FLOG! Entries tagged 'Stephen Dixon'

Cover Uncovered & Excerpt: His Wife Leaves Him by Stephen Dixon

mike

We're greatly honored to follow up two-time National Book Award nominee Stephen Dixon's amazing short story collection What Is All This? with his brand new novel, His Wife Leaves Him. Design maestro Jacob Covey has put the finishing touches on the beautifully minimalist jacket and the book is off to the printer for release this Summer. Here are some learned opinions which may sway you:

"Stephen Dixon is one of the great secret masters — too secret. I return again and again to his stories for writerly inspiration, moral support and comic relief at moments of personal misery, and, several times, in a spirit of outright plagiaristic necessity: borrowing a jumpstart from a few lines of Dixon has been a real problem-solver in my own short fiction. Please read him, you." – Jonathan Lethem

"Startling candor, humor, and concern; every utterance promptly qualified; rigorous narrative economy combined with near-manic obsessiveness. Embrace [Dixon] and you will be held by a princely storyteller." – John Barth

"There is no better chronicler of our antic and anxious age than Stephen Dixon." – Daniel Handler (a.k.a. Lemony Snicket)

"Mr. Dixon wields a stubbornly plain-spoken style; he loves all sorts of tricky narrative effects. And he loves even more the tribulations of the fantasizing mind, ticklish in their comedy, alarming in their immediacy." – The New York Times

We have a generous 38-page excerpt you can read, and you can pre-order the book right here.

Daily OCD 3/27/13

TheJenVaughn

The coldest shrimp cocktail of Online Commentaries & Diversions:

• Interview: Alex Dueben of Comic Book Resources interviews editor Greg Sadowski about Messages in a Bottle: Comic Book Stories by B. Krigstein and about Basil Wolverton. "When I was putting together the first Krigstein books, Marie [Severin] was still actively working, so it made sense to hire her to do the coloring. Krigstein mentioned that she was his favorite colorist, so it was a decision I felt he would have approved of. I thought it would be a nice tribute to them both to encourage Marie to take her time and really give Krigstein's work the thought it deserved, and boy did she deliver," says Sadwoski.

• Plug: iFanboy writes on The Adventures of Jodelle by Guy Peellaert. "Drawn in pop-art style, Jodelle was one of the early comic shots fired in sexual revolution of the 1960s; thoroughly modern and wholly…The story itself is still a hoot, but the essay – which places the story in its fascinating historical context – is what makes The Adventures of Jodelle a must-buy," states Josh Christie.

• Interview: Mobile Reviews asks Stephen Dixon of the novel His Wife Leaves Him why does he write. Part of Dixon's great answer, "I never answer it or even try to. It can only hurt my writing. And if I didn’t write, what would I do?"

• Plug: iFanboy plugs Fall Guy for Murder and Other Stories by Johnny Craig. "The 23 stories in Fall Guy for Murder and Other Stories are short, weird, and incredibly creative. Craig stand out as not only an excellent writer, but one of the best artists of his time," writes Josh Christie.

Gary's Boing Boing Recommendations

TheJenVaughn

Yesterday, Publisher Gary Groth's interview with the team from Tell Me Something I Don't Know went live on Boing Boing. Jason Lex, Jim Rugg, and Ed Piskor asked for some of Gary's Fantagraphics recommendations. Here are the quick descriptions and links to the books Gary mentioned.

Good Dog by Graham Chaffee is a beautiful black and white graphic novel that chronicles the tales of stray dog, Ivan, on his search for a home, friends and more. Ivan is a good dog - if only someone would notice. Chaffee combines illustrative gravitas with cartooning verve for a richly textured, dog's-eye view of the world. Coming this May 2013.

Wake Up, Percy Gloom is the second Percy Gloom graphic novel by Cathy Malkasian. Kindhearted Percy awakens from (what he thinks is) a 200-year nap and finds himself in a strange new land. As Percy goes on a quest to locate his mother in addition to his long-lost love and soul mate, Miss Margaret. Coming out this April 2013.

Willard Mullin's Golden Age of Baseball is a collection of the sports comics by Willard Mullin. Mullin was to baseball players what Bill Mauldin was to soldiers: advocate and critic, investing them with personality, humanity, dignity, and poignancy; Mauldin had Willie & Joe and Mullin had the Brooklyn Bum, his affectionate 1939 character representing the bedraggled figure of the Brooklyn Dodgers. Coming this April 2013.

Finally, His Wife Leaves Him by Stephen Dixon is a new book from the Fantagraphics' prose line. One of America's great literary treasures has completed his first novel in five years - a long, intimate exploration of the interior life of a husband who has lost his wife. Coming this May 2013.

Fantagraphics' Diamond PREVIEWS for April 2013

mike

This month's Diamond Previews catalog is out now and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in April 2013 (give or take — release dates are likely to have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.

(Retailers! These updates are also available in a new monthly email newsletter especially for you. If you're not already getting it and would like to sign up, contact us and we'll add you to the mailing list! And don't forget, we have a ton of digital resources which are at your disposal for your website and social networks, which you can learn more about here.)

Hit the links below for complete info on each title, and see the whole lineup here.

Walt Disney's Mickey Mouse Color Sundays Vol. 1: "Call of the Wild"

By Floyd Gottfredson

$29.99 / HC / 280 pgs / FC / 10.5 x 8.5

Floyd Gottfredson’s Mickey Mouse series makes the jump from black and white to vibrant color. Many of these classic Sunday strips from 1932-1935 have never before been reprinted and have been restored from Disney’s archives and enhanced with a meticulous recreation of the strips’ original color. Call of the Wild also brings you more than 30 pages of supplementary features such as rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a prismatic pack of Disney scholars. This is a collection that fans have been seeking for a lifetime!

