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Category >> Stephen Dixon

Daily OCD: 12/7/10
Written by Mike Baehr | Filed under Stephen DixonreviewsPeanutsOlivier SchrauwenmangaGilbert HernandezDestroy All MoviesDaily OCDCharles M SchulzCharles BurnsBest of 2010 7 Dec 2010 8:13 PM

Today's Online Commentary & Diversions:

A Drunken  Dream and Other Stories [Pre-Order]

List: The Manga Critic's Katherine Dacey names Moto Hagio's A Drunken Dream and Other Stories the Best Manga of 2010 (after previously nominating it for Best Graphic Novel of 2010 at Flashlight Worthy)

What Is All This? Uncollected Stories

List: Emily Pullen of fave L.A. bookstore Skylight Books names Stephen Dixon's What Is All This? as one of her Favorites from 2010: "I have a crush on this book: the cover, the paper, the heavy ink. Touch it. Read two stories. Try not to bring it home with you. Fail."

The Complete Peanuts 1977-1978 (Vol. 14) [NORTH AMERICA ONLY]

Review: "The Complete Peanuts 1977-1978 showcases an era when Schulz's drawing was still at its peak, and his story-making skills were perhaps greater than ever before — there are many long continuities, and Schulz had developed a pleasing knack of segueing from one storyline to another, in the vein of the great adventure strips of his youth." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

Commentary: Paul Debraski of I Just Read About That... comments on Jonathan Franzen's 2004 New Yorker essay on Peanuts

The Troublemakers [with FREE Signed Bookplate]

Review: "In The Troublemakers, Hernandez plays with notions of trust and betrayal, naïveté and suspicion. [...] Ultimately, The Troublemakers is a con-movie in comic-book form, well aware of itself, and quite enjoyable in its context. [...] If it were a film, it would be a schlocky guilty pleasure; but in Hernandez’s hands, The Troublemakers ascends to become a stylized and quirky mindtrip, a mishmash of betrayals and surprises, with many more twists than you’ll see coming." – Michael C. Lorah, Newsarama

Big Baby

Review: "Everything Burns draws seems molded from the same dark and shiny matter. [...] The climate of horror creeps in from the beginning of the narrative, but the author knows the exact time to surprise the reader. Violence is used in a measured way, unlike the majority of comics and films of the genre. Through works such as Skin Deep, Big Baby and Black Hole, Charles Burns is already regarded as one of the principal authors of horror comics of all time." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)

Destroy All Movies!!!: The Complete Guide to Punks on Film [Pre-Order]

Plug: USA Today Pop Candy's Whitney Matheson presented her 2010 Holiday Gift Guide in a live video chat which is archived here, and among her recommendations was Destroy All Movies!!! The Complete Guide to Punks on Film

http://www.fantagraphics.com/images/flog/mike/201011/so-25-4-2048-72-p0.jpg

Coming Attractions: Bleeding Cool continues plumbing our Spring/Summer 2011 catalog for tidbits such as Olivier Schrauwen's The Man Who Grew His Beard

Daily OCD: 12/6/10
Written by Mike Baehr | Filed under Stephen DixonreviewspreviewsMegan KelsoJasonJaime HernandezGilbert HernandezFour Color FearDavid BDaniel ClowesDaily OCDcontestsCarol TylerBest of 2010 6 Dec 2010 6:45 PM

Today's Online Commentary & Diversions:

Artichoke Tales [Pre-Order]

List: At Attentiondeficitdisorderly, Sean T. Collins names Megan Kelso's Artichoke Tales ("a thoughtful fantasy about the fallout of war") one of his Comics of the Year of the Day

List: Look how many of our publications were listed when The Comics Reporter asked comics pros to "Name Five And Only Five Comics Publications From 2010 You Liked"

Lists: Readers of Comic Book Resources have voted Jaime Hernandez #49 on their Top 50 Comic Book Artists, and Gilbert Hernandez and Daniel Clowes #49 and #48 respectively on their Top 50 Comic Book Writers

