics... Within the first ten pages of Congress of the Animals, calamity literally descends on poor Frank in the form of a wood-boxed croquet set. In the next ten, our bucktoothed, bobtail boyo suffers both a labor dispute and a credit crisis, and thereafter, in the U.S. in 2011, it should come as no surprise that things fast go from bad to worse; just for starters, Frank has to enter the working world. Ameliorating all of his tribulations, at least from readers’ vantage, are his creator’s nonpareil pen and undulant line — a quivery visual seduction courtesy of Higgins. Moreover, by the finale, Frank’s [spoiler redacted – Ed.] — so the little guy ain’t doin’ too bad, y’know?" – Bryan A. Hollerbach, PLAYBACK:stl

• Review: "Like Weathercraft, this new work [Congress of the Animals] is completely silent, showcasing Woodring's amazing talent to convey a story without a word, with seemingly little effort. It's just an eye-popping visual feast of amazing illustrations in this crazy world where Woodring can put whatever he wants on the page, to a stunning end result." – Dave Ferraro, Comics-and-More (via the SPX Tumblr)

• Review: "How wrong I was to underestimate the powerful storytelling medium of the emerging graphic novel platform, especially when masterfully rendered by an author and artist as remarkably talented as Santiago. I expected an exciting visual presentation, and was not disappointed, as Santiago’s heavy-lined, representational graphic style was, in turn whimsical, arresting, quirky, and most of all, emotional. But I wasn’t prepared for the wonderfully passionate portrayal of the human side of Clemente’s legendary journey from Puerto Rico into baseball immortality.... Captivating, revealing, and dramatic, 21 accomplished through art, creative use of informed imagination, and pure passion, far more than I thought possible from a graphic novel. I believe I now have a more complete picture of Roberto Clemente, but not of his statistics, or even his style of play, or of his place in baseball history. I have a truer sense of his heart." – Mark W. Schraf, Spitball

• Review: Adorable alert! At Bookie Woogie, 11-year-old Gracie (and her dad Aaron Zenz) review The Complete Peanuts:

Gracie:  Charlie Brown!  He's the one who thinks, "Life is going bad... I'm an awful person... Nothing good ever happens to me..."
Dad:  Would you be friends with him?
Gracie:  I would. I love him. My love for him goes to the ceiling of a skyscraper.  But nothing good ever happens to him ever. Once he won a race -- that's probably the only thing he's ever won. And the prize was 5 free haircuts...
Dad:  Ha!
Gracie:  He's only got a twist of hair in front. And he's like, "Five free hair cuts?  I don't have much hair to cut! And even if I did... my dad is a barber!"
Dad:  Poor Charlie Brown.
Gracie:  Yeah, nothing good ever happens to him. He's always getting teased for his perfectly round head.

• Interview: The Comics Reporter's Tom Spurgeon talks with Stan Sakai: "Usagi was first published 27 years ago, and that time I just concentrated on the next story. It was around maybe... I would say with book four, The Dragon Bellow Conspiracy. That was the first major storyline. It took maybe 10 issues or something, I'm not exactly sure. Maybe eight issues.... Before then, I was thinking, 'Usagi's going to be canceled any month.' [laughter] 'I can't spend too much time devoting myself to a long storyline.' But once I did that and got over that hurdle, that's when I realized that hey, this could go on for a long time."

• List: The Hooded Utilitarian begins revealing the top 10 results in their International Best Comics Poll, with Walt Kelly's Pogo coming in at #8

• Plug: Canada's National Post spotlights Drew Friedman's forthcoming book Even More Old Jewish Comedians

• Plug: Michael Kupperman's Mark Twain's Autobiography 1910-2010 was a favorite acquisition at Comic-Con among some of Comics Alliance 's writers

• Plug: "A trip to the comics shop yesterday netted me a copy of Drew Weing’s Set to Sea. It’s pure indulgence, because I have already read the story online, but Fantagraphics’ small, almost jewel-like presentation is really beautiful. Weing tells his story one panel at a time, and each panel could be framed as a work of art in itself, so having it in a book, without the clutter of the web, is a worthy investment." – Brigid Alverson, Robot 6

• Commentary: Robot 6's Chris Mautner recommends The Classic Pin-Up Art of Jack Cole and Betsy and Me as "further reading" in his "Comics College" introduction to Jack Cole's work

• Commentary: At The Comics Journal, Frank Santoro talks about working with Dash Shaw on Dash's animation project and drawing for animation vs. drawing for comics

• Scene: Comic Book Resources' Marlan Harris gives a recap of our 35th Anniversary panel at Comic-Con — unfortunately it contains several factual errors, some of which I have endeavored to correct in the comments thread

• Scene: Our EC and ZAP announcements top Michael Dooley's list of 13 highlights from Comic-Con at Print magazine's Imprint blog

Wow! The Usagi Yojimbo exhibit just opened at the Japanese American National Museum in Los Angeles this past weekend, and the rave reviews are already pouring in!  We got some great photos from our friends at Dark Horse that we just had to share... like THIS ONE:

Why, that's no evil ronin! That's Sergio Aragonés! Gak, indeed!

Our friends at Giant Robot were also on the scene! They posted some beautiful shots of the show on their website, including a loving tribute sketch from Stan Lee, ha! 

Don't forget: Year of the Rabbit: Stan Sakai's Usagi Yojimbo runs until October 30th at the Japanese American National Museum [369 East First Street, Los Angeles]. Go see it for yourself!

I can't think of a nicer way to celebrate the Year of the Rabbit than with this Usagi Yojimbo exhibit at the Japanese American National Museum in Los Angeles!  

The exhibit gets hoppin' this Saturday, July 9th, as the great Stan Sakai is in town to give a talk, a demonstration, and sign some books!

In fact, the whole day is jam-packed with fun activities, including screenings of anime films from the '20s and '30s, origami workshops, and a cooking lesson on how to make a broccoli carrot slaw, sure to satisfy any samurai!

Sakai-san explains himself, on his blog: 

I have been in a lot of exhibits, but this one will be the most comprehensive. It will not only display a lot of art in all phases of production, but also merchandising such as UY toys, pajamas, and statues. There will even be a section of Usagi art by other creators such as Frank Miller and even Stan Lee. A mini-documentary will be shown in the theater, with interviews with friends such as Sergio Aragones, Scott Shaw, Stan Lee, Geoff Darrow, and others. 

The exhibit runs 'til October 30th, but the opening day is FREE and open to the public, so why wait!

Meet Stan Sakai this weekend at the Phoenix Comicon 2011, kicking off Thursday, May 26th and running through Sunday, May 29th. He'll be there all weekend, signing at Booth #427!

You can also catch him on Friday, May 27th at 1:30 pm, in the panel "Nuts and Bolts of Comics Creation," where he'll talk about how to take a comic book concept from idea to reality, alongside some fellow pros in the industry.

And you can hear him again on Saturday, May 28th at 1:30 pm, in the panel "Rockstar Animals in the Comic Book World," as he discusses having animals as the lead character in a comic book!

It sounds like a great weekend to get your Usagi Yojimbo box sets and books signed! (And while you're at it, be sure to wish Sakai-san a "Happy Belated Birthday"! It was this past Wednesday!)

This Stan Sakai Usagi Yojimbo/Wolverine mashup sketch cover is on auction to benefit the Inkwell Awards, and — how perfect is this — the Japanese American National Museum is having an exhibit and benefit sale of customized Labbit toys this summer for the Year of the Rabbit and Stan (recently honored by the museum) has contributed the adorable customized Usagi Labbit below.