I knew I was getting off too easy! Nick Gazin is trying to kill me. There are also some negative reviews of our books at the links below, but I won't say any more about those:
• Review: "Fantagraphics has come to my foreign comic book rescue and published hardcovered English translations of West Coast Blues, which was good, and [You Are There], which is great. ... Tardi has nice skinny lines and large fields of black. His architecture and cars and landscapes are amazing. Just the idea of Arthur There running up and down the walls and living in this skinny little house are neat ideas. This book talks a lot about what it’s like when you spend your life alone and how nuts a slutty crazy girl can make you. ... Summing up: If you hate everything that isn’t old timey and French and love sluts who are nuts then get this book fast." – Nick Gazin, Vice
• Review: "[Portable Grindhouse] presents the most beautiful and lurid VHS boxes ever produced. ... Someone was inevitably going to make this book and Jacques Boyreau made something special that a lot of people are going to love owning. The design is beautiful, the art is reproduced perfectly, and the paper stock feels especially good. It even comes packed in a slipcase that looks like a VHS sleeve spattered in blood. A well-designed book showing off these funny and beautiful examples of a dead medium would be enough, but the introductary essay is a revelatory piece on the importance of VHS and the role it played in cinematic history." – Nick Gazin, Vice (same link as above)
• Review: "[Strange Suspense: The Steve Ditko Archives Vol. 1] is chock-full of intense faces and monsters and colors. Strong blacks, horror comics, mean revenge, strange surgery, and stuff. It’s all horror comics from before Frederic Wertham illegalized good-time comic books. The cover is really thick and the hardcover is hard as hell." – Nick Gazin, Vice (same link as above)
• Review: "This series is awesome, perfect, and essential. I’ll die with my collection of [The Complete Crumb Comics] on my shelf unless there’s a fire or America slips into a Mad Max-style society. ... These should sit on your shelf next to the complete Shakespeare, your Bible, and the complete Sherlock Holmes." – Nick Gazin, Vice (same link as above)
• Review: "...[The Troublemakers] is a sweet little book in which a bunch of grifters try to trick each other out of money. It seems to be about love and trust and whether anybody is dependable or if they’re all trying to survive. It’s pretty great." – Nick Gazin, Vice (same link as above)
• Review: "[Prison Pit Book 1] is great and an essential read since so few new good comics get made. ... If you love or hate Johnny R. you gotta get this shit. It is important. Buy buy buy." – Nick Gazin, Vice (new link!)
• Review: "Every issue of Love and Rockets is a winner and I am never bored by anything the Hernandez Brothers do. The comics have been so consistently good since the first one came out in 1981 that there's almost no point in reviewing [New Stories #2] other than to say, 'Hey, it came out so go to the store and you can buy it now.'" – Nick Gazin, Vice (same link as above)
• Review: "Tardi is a legend of European comics and it's wonderful to have hardbound English translations of his work. [West Coast Blues] is full of beautiful drawings of Paris, people, cars, fights, and rural life. The story deals with the human condition and what it means to be a man and civilization versus nature while the main character hides from hit men in the mountains. This book feels... like an updated Tintin..." – Nick Gazin, Vice (same link as above)
• Review: "Back in the Golden Age of comics there were few comic auteurs but Fletcher Hanks was one of the few. ... The stories [in You Shall Die by Your Own Evil Creation!] are weird and grim. The art is unprofessional and beautiful." – Nick Gazin, Vice (same link as above)
• Review: "Peanuts was an amazing comic. Charles Schulz was an amazing artist. Fantagraphics' Complete Peanuts series are great and [1973-1974] is the best one yet. The humor is unparalleled and the stories are great. ... Charles Schulz was a sad and funny guy and this book features him at his saddest and funniest. If you bought some of the earlier volumes in this series and then forgot about it, then it's time to catch up." – Nick Gazin, Vice (same link as above)
A light load of Online Commentary & Diversions today:
• Plug: "Okay, I see a lot of books and comics passing my desk every week but ye gods this stood out – pre comic code Steve Ditko. Let me just say that again: STEVE DITKO!! ...Fantagraphics’ Strange Suspense: the Steve Ditko Archives [Vol. 1] goes on sale today, collecting material from the first couple of years of the now legendary comics god’s career; fabulous sci-fi, fatal femmes, lurid horror… And its a lovely looking hardback edition, the sort you give pride of place on your shelves (which is what we normally expect from the folks at Fanta, they know how to give class comics work plenty of love and present it well)." – The Forbidden Planet Interational Blog Log
• Interview: Paul Morton of The New Gay talks with Paul Karasik about chronicling the life and work of Fletcher Hanks: "I didn’t really choose to do this story. This story chose me. And it continues to choose me. So as much as I’d like to shake it, I’m sure something’s going to happen that’s going to pull me back down to it."