More Details

The Complete Crumb Comics Vol. 5: "Happy Hippy Comix" – New Reprint

By Robert Crumb

$19.99/ SC / 144 pgs / PC / 8.5 x 11

The Complete Crumb Comics Vol. 8: "The Death of Fritz the Cat" – New Reprint

By Robert Crumb

$19.99/ SC / 144 pgs / PC / 8.5 x 11

Continuing our ongoing commitment to keep the canonic Complete Crumb Comics series available, we reprint two of most often- demanded volumes. Vol. 5: “Happy Hippy Comix” spotlights the period from late-1967 through 1969, including the second issue of ZAP Comix, the introduction of Angelfood McSpade, Mr. Natural, a long Fritz story, an alternate version of the Cheap Thrills album cover, and more! Vol. 8: “Starring Fritz the Cat” covers the years 1971-1972 and features one of Crumb’s most notorious comics, “The Death of Fritz the Cat,” as well as “Whiteman Meets Bigfoot,” the complete Big Ass #2 and Mr. Natural #2, wild jams and loads of photos!

Vol. 5 Details • Vol. 8 Details

Love and Rockets: The Covers

By Gilbert and Jaime Hernandez

$35.00 / SC / 144 pgs / FC / 10 x 13

Fantagraphics proudly presents 20 years of Love And Rockets covers collated in full-color, virtually all of them without logos or cover text for maximum visual impact so the viewer can better appreciate these iconic images created by Gilbert and Jaime Hernandez. With over 150 classic covers, this will be a gorgeous, oversized art book and the perfect gift for fans of the series that virtually defines alternative comics.

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New School

By Dash Shaw

$35.00 / HC / 340 pgs / FC / 8.5 x 11

From the author of Bottomless Belly Button comes a stunning new graphic novel set in a fantastical amusement park. New School follows a teenage boy’s search for his brother, which leads at first to wonderment and delight but ultimately to alienation and disillusionment. Unlike anything in the history of the comics medium, New School is at once funny and deadly serious, easily readable while wildly artistic, personal and political, familiar and completely new.

More Details & 18-Page Excerpt 3 New Stories

By Dash Shaw

$3.99 / Comic / 32 pgs / FC / 6.5 x 10

This one-shot comic book will feature three all-new, full-color short stories that explore var- ied dystopian societies. From a Sherlock Holmes-style investiga- tor who must complete his high school degree to filmed ‘volun- tary’ nudity to prison camps full of jaded children, Shaw pens each story with his signature style and unique spin, all in 32 pages.

More Details & Preview Images His Wife Leaves Him

By Stephen Dixon

$29.99 / HC / 600 pgs / Prose / 6 x 9

Stephen Dixon’s first novel in five years is an intimate exploration of the interior life of a husband who has lost his wife. His Wife Leaves Him is Dixon’s most important and ambitious novel, featuring his tenderest and funniest writing to date, and represents the stylistic and thematic summation of his writing life.

(Updated release: June 2013)

More Details

Heroic Tales: The Bill Everett Archives Vol. 2
By Bill Everett; Edited by Blake Bell

$39.99 / HC / 240 pgs / FC / 7.25 x 10.5

Over 200 pages of never- before-reprinted work from Golden-Age-Of-Comics legend Bill Everett. Spanning the years 1938- 1940 and culled from such magazines as Amazing Mystery Funnies and Amazing-Man Comics, Heroic Tales features vintage characters such as Amazing-Man, Hydroman, Skyrocket Steele, The Chameleon plus many more. This is a stunning companion to Fantagraphics’ critically acclaimed 2010 Everett retrospective, Fire and Water, and features beautifully restored, full-color stories plus an introduction about the man, his art, the history of the era, and his relationship with Marvel Comics.

(Updated release: June 2013)

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The End

By Anders Nilsen

$19.99 / HC / 80 pgs / PC / 8.5 x 11

Assembled from work done in Anders Nilsen’s sketchbooks over the course of the year following the death of his fiancée, The End is
a collection of short strips about loss, paralysis, waiting and transformation. Originally released in magazine form, The End has been updated and expanded to more than twice its origi-nal length, including a 16-page full-color section.

More Details & 11-Page Excerpt

The Squirrel Machine – Now in Paperback

By Hans Rickheit

$19.99 / SC / 192 pgs / BW / 7 x 10

An anachronistic parable for the convulsive elite — now in paperback. Meticulous, strange, and hauntingly beautiful, this evocative and enigmatic book will ensure the inquisitive reader a spleenful of cerebral serenity that will take exposure to vast quantities of mediocrity to dispel.

Order this item from the Previews Adult catalog!

More Details & 15-Page Excerpt

Offered Again:

What Is All This? by Stephen Dixon
Big Baby (New Printing!) by Charles Burns
Skin Deep (New Printing!) by Charles Burns
Palestine (New Printing!) by Joe Sacco
Fire & Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics by Blake Bell
Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson
Walt Disney's Mickey Mouse Vol. 4: House of the Seven Haunts by Floyd Gottfredson
Bottomless Belly Button by Dash Shaw
The Unclothed Man in the 35th Century A.D. by Dash Shaw
Folly: The Consequences of Indiscretion by Hans Rickheit

Daily OCD 7/17/12

TheJenVaughn

The newest and week-old pre-SDCC stinky socks found under your bed-style Online Commentaries and Diversions minus the hullabaloo about Love and Rockets:

•Interview (video): Noah Van Sciver is interviewed by documentary film maker Dan Stafford on his upcoming book about Lincoln's depression, The Hypo, coming out this fall. "Lincoln battled things his whole life. He battled with poverty in his youth; the part that I cover, battling with depression; the struggle of his own fate followed by keeping the nation together, how we know him best."

•Plug: Flavorwire takes the Flavorpill by Tucker Stone. 4 of the 10 most anticipated books are from Fantagraphics including Love and Rockets: New Stories #5 by the Hernandez Brothers, The Hypo by Noah Van Sciver, Goddamn this War by Jacques Tardi , and Prison Pit #4 by Johnny Ryan: "[The Hypo] is the comic you didn’t know you were waiting for."

