FANTAGRAPHICS & EDITOR GREG SADOWSKI PARTNER ON SIX NEW BOOK COLLECTIONS OF CLASSIC COMIC BOOK MATERIAL
Fantagraphics Books is proud to announce that it has struck a deal with comics historian and editor Greg Sadowski to produce six new collections of classic comic book material for the Seattle publisher. Sadowski is a Harvey and Eisner Award-nominated editor who has previously overseen the publication of the acclaimed collections SUPERMEN: THE FIRST WAVE OF COMIC BOOK HEROES 1936-1941, as well as B. KRIGSTEINand B. KRIGSTEIN COMICS. He is a former staff editor and designer for Fantagraphics Books and currently works freelance from his home on San Juan Island in Washington State's Puget Sound.
"Greg has written one of the landmark cartoonist biographies (and only the first half yet!) with B. Krigstein, and the collections of comics from the '40s and '50s that he's edited for us — B. Krigstein Comics and Supermen!, to date — have been meticulously assembled, with an eye toward selection, flow, and accompanying historical text. We're pleased that he's got such an ambitious agenda ahead," says Fantagraphics Publisher Gary Groth, who acquired the books.
The books will be released one per season, beginning with FOUR COLOR FEAR: FORGOTTEN HORROR COMICS OF THE 1950s in June 2010 and produced in collaboration with comics historian John Benson (SQUA TRONT). The second book, due in Fall 2010, will be a collection of legendary artist Alex Toth's work for Standard Comics in the 1950s. The remaining books will be release in subsequent seasons, with exact schedules to be announced. The full list of books follows after the jump below.
• Review: "It's a surprisingly rare thing to find the great comic artist who can not only draw with poetry and beauty, but write like a demon as well. In this lavish scrapbook of uncollected ads, posters, covers, ephemera and one-offs [All and Sundry], [Paul] Hornschemeier's skills are nearly as verbal as they are visual, his art encompassing many different styles, from richly layered classical surrealism to densely structured and primary color-heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache. The depth of his art truly comes to life in the melancholic squibs of text and short fictions studding this collection. For all his talents, Hornschemeier is a working artist who clearly takes on all kinds of assignments, from bookstore ads and bookmarks to a quirky little piece on Anderson Cooper commissioned by CNN. Perhaps the intrusion of the journeyman keeps an exquisite volume like this so rewarding and yet grounded." – Publishers Weekly (starred review)
• Review: "What I liked [in Abstract Comics], I liked for more than just the strips themselves--I liked them for the proof they offer that comics really is still a Wild West medium in which one's bliss can be followed even beyond the boundaries of what many or even most readers would care to define as 'comics.' That an entire deluxe hardcover collection of such comics now exists is, I think, one of the great triumphs for the medium in a decade full to bursting with them." – Sean T. Collins
• Review: "Hallelujah... for Michael Kupperman! He returns with his second collection, Tales Designed to Thrizzle Vol. 1, which brings under one cover the first four issues of the same-named comic. And comic it sure as hell is. I'm not entirely certain when I've read anything that made me laugh out loud as often as this volume, with the possible exception of Kupperman's debut Snake 'n' Bacon's Cartoon Caberet. Women who've given birth to multiple children and older readers are advised to secure some kind of adult diaper." – Late Reviews and Latest Obsessions
• Review: "Willie & Joe is an extraordinarily compiled and presented tribute to Bill Mauldin, the two-time Pulitzer Prize winning cartoonist who chronicled life in the U.S. Army from 1940 to 1945. The set is bound in army green canvas and typeset in the font of an old manual typewriter, the kind an army clerk might have used during the Second World War. The collection is a sensory delight, pleasing to touch and beautiful to see. ... There are many scholarly works written on the topic of World War II, and those books can teach us a lot about the war, but anyone who wants to feel what American soldiers felt during the Second World War should seek out Willie & Joe. ... For the winner of two Pulitzer Prizes, for the man who was once America’s most celebrated enlisted man, Willie & Joe is a fitting, and wonderful, tribute." – David Mitchell, BiblioBuffet
• Review: "[Prison Pit Book 1 by Johnny Ryan is an] over-the-top, ultra-violent, gross-out, juvenile, yet fun and hilarious book... The dialogue that does exist retains his comic sense of disjunction and fights are as demented as you’d expect. This is not a jokey book, but his humor is retained in subtle ways—if you can envision subtle Johnny Ryan humor. ... This is just a balls-out, funny, sicko, good time. My only complaint with Prison Pit is how quickly the story ends, but hopefully the subtitle (Book One) is a promise and not a joke." – Lincoln Michel, The Faster Times [Ed. note: Book Two is in progress and due next year.]
• Review: "Longtime [Richard] Sala readers will recognize some familiar tropes right away [in Delphine]: strange surroundings, shady characters who seem to hold malevolent secrets. And Sala's art is familiar as well, but taken to a new level — lovely watercolors on the covers and moody washes on the gray interiors. The creamy paper that's typical of the Ignatz releases lends additional otherworldly, othertimely atmosphere to the story. And the logo itself is so good it deserved to be used for a long-running series. But it's the story that departs from Sala's work in some major ways... so resonant and unsettling that... it has to rank as one of Sala's major works." – Christopher Allen, Comic Book Galaxy
• Plug: "Reading [The Complete Peanuts 1971-72 and 1973-74] in one fell swoop, I've kind of come to the conclusion that this period is really the apex of Schulz's career. ...he was never as consistently hilarious or as poignant as he was in the early to mid-70s. If you're only buying two volumes of this series, it should be these two." – Chris Mautner, Robot 6
• Profile: Dan Taylor of the Santa Rosa Press Democrat catches up with Monte Schulz on his book tour for This Side of Jordan: "'It’s weird doing this,' Schulz said by phone from Nevada City during a break between book shop dates. 'It makes me nervous, at every single stop. I just realized I’m not a very public person.'"
• Interview: At Marvel.com, Sean T. Collins' series of chats with Strange Tales contributors continues with Stan Sakai talking about the creation of Samurai Hulk: "Actually, I tried to make it as much of a parallel to the modern Hulk as possible. Such as his name-he is referred to asSashimono, which means 'banner.' It's a samurai banner. And obviously there's no gamma rays, so he's cursed into turning into the Hulk by a witch called Gama, which is Japanese for 'toad' — she kinda looks like a toad." Oh man I can't wait for that.
• History: Steve Duin at The Oregonian digs up a nugget: Gary Groth on the 50th anniversary of Superman in Amazing Heroes, 1988: "My only interest in Superman, marginal at that, stems from his continuing presence as a symbol of banality and infantilism in the history of the American comic book." And it goes on!
• Random quote of the day: "Guido Crepax: popular enough to have an entire half-shelf in the Fantagraphics library, circa mid-1990s; not popular enough to have his books stolen by the interns." – Tom Spurgeon, The Comics Reporter
Now available for preview and pre-order: Strange Suspense: The Steve Ditko Archives Vol. 1. Before Spider-Man, before Dr. Strange, before Mr. A, the legendary Steve Ditko was conjuring all manners of horrors at his drawing table. For the first time, all of Ditko's pre-Comics Code horror and suspense stories from the first two years of his career are collected in one beautifully designed hardcover, restored to their full, lurid, four-color glory. Edited and with an introduction by Blake Bell, author of the acclaimed biography Strange and Stranger: The World of Steve Ditko. We've put together an exclusive 15-page PDF excerpt containing two complete stories, which you can download right here. This book is scheduled to be in stock and ready to ship as early as next week and in stores approximately 4 weeks after that (subject to change).
View a photo & video slideshow preview of the book embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended).
I think we're all caught up on our Online Commentary & Diversions now:
• Review: "It's impossible not to love Jason's hapless cartoon characters; they're dog-faced descendants of Charlie Chaplin in that way, usually placed into situations far beyond their control or understanding... The five stories that make up Low Moon, Jason's newest collection of comics, hark back to the classic golden age of film... Each story reverberates with the little eccentricities that Jason has built a career on (instead of gunfights, the cowboys in the title story battle over long games of chess). Remarkably, none of them seem over-the-top or manipulative." - Paul Constant, The Stranger
• Review: "From Jordan Crane and Fantagraphics, Uptight #3. One of the best covers of the year and the last time, I suspect, that the guys in the crowd will read 'Back soon' and not feel that chill at the back of the neck." - Steve Duin, The Oregonian
• Review: "Sublife weaves a tighter, more focused narrative with intelligently ornate Chris Ware inspired design..." - Raina Lee, Lunch
• Review: "The current issue of theComics Journal (#297) has a wonderful in-depth interview with cartoonist Mort Walker, creator of Beetle Bailey, as well as a stable of other strips including Hi and Lois, Sam and Silo, and Boner's Ark that's a fun read." - Randy Reynaldo, WCG Comics
• Commentary: Looking at our recent spate of Special Edition releases at examiner.com, Spencer Ellsworth says "the notes, interviews and annotations give a look into some of the most innovative of the new generation of movers and shakers in the current comics renaissance."
• List: Industry news & analysis site ICv2 ranks sales of The Complete Peanuts at #3 on the list of "Top 10 Humor Properties Q1 2009"
• List: The Comics Reporter reports that at BEA a panel of librarians chose a list of "Hot Fall Graphic Novels," including our forthcoming titles Strange Suspense: The Steve Ditko Archives Vol. 1 and West Coast Blues by Manchette & Tardi
Starting today and for the next two weeks we'll be bringing you a sneak peek at our Fall 2009 - Winter 2010 schedule of releases! We'll be slipping you a few pages at a time from our latest book distributor's catalog, which our fine friends at W.W. Norton uses to sell our books to the bookstore market. This first batch includes 4 upcoming issues of The Comics Journal, Paul Hornschemeier's All and Sundry: Uncollected Work 2004-2009, The Complete Peanuts 1972-1973, and Strange Suspense: The Steve Ditko Archives Vol. 1. (Note that all the info in this catalog is subject to change along the way to the books' release, including release dates, prices, cover art, book specs, etc.) Click here to download the first PDF!
• Review: John Mitchell on Supermen!: “Supermen points to a time when comic books were a new and exciting form — admittedly low brow in presentation, but filled with visual and narrative leaps that would affect how we told stories visually for decades to come... This book chronicles the exciting, silly, fun and experimental world in which these kinds of [superhero] characters were forged — fairy tales from the modern era."
• Review: Lady, That's My Skull takes lunch with The Wolverton Bible, saying "It is a fascinating look at the side of an artist that most fans are not familiar with due to the scarcity of the material."
• Review: My Year Online on Ted Stearn's first Fuzz & Pluck collection: "[I] laugh[ed] out loud at many points. This is all down to Ted Stearn’s genius in depicting expressions, his excellent slapstick timing and great storyboards, where you can never tell what will happen next..."
• Reviews: The blogger behind Fluid Motion has "been reading a lot of comics by Jason recently," offering micro-reviews of 3 of his books
• Review: Newsarama enthuses about Popeye Vol. 3 (scroll about halfway down): "As with previous volumes of Popeye, it's a cornucopia of mangled English, slapstick, violence and hamburger soliciting... Fantagraphics continues to knock it out of the park with their work on the production of these books... With his fun designs and slapstick exaggeration, Segar's art has always been a plus, and nothing about that changes here... It's packed with adventure and humor, strong art, inventive and complex stories, and features more slam-bang punching than any other ten comics. It is a true, to use a much abused word, classic."
• Review: I'm not sure if this review originally ran in Rain Taxi or is original to the Powell's Books blog where it appears now, but: John Pistelli delves into The Lagoon by Lilli Carré: "The Lagoon's artisanal craftsmanship and child's-eye ironies reflect the baffled wisdom of a heroine too young to be foolish... it is a gorgeously bleak work for so young an artist."
• Interview: Baldur Bjarnason presents a 21-minute audio interview with el jefe Gary Groth recorded at the 2000 San Diego Comic Con
We've been posting these as we've found them, but here's a (slightly OCD) alphabetical list of Fantagraphics titles and whose year-end lists that they've appeared on, for your handy reference. (Links will continue to be added as we find them.) Rankings appear in parentheses; no number means the list was unranked:
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