• Events: Don't forget, Dame Darcy is in Seattle this weekend — info and much more in her latest blog update
• Review: "Monte Schulz has proven that his father isn’t the only Schulz with considerable storytelling talent. This Side of Jordan is a strong vision of the American Heartland at a time when America was a little less jaded, yet many in the country had already developed a malaise of directionlessness. Schulz manages to capture a moment in history, a piece of humanity in transition. It’s bleak, but funny, and smartly written. It may not have any pictures, but readers of good fiction should appreciate what Schulz has accomplished." – Michael C. Lorah, Newsarama
• Review: "Hans Rickheit’s The Squirrel Machine, published by Fantagraphics Books, is a beautiful 179 page hard cover graphic novel. ... Much is left to mystery in this book. We can let Rickheit’s exquisite drawings, with their ornate detail and patterning, speak for themselves. ... This is for mature readers as well as discriminating ones. And it’s also for those who love a good coming-of-age story. ... Very romantic and strange at the same time, like any good coming-of-age tale. Primarily, this is adult, dark and disturbing work provided to you in healthy doses." – Henry Chamberlain, Newsarama
• Review: "Johnny Ryan draws the bad pictures. Unapologetically and lots of ‘em and I hope to god he never stops. He has consistently put out pure and uncensored strips, cartoons, and books that defy every politically correct bone in your body. Drawings that cock-slap America. His new book is out. It’s called Prison Pit and it kinda’ sorta’ kicks serious ass. ... The story definitely puts the GORE in phantasmagorical as characters twist and mutated into strange new forms while pounding the stuffing out of each other. ... Put plain, in Prison Pit, Ryan creates art out of the steaming piles of human waste that litter our cultural landscape. The bodies and excrement are grist for his mill. He erects mountains of shit and semen, carving the faces of sacred cows in them, and then sets them afire so even if you can’t see the work… you can smell it from miles away." – Jared Gniewek, Graphic NYC
• Review: "[Pim & Francie] isn't a collection of [Al Columbia's] work up till now..., but more a collection of what 'might have been' — it's uncompleted stories and art featuring Columbia's two naif-child characters, forever hurtling into one dangerous situation after another but never reaching any conclusion. It's probably worth noting that a good deal of the pages are torn or pasted back together, the victims, no doubt, of Columbia's perfectionism. It's the sort of thing that will frustrate some, but it does offer an elliptical, sideways path into Columbia's world, which perhaps makes the journey all that more frightening." – Chris Mautner, "Pick of the Week," Robot 6
• Interview: Tim O'Shea talks to Monte Schulz about the latter's novel This Side of Jordan: "Taken all together, no single element was the most critical because I believe everything had to work together, all forms of language, for instance: poetic, lyrical, narrative, dialogue. The way the characters speak in This Side of Jordan was especially important, given that I mix ordinary dialogue with lyrical exposition and both rural and Jazz Age slang."