•Interview: The Advocate and Jase Peeples takes some time to speak to No Straight Lines editor Justin Hall on comics and the LGBTQ community. Hall says, "There are interesting parallels between comics and queers; both have a hard time getting respect by the dominant culture, and both have problems understanding their own history."

•Interview (audio): On the heel's of Pride Month, Comic Book Queers interview a gaggle of people including No Straight Lines editor Justin Hall. Hall states, "We turned the project into a class. I taught at the California College for the Arts and the backbone of the class was bringing in queer cartoonists and had the students interview them."

•Commentary: On The Rumpus editor Justin Hall writes about the history of Queer Comics. You can read more in the anthology!

•Interview: The New York Times and Penelope Green cover uncoventional taxonomy in Significant Objects while interviewing editor Joshua Glenn. Glenn states, "Even if we don’t identify ourselves as collectors, we are collectors of things. And things are collectors of meaning in various ways."

•Commentary: Electric Literature covered the fun book launch of Significant Objects at the Strand on July 10th. Editor Joshua Glenn is quoted by Karina Briski: "the stories become the things of value, all on their own."

•Review: Pop Matters enjoys Walt Disney's Uncle Scrooge and Mickey Mouse Vol. 3: High Noon at Inferno Gulch (edited by David Gerstein and Gary Groth) with childlike wonder but still has those nagging questions. Michael Barrett: "There’s still no explanation for how some animals are “humans” while others are just animals, like how Mickey can ride a horse in the West and then come home to be greeted by his pal Horace Horsecollar."

•Review: The Tearoom of Despair takes a look at the Hate Annuals by Pete Bagge. Bob Temuka laments, "Bagge has actually done so many comics over the past decade and a half, that he is almost – shamefully – taken for granted. While new books by the likes of Clowes or Ware are almost an Event, a new mini series from Bagge might get a couple of reviews, most of which will point out that it’s more of the same."

•Commentary: Video gamesite, 1Up features some satirical video game adaptations including Pete Bagge's Hate, Ghost World by Dan Clowes and the most epic Jimmy Corrigan panel by Chris Ware.

•Review: Music magazine and site Under the Radar enjoys the writings of Stephen Dixon's What Is All This? Uncollected Stories. Hays Davis: "Stephen Dixon has a gift for revealing mundane environments as vibrant social microcosms. With that, it seems almost apropos that Dixon's flown under the radar commercially for decades, though he's always garnered respect in literary circles"

•Plug: SF Site drops some comments about Jack Davis: Drawing American Pop Culture. Rick Klaw: "The extraordinary Jack Davis: Drawing American Pop Culture successfully reaffirms the artist's place within the upper echelon of pop culture craftsman."

Daily OCD 6.14.12

TheJenVaughn

The freshest Online Commentary & Diversions:

•Review: Today on the Comics Alliance, writer Matt D. Wilson covers the unique career of Michael Kupperman. The king of one-man anthologies cannot be classified, "There's no need to elaborate on how or why [Mark Twain and Albert Einstein] know each other; Kupperman wants to get straight into the laboratory ghosts and ant colony visits. Kupperman's humor doesn't rest in relationships; it's invested in concepts."

•Plug: Fantagraphics creator Michael Kupperman will be performing his own blend of comedy with geek rapper, Adam WarRock, on July 10th (for those of you not going to the Significant Objects party at The Strand). Tickets available now for the show at Littlefield in Brooklyn.

•Review: Bookstore McNally Jackson lovingly writes on about Stephen Dixon's collected stories, What Is All This?: Uncollected Stories . Dustin says,"Let us call that the first tenet of Stephen Dixon: the world can be—though we are in it, of it—ill-fitting, like pants. The world is like pants. And the pants always win."

•Commentary: The Hooded Utilitarian couldn't get enough of the Fantagraphics stylish booth at BEA. Cheryl Lynn Eaton enjoyed the seating the fact we "provided free sample books to those who had questions. Eric Reynolds even took the time to help a lapsed reader like me sort through the intricate history of Love and Rockets, which was greatly appreciated! I was highly impressed."

What Is All This? (Softcover Ed.) by Stephen Dixon - Now in Stock

mike

Just arrived in our warehouse and ready to ship to our mail-order customers:

What Is All This? (Softcover Ed.)
by Stephen Dixon

568-page 5.75" x 8.25" softcover • $22.99
ISBN: 978-1-60699-527-3

See Previews / Order Now

Stephen Dixon is one of the most acclaimed authors of short stories in the history of American letters. His work, characterized by mordant humor and a frank attention to human sexuality, has earned him a Guggenheim Fellowship, the American Academy Institute of Arts and Letters Prize for Fiction, the O. Henry Award, and the Pushcart Prize. Fantagraphics Books is proud to re-present his 2010 hardcover collection of short stories, What Is All This?, in paperback form.

Dixon’s finely chiseled sentences cut to the quick of people’s lives. None of these stories have been collected in any book; they have appeared in a wide variety of literary journals over almost 40 years and Dixon has entirely rewritten all of them. Dixon admirers will be cheered to learn that these stories comprise a wholly original work.

Centrally concerning himself with the American condition, Dixon explores in What Is All This? obsessions of body image, the increasingly polarized political landscape, sex — in all its incarnations — and the gloriously pointless minutiae of modern life, from bus rides to tying shoelaces. Using the canvas of his native New York he astutely captures the edgy madness that infects the city through the neuroses of his narrators with a style that owes as much to Neo-Realist cinema as it does to modern literature. What Is All This? is designed by Fantagraphics’ award-winning Art Director Jacob Covey, whose hardcover design was honored as one the industry’s 50 best books/covers of the year by AIGA.

Stephen Dixon was born in 1936 in New York City. He graduated from the City College of New York in 1958 and is a former faculty member of Johns Hopkins University. He is also a two time National Book Award nominee — for his novels Frog and Interstate. He still hammers out his fiction on a vintage typewriter.