The Littlest Pirate King

Review: "[The Littlest Pirate King]'s an engrossing story which is marred somewhat by another of those inconclusive endings which please some but only irritate me. The story's not really the show here anyway, though there is a lot of intellectual grist to mill in it — the quest to know and understand the whims and whys and wherefores of the divine being but one example. B's art is really something to see here; while cartoonish in a superficial sense, he displays a masterful command of composition and visual whimsy and many pages and panels adopt an expressionistic, almost Escher-like, complexity which thankfully does not hinder reading comprehension but rather enhances and illuminates, like all 'good' art should do. While I do wish it had a more definitive conclusion, this is still a visual treat and well worth checking out." – Johnny Bacardi, Popdose

You'll Never Know Book 2: Collateral Damage [Pre-Order]

Review: "Tyler’s portrait of her family [in You'll Never Know, Book 2: Collateral Damage] is at once warm and unsparing; they have awful moments — drinking, bitterness, just plain cussedness (on everyone’s part — there are no saints here), but they also have the in-jokes and little celebrations that are such an important part of happy family life. She has a good ear for the way daughters talk about their mothers and the goofy humor of her parents’ generation — humor that even in real life, sometimes struck me as papering over something painful. Tyler shifts styles and points of view often, telling old and more recent stories in parallel, focusing on different family members, and changing her drawing and paneling styles to fit the topic." – Brigid Alverson, Robot 6

What Is All This? Uncollected Stories

Interview: At Bookslut, Sean P. Carroll, who writes "What Is All This?: Uncollected Stories... offers a fascinating perspective on [Dixon's] long dialogue with the short form. ...Dixon’s unmistakable style and experimentalism draws not only on his familiar New York City locale, but also includes unexpected digressions that offer ample evidence why he is one of our foremost practitioners of fiction. It is a masterful tome that exemplifies Dixon’s ability to transform the vagaries of the everyday into a lasting work of art," questions Dixon about the book: "Why did I rewrite all 62 stories? Originally there were about 80. I threw out about 20 of the stories of mine never in book form as not being worth republishing in book form. The 62 I did rewrite or finish, I thought worthy of book form, and I just wanted to either complete them as stories (the incomplete ones) or improve on the ones that had been in magazines."

What I Did [Pre-Order]

Plug: "Jason is still one of the comics medium’s leading artists, with a fantastic knack for visual storytelling before words. Continuing in the hardcover tradition of Almost Silent, What I Did collects three Jason favorites – 'Hey, Wait…' 'Sshhhh!' and 'The Iron Wagon' – into one elegantly bound book that will match perfectly on the shelf with the other omnibus-style compilations Fantagraphics has released for Jason." – Pads & Panels

Four Color Fear: Forgotten Horror Comics of the 1950s [Pre-Order]

Plug: "I'm delighted to have Four Color Fear... on our new release table now. This is a delightful collection of... gruesome and twisted tales." – (Jackson Street) Books on 7th

Mickey Mouse - Floyd Gottfredson

Coming Attractions: Bleeding Cool continues wading through our Spring/Summer 2011 releases, covering Mickey Mouse and Mail Order Geniuses

Daily OCD: 11/29/10
Written by Mike Baehr | Filed under Stephen DixonreviewsPeanutsNate NealMark KalesnikoLove and RocketsLinda MedleyJoyce FarmerJim WoodringJaime HernandezGilbert HernandezDestroy All MoviesDaily OCDCharles M SchulzBlake BellBill Everett 29 Nov 2010 8:55 PM

Today's Online Commentary & Diversions:

Special Exits [Pre-Order]