• History: At Bleeding Cool, Rich Johnston offers up the groundbreaking "Gays in Comics" article by Andy Mangels from Amazing Heroes #143 (June 15, 1988) as a 2-part PDF download, with commentary
• Film: Lilli Carré's animated short Head Garden plays at the San Francisco International Animation Festival this weekend; more info at Lilli's blog
• Theory in action: At Blog Flume, Ken Parille applies an Ivan Brunetti cartooning principle to a 1970s issue of The Avengers
...and Pim & Francie: The Golden Bear Days by Al Columbia, which critics call "a fractured masterpiece," "stunning," and "messed up," and Tom Spurgeon of The Comics Reporter declares "the book of the week"!
Visit the links above to check out descriptions, previews and reviews, contact your local comickery to confirm availability, and then hie thee thither!
Before the Amazing Spider-Man, before the mysterious Dr. Strange, before the black-and-white world of the Ayn Rand-inspired Mr. A, the legendary comic book artist Steve Ditko was conjuring all manners of horrors at his drawing table. In his first two years in the industry (1953 and 1954), Ditko drew tales of macabre suspense that were not yet hobbled by the imminent Comics Code Authority (adopted in Oct. 1954). These stories featured graphic bloodshed, dismemberment and blood-curdling acid baths as the ugly end to the lives of the dark and twisted inhabitants of Steve Ditko’s imagination.
Following up on Strange and Stranger: The World of Steve Ditko, Blake Bell’s 2008 best-selling critical retrospective of Ditko’s career, Strange Suspense: The Steve Ditko Archives Vol. 1 features, for the first time, spectacular full-color reprints of every story from those first two years of his career. Beginning with Ditko’s very first story to Ditko’s short stint in the Joe Simon/Jack Kirby studio, to Ditko’s eventual encampment at the Charlton Comics operation in 1954, readers will see the initial works of an artist already at a level of craftsmanship that exceeded most of his peers. The book also features editor Bell’s insightful introduction, providing historical background and speaking to Ditko's influence and his unique craft.
Download an EXCLUSIVE 15-page PDF excerpt (5.9 MB) containing two terrifying tales!
FANTAGRAPHICS & EDITOR GREG SADOWSKI PARTNER ON SIX NEW BOOK COLLECTIONS OF CLASSIC COMIC BOOK MATERIAL
Fantagraphics Books is proud to announce that it has struck a deal with comics historian and editor Greg Sadowski to produce six new collections of classic comic book material for the Seattle publisher. Sadowski is a Harvey and Eisner Award-nominated editor who has previously overseen the publication of the acclaimed collections SUPERMEN: THE FIRST WAVE OF COMIC BOOK HEROES 1936-1941, as well as B. KRIGSTEINand B. KRIGSTEIN COMICS. He is a former staff editor and designer for Fantagraphics Books and currently works freelance from his home on San Juan Island in Washington State's Puget Sound.
"Greg has written one of the landmark cartoonist biographies (and only the first half yet!) with B. Krigstein, and the collections of comics from the '40s and '50s that he's edited for us — B. Krigstein Comics and Supermen!, to date — have been meticulously assembled, with an eye toward selection, flow, and accompanying historical text. We're pleased that he's got such an ambitious agenda ahead," says Fantagraphics Publisher Gary Groth, who acquired the books.
The books will be released one per season, beginning with FOUR COLOR FEAR: FORGOTTEN HORROR COMICS OF THE 1950s in June 2010 and produced in collaboration with comics historian John Benson (SQUA TRONT). The second book, due in Fall 2010, will be a collection of legendary artist Alex Toth's work for Standard Comics in the 1950s. The remaining books will be release in subsequent seasons, with exact schedules to be announced. The full list of books follows after the jump below.
• Review: "It's a surprisingly rare thing to find the great comic artist who can not only draw with poetry and beauty, but write like a demon as well. In this lavish scrapbook of uncollected ads, posters, covers, ephemera and one-offs [All and Sundry], [Paul] Hornschemeier's skills are nearly as verbal as they are visual, his art encompassing many different styles, from richly layered classical surrealism to densely structured and primary color-heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache. The depth of his art truly comes to life in the melancholic squibs of text and short fictions studding this collection. For all his talents, Hornschemeier is a working artist who clearly takes on all kinds of assignments, from bookstore ads and bookmarks to a quirky little piece on Anderson Cooper commissioned by CNN. Perhaps the intrusion of the journeyman keeps an exquisite volume like this so rewarding and yet grounded." – Publishers Weekly (starred review)
• Review: "What I liked [in Abstract Comics], I liked for more than just the strips themselves--I liked them for the proof they offer that comics really is still a Wild West medium in which one's bliss can be followed even beyond the boundaries of what many or even most readers would care to define as 'comics.' That an entire deluxe hardcover collection of such comics now exists is, I think, one of the great triumphs for the medium in a decade full to bursting with them." – Sean T. Collins
• Review: "Hallelujah... for Michael Kupperman! He returns with his second collection, Tales Designed to Thrizzle Vol. 1, which brings under one cover the first four issues of the same-named comic. And comic it sure as hell is. I'm not entirely certain when I've read anything that made me laugh out loud as often as this volume, with the possible exception of Kupperman's debut Snake 'n' Bacon's Cartoon Caberet. Women who've given birth to multiple children and older readers are advised to secure some kind of adult diaper." – Late Reviews and Latest Obsessions
• Review: "Willie & Joe is an extraordinarily compiled and presented tribute to Bill Mauldin, the two-time Pulitzer Prize winning cartoonist who chronicled life in the U.S. Army from 1940 to 1945. The set is bound in army green canvas and typeset in the font of an old manual typewriter, the kind an army clerk might have used during the Second World War. The collection is a sensory delight, pleasing to touch and beautiful to see. ... There are many scholarly works written on the topic of World War II, and those books can teach us a lot about the war, but anyone who wants to feel what American soldiers felt during the Second World War should seek out Willie & Joe. ... For the winner of two Pulitzer Prizes, for the man who was once America’s most celebrated enlisted man, Willie & Joe is a fitting, and wonderful, tribute." – David Mitchell, BiblioBuffet
• Review: "[Prison Pit Book 1 by Johnny Ryan is an] over-the-top, ultra-violent, gross-out, juvenile, yet fun and hilarious book... The dialogue that does exist retains his comic sense of disjunction and fights are as demented as you’d expect. This is not a jokey book, but his humor is retained in subtle ways—if you can envision subtle Johnny Ryan humor. ... This is just a balls-out, funny, sicko, good time. My only complaint with Prison Pit is how quickly the story ends, but hopefully the subtitle (Book One) is a promise and not a joke." – Lincoln Michel, The Faster Times [Ed. note: Book Two is in progress and due next year.]
• Review: "Longtime [Richard] Sala readers will recognize some familiar tropes right away [in Delphine]: strange surroundings, shady characters who seem to hold malevolent secrets. And Sala's art is familiar as well, but taken to a new level — lovely watercolors on the covers and moody washes on the gray interiors. The creamy paper that's typical of the Ignatz releases lends additional otherworldly, othertimely atmosphere to the story. And the logo itself is so good it deserved to be used for a long-running series. But it's the story that departs from Sala's work in some major ways... so resonant and unsettling that... it has to rank as one of Sala's major works." – Christopher Allen, Comic Book Galaxy
• Plug: "Reading [The Complete Peanuts 1971-72 and 1973-74] in one fell swoop, I've kind of come to the conclusion that this period is really the apex of Schulz's career. ...he was never as consistently hilarious or as poignant as he was in the early to mid-70s. If you're only buying two volumes of this series, it should be these two." – Chris Mautner, Robot 6
• Profile: Dan Taylor of the Santa Rosa Press Democrat catches up with Monte Schulz on his book tour for This Side of Jordan: "'It’s weird doing this,' Schulz said by phone from Nevada City during a break between book shop dates. 'It makes me nervous, at every single stop. I just realized I’m not a very public person.'"