What Is All This? (Softcover Ed.) by Stephen Dixon - Previews, Pre-Order

mike

What Is All This? (Softcover Ed.)
by Stephen Dixon

568-page 5.75" x 8.25" softcover • $22.99
ISBN: 978-1-60699-527-3

Ships in: May 2012 (subject to change) — Pre-Order Now

Download the 80-page promotional galley sampler (2.4 MB) containing 7 complete stories in PDF format.

Video & Photo Slideshow Preview (view in new window):

Advancing into Spring

mike

March/April advance shipments bring May/June books... Our shelves are starting to groan with advance copies of upcoming arrivals that have come in over the last couple of weeks. Above, the softcover edition of Stephen Dixon's short story collection What Is All This? (it's prose, folks), the softcover edition of Fredrik Strömberg's Black Images in the Comics, and (also below) Nicolas Mahler's Angelman...

...our biggest trim-size book ever, the hunormous Mr. Twee Deedle – Raggedy Ann's Sprightly Cousin: The Forgotten Fantasy Masterpieces of Johnny Gruelle (big book, big title)...

...the 5th volume of our beautiful, beloved, bestselling hardcover collections of Hal Foster's Prince Valiant...

...and from editor John Benson, to whet your appetite for our upcoming series of EC Comics reprints, a brand new issue of EC fanzine Squa Tront (dig that krazy Kurtzman art on the cover)!

What's in the January 2012 Diamond Previews

mike

The new Diamond Previews catalog came out yesterday and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in March 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.

This month's Spotlight item is Nicolas Mahler's superhero spoof Angelman: Fallen Angel, an excerpt of which we are currently serializing here on our website; the new edition of Drew & Josh Alan Friedman's long-out-of-print classic Any Similarity to Persons Living or Dead Is Purely Coincidental is "Certified Cool"; and the issue also includes the new volume of Roy Crane's Buz Sawyer; the collected edition of Gabriella Giandelli's acclaimed "Ignatz" comic Interiorae; the long-awaited new issue of the EC Comics scholarship magazine Squa Tront; and not one but two collections of literary prose stories, the eagerly-anticipated Significant Objects book and Stephen Dixon's What Is All This?, now in a softcover edition.

See them all here!

The Comics Journal #301 - Previews, Pre-Order

mike

The Comics Journal #301
Edited by Mike Dean & Kristy Valenti; Gary Groth, Editor in Chief

640-page black & white/color 6.75" x 8.5" softcover • $30.00
ISBN: 978-1-60699-291-3

Ships in: July 2011 (subject to change) — Pre-Order Now

The Comics Journal has been, for almost 35 years, the standard bearer of critical inquiry, discrimination, debate, and serious discussion of comics as art, and the object of love and devotion among the comics cognescenti — and hate and scorn among the philistines, natch. We published our 300th issue in late 2009 and spent the ensuing year-plus re- conceptualizing the institution as an annual book-length “magazine” — over 600 pages long, chock full of the kinds of criticism, interviews, commentary, and history that has made it the most award-winning and critically lauded magazine in the history of comics.

This volume features a focus on R. Crumb’s most commercially successful project of his career, his comics adaptation of Genesis, including the most extensive interview he’s given on the subject as well as a long critical roundtable among six comics critics reviewing the book and debating each other over its merits; plus:

• An interview with Joe Sacco about his recent journalistic masterpiece, Footnotes in Gaza;

• A peek into the private sketchbooks of (and accompanying interviews with) Jim Woodring, Tim Hensley, and the novelist Stephen Dixon;

• A conversation between Mad Fold-Out creator Al Jaffee and Thrizzle auteur Michael Kupperman;

• A complete full-color reprinting of the 1950s "Gerald McBoing Boing" comic;

• The first significant biographical essay charting the turn-of-the-century cartoonist and illustrator John T. McCutcheon;

• A critical re-assessment of Dave Sim's Cerebus by Tim Kreider

and essays and reviews by R. Fiore, R.C. Harvey, Chris Lanier, Rob Clough, and others.

Over 600 pages long, this is a year's worth of The Comics Journal rolled into one extraordinary objet d'art. As a special treat, this volume is guest designed by internationally respected Criterion art director Eric Skillman. The Comics Journal #301 is no mere magazine but a gigantic compendium covering comics past and present that will shock and delight every truly curious comics reader.

Video & Photo Slideshow Preview (view in new window):

One issue not enough? Get on board with a money-saving 3-issue subscription, which also gets you access to the online TCJ back-issue archives at TCJ.com!

First Look: The Comics Journal #301

mike

It is true: after much foofaraw and mishegas, The Comics Journal #301 went to the printer last week and is due to be available in May. (You may have come across an earlier version of the cover here on our website, but here for the first time is the final version.)

Short description:

The Journal is reborn. In these 600+ pages: R. Crumb interview & critical roundtable on Genesis; Joe Sacco interview; Jim Woodring, Tim Hensley & Stephen Dixon sketchbooks; Jaffee & Kupperman in conversation; Gerald McBoing Boing; much more.

This volume is guest designed by internationally respected Criterion art director Eric Skillman.

See here for more information on the issue and stay tuned for updates and previews.

Daily OCD: 2/14/11

mike

Today's Online Commentary & Diversions:

• Review: "What Is All This? is a potent, refreshing collection of previously uncollected short stories by Stephen Dixon. Though the music world might label this an 'odds-and-sods' collection, this volume cannot be dismissed so lightly. This? is a book that reminds us fans why we enjoy Dixon’s writing and gives inquiring neophytes an excellent opportunity to sample the kinds of things he has gotten up to over the last five decades." – Darby Dixon, The Quarterly Conversation

• Review: "A la hora de comentar Frank , resulta imprescindible hacer referencia a uno de sus elementos más característicos, que no es otro que el tono surrealista y psicodélico, – incluso psicotrópico o alucinógeno, por momentos – que sale a relucir en cuanto el protagonista interactúa con su entorno. En ese momento, sucede lo imposible y lo inesperado, fruto de la confluencia de 'las incesantes corrientes opuestas de naturaleza y abstracción' que derivan en la mutabilidad absoluta de objetos, animales… y el propio tejido de la realidad – por llamarlo de algún modo –, que se retuerce, cambia y evoluciona de forma sorprendente original y orgánica. Un disfrute para los sentidos, demostración inequívoca de la fecunda imaginación de Woodring..." – David Fernández, Zona Negativa (autotranslation)