Profile: "Joyce Farmer is a surprise. The gentle, white-haired 71-year-old, whom you’d half expect to greet you at the door with a pan of steaming muffins, recently has emerged as one of the most provocative voices in the comics and graphic-literature landscape. Her debut book, the 208-page illustrated memoir Special Exits, chronicling the slow, freaky decline and ultimate death of her elderly parents, comes out next week from Fantagraphics carrying the enthusiastic endorsement of no less than R. Crumb. 'It’s a completely unique work,' he says. 'Nobody else will ever do anything like that again.' [...] The book... is an almost uncomfortably honest memoir that’s dense with details. It’s also layered with meaning and sub-themes. [...] Like many memoirists, Farmer wrestled with guilt over airing her family’s stories; she even changed all the names in the book, including her own. 'I felt like I was really invading their privacy.' But she’s since come to terms with it. 'I just worked through it. I know what I did, and I take responsibility for it.'" – Deborah Vankin, The Los Angeles Times

Destroy All Movies!!!: The Complete Guide to Punks on Film [Pre-Order]

Review: "Destroy All Movies!!! is that very rare thing in publishing, a book you didn’t know you needed until someone wrote it. I certainly didn’t, and now I’m finding it indispensable. It’s an absolute must-have for cult-movie fans, movie trivia buffs, aspiring filmmakers and everyone who feels that punk never got its fair due for revolutionizing music and shaking up the status quo." – John G. Nettles, Flagpole

Plug: "Destroy All Movies is a book on cult cinema... that is kind of the end all be all of ridiculous B-movies involving punks in any way, shape or form. It's at once a collection of titles, a love letter and a historical document. [...] It's a hell of an off beat and quite brilliant gift for the movie nerd or punk in your family!" – Quint, Ain't It Cool News

Fire & Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics [with FREE Signed Bookplate]

Review: "...[Fire & Water,] Blake Bell's biography of Bill Everett (among other things the father of the Sub-Mariner but also the co-creator of Daredevil) helps to rectify an injustice by shining a spotlight on a cartoonist those importance and personality have never been properly recognized. A book which, without going into excessive detail, begins to clear the ground and, in particular, focuses heavily on the human element..." – Xavier Fournier, Comic Box (this is an improved translation by Kim Thompson of a previously-posted link)

Weathercraft

Review: "So, does it all mean anything? Who knows? But [Weathercraft] is certainly a fascinating read, full of arresting images that seem like they are triggering some deep impulse in our lizard brains, and that’s a pretty significant achievement in itself. If nothing else, it’s often quite funny... If you can accept that as something entertaining and play along with its dreamlike logic, you should be able to enjoy the book at the very least, and maybe you’ll even feel like you get something out of it. I know I did, and even if it was just confusion, it was worth it." – Matthew J. Brady, Warren Peace Sings the Blues

Review: "The absence of words is matched by the most crazy drawings that depict surreal, unbelievable moments that make us stop to look again — and again. It's all so wacky and unusual that not infrequently we find ourselves laughing, reflecting on the silliness that we keep inside us all. For large and small, Weathercraft is sure to [bring] multiple pleasures." – Gilberto Custódio Junior, Soma (translated from Portuguese)

The Complete Peanuts 1975-1976 (Vol. 13) [NORTH AMERICA ONLY]

Review: "Peanuts wasn't in its first flowering in the mid-70s... but it was still a smart, perceptive, deeply funny and humanistic strip. [...] The Complete Peanuts: 1975-1976 is the lucky thirteenth volume in Fantagraphics' reprinting of the entirely of Schulz's great strip; it's also the halfway point between 1950 and 2000. And the more interesting question about Peanuts circa 1975 isn't 'How come it wasn't as good then as in 1952 or 1967,' but instead 'How come Peanuts was still this good after twenty-five years?'" – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

Love and Rockets: New Stories #3 [with FREE Signed Bookplate]

Review: "Gilbert and Jaime Hernandez are not just two of the best and most consistent comics creators of their generation, they're so far out in front that the only question is which of the two is preeminent. [...] Year after year, they keep expanding and deepening their worlds, telling new stories as powerful as they've ever done — they're our Balzacs, our Trollopes. Besides their various sidebar projects... they're still providing a yearly dose of the mothership, in the annual Love and Rockets: New Stories trade paperback." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

Chance in Hell

Review: "I originally posted this review on January 18, 2008. This was before I’d read much, if any, of Gilbert’s Fritz material from Love and Rockets. I think the review holds up, which is why I’m re-running it; but with all of Beto’s post-Palomar Palomar-verse work under my belt now, if anything I find Chance in Hell, both its content and its very existence, even more disturbing." – Sean T. Collins, Attentiondeficitdisorderly

The Sanctuary

Interview: Robot 6's Tim O'Shea talks to Nate Neal: "Even in the conceptual stage, I knew The Sanctuary didn’t need any words to get the story across. With a made up language the words would take on a symbolic stance that they otherwise wouldn’t have. That helps get across one of the important ideas of the book: how things get fucked up when a society thinks too symbolically. Or at least thinks too symbolically without being aware that that’s what they’re doing. As far as I’m concerned, that’s the world we live in now!"

What Is All This? Uncollected Stories

Plug: "I finally cracked What Is All This?, Stephen Dixon’s mammoth collection of previously unpublished stories — and it’s terrific stuff. The book itself is also quite pleasing. Dixon still composes his stories on a typewriter (a Hermes Standard, the same brand Douglas Adams used), and Fantagraphics’ whiz art director, Jacob Covey, has mimicked the unevenness and smudges of typewritten text on the cover and section pages. It’s great design porn." – Nicole Rudick, The Paris Review

Castle Waiting Vol. 2

Plug: "Thanks to the arrival this week of Castle Waiting 2, Linda Medley's second subversive collection of fairy tales, I'm on yet another kick of traditional fairy tales retold." – Nathalie Atkinson, National Post

Freeway

Plug: "...Mark Kalesniko’s Freeway is still a book I’m really, really looking forward to. It’s the continuing adventures of Kalesniko’s semi-autobiographical character Alex. I loved that book, I reckon I’m going to love Freeway just as much." – Richard Cowdry, The Forbidden Planet International Blog Log

Photo: Stephen Dixon reading at Atomic Books
Written by Mike Baehr | Filed under Stephen Dixon 12 Oct 2010 1:14 PM

stephendixon

Thanks to our pals at Atomic Books in Baltimore for this photo of Stephen Dixon reading from his new collection What Is All This? to a packed house at their fine establishment last week. Click the image for a better view.

Stephen Dixon at ATOMIC BOOKS tomorrow!
Written by Eric Reynolds | Filed under Stephen Dixonevents 6 Oct 2010 9:54 AM

  

STEPHEN DIXON
MEGAN SNYDER-CAMP

Thursday, October 7
7- 9PM @ Atomic Books.

As part of the Atomic Fiction Series, Stephen Dixon will be reading from his new collection of stories, What Is All This? (Fantagraphics) and Megan Snyder-Camp wil read from her new book of poems, The Forest of Sure Things (Tupelo Press). This should be a rare treat for Dixon fans, his first reading in some time and the first-ever from his new book.

  

 

Daily OCD: 9/27/10
Written by Mike Baehr | Filed under Wilfred SantiagoTony MillionaireStephen DixonRIP MDreviewsRand HolmesPatrick RosenkranzMoto HagioMegan KelsomangaGreg IronsDaily OCDComing AttractionsBob LevinBlake BellBill Everett 27 Sep 2010 4:54 PM

Today's Online Commentary & Diversions:

What Is All This? Uncollected Stories

Review: "This mammoth collection [What Is All This?] presents five decades of Dixon: sex, frustration, and attempts at deeper communication, mostly missed. The 62 stories evoke neuroses, delusion, banality, and everyday absurdities in deceptively simple sentences... There are echoes of Ernest Hemingway and prefigurings of Raymond Carver's lower-middle-class minimalism infusing tales of scrappers and scrapers... Usually sublime, sometimes sloppy, and occasionally bewildering, these stories are a testament to an impressive career spent too much under the radar." – Publishers Weekly (Starred Review) [Temporary link]

A Drunken  Dream and Other Stories [Pre-Order]

Review: "With its mix of sci-fi, romance, tragedy and comedy, A Drunken Dream is a memorable manga journey that shouldn't be missed or dismissed. [...] Drawing from deeply-felt personal experiences, Hagio draws stories for every person who has felt like an outsider, who has regretted past actions that can never be erased, or who has longed to be accepted for being who they are, not what people want them to be. These ideas sound so simple — but when touched by Hagio's pen, this is punch-in-the-gut powerful. [...] ★★★★1/2" – Deb Aoki, About.com: Manga

Billy Hazelnuts and the Crazy Bird

Review: "While they may not be standard children’s books, they are fun and entertaining and full of stuff kids would like, without being obscene or intended for mature audiences. They are the kind of books you would want your kid reading if your kid wasn’t a total dork. [...] You get the feeling of reading old fairy tales, where the Prince wasn’t always charming, the villains would erect down right disturbing and evil plots against the characters and the story, or just the world in general was presented as a harsh reminder of reality. [...] Tony [Millionaire]... really lets his imagination run with his latest book, Billy Hazelnuts and the Crazy Bird. [...] With or without children, you can feel good about reading this book." – Brian Jones, Flash Flood Media

Artichoke Tales [Pre-Order]

Review: "Artichoke Tales is by any definition a remarkable book — the first graphic novel by Megan Kelso, who has so far worked largely in the short story form, and a book that displays at every page Kelso’s unique voice as a graphic storyteller and the care and attention she lavished on this project over the past several years. [...] This is a beautiful book, at times a heartbreaking book. One feels the precision and thought behind every word, every line, all of it edited down and arranged to a spareness that is paradoxically lush and textured." – Jared Gardner, Guttergeek

Coming Attractions: "Why aren’t there more sports comics? More to the point why aren’t there more absolutely wonderful looking sports comics like Fantagraphics 2011 release 21: The Story of Roberto Clemente by Wilfred  Santiago?" – Richard Cowdry, The Forbidden Planet International Blog Log

RIP, M.D. [Pre-Order]

Plug: "[Rip M.D.] seems to be a comic more geared to a juvenile public, but should be pretty cool because there are a lot of monsters, really violent werewolves, zombies, and best of all, vampires that do not sparkle!" – Submundo Mamão (translated from Portuguese)

The Artist Himself: A Rand Holmes Retrospective [Pre-Order]

Interview: Guttersnipe's Shawn Conner talks to Patrick Rosenkranz about his new book The Artist Himself: A Rand Holmes Retrospective: "One thing’s for sure with Rand; there are a lot of good cartoonists who are not very interesting people. But he was both, an interesting person and a great cartoonist. That’s what interested me in the story."

You Call This Art?! A Greg Irons Retrospective

Profile: "Some artists seem to have had greatness as their destination as surely as if a tracking device had been implanted in their genes. Some veer toward it capriciously like a demon had seized the wheel. They start with a talent — to which they feed — in bites and gulps — their times; and, once expressed, the result is… YOWL! One of these was the underground cartoonist Greg Irons, the subject of Patrick Rosenkranz’s overlooked — and fascinating — retrospective You Call This Art?!!" – Bob Levin, The Comics Journal

Blake Bell & Wendy Everett

Event: On his blog, Blake Bell reports from his Fire & Water book launch & presentation with Wendy Everett in Toronto on Saturday

Now in stock: What Is All This? Uncollected Stories by Stephen Dixon
Written by Mike Baehr | Filed under Stephen Dixonnew releases 23 Sep 2010 8:05 AM

Just arrived in our warehouse and ready to ship:

What Is All This? Uncollected Stories by Stephen Dixon

What Is All This? Uncollected Stories
by Stephen Dixon

528-page 6.25" x 9.25 hardcover • $28.99
ISBN: 978-1-60699-350-7

Ordering Info & Previews

Stephen Dixon is one of the most acclaimed authors of short stories in the history of American letters. His work, characterized by mordant humor and a frank attention to human sexuality, has earned him a Guggenheim Fellowship, the American Academy Institute of Arts and Letters Prize for Fiction, the O. Henry Award, and the Pushcart Prize. Fantagraphics Books is proud to present this incredible volume of short stories, a massive collection of vintage Dixon. Dixon’s finely chiseled sentences cut to the quick of people’s lives. None of these stories have been collected in any book; they have appeared in a wide variety of literary journals over almost 40 years and Dixon has entirely rewritten all of them. Dixon admirers will be cheered to learn that these stories comprise a wholly original work.

Centrally concerning himself with the American condition, Dixon explores in What Is All This? obsessions of body image, the increasingly polarized political landscape, sex — in all its incarnations — and the gloriously pointless minutiae of modern life, from bus rides to tying shoelaces. Using the canvas of his native New York he astutely captures the edgy madness that infects the city through the neuroses of his narrators with a style that owes as much to Neo-Realist cinema as it does to modern literature. What Is All This? is published in hardcover, designed by Fantagraphics’ award-winning Art Director Jacob Covey.

Stephen Dixon was born in 1936 in New York City. He graduated from the City College of New York in 1958 and is a former faculty member of Johns Hopkins University. He is also a two time National Book Award nominee — for his novels Frog and Interstate. He still hammers out his fiction on a vintage typewriter.

What Is All This? Uncollected Stories by Stephen Dixon - Previews, Pre-Order
Written by Mike Baehr | Filed under videoStephen Dixonpreviewsnew releases 25 Aug 2010 7:40 AM

What Is All This? Uncollected Stories by Stephen Dixon

What Is All This? Uncollected Stories
by Stephen Dixon

528-page 6.25" x 9.25 hardcover • $28.99
ISBN: 978-1-60699-350-7

Ships in: September 2010 (subject to change) — Pre-Order Now

Stephen Dixon is one of the most acclaimed authors of short stories in the history of American letters. His work, characterized by mordant humor and a frank attention to human sexuality, has earned him a Guggenheim Fellowship, the American Academy Institute of Arts and Letters Prize for Fiction, the O. Henry Award, and the Pushcart Prize. Fantagraphics Books is proud to present this incredible volume of short stories, a massive collection of vintage Dixon. Dixon’s finely chiseled sentences cut to the quick of people’s lives. None of these stories have been collected in any book; they have appeared in a wide variety of literary journals over almost 40 years and Dixon has entirely rewritten all of them. Dixon admirers will be cheered to learn that these stories comprise a wholly original work.

Centrally concerning himself with the American condition, Dixon explores in What Is All This? obsessions of body image, the increasingly polarized political landscape, sex — in all its incarnations — and the gloriously pointless minutiae of modern life, from bus rides to tying shoelaces. Using the canvas of his native New York he astutely captures the edgy madness that infects the city through the neuroses of his narrators with a style that owes as much to Neo-Realist cinema as it does to modern literature. What Is All This? is published in hardcover, designed by Fantagraphics’ award-winning Art Director Jacob Covey.

Stephen Dixon was born in 1936 in New York City. He graduated from the City College of New York in 1958 and is a former faculty member of Johns Hopkins University. He is also a two time National Book Award nominee — for his novels Frog and Interstate. He still hammers out his fiction on a vintage typewriter.

Download the 80-page promotional galley sampler (2.4 MB) containing 7 complete stories in PDF format.

Video & Photo Slideshow Preview (view in new window):

Praise for Stephen Dixon:

"Stephen Dixon is one of the great secret masters — too secret. I return again and again to his stories for writerly inspiration, moral support and comic relief at moments of personal misery, and, several times, in a spirit of outright plagiaristic necessity: borrowing a jumpstart from a few lines of Dixon has been a real problem-solver in my own short fiction. Please read him, you." – Jonathan Lethem

“Dixon is one of the few writers whose new work I will put everything aside to read, which is to say he is in the company of Alice Munro, Lorrie Moore, and Lydia Davis…. Put aside whatever you’re reading, and read him.” — J. Robert Lennon

“Startling candor, humor, and concern; every utterance promptly qualified; rigorous narrative economy combined with near-manic obsessiveness. Eembrace [Dixon] and you will be held by a princely storyteller.“ — John Barth

“There is no better chronicler of our antic and anxious age than Stephen Dixon.” —Daniel Handler (aka Lemony Snicket)

“Dixon’s stories, strengthened by their unity, almost have a novel’s ability to develop character, to suggest a life outside the confines of the plot.” — Boston Globe

“Mr. Dixon wields a stubbornly plain-spoken style; he loves all sorts of tricky narrative effects. And he loves even more the tribulations of the fantasizing mind, ticklish in their comedy, alarming in their immediacy.” — The New York Times

“Some writers are able, in a mere 200 pages or so, to rewire your circuitry in a way that makes you unfit for your own life. Stephen Dixon is such a writer, and he can do it in a short story as well.” — Susan Salter Reynolds, Los Angeles Times

Daily OCD: 5/26/10
Written by Mike Baehr | Filed under Tim HensleyStephen DixonreviewsR Kikuo JohnsonLove and RocketsJoe DalyJaime HernandezGilbert HernandezGene DeitchDesignDerek Van GiesonDash ShawDaily OCD 26 May 2010 5:01 PM

Online Commentary & Diversions:

Love and Rockets Library (Locas Book 4): Penny Century

Review: "In reviewing Jaime Hernandez's Penny Century, I could point to the frenetic pace of many of the stories; the cute, odd, and endearing sort of strangeness spawned in this lightly magical universe; or even the beautiful art, which is truly the mark of this master cartoonist. But, no, I am going to hype the very first story, 'Whoa Nellie,' beyond anything else in this fantastic volume. ... Such a wonderful, and grounded, story is a nice start-off point for the still compelling, yet far stranger and sexier, tales that follow. Soup to nuts, this is a great book." – Jeremy Nisen, Under the Radar

Love and Rockets Book 25: High Soft Lisp

Reviews: The new episode of Easy Rider, the radio show for "rock, punk rock, country, power pop, garage and comics" from Radio PFM out of Arras in northern France, features High Soft Lisp by Gilbert Hernandez and Penny Century by Jaime Hernandez among their Comics of the Week

reviews - Mozzocco

Reviews: In comics form, Every Day Is Like Wednesday's J. Caleb Mozzocco documents a friend's reactions to Dungeon Quest Book 1 by Joe Daly, High Soft Lisp by Gilbert Hernandez, and Wally Gropius by Tim Hensley

Night Fisher

Review: "R. Kikuo Johnson's debut graphic novel, Night Fisher, is a compelling yet unsentimental coming of age story. It’s a portrait of awkward adolescence on the cusp of adulthood illustrated with the darker, more realistic tones of teenage life. Night Fisher is filled with bold artwork, psychological intricacies, and mature depictions of immature actions. ... R. Kikuo Johnson has proven himself as a masterful storyteller in his first graphic novel." – Steve Ponzo, Multiversity Comics (via ¡Journalista!)

Wally Gropius

Interview: The Los Angeles Times' Noelene Clark questions Tim Hensley about Wally Gropius: "I did grow up in sort of a show business family, so I was continually in an environment of going places where a lot of people were famous, and I was sort of tagging along. I had the idea of somebody who is continually mistaken for someone really famous, but actually has nothing to do with that."

Gene Deitch

Interview: The Daily Cross Hatch's Brian Heater continues his conversation with Gene Deitch: "Terr’ble Thompson was a style I adapted for that comics strip. I wanted something that looked like a comic strip, was a little ahead—something that had the UPA influence. ... Of course, if you’ve seen my other book, The Cat on a Hot Tin Groove, my jazz cartoons, that’s a completely different style. I’m used to working in all different styles. I don’t want people to say, 'this is in Gene Deitch’s style.' I want to do everything."

Interview: At Unabashedly Bookish: The Barnes & Noble Community Blog, Jill Dearman chats with Derek Van Gieson: "I don't sit down with an idea and hack away, I need a trigger, something that sets my brain loose to just improvise and create on the spot."

What Is All This? - Stephen Dixon

Plug: The Casual Optimist spotlights Jacob Covey's design for What Is All This? by Stephen Dixon

Billy Hazelnuts and the Crazy Bird

Plugs: Graphic Novel Reporter names just about every one of our Summer releases as among "The Hottest Graphic Novels of Summer 2010"

Reviewer: At Comics Comics, Dash Shaw examines The Anime Machine by Thomas Lamarre

Daily OCD: 3/10/10
Written by Mike Baehr | Filed under The Comics JournalStephen DixonstaffreviewsNewaveMoto HagioMatt ThornmangaJohnny RyanJacques TardiDaily OCD 10 Mar 2010 3:53 PM

A healthy helping of Online Commentary & Diversions:

Escape from

List: At The Manga Curmudgeon, David Welsh writes "So you’re among the legion of people who are grateful to Fantagraphics for their recently announced manga initiative, to be curated by Matt Thorn. Who isn’t? I know I am. And you may want to express that gratitude by buying something that Fantagraphics has published. If your comics interests rest primarily in titles from Japan, you may not have sampled other works published by Fantagraphics, so here are some books for your consideration."

Prison Pit: Book 1

Review: "Amazingly, I was sucked in by the whole enterprise, laughing and groaning and shaking my head. ... It’s scarcely what I would call 'elegant in its simplicity' but with subject matter like this photo-realistic art and emotional weight aren’t called for. These are ugly characters in a gross situation, and Prison Pit treats them with all the indulgence and nastiness needed." – Mark Hale, The Bureau Chiefs

Newave! The Underground Mini Comix of the 1980s

Review: "Taken as a whole, Newave presents a portrait of an era that might otherwise be overlooked as a vital link between, say, Zap and Eightball. ... [T]he book is a veritable treasure trove of material that would otherwise have been lost to the ages. And, perhaps most importantly, it’s a hell of fun read." – Brian Heater, The Daily Cross Hatch

What Is All This? - Stephen Dixon

Pre-review: At Trouble with Comics, Alan David Doane takes a look at our preview sampler galley of the forthcoming Stephen Dixon story collection: "What Is All This, based on my reading of this short and enticing preview, looks to be one of the most exciting and intriguing fiction releases of the decade. That I’ve only had a chance to read less than a quarter of its 450 pages is maddening, and thrilling. I can’t wait to read the rest of what Dixon has in store."

It Was the War  of the Trenches [Pre-Order]

Profile: Jordan Hurder writes an appreciation of Jacques Tardi titled "Tardi is Really, Really, Really, Really Rad"

The Comics Journal #269

Interiew: The Comics Journal website presents part 2 of Matt Thorn's interview with Moto Hagio reprinted from TCJ #269

A Drunken Dream and Other Stories - Moto Hagio

Opinion: At The Comics Journal, Shaenon Garrity's reaction to our manga publishing news and appreciation of Moto Hagio is a must-read: "Is there an animated gif of a unicorn with the head of Jason Shiga devouring the universe and exploding? Because that might just about express the awesomeness of this development."

The Last Vispo - Dirk Krecker

Staff: Selections from the forthcoming anthology The Last Vispo, co-edited by our own Nico Vassilakis, will be on exhibit at the Common Ground Art Gallery in Windsor, Ontario, opening this Saturday, March 13 — more info from Crg Hill or on the Facebook event invitation (above example by Dirk Krecker)


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