• Interview: At Marvel.com, Sean T. Collins' series of chats with Strange Tales contributors continues with Stan Sakai talking about the creation of Samurai Hulk: "Actually, I tried to make it as much of a parallel to the modern Hulk as possible. Such as his name-he is referred to asSashimono, which means 'banner.' It's a samurai banner. And obviously there's no gamma rays, so he's cursed into turning into the Hulk by a witch called Gama, which is Japanese for 'toad' — she kinda looks like a toad." Oh man I can't wait for that.
• History: Steve Duin at The Oregonian digs up a nugget: Gary Groth on the 50th anniversary of Superman in Amazing Heroes, 1988: "My only interest in Superman, marginal at that, stems from his continuing presence as a symbol of banality and infantilism in the history of the American comic book." And it goes on!
• Random quote of the day: "Guido Crepax: popular enough to have an entire half-shelf in the Fantagraphics library, circa mid-1990s; not popular enough to have his books stolen by the interns." – Tom Spurgeon, The Comics Reporter
Now available for preview and pre-order: Strange Suspense: The Steve Ditko Archives Vol. 1. Before Spider-Man, before Dr. Strange, before Mr. A, the legendary Steve Ditko was conjuring all manners of horrors at his drawing table. For the first time, all of Ditko's pre-Comics Code horror and suspense stories from the first two years of his career are collected in one beautifully designed hardcover, restored to their full, lurid, four-color glory. Edited and with an introduction by Blake Bell, author of the acclaimed biography Strange and Stranger: The World of Steve Ditko. We've put together an exclusive 15-page PDF excerpt containing two complete stories, which you can download right here. This book is scheduled to be in stock and ready to ship as early as next week and in stores approximately 4 weeks after that (subject to change).
View a photo & video slideshow preview of the book embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended).
I think we're all caught up on our Online Commentary & Diversions now:
• Review: "It's impossible not to love Jason's hapless cartoon characters; they're dog-faced descendants of Charlie Chaplin in that way, usually placed into situations far beyond their control or understanding... The five stories that make up Low Moon, Jason's newest collection of comics, hark back to the classic golden age of film... Each story reverberates with the little eccentricities that Jason has built a career on (instead of gunfights, the cowboys in the title story battle over long games of chess). Remarkably, none of them seem over-the-top or manipulative." - Paul Constant, The Stranger
• Review: "From Jordan Crane and Fantagraphics, Uptight #3. One of the best covers of the year and the last time, I suspect, that the guys in the crowd will read 'Back soon' and not feel that chill at the back of the neck." - Steve Duin, The Oregonian
• Review: "Sublife weaves a tighter, more focused narrative with intelligently ornate Chris Ware inspired design..." - Raina Lee, Lunch
• Review: "The current issue of theComics Journal (#297) has a wonderful in-depth interview with cartoonist Mort Walker, creator of Beetle Bailey, as well as a stable of other strips including Hi and Lois, Sam and Silo, and Boner's Ark that's a fun read." - Randy Reynaldo, WCG Comics
• Commentary: Looking at our recent spate of Special Edition releases at examiner.com, Spencer Ellsworth says "the notes, interviews and annotations give a look into some of the most innovative of the new generation of movers and shakers in the current comics renaissance."
• List: Industry news & analysis site ICv2 ranks sales of The Complete Peanuts at #3 on the list of "Top 10 Humor Properties Q1 2009"
• List: The Comics Reporter reports that at BEA a panel of librarians chose a list of "Hot Fall Graphic Novels," including our forthcoming titles Strange Suspense: The Steve Ditko Archives Vol. 1 and West Coast Blues by Manchette & Tardi