Brother Mario made a surprise appearance with the rest of the Hernandez clan for their Love and Rockets signing on Friday morning, which I only managed to capture with my crummy, crummy cameraphone.
Moto Hagio was joined for the second half of her signing by Carol Tyler, who brought flowers swiped from outside the convention hall.
Andrei Molotiu and Stephen DeStefano made their first Comic-Con signing appearances with us. Andrei, though best known for his work with abstract comics, is also a whiz with the representational sketch, as he proved in my sketchbook. Stephen obliged another fan with a 'Mazing Man sketch.
I missed getting any actual photos of Johnny Ryan & Esther Pearl Watson during their Friday signing, but here's their whiteboard sign-in. Esther's is particularly funny if you know the secret symbolic code from Unlovable.
Friday's final signing was a special treat as Blake Bell was joined by Wendy Everett, daughter of Bill Everett, subject of Blake's new book (and an almost-immediate con sell-out) Fire & Water.
We're pleased to present this brilliantly animated teaser video for the upcoming graphic novel Lucky in Love Book 1: A Poor Man's History by Stephen DeStefano & George Chieffet. The video was art directed by Stephen, no stranger to the animation industry, and brought to life by animator Miguel Martinez-Joffre. You can ask Stephen all about it today from 4:00-5:00 at Comic-Con when he signs with us at booth 1718 (plus Saturday 5:00-7:00 and Sunday 10:00-noon). We've uploaded the video to YouTube and Flickr. We hope to have a higher-def version available soon, but in the meantime, enjoy!
• Review: "A book that sticks with you like a virus, Woodring's newest collection of tales of vague morality and definite oddity [Weathercraft] keeps intact his status as one of comics most eccentric auteurs. ... Woodring's wordless story is a looping and circumstantial affair, concerned more with fantastically rendered backgrounds — his starkly layered landscapes play like minimalist woodcuts of the deepest unconscious — than matters of plot and story. There is a creeping message of sorts, about the wages of greed and what happens to curious cats, but it's mired in a universe of deeply strange beauty and not always easy to divine." – Publishers Weekly (Starred Review)
• Review: "...[A] gorgeously-produced best-of collection from shojo manga creator Moto Hagio, A Drunken Dream and Other Stories... The material showcased here has been assembled from across thirty years of Moto’s career, and shows her switching nimbly between storytelling modes. On the face of the evidence there was very little she could not do, some things she did well, and a few things she did magnificently. ... This book’s further evidence that 'shojo' need not be thought of as closed-ended and insular a category as “science fiction” once was." – Serdar Yegulalp, Genji Press
• Review: "Where most American gag strips were about the silly things that happen every day, Peanuts was about how to keep on living when you don't get what you want. It was still vital and true at this point [1973-1974], even if more and more of the stories focused on Snoopy quaffing root beers with Bill Mauldin, or writing bad novels, or playing tennis." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Medley has a real talent for character, and she does a wonderful job of exploring and expanding upon standard fairy tale tropes. With her signature creation, Castle Waiting, she takes the bare bones of several well-known stories and redrafts them to account for the human element. ... The first volume of Castle Waiting... is available in a gorgeous hardcover edition from Fantagraphics Books... and the finished product is stunning..." – Stella Matutina
• Plug: "Megan Kelso's Artichoke Tales... is earning comparisons with epics like Cold Mountain and The Thorn Birds, and Kelso's nimble, cartoonish two-color art will remind readers of Marjane Satrapi's Persepolis. – Michael Bagnulo, Shelf Awareness
• Interview:Stephen DeStefano talks shop in a "Cartoonist Survey" Q&A with David Paccia of David-Wasting-Paper: "I recall when I first got to DC Comics as a teenager, Joe Kubert lectured me on starting my reference file. This way, no matter what I wanted to draw, I always had a photo to reference. In this age of Google Image Search, the idea of a reference folder seems positively quaint!"
• Interview: At HiLobrow, Joshua Glenn presents a previously unseen 2002 Q&A (missing the Qs) with Kim Deitch: "Yeah, Waldo represents individualization. His edges can’t be smoothed off — even by me. That’s why I try not to over-use Waldo. If I haven’t got a good idea with him, I’ll let him sit on the shelf for years." (Via ¡Journalista!)
• Profile: The Cincinnati Enquirer's Lauren Bishop spotlights the Comic-Con-bound Carol Tyler: "It's sure to be quite a different experience from the last time Tyler attended Comic-Con, in 1988, when she received the inaugural Dori Seda Memorial Award for Best New Female Cartoonist. 'When I went, it was pretty small,' she says. 'I slept on somebody's floor.'"
• On the Jim Flora Art Blog: Electromechanical Design sales brochure; a children's book illustration detail; half of a 1950s business card illustration (above); and a link to the 1959 UPA animated adaptation of Flora's The Fabulous Firework Family produced by Gene Deitch
• Interview: In an interview with The Beat's Michael Fiffe, artist Mark Badger talks about his participation in Abstract Comics: The Anthology: "It came out of nowhere. It was absolutely stunning."
• Plug: "New from Fantagraphics Books, Newave! The Underground Mini Comix of the 1980s. At 888 pages this is a substantial collection of the comix art of the New Wave mini-comix movement. Largely inspired by the Underground Comix movement of the 60s & 70s, these artists produced hand-made mini-comix for the pure joy of creating uncensored self-expression without the appeasement and quench of profit motivation." – Skip Williamson
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