• Scene/Profile: At Comics Comics, Frank Santoro talks about his pals John Pham & Jon Vermilyea, their respective bodies of work, hanging out with them in L.A. recently, and prospects in general for the young cartoonist (Photo: Frank & Jon at APE 2009, by yours truly)

Daily OCD: 12/21/10

mike

Today's Online Commentary & Diversions from NPR, Techland–TIME.com, HTMLGIANT, Woot!, and elsewhere:

• List: At Techland–TIME.com, Douglas Wolk names his top 10 Best Graphic Novels of 2010:

#6: Weathercraft: "The first standalone Frank book from Jim Woodring is as gloriously mind-expanding as anything he's drawn. It's a wordless Hieronymous Bosch-via-Chuck Jones parable about cartoon animals in a cruel, psychedelic landscape, in which the wicked Manhog attains enlightenment, then sacrifices it again."

#5: Artichoke Tales: "Megan Kelso's magnum opus is technically a fantasy — her characters live in an imaginary country, riven by a civil war between foragers and canners, and have artichoke leaves instead of hair on their heads. It's also a set of meditations on the way cultures establish their identities through stories, and how both political violence and personal connections can damage or repair those identities."

#3: You'll Never Know, Book 2: Collateral Damage: "The second volume of C. Tyler's trilogy of family stories that crystallized around the revelation of her father's experiences in World War II turns personal tragedy into universal art. Everyone's stories deepen; everything is more complicated and sadder than it seems at first. And Tyler's incredible sense of design and color makes even her quietest images linger."

• List: Comics Alliance also ranks Weathercraft on their Top 10 Best Comics of 2010. Jason Michelitch writes: "Woodring is a cartoonist of frightening power, and Weathercraft is him performing at full strength, a high note sustained for every panel on 100 pages. His work is of a caliber where it's hard to know what to say about it, so struck dumb are you by the immensity of the rendering and storytelling skill on the page. [...] There is no other comic this year that so successfully creates such a viscerally compelling and hermetically individual fictional world, or which displays such a thorough mastery of visual storytelling, provoking complex thoughts and feelings with simple, beautiful strokes. Weathercraft is essential."

• List: Oh mercy, it's The Daily Cross Hatch's epic and essential end-of-year top-five survey The Best Damn Comics of 2010 Chosen by the Artists. Below, in order of appearance, the books chosen, who chose them and how/if they ranked them; click over for any commentary:

Artichoke Tales by Megan Kelso: Ellen Abramowitz (MoCCA Executive Director), #3; Darryl Ayo Brathwaite (Little Garden Comics), unranked;

Werewolves of Montpellier by Jason: Joe Decie (What I Drew), "Best European book"

Love and Rockets: New Stories #3 by the Hernandez Bros: Andrew Farago, (Cartoon Art Museum Curator), unranked

The Search For Smilin' Ed by Kim Deitch: Josh Frankel (Zip Comics), unranked; Brian Heater (The Daily Cross Hatch), #3

A Drunken Dream and Other Stories by Moto Hagio: Shaenon Garrity (Narbonic), unranked

Castle Waiting: Volume 2 by Linda Medley: Shaenon Garrity (Narbonic), unranked

Uptight #4 by Jordan Crane: Nathan Gelgud (Simon's Soup), unranked; J.T. Yost (Birdcage Bottom Books), "Top 5 mini-comics"

Locas II by Jaime Hernandez: Tom Hart (Hutch Owen), unranked

Prison Pit Book 2 by Johnny Ryan: Eric Haven (Tales to Demolish), unranked

Dungeon Quest: Volume One by Joe Daly: Eric Haven (Tales to Demolish), unranked

Weathercraft by Jim Woodring: Brian Heater (The Daily Cross Hatch), #4; Gabby Schulz/Ken Dahl (Monsters), #4

• List: At Four Colours and the Truth, Tim Reinert names Drew Weing's Set to Sea one of his Favourite Comics of 2010: Best Original Graphic Novels: "A unique adventure story that skirts the line between high concept art book and ribald adventure tale quite well. Weing’s patient pacing, and unerring knack for maximizing panel space make him an interesting talent to watch out for."

• List: At Attentiondeficitdisorderly, Werewolves of Montpellier by Jason is one of Sean T. Collins's Comics of the Year of the Day: "...to quote an Album of the Year of the Day, everybody knows he’s a motherfuckin’ monster."

• List: At The SF Site: Nexus Graphica, Mark London Williams and Rick Klaw each count down their Ten Best Comics of 2010 in tandem, in two parts covering #10-6 and #5-1 (with additional commentary from Mark at Guys Lit Wire):

#8: (Rick) Four Color Fear: Forgotten Horror Comics of the 1950s

#3: (Rick) It Was The War of the Trenches by Jacques Tardi

#1: (Mark) High Soft Lisp by Gilbert Hernandez

• List: On Twitter, artist/designer Mark Burrier counts down his "top 5 favorite comic releases of 2010," with Love and Rockets: New Stories #3 at #4 and It Was The War of the Trenches at #3

• List: At Comikaze, Mauricio Matamores names Love and Rockets: New Stories #3 one of Los Mejores Cómics de 2010: "Published by Fantagraphics, this title presented top-notch storytelling by the Hernándezes and perfection with Xaime, specifically." (Translated from Spanish.)

• List: Also at Comikaze, Santiago Fernández names Yo maté a Adolf Hitler (I Killed Adolf Hitler) one of Los Mejores Cómics de 2010: "This [Norwegian] author seems to tell his story of time travel, Nazis and romance as though he were a 10 year old child, proof that this is a fun story even though it really is rather complex, complete with a message that provides sweetness. Great gift for the girlfriend." (Translated from Spanish.)

• Interview (Audio): Mark Herz of Connecticut NPR affilliate WSHU visits with Bill Griffith in his studio to talk all things Zippy

• Interview: Jason Toon of Woot! talks to Zack Carlson & Bryan Connolly about Destroy All Movies!!! The Complete Guide to Punks on Film: "We can't stop even now. It's become a depressing compulsion. We can't enjoy a movie the way you would. Actually, it went beyond watching movies. We got so immersed in what we were doing, when we'd take a break to go get a pizza and see a kid riding by on a skateboard with blue hair, we'd try to pause reality."

• Plug: At HTMLGIANT, Kyle Minor calls us "heroes of literature" for publishing Stephen Dixon's What Is All This? Uncollected Stories, and for our publishing history in general... shucks!

Daily OCD: 12/14/10

mike

Today's Online Commentary & Diversions:

• List: On WFMU's Beware of the Blog, WFMU DJ Nat Roe's multi-media Top 15 includes Jim Woodring's Weathercraft at #5: "Stick a straw in my brain and suck until there's nothing left but that gurgling sound of air, the remnants of carbonation gathered like patrons in a bar on a Tuesday night 'last call' at the other end of the straw; that's how Jim Woodring makes me feel."

• List: Drawn contrubutor John Martz picks 3 of our titles among his Favourite Books of 2010:

"Bent is the latest coffee-table art book from Canadian cartoonist-turned-painter Dave Cooper. We get to drill further into Cooper’s psyche in this book, which continues the celebration of his singular, artistic vision — an alien landscape of writhing, female figures and strange vegetation."

"What Charles Addams is to the New Yorker, Gahan Wilson is to Playboy. And here we have three gorgeous hardcover volumes of his work - page after page of full-colour cartoons celebrating the macabre and the twisted. Perfect for the creep or the creepy in your life."

"Jim Woodring’s masterful cartooning is showcased in this latest graphic novel featuring his familiar cast of characters including Frank, Manhog, Pupshaw, and Pushpaw. It’s never easy to discern what Woodring’s comics are about, but there is never any question as to what is happening in each panel. Such is the control and understanding he has of both the medium and his tools. Weathercraft is a silent movie governed by dream logic and the id."

• List: "Fantagraphics Books may have delivered the single most essential horror comics volume of the year with its Four Color Fear: Forgotten Horror Comics of the 1950s." – FEARnet Best of 2010: Comics

• Review: "I know that it’s still December 2010 – and not even the end of December, the point where we all make our lists of the best of the year – but it’s possible that I’ve already read my favorite book of 2011. Its name? Stigmata. [...] It’s a smart, beautifully written book that refuses to offer easy answers... But, as good as Piersanti’s story is, what made the book a classic for me is definitely Mattotti’s artwork. [...] Mattotti’s line is amazing, so filled with personality and intensity, at once angry and fiercely controlled, and used in the service of some amazing draughtsmanship and visionary visuals. [...] It’s breathtakingly good, no exaggeration." – Grame McMillan, Robot 6

• Review: "Not only does this issue of cartoonist and designer Jordan Crane's series feature a pair of quality comics from his two established areas of strength..., it carries with it all the joys of the format. ...Uptight #4 stings then pleases like a jump for effect off of a swimming pool's high-dive. [...] All in all, this a fine little read, a delectable peek of lasting hand-held value into what one of the really good cartoonists is up to." – Tom Spurgeon, The Comics Reporter

• Review: "Admittedly, these are not special stories in the sense that they represent anything unusual from the norm, but that is certainly at the center of their power. This is something that if we have not faced yet, we know we will, and Farmer’s ability to capture it all is clear-eyed. It’s a remarkable achievement considering the situation, and Farmer has a way of uniting the readership in one collective deep breathing session that lets us know we are not alone in the wider scope of coping with loss. ...Special Exits exists as a graphic novel of considerable depth and meaning." – John Seven, Archive 7

• Review: "Dixon... is a master of the short story, and this handsome volume [What Is All This?] gathers 26 pieces that hadn’t previously been published in book form. An indispensable addition to a formidable body of work, which also includes 14 novels and a pair of National Book Award nominations, it’s classic Dixon. His prose is so taut it would make Hemingway blush, and Dixon’s brutal honesty figures to redden the faces of some readers. He never shies from exploring common neuroses through characters who can be unsympathetic, or worse, contemptible, but his prodigious skill as a storyteller overrides any unease he generates. Wringing meaning from the mundane, Dixon gets beyond mere personality to the interior lives of the people he fleshes out, warts and all." – John Lewis, Baltimore Magazine

• Review: "Delivered in monochrome and a selection of muted paint wash and crayon effects, the compellingly inviting blend of cartoon styles (reminiscent of our own Posy Simmonds but with a gleeful openness all her own) captures heartbreak, horror, humour, angst and tragedy in a beguiling, seductive manner which is simultaneously charming and devastatingly effective, whilst the book and narrative itself is constructed like a photo album depicting the eternal question 'How and Why Do Families Work?' Enticing, disturbing and genuinely moving, [You'll Never Know, Book 2:] Collateral Damage is a powerful and affecting second stage in Tyler’s triptych of discovery and one no student of the human condition will care to miss." – Win Wiacek, Now Read This!

• Review: "Andrei Molotiu has compiled an incredible anthology of non-narrativity and abstraction in his Abstract Comics: The Anthology 1967-2009. [...] Covering 43 different artists, Abstract Comics opens with a exemplary discussion of abstraction in comics books and its overlap with contemporary art... The book is an incredible resource of potentiality...; I can't recommend it higher." – Derek Beaulieu, Lemon Hound

Daily OCD: 12/7/10

mike

Today's Online Commentary & Diversions:

• List: The Manga Critic's Katherine Dacey names Moto Hagio's A Drunken Dream and Other Stories the Best Manga of 2010 (after previously nominating it for Best Graphic Novel of 2010 at Flashlight Worthy)

• List: Emily Pullen of fave L.A. bookstore Skylight Books names Stephen Dixon's What Is All This? as one of her Favorites from 2010: "I have a crush on this book: the cover, the paper, the heavy ink. Touch it. Read two stories. Try not to bring it home with you. Fail."

• Review: "The Complete Peanuts 1977-1978 showcases an era when Schulz's drawing was still at its peak, and his story-making skills were perhaps greater than ever before — there are many long continuities, and Schulz had developed a pleasing knack of segueing from one storyline to another, in the vein of the great adventure strips of his youth." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Commentary: Paul Debraski of I Just Read About That... comments on Jonathan Franzen's 2004 New Yorker essay on Peanuts

• Review: "In The Troublemakers, Hernandez plays with notions of trust and betrayal, naïveté and suspicion. [...] Ultimately, The Troublemakers is a con-movie in comic-book form, well aware of itself, and quite enjoyable in its context. [...] If it were a film, it would be a schlocky guilty pleasure; but in Hernandez’s hands, The Troublemakers ascends to become a stylized and quirky mindtrip, a mishmash of betrayals and surprises, with many more twists than you’ll see coming." – Michael C. Lorah, Newsarama

• Review: "Everything Burns draws seems molded from the same dark and shiny matter. [...] The climate of horror creeps in from the beginning of the narrative, but the author knows the exact time to surprise the reader. Violence is used in a measured way, unlike the majority of comics and films of the genre. Through works such as Skin Deep, Big Baby and Black Hole, Charles Burns is already regarded as one of the principal authors of horror comics of all time." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)

• Plug: USA Today Pop Candy's Whitney Matheson presented her 2010 Holiday Gift Guide in a live video chat which is archived here, and among her recommendations was Destroy All Movies!!! The Complete Guide to Punks on Film

• Coming Attractions: Bleeding Cool continues plumbing our Spring/Summer 2011 catalog for tidbits such as Olivier Schrauwen's The Man Who Grew His Beard

Daily OCD: 12/6/10

mike

Today's Online Commentary & Diversions:

• List: At Attentiondeficitdisorderly, Sean T. Collins names Megan Kelso's Artichoke Tales ("a thoughtful fantasy about the fallout of war") one of his Comics of the Year of the Day

• List: Look how many of our publications were listed when The Comics Reporter asked comics pros to "Name Five And Only Five Comics Publications From 2010 You Liked"

• Lists: Readers of Comic Book Resources have voted Jaime Hernandez #49 on their Top 50 Comic Book Artists, and Gilbert Hernandez and Daniel Clowes #49 and #48 respectively on their Top 50 Comic Book Writers

• Review: "[The Littlest Pirate King]'s an engrossing story which is marred somewhat by another of those inconclusive endings which please some but only irritate me. The story's not really the show here anyway, though there is a lot of intellectual grist to mill in it — the quest to know and understand the whims and whys and wherefores of the divine being but one example. B's art is really something to see here; while cartoonish in a superficial sense, he displays a masterful command of composition and visual whimsy and many pages and panels adopt an expressionistic, almost Escher-like, complexity which thankfully does not hinder reading comprehension but rather enhances and illuminates, like all 'good' art should do. While I do wish it had a more definitive conclusion, this is still a visual treat and well worth checking out." – Johnny Bacardi, Popdose

• Review: "Tyler’s portrait of her family [in You'll Never Know, Book 2: Collateral Damage] is at once warm and unsparing; they have awful moments — drinking, bitterness, just plain cussedness (on everyone’s part — there are no saints here), but they also have the in-jokes and little celebrations that are such an important part of happy family life. She has a good ear for the way daughters talk about their mothers and the goofy humor of her parents’ generation — humor that even in real life, sometimes struck me as papering over something painful. Tyler shifts styles and points of view often, telling old and more recent stories in parallel, focusing on different family members, and changing her drawing and paneling styles to fit the topic." – Brigid Alverson, Robot 6

• Interview: At Bookslut, Sean P. Carroll, who writes "What Is All This?: Uncollected Stories... offers a fascinating perspective on [Dixon's] long dialogue with the short form. ...Dixon’s unmistakable style and experimentalism draws not only on his familiar New York City locale, but also includes unexpected digressions that offer ample evidence why he is one of our foremost practitioners of fiction. It is a masterful tome that exemplifies Dixon’s ability to transform the vagaries of the everyday into a lasting work of art," questions Dixon about the book: "Why did I rewrite all 62 stories? Originally there were about 80. I threw out about 20 of the stories of mine never in book form as not being worth republishing in book form. The 62 I did rewrite or finish, I thought worthy of book form, and I just wanted to either complete them as stories (the incomplete ones) or improve on the ones that had been in magazines."

• Plug: "Jason is still one of the comics medium’s leading artists, with a fantastic knack for visual storytelling before words. Continuing in the hardcover tradition of Almost Silent, What I Did collects three Jason favorites – 'Hey, Wait…' 'Sshhhh!' and 'The Iron Wagon' – into one elegantly bound book that will match perfectly on the shelf with the other omnibus-style compilations Fantagraphics has released for Jason." – Pads & Panels

• Plug: "I'm delighted to have Four Color Fear... on our new release table now. This is a delightful collection of... gruesome and twisted tales." – (Jackson Street) Books on 7th

• Coming Attractions: Bleeding Cool continues wading through our Spring/Summer 2011 releases, covering Mickey Mouse and Mail Order Geniuses

Daily OCD: 11/29/10

mike

Today's Online Commentary & Diversions:

• Profile: "Joyce Farmer is a surprise. The gentle, white-haired 71-year-old, whom you’d half expect to greet you at the door with a pan of steaming muffins, recently has emerged as one of the most provocative voices in the comics and graphic-literature landscape. Her debut book, the 208-page illustrated memoir Special Exits, chronicling the slow, freaky decline and ultimate death of her elderly parents, comes out next week from Fantagraphics carrying the enthusiastic endorsement of no less than R. Crumb. 'It’s a completely unique work,' he says. 'Nobody else will ever do anything like that again.' [...] The book... is an almost uncomfortably honest memoir that’s dense with details. It’s also layered with meaning and sub-themes. [...] Like many memoirists, Farmer wrestled with guilt over airing her family’s stories; she even changed all the names in the book, including her own. 'I felt like I was really invading their privacy.' But she’s since come to terms with it. 'I just worked through it. I know what I did, and I take responsibility for it.'" – Deborah Vankin, The Los Angeles Times

• Review: "Destroy All Movies!!! is that very rare thing in publishing, a book you didn’t know you needed until someone wrote it. I certainly didn’t, and now I’m finding it indispensable. It’s an absolute must-have for cult-movie fans, movie trivia buffs, aspiring filmmakers and everyone who feels that punk never got its fair due for revolutionizing music and shaking up the status quo." – John G. Nettles, Flagpole

• Plug: "Destroy All Movies is a book on cult cinema... that is kind of the end all be all of ridiculous B-movies involving punks in any way, shape or form. It's at once a collection of titles, a love letter and a historical document. [...] It's a hell of an off beat and quite brilliant gift for the movie nerd or punk in your family!" – Quint, Ain't It Cool News

• Review: "...[Fire & Water,] Blake Bell's biography of Bill Everett (among other things the father of the Sub-Mariner but also the co-creator of Daredevil) helps to rectify an injustice by shining a spotlight on a cartoonist those importance and personality have never been properly recognized. A book which, without going into excessive detail, begins to clear the ground and, in particular, focuses heavily on the human element..." – Xavier Fournier, Comic Box (this is an improved translation by Kim Thompson of a previously-posted link)

• Review: "So, does it all mean anything? Who knows? But [Weathercraft] is certainly a fascinating read, full of arresting images that seem like they are triggering some deep impulse in our lizard brains, and that’s a pretty significant achievement in itself. If nothing else, it’s often quite funny... If you can accept that as something entertaining and play along with its dreamlike logic, you should be able to enjoy the book at the very least, and maybe you’ll even feel like you get something out of it. I know I did, and even if it was just confusion, it was worth it." – Matthew J. Brady, Warren Peace Sings the Blues

• Review: "The absence of words is matched by the most crazy drawings that depict surreal, unbelievable moments that make us stop to look again — and again. It's all so wacky and unusual that not infrequently we find ourselves laughing, reflecting on the silliness that we keep inside us all. For large and small, Weathercraft is sure to [bring] multiple pleasures." – Gilberto Custódio Junior, Soma (translated from Portuguese)

• Review: "Peanuts wasn't in its first flowering in the mid-70s... but it was still a smart, perceptive, deeply funny and humanistic strip. [...] The Complete Peanuts: 1975-1976 is the lucky thirteenth volume in Fantagraphics' reprinting of the entirely of Schulz's great strip; it's also the halfway point between 1950 and 2000. And the more interesting question about Peanuts circa 1975 isn't 'How come it wasn't as good then as in 1952 or 1967,' but instead 'How come Peanuts was still this good after twenty-five years?'" – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Review: "Gilbert and Jaime Hernandez are not just two of the best and most consistent comics creators of their generation, they're so far out in front that the only question is which of the two is preeminent. [...] Year after year, they keep expanding and deepening their worlds, telling new stories as powerful as they've ever done — they're our Balzacs, our Trollopes. Besides their various sidebar projects... they're still providing a yearly dose of the mothership, in the annual Love and Rockets: New Stories trade paperback." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Review: "I originally posted this review on January 18, 2008. This was before I’d read much, if any, of Gilbert’s Fritz material from Love and Rockets. I think the review holds up, which is why I’m re-running it; but with all of Beto’s post-Palomar Palomar-verse work under my belt now, if anything I find Chance in Hell, both its content and its very existence, even more disturbing." – Sean T. Collins, Attentiondeficitdisorderly

• Interview: Robot 6's Tim O'Shea talks to Nate Neal: "Even in the conceptual stage, I knew The Sanctuary didn’t need any words to get the story across. With a made up language the words would take on a symbolic stance that they otherwise wouldn’t have. That helps get across one of the important ideas of the book: how things get fucked up when a society thinks too symbolically. Or at least thinks too symbolically without being aware that that’s what they’re doing. As far as I’m concerned, that’s the world we live in now!"

• Plug: "I finally cracked What Is All This?, Stephen Dixon’s mammoth collection of previously unpublished stories — and it’s terrific stuff. The book itself is also quite pleasing. Dixon still composes his stories on a typewriter (a Hermes Standard, the same brand Douglas Adams used), and Fantagraphics’ whiz art director, Jacob Covey, has mimicked the unevenness and smudges of typewritten text on the cover and section pages. It’s great design porn." – Nicole Rudick, The Paris Review

• Plug: "Thanks to the arrival this week of Castle Waiting 2, Linda Medley's second subversive collection of fairy tales, I'm on yet another kick of traditional fairy tales retold." – Nathalie Atkinson, National Post

• Plug: "...Mark Kalesniko’s Freeway is still a book I’m really, really looking forward to. It’s the continuing adventures of Kalesniko’s semi-autobiographical character Alex. I loved that book, I reckon I’m going to love Freeway just as much." – Richard Cowdry, The Forbidden Planet International Blog Log

Photo: Stephen Dixon reading at Atomic Books

mike

Thanks to our pals at Atomic Books in Baltimore for this photo of Stephen Dixon reading from his new collection What Is All This? to a packed house at their fine establishment last week. Click the image for a better view.

Stephen Dixon at ATOMIC BOOKS tomorrow!

Eric

STEPHEN DIXON
MEGAN SNYDER-CAMP

Thursday, October 7
7- 9PM @ Atomic Books.

As part of the Atomic Fiction Series, Stephen Dixon will be reading from his new collection of stories, What Is All This? (Fantagraphics) and Megan Snyder-Camp wil read from her new book of poems, The Forest of Sure Things (Tupelo Press). This should be a rare treat for Dixon fans, his first reading in some time and the first-ever from his new book.