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Category >> Steven Weissman
So you KNOW about our new books to debut at The Big Show aka (San Diego Comic Con) but we also have caged some wild cartoonists and even arranged some feeding times for them! Come by table #1718 to meet your favorite creators you've only read about
Thursday, July 18th
Friday, July 19th
Saturday, July 20th
9-10am Philip Nel
Sunday, July 21st
Keep your well-lubricated eyeballs peeled for more San Diego Comic-Con announcements on our Flog or via this HANDY TAG. Here's a preview of Gilbert and Jaime Hernandez quality con faces from last year!
The coldest Dip'n'Dots of Online Commentaries & Marketing:
• Interview: Comic Book Resources and Alex Dueben interview Peter Bagge about Other Stuff and his favorite collaborations in the book, "The earliest one in the book, "Life in These United States," didn't come out looking at all like I had envisioned it…what Clowes did with it was truly remarkable. Also, Gilbert [Hernandez] radically changed the faces, ages and even genders of almost everyone in the "Me" strip. That threw me for a loop! Though it didn't negatively impact the story in the slightest."
• Review: The A.V. Club looks at Peter Bagge's Other Stuff. "Other Stuff also brings together strips Bagge has written about rock icons, along with a few cartoon essays, and strips featuring his characters Lovey and The Leeways, who respectively represent hipster adventurism and dogged domesticity. It’s a full picture of who Bagge has been as an artist and humorist over the past 20 years, and as such is as valuable for newcomers as fans…" writes Noel Murray.
• Interview: Peter Bagge is interviewed on Societe Perrier by Christian J Petersen on comics, Seattle and growing up clever. "Did your parents encourage your creativity? No, though they didn't discourage it. They were drunk."
• Review: The Quietus looks at The Adventures of Jodelle by Guy Peellaert and Pierre Bartier. Aug Stone writes, "Jodelle is fantastic in every sense of the word, filled with in-jokes and time-defying references, nudity and sex (not always coinciding), exaggerated violence, but most importantly a sense of pushing the edges of possibility…The original Pop Art comic and one of the first ‘adult comics’ (released a year after Barbarella by same publisher Eric Losfeld), Jodelle is an artistic tour de force."
• Review: Bookgasm looks at The Adventures of Jodelle by Guy Peellaert. "…let the fleshy neon visuals explode into your eyeballs.…It won’t have the same impact today, as many of its visual ideas have been appropriated and subverted into the mainstream culture, but as both a time capsule of its era and as a visually stunning romp, it remains a unique experience that should certainly be at least sampled by any adventurous modern reader of comics. Playfully provocative, funny and smart, THE ADVENTURES OF JODELLE pops with a soft-lined splash of lurid color," writes JT Lindroos.
• Review: It's Nice That and look at The Adventures of Jodelle. "Peellaert was every bit the master of his craft and with enviable vision and flair managed to transform a previously safe medium into something exciting and dangerous…It’s intoxicating stuff!" exclaims James Cartwright.
• Interview: HeroesOnline and Seth Peagler interview Ed Piskor about comics, music and Hip Hop Family Tree. Piskor states, "There were some interesting things to look at while writing the book. It’s necessary to know the political/economic climate at the time. The fine art scene plays an integral role in the development of early Hip Hop as well, which many people might not know. If it wasn’t for the downtown scene gravitating toward graffiti culture it could have all died out in the early 80s."
• Review: I Reads You reads Love and Rockets: New Stories #5 by Jaime and Gilbert Hernandez. Leroy Douresseaux writes, "This publishing format is designed to appeal to the people who decide what will make the shelves of bookstores.…this is another volume of New Stories which proves that Love and Rockets is as strong as ever and is ready for 30 more great years."
• Review: Kotaku's roundtable discuss what they did and didn't like about Julio's Day by Gilbert Hernandez. Evan Narcisse posits "I did like how the family lived on the fringes of the 20th Century. It reminded me A LOT of Gabriel Garcia Marquez' 100 Years of Solitude. The weird almost-incest, characters with the same names and weird proclivities, home-as-a-black-hole-you-can't-escape, the outside world as an exotic dangerous place, nature as this karmic equalizer …"
• Interview: Nicole Rudick of The Comics Journal interviews James Romberger and Marguerite Van Cook about 7 Miles A Second and their creative life together. James mentions, "…it is about empathy, the only thing we have that allows us to touch each other. So if there’s anything positive to be taken out of the book, it’s that we should be working toward a more empathetic experience while we’re on the planet."
• Review: Comic Book Resources looks at 50 Girls 50 by Al Williamson. "It’s interesting seeing how different some of the artwork is – Williamson liked science fiction, apparently, and was occasionally bored with the other stories William Gaines or Al Feldstein gave him, but there’s no story here that doesn’t at least offer something sublime…Fantagraphics has done a really nice job bringing a lot of the 1940s/1950s stuff back into print, and if they keep picking such cool stuff like this, I’ll just have to keep buying it!" exclaims Greg Burgas.
• Review: Spectrum Culture looks at 'Tain't the Meat by Jack Davis. "Davis was a phenomenal draftsman whose dynamic line work could imbue even static scenes with restless energy, and whose clean but detailed layouts could bring to life queasiness-inducing tableaux of rotting corpses and piled intestines…Al Feldstein and Carl Wessler wrote the lion’s share of these tales and had a knack for mixing cruel irony and creeping dread.…EC has been gone for decades now, but volumes like this help ensure that its influence won’t be forgotten." writes David Maine.
• Review: The Portland Mercury on Dash Shaw's New School. "The experience of reading New School is like temporarily inhabiting the body and brain of an artist: This is what growing up might feel like for someone who lives and breathes colors and shapes," writes Allison Hallett. "It's heady, hallucinatory, and bizarre, but it's grounded in the simple experience of growing up in the shadow of a beloved older sibling."
• Interview: Societe Perrier by Christian J Petersen interview Johnny Ryan. "You seem to be exploring a darkside in your work but you soften the blow with humor. What would your real darkside look like? Prison Pit. "
• Plug: Buzzfeed tells you what you want to read in the webcomics department: Steven Weissman's Barack Hussein Obama (and co) and Julia Gfrorer's Black is the Color (coming out soon in print)!
• Plug: Duckburg Weekly looks at Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley and Mickey Mouse Volume 2: Trapped on Treasure Island by Floyd Gottfredson. "With Walt Disney's Mickey Mouse Classic Collection Fantagraphics Books published a must-have for everyone who's interested in early works of the Walt Disney Company!…[Vol. 1]offers amazing articles about the 'birth' of Mickey Mouse, bonus panels which were never published and different artists in the spotlight (such as Al Taliaferro and Jack King)…Again [in Vol. 2] there is a chapter with incredible bonus material which informs about the villains, Floyd's colleagues and additional comic strips."
• Interview: It's Nice That and James Cartwright interviewed Anders Nilsen about The End, coming out in print this fall. "…some of it is pretty raw, and that’s how I felt at the time. Some of it is funny, too, I think, which is also part of the experience. It can feel very absurd at times. If it feels like a crazy emotional roller coaster to read, then it’s doing the job."
• Review: The Comics Journal reviewed the Kolor Klimax anothology, edited by Matthias Wivel. Robert Kirby writes, "I found myself drawn back to each several times…That, for me, is the common vibe generated by this and other Euro-comics anthologies: the sense of possibility and novelty that comes from having available a whole new frontier of previously hard-to-come-by alt-comics by accomplished artists to explore. Comics speak a universal, intuitive language, but this 'Nordic Hypnotica' opens Americans up to previously unfamiliar dialects that are a pleasure to read, enjoy, and occasionally decode."
• Review: Kitty Sneezes looks at Drew and Josh Alan Friedman's Any Similarity to Persons Living or Dead is Purely Coincidental. "Shemp acts both as a beacon of Drew Friedman's amazing artistic skill, but also as a signpost of what you'll find.…strips starring the semi-forgotten figures of old media. Figures like Abbott & Costello, Chet Huntley, Joe Franklin or Tor Johnson come up frequently. I especially love the Tor strips. And usually, though there's a surrealist bent like you'd find in the work of Michael Kupperman, there's usually a sense of love for the work of these people" writes Rev. Syung Myung Me.
• Plug: A JASON mural in Oslo!
• Commentary: Michael Netzer says some nice things and does a beautiful drawing of Kim Thompson.
• Commentary: Casey Burbachy writes about the history of Fantagraphics and our partnership with digital comics publisher/distribution company, comiXology on Publishers Weekly.
• Cool: A lot of our cartoonists have contributed to the Exquisite Corpse comic on Trubble Club!
• Commentary (photos): Inkstuds host Robin McConnell took some loverly photos of Larry Reid, Jacq Cohen and me at Emerald City Comic Con.
• Interview: Jacq Cohen describes why TCAF rocks and our new books there on Forbidden Planet International and soon to be in a store near you.
Q: Do the letters appear on your doorstep in a huge sack just steeped in vitriol?
A: [Art Director] Aaron Huffman sends me a letter sometime between Wednesday and Friday each week after Stranger associate editor David Schmader or some shadowy 'they' pick the letters.
Q: What is your process like for a weekly drawing based on someone else's ideas?
A: I've usually scanned the letter once by Friday. I'll print it out on Sunday night, underline key phrases and make a couple of sketches. By Monday morning, I have a pretty clear idea of what I'm drawing.
Sometimes the Seattle-specific letters can be puzzling (I'm in Los Angeles), but I can only think of one where I was completely stumped, and all I remember about that one is my solution being some guy eating a toaster waffle.
Q: Have you ever been contacted by the people who wrote the letters or the ones who figured out they were the subject?
A: I've sold drawings to people related to the letters before. They make great gifts for friends recovering from messy breakups (35% of I, Anonymous letters are breakups). Original art is also a great way to say "I'm sorry I gave you V.D."
• Review: Publishers Weekly gives a starred review to 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook. "The author’s prose is poetic, arriving with a light touch while delivering a heavy, dark, and understandably angry message. Part of what makes the book unusual is that it does not go out of its way to be uplifting… Romberger and Van Cook’s art is hyperactive, with splattery color that suggests the out-of-body acid-trip world of contradictory values and constantly shifting danger that Wojnarowicz lived in."
• Review: Beta Testing the Apocalypse by Tom Kaczynski gets reviewed on Publishers Weekly. "Kaczynski’s range is wide, and in these chronologically arranged stories, we can trace an artistic development that begins as self-satisfied…and becomes more searching and curious…although his worldview won’t connect with everyone, there is plenty of smart humor and honest perspective."
• Interview: The Writing Disorder interviews Steven Weissman on his Barack Hussein Obama graphic novel, process and original art he owns. Weissman says, "I never had a scientist’s desire for the truth. I’ve always been comfortable not knowing things."
• Interview: Shelf Life of EW.com interviews Jaime Hernandez on the 30th Anniversary of Love and Rockets . Solvej Schou asks, "So how do you and your brothers get along, being involved in the same project?" Jaime admits, "Our secret is why we can still do it is we don't collaborate." Read more!
• Plug: Noah Van Sciver's The Hypo receives an excellent rating on the Lone Star Book Review. "… an interesting look at young Abe Lincoln and his melancholic. This is a side of Lincoln that is often overlooked…"
• Review: Four Color Fear edited by Greg Sadowski continues to generate reviews after two sold out printings. Kitty Sneezes' Rev. Syung Myung Me writes "Greg Sadowski put together a wonderful collection complete with in-depth notes in the back of some of the best from comics that tend to be thought of dismissively as also-rans…if you’re a type who has the complete EC horror libraries along with a subscription to Creepy, this will slot in real well in your collection. And, well, even if you’re not that type, it’s still a great collection of some unjustly overlooked comics from the 1950s."
Happy New Year's! Here's to a great year of books and the next year and the year after that. We salute you and thank you for your friendship and purchases. Some of you sent in photos reading books from this year (and a few past ones).
Cartoonist Zack Giallongo reads The Complete Syndicated Pogo Vol. 1: "Through the Wild Blue Yonder" by Walt Kelly. He's also surrounded himself with favorite things: banjos, dogs and crazy couches.
Cartoonist Chris Haley enjoys The Complete Syndicated Pogo Vol. 1: "Through the Wild Blue Yonder" by Walt Kelly.
Producer Allison Baker and kiddo Georgia Roberson read Walt Disney's Donald Duck: "A Christmas for Shacktown" by Carl Barks.
Playwrite Ian McDonald reads Ghost World by Daniel Clowes.
Kyle reads the now sold out Destroy All Movies edited by Zack Carlson.
Campaign organizer Evan Loeb ALSO reads The Hypo by Noah Van Sciver.
Linda Walker reads Flannery O'Connor edited by Kelly Gerald. Looking gorgeous.
Alex Cox of CBLDF reads Harvey Kurtzman's Corpse on the Imjin!
Fantagraphics Marketing Director Mike Baehr reads Steven Weissman's Barack Hussein Obama.
Real estate agent Janora Apple reads Charlie Brown's Christmas Stocking by Charles M Schulz.
Comics scholar and professor, Andrew Friedenthal, enjoys Peanuts by Charles M Schulz.
The Cartoon Utopia by Ron Regé Jr absorbs Kyla.
Neighbor of the SAW workshop, Julie, reads The Cartoon Utopia by Ron Regé Jr.
Ryan Anderson reads The Book of Mr. Natural by Robert Crumb.
Jessica Underhill reads Low Moon by Jason.
Billie, my three-legged dog reads Nancy Is Happy by Ernie Bushmiller.
And Dr. Butler wants to read my copy of Dungeon Quest Book 3 by Joe Daly. Keep reading! Happy 2013!
• Interview: Tom Spurgeon of the Comics Reporter interviews cartoonist Carol Tyler about her You'll Never Know series about her father, WWII and family bonds. He starts of the interview right, "You've lived with these books for a very long time. How did it feel to get some closure on this work?". Click here for the answers and more.
• Review: Comics Bulletin looks at You'll Never Know Book 3: Soldier's Heart by Carol Tyler. Jason Sacks states "You'll Never Know is a breathtaking graphic novel because Carol Tyler is honest enough to know that stories are seldom as tidy nor as dysfunctional as they seem on TV…It's a tremendously real story straight from the heart, told by a master cartoonist."
• Plug: Geekosystem has suggestions for our 20% sale like Pogo by Walt Kelly. "Are you a Calvin and Hobbes fan, dear reader?…If you are a fan, we’d point you towards one of the strip’s inspirations, Walt Kelly’s classic Pogo cartoons. By turns razor-edged political satire and old-fashioned slapstick comedy gold, these strips are being given their due."
• Review: Reality Studio looks and relooks at Observed While Falling and The Lost Art of Ah Pook Is Here by Malcolm McNeill on his collaboration with William S. Burroughs. Jan Herman writes "Observed While Falling brings a fresh analytical eye to the familiar Burroughsian fixations — synchronicity and doppelgangers, control systems, the word as virus, the number 23 — that dominate this memoir, while still offering a straightforward chronicle of the author’s relationship with le maître. Luckily for us, McNeill is an artist who can write. Really write.…the hard work, the exhilaration and, ultimately, the frustration of a project that failed to achieve its original goal — is largely treated with brilliant introspection and loving grace."
• Review: Forbidden Planet International continues their Best of 2012 lists. Douglas Noble places Chris Wright's Blacklung on the list. "Unforgettable, and Wright's beautiful, scratchy art is a treat, like EC Segar working with Yuichi Yokoyama designs."
• Review: Comics Alliance announced their Stephanie Brown Memorial awards. On Walt Disney's Mickey Mouse: House of Seven Haunts by Floyd Gottfredson, Chris Sims writes, "They're one of the few things that I get excited about to the point of giddiness, and House of the Seven Haunts! was the best volume yet…It's one wild adventure after another, and they're all done with an incredible skill that still holds up almost 80 years later."
• Review: Comics Alliance announced their Stephanie Brown Memorial awards. The Furry Trap by Josh Simmons makes the list "The faux-Batman comic, which details the Bat's horrifically misanthropic ways, might be a reason to check out the contents of this hardcover collection of Simmons stories, but the entire volume is full of troubling tales worth your attention…The unexpected happens, consistently, and that's about the only thing you can be sure of," states Tim Callahan.
• Review: Comics Alliance announced their Stephanie Brown Memorial awards. Designer Dylan Todd writes on Barack Hussein Obama by Steven Weissman. "There's something vaguely Peanuts-esque at work here, with a cast of recognizable characters… all with their own quirks and personalities, all delivering punchlines while the specter of death and soul-crushing doubt hangs over their heads. It's funny, but like any good comedy, it's tied up in uncomfortable and relatable truths…It's surreal, nonsensical, and a little depressing -- so, huh, maybe it's an accurate portrayal of political life in the 21st century after all."
• Review: Timothy Callahan of Comic Book Resources looks back on 2012 and Steven Weissman's Barack Hussein Obama is #20 on his Best Of list. "It's just such a fragmented work of narrative, but Weissman plays with repetition and transformation in a near-musical way, and that ends up mattering most…This comic is difficult to discuss without sounding ridiculous, but I can't stop thinking about its unsettling strangeness."
• Review: Paste Magazine's guest writers Nathan Bulmer and Kevin Huizenga pick out some of our books as the Best of 2012 including Steven Weissman's Barack Hussein Obama, Jason's Athos in America, and Chris Wright's Blacklung. Bulmer looks at Weissman, "I have so many feelings about this book. This, to me, is the most gorgeous book of the year and is one that I will be returning to often."
• Plug: Geekosystem has suggestions for our 20% sale like Athos in America by Jason. "Fact: New Jason books are weird, funny, and always bring something new and unexpected to the table. Conjecture: This book probably deserves a place on your shelf…"
• Review: The Village Voice looks at Walt Disney's Donald Duck: "A Christmas for Shacktown" by Carl Barks. "Sprightly, inventive, wise, and more exciting than 60-year-old-duck tales should be, Barks's work already stands at the top of any list of history's greatest comics. It should also rank high among stories, period," says Alan Scherstuhl.
• Review: KC Carlson of Comics Worth Reading dives not into a vault of money but Carl Barks' books. While reading Uncle Scrooge: "Only a Poor Old Man" she can't help but write,"One way or another, all of these stories are classics (if not masterpieces) of early comic book storytelling. And not just for kids." When flipping to Donald Duck: "A Christmas for Shacktown" Carlson notes,"It’s probably one of the least sentimental Christmas stories around (and thus a favorite of many fans). It features an early example of Scrooge’s lack of charity, counterbalanced by his steadfast work ethic…I can’t say enough about how much I love these new Fantagraphics collections of this 'should always be in print' Carl Barks material."
• Review: Andrew Wheeler over at Anticks Musings enjoys Peanuts Vol. 17: 1983-1984 by THE Charles M. Schulz. Wheeler states, "they're reliably funny and occasionally moving. The deep sadness that used to manifest in Charlie Brown now comes up, less rawly, . . . For work done by the same one man, day after day, more than thirty years after he started that project, that's not just impressive, it's amazing."
• Review (audio): Panel Culture zeroes in on the holiday books from Fantagraphics. Walt Disney's Donald Duck: "A Christmas for Shacktown" is "blowing my mind with their Carl Barks' collections…such a great Christmas present to me…sweet and heartwarming." On Charlie Brown's Christmas Stocking, they suggest "If you know anyone who loves Charlie, Snoopy and the whole Peanuts gang then this is a good gift for them because they probably haven't read them before."
• Plug: Matt Price of NewsOK plugs our holiday books, Walt Disney's Donald Duck: "A Christmas for Shacktown" by Carl Barks and Charlie Brown's Christmas Stocking by Charles Schulz.
• Plug: That KPBS short documentary on Charles Schulz is making the rounds.
• Review (video): Jon Longhi in episode 2 of Having a Book Moment features Spacehawk by Basil Wolverton "who was an amazing underground cartoonist with exp, surrealist view of reality that created some of the I think, most unique comics ever invented. . ."
• Review: Robot 6 enjoys Spacehawk by Basil Wolverton. Chris Mautner writes "Wolverton’s Spacehawk has a vitality — at times it practically throbs with life — that the more static Stardust simply does not have. Spacehawk not only the best reprint project of the year, it’s the best reprint project of the past several years. It’s a revelation."
• Review: Comics Alliance announced their Best Comics of 2012. Basil Wolverton's Spacehawk "remind[s] you of some kind of Buck Rogers Technicolor serial as designed by Robert Crumb…Spacehawk is the freakishly charming sideshow to the more popular main event, but everyone who's seen its wonders would find themselves bored with what the guy in the big hat in the center ring is babbling on about," writes Tim Callahan
• Review: Comics Bulletin and Jason Sacks give Spacehawk by Basil Wolverton a rating of 4.5 outta 5 stars. "This book is really fucking exhilarating and awesome and eye-popping, and you have to add it to your bookshelf if you loved I Shall Destroy All the Civilized Planets…Spacehawk is lunatic, manic genius."
• Review: Delphine by Richard Sala gets BoingBoinged. Mark Frauenfelder writes, "I've long admired the gothy work of cartoonist Richard Sala. He delicately balances the line between horror and humor as few can. His latest graphic novel, Delphine, is his darkest effort to date."
• Review: Comic Book Resources counts down the Top 100 Comics of 2012 and includes The Hypo by Noah Van Sciver at #54. Brian Cronin states "Van Sciver spotlights a fascinating time in Lincoln's life where he barely resembles the man who would one day become one of the most famous presidents in U.S. history…The artwork is strong, as is the research." Cronin's own Top 10 Comics of 2012 listed Van Sciver at #2.
• Review: Panel Patter lists the Favorite Graphic Novels of 2012 and Noah Van Sciver is #2 for The Hypo. Rob McMonigal writes "Given that Van Sciver specializes in characters who are at their wit's end and have horrible things going on in their lives, he's picture perfect in his presentation."
• Interview: Tom Spurgeon interviews editor and fan Marc Sobel on living life breathing Love and Rockets at the Comics Reporter. Sobel started writing, critiquing the Hernandez Brothers work, interviewing them that led to writing and co-editing The Love and Rockets Reader and The Love and Rockets Companion, coming out next year. Sobel pondered, "I decided to read Love & Rockets in its original format and blog about each issue as a way to teach myself about one of the medium's classics while still keeping active as a writer."
• Review: Comic Book Resources counts down the Top 100 Comics of 2012 and #35 is Love and Rockets: New Stories #5. "…the Bros turned in another installment of comics that are simultaneously agonizing to witness and darkly funny while they’re serving up stone-cold dramatic situations," writes Brian Warmoth
• Plug: Gilbert Hernandez receives some attention from Sean T. Collins at Carnival of Souls in regards to upcoming Julio's Day and D&Q's Marble Season. "A now-completed collection of work he serialized during Love & Rockets‘ second volume and a pseudoautobiography, these could send him in the direction of critical and audience reappraisal that the outré sex and violence of his recent comics have denied him."
• Interview (video): As part of the 30th Anniversary celebration, Vegas Seven posted a short interview with Gilbert and Jaime Hernandez conducted at Alternative Reality Comics in Las Vegas.
• Plug: Glyn Dillon writes the Best of the Year 2012 for Forbidden Planet International and shares the love for Jaime Hernandez's God and Science. "I'm not really a fan of the super hero genre, but he delivers it in such a fun way, it's hard to resist it's charm. It almost feels as though it's from an alternative universe, a universe where super hero comics are good."
• Review: The Chicago Tribune gets all fancy to read our EC Library Comics: Corpse on the Imjin by Harvey Kurtzman and Came the Dawn by Wallace Wood. "Kurtzman often evinces a grim humor in these war comics, they don't elicit laughs. His beautiful line-work — thick black strokes and quick black curves — captures the grit of battle and its aftermath: Corpses reach up from rubble, cones of fire erupt from gun barrels." Michael Robbins continues, "Wood's alternately claustrophobic and desolate brushwork lurches into life: spreading puddles and slanting rain, Rock Hudson jawlines and Jane Wyman curves, vertiginous angles, hallucinatory things with too many eyes."
•Plug: NO releases its Best Comics of 2012 list and Sean T Collins recommends Prison Pit 4 by Johnny Ryan. "Choose your monsters-transforming-and-pursuing-ultimate-murder poison: if you favour grossness, reality-breaking sci-fi and heavy manga inflections, go with Ryan."
• Plug: Michael Kupperman's Tales Designed to Thrizzle #8 is ranked 81 out of the Top 100 Comics of 2012 according to Comic Book Resources. "The latest 'Tales Designed to Thrizzle' very well might be the funniest edition of the annual comic yet! Kupperman's outrageously unpredictable sense of humor is on full force in this issue" states Brian Cronin. Cronin's own Top 10 Comics of 2012 listed Kupperman at #4.
• Review: Matt D. Wilson of Comics Alliance talks about Tales Designed to Thrizzle #8 by Michael Kupperman in the Best of Comics 2012. "There was no other comic this year like this… Kupperman nailed it."
• Review: Comic Attack bangs out the Best 15 All-Ages Titles of 2012. Hal Foster's Prince Valiant is on the list as Drew says "the detail and quality of the art alone along with the more literary form of narration provided the base and inspiration for dozens of artists and imitators after that, all these years still being just as entertaining as when first published, here from Fantagraphics never looking as good as collected before."
• Review: Nick Hanover of Comics Bulletin sits awhile with Tom Kaczynski's new book. Beta Testing the Apocalypse "is weird as all fuck and funny as all shit, a Singles Going Steady for the art comix crowd that merges Burroughs' cut-up commