This week's comic shop shipment is slated to include the following new title. Read on to see what comics-blog commentators are saying about our release this week, check out our previews at the link, and contact your local shop to confirm availability.
240-page full-color 7.25" x 10" hardcover • $39.99 ISBN: 978-1-60699-380-4
"The second volume of Fantagraphics' Blake Bell-edited reprints of Ditko's early material collects the pieces he banged out for Charlton Comics in 1957, and I do mean banged out: that year alone, he drew around 450 pages for them (as well as a few pieces elsewhere, some of which appear here too). Ayn Rand's acolytes always seem to have a curious relationship with the idea of a work ethic." – Douglas Wolk, Comics Alliance
"I already have a copy, but if you’re a Steve Ditko fan then your splurge item for the week should be Unexplored Worlds, the second volume in Fantagraphics and editor Blake Bell’s ongoing attempt to collect his pre-Code and pre-Spider-Man material." – Chris Mautner, Robot 6
"Unexplored Worlds: The Steve Ditko Archives Vol. 2 (Fantagraphics) examines a ton of the legendary creator's pre-Marvel work from the 1950s..." – Cyriaque Lamar, io9
"Deluxe reprint! More from editor Blake Bell and Fantagraphics, compiling early stuff in hardcover, 1954-55, 240 pages." – Joe McCulloch, Comics Comics
• List: Erich Redson of LA TACO ("Celebrating the Taco Lifestyle in Los Angeles, California") names their Comic of the Year: "Johnny Ryan is a long-time TACO favorite, but he has really outdone himself this year with the release of Prison Pit Book 2. Pure, unmitigated ultra-violent filth has never been drawn so cleanly. This comic makes an excellent Christmas gift for that special sadist in your life."
• List: Tim Hensley's Wally Gropius is one of Blog Flume's Ken Parille's top 3 "Books I Really Liked and Wrote About Twice in 2010"
• Review: "With The Littlest Pirate King, David B. applies the same skills and angle of attack that served him so well in a naturalistic, personal mode to a highly fantastical tale, one in fact penned by another writer. [...] The story... is weird, gory, mythic, transgressive, surreal, satirical, anti-bourgeoise and nihilistic. It is also cute, sentimental, cheery and heartening. [...] What makes the book an enjoyable success are David B.'s pinwheeling, vibrant, colorful drawings. Echoing elements from the allied work of Richard Sala and Tony Millionaire, he creates both intimate moments and big dramas with eye-catching color, character design and composition. [...] The true king of these manic, antic pirates is David B." – Paul DiFilippo, The Barnes & Noble Review
• Review: "...The Extraordinary Adventures of Adèle Blanc-Sec... is quite fun... A large dose of whimsy is injected into the proceedings, making the dashing also daft. Tardi has the feel of old-school French funnies down pat; if you didn’t know any better... you might think they originated several generations ago, rather than one (they were first published in France in 1976). As is, with its cerebral gags and secret tunnels, the work carries a slight burst steampunk in a knowing, winking vein of Alan Moore’s League of Extraordinary Gentlemen. [...] The book makes me look forward to seeing Luc Besson’s forthcoming film adaptation, but even more forward to Volume 2." – Rod Lott, Bookgasm
• Review: "Fantagraphics and editor Matt Thorn have ably stepped up to the plate here, compiling a career-spanning collection of Hagio's short stories [A Drunken Dream], one which demonstrates her acumen with stunning visuals and deft characterization, and especially a nice grasp of human relationships. It's like a quick class in what we've been missing out on for all these years. [...] While much of her work remains to be revealed to Western audiences, this book makes for a wonderful primer on what she has accomplished throughout her career. Hopefully it will be far from the extent of what we will get to experience." – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "Front and center [in Low Moon] is [Jason's] quirky subversiveness, the beguiling, eccentric perspective on whatever his subject might be. Delivery is an irresistible syncopation of narrative stresses and visual beats further enlivened by the double take: 'Wait. Did I really see what I just saw?' Whatever a story’s content, era, tone or genre, the narrative is always built up from observed human nature, pared and mounted for easy identification. [...] The book Low Moon contains three more tales, not a clunker in the bunch. They all are ripe with Jason’s sublime nonsense, deadpan hilarity, laconic (if not completely silent) expressiveness and brazen commandeering of genre devices." – Rich Kreiner, The Comics Journal
• Review: "Whether in romantic stories or stories of the West, and especially in the horror, Ditko continuously breaks new ground... Despite all the limitations that Ditko first evidences in these stories, despite the distance in time and the nearly six decades that could be moth-eaten stories, reading Strange Suspense is, at least for the writer, a morbid and pleasurable enjoyment..." – Álvaro Pons, La Cárcel de Papel (translated from Spanish)
• Commentary: At Attentiondeficitdisorderly, Sean T. Collins posts an index and acknowledgments for his now-completed "Love and Rocktober" review series and adds his suggestions for where to start reading the series (not too different from ours)
1954 and 1955 were tough years for the fledgling cartoonist: A life-threatening bout with tuberculosis sidelined him for almost a year, and his main client, Charlton Comics, suffered a devastating flood that forced it to shut its doors temporarily. Yet Ditko's enforced time off and subsequent need to seek out new clients (most particularly Marvel Comics, for whom he would go on to create Spider-Man), as well as his stubborn devotion to his craft, brought about an astonishing series of quantum leaps in his work — as displayed in this volume (following the best-selling Strange Suspense: The Steve Ditko Archives Vol. 1) of more than 200 pages' worth of never-before-collected horror and science-fiction stories from the early career of a comics great. Introduction by series editor Blake Bell.
Download an EXCLUSIVE 18-page PDF excerpt (8.5 MB) containing three thrilling tales!
• Review: "This week I read Unexplored Worlds, the second collection of pre-Spider-Man comics drawn by Steve Ditko. This handsomely designed volume mainly collects work Ditko did for Charlton, a mix of sci-fi, western and post-code horror stories. Ditko is in fine form here...; he seems more sure of himself here, full of verve, dramatic angles and odd hand gestures. In some stories, you can see the groundwork being laid down for what was to come in a few years — there’s a sequence where a guy travels to another dimension where you can see the beginnings of Dr. Strange." – Chris Mautner, Robot 6
• Review: "Each story is weird and wonderful in its own way, even when the writers and artists aren’t as skilled as others. Even better is a 32-page cover gallery in the middle, printed on glossy paper, each suitable for framing. I could stare at such covers all day. [Four Color Fear is an] excellent book..., expertly designed and popping with flaws-and-all color. At more than 300 pages..., [its] heft is welcome. For serious comics scholars or just those seeking a nostalgic kick, [it comes] highly recommended as [a] strong year’s-best contender..." – Rod Lott, Bookgasm
• Interview: At The Faster Times, Ryan Joe goes behind the scenes of Four Color Fear with the book's co-editor Greg Sadowski: "The quality of the writing was [the] number one [consideration] — each story had to be a compelling read. The art came second, though I think every story we chose has interesting art."
• Review: "Consider this a warning. If you fail to immediately purchase a copy of Destroy All Movies a swarm of post-apocalyptic punk rock bikers will kick your door down and ram their fists down your throat. [...] This is an exhaustive reference work that is every bit as brash and entertaining as its subject matter. It's well written, exhaustively researched and laid out in a gorgeous, colorful package that'll make it a coffee table discussion piece in geek homes around the globe." – Todd Brown, Twitch
• Interview: Joe Gross of the Austin American-Statesman, who says "Packed with stills from movies both cult and mainstream, filled with reviews of 1,100 films, and featuring interviews with crucial actors and directors, Destroy All Movies is everything one could hope for from a project this esoteric," talks to the book's editors, Zack Carlson and Bryan Connolly, who says: "It's not like a Leonard Maltin guide where you can just go down to the store and be like, 'Oh, I want this movie.' You're gonna really have to fight to find a lot of the stuff in there. Like some of it isn't even available in this country."
• Review: "I just sat down and re-read thru the new Love and Rockets issue. Shame on you, True Believer, if you haven’t already dog-eared this one. Please, please order this one today and thank me for urging you to do so. ... Jaime Hernandez has outdone himself. I mean, I’m a cynical super fan at times who often believes he’s 'seen it all' and then something like L ‘n R New Stories #3 comes out and just slays me." – Frank Santoro (who goes on to examine Jaime's panel layouts and compare L&R to Rocky and Bullwinkle), Comics Comics
• Interview: At The Daily Cross Hatch, Brian Heater's chat with Jaime Hernandez continues: "Maggie’s just got so much more going on than the other characters, for me. I like doing the other characters, but I’ll always go back to Maggie and the joy of creating her life. There’s just something about the character that I enjoy playing with and finding out where she’s going and who she is."
• Review: Did you think Sean T. Collins was going to omit Birdland in his "Love and Rocktober" series at Attentiondeficitdisorderly? "Doing a straight-up porn comic that borrows the Palomar-verse characters Fritz and Petra gives Beto the freedom to be as silly and utopian as he wants, something he couldn’t get away with in the naturalist, politically aware world of Palomar and Love and Rockets proper."
We're on our way to the Alternative Press Expo this weekend in San Francisco and we decided at the last minute to bring display-only copies of a few of our upcoming releases with us for lucky fans to peruse:
Unfortunately they won't be for sale at the show (and they're not available for pre-order here on our site just yet) but at least they'll be there for the looking!
• Review: "Oh, the things men do to torture themselves. [Catalog No. 439:] Burlesque Paraphernalia and Side Degree Specialties and Costumes is an amazing flashback to a time before the Internet, television, radio, movies and pretty much every other form of entertainment. [...] This book is chock full of some of the funniest and most sadistic devices ever dreamed up by the human mind. It’s almost as if the guy from the Saw movies had wanted to get laughs instead of frights — and fans of current outrage cinema may be happily startled to find something actually called 'The Human Centipede' in its pages." – Siobhan Greene, Fangoria
• Review: "It's an odd little notion, the idea that you've lived a better, fuller life for having killed people. That's probably a somewhat unfair aspect of Drew Weing's good-natured, lushly drawn storybook (that's the term the comic practically demands I use) Set to Sea — a tale of a big lummox of a poet whose lackluster verses about life on the open sea are given new verve when he's shanghai'd into service on an actual ship — for me to seize on. After all, Weing's bigfooted style and inviting rather than intimidating illustrative chops place him squarely in the adventure-comics tradition of Carl Barks and Jeff Smith." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Freed from the burden of making a 'serious' work, Anderson delves into some grim and gritty pulp material, and you can feel his relish and delight coming off the page. [Sand & Fury: A Scream Queen Adventure] basically deals with the story of a murdered woman who comes back from the dead as a banshee and eventually seeks revenge against her killer, who in turn may be a supernatural demon himself. It sounds like a Jim Balent comic, but Anderson creates a lovely noir atmosphere here, full of blood, sex and other nasty goings-on that never once becomes camp. It’s a nice, effective little horror comic." – Chris Mautner, Robot 6
• Plug:The Venture Bros. co-creator Jackson Publick writes: "Venture alumnus, super-pal and yiddish-loving Italian-American Stephen DeStefano premiered his new graphic novel, Lucky in Love at the San Diego Comic Con, and I was fortunate enough to snag a copy. Now it's your turn. Go buy one."
• Interview:Graphic NYC 's Christopher Irving talks to Michael Kupperman. Irving on Tales Designed to Thrizzle: "Toss comic book art from the '40s and '50s into a blender with the dirty brand of humor that runs rampant in underground comics, and give it the pacing and spontaneity of skit comedy, and you get Kupperman’s distinctive Tales Designed to Thrizzle. Kupperman’s slick art has the polish and stiffness of old advertising art, creating a posed disconnect that adds a layer of absurdism to his offbeat stories." Sample Kupperman quote: "What I’m doing is more along the lines of sketch comedy. I grew up with Monty Python and SCTV, and those shows had a profound influence on me, through the writing and tone. My comic is humor for childish adults. I think I’m actually going to start putting that on the cover. It’s stuff that makes me laugh and part of my working method is to make stuff that will make others laugh as well."
• Profile: "One hundred-plus years after the newspaper comic strip was born in San Francisco, a reader might well ask: Who was the greatest comic artist of all time? Some scholars say the question was settled in 1924 by New York arts critic Gilbert Seldes, whose book on the American cultural scene, The 7 Lively Arts, devoted an entire chapter to a reclusive cartoonist in the Hollywood Hills named George Herriman and his avant-garde comic strip, Krazy Kat." – Anthony Mostrom, The Los Angeles Times (via The Comics Reporter)
• Profile: Katharine Zarrella of Interview magazine talks to Robert Pollard about his collage art and current exhibit thereof in New York City: "A handful of ex-bandmates are on Pollard's guest list, but what do they think of his artwork? 'It seems a lot of them dig it. I think secretly, and sometimes openly, my peers respect the insanity.'"
• Profile: "One of the most serious gaps that this blog has not yet filled is as follows: having been scandalously silent of the great art of Drew Friedman, one of the most popular and recognizable contemporary American illustrators, a genius capable of combining, with previously unpublished results, a technique of hyper-realistic depiction with the strong sense of the grotesque that characterizes the creative temperament." – Lucca Boschi, Il Sole 24 Ore (translated from Italian)
• Events: At AOL's TV Squad, Aaron Broverman recaps Blake Bell's presentation "Steve Ditko & Bill Everett: Spider-Man, Sub-Mariner, Daredevil & Beyond" at Fan Expo in Toronto, "a panel I expect will be one of the hidden gems of the weekend"
"On Friday, August 27, 2010, come to the Toronto Fan Expo (running from Friday to Sunday) and see my slideshow entitled "Steve Ditko and Bill Everett: Spider-Man, Sub-Mariner, Daredevil & Beyond." The hour-long presentation begins at 5pm in Room 103A and features tons of imagery and commentary related to my two new books Fire and Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics (out in Sep.) and Unexplored Worlds: The Steve Ditko Archives Vol. 2 (out in Oct)."
Blake will also be tabling at the show — click over for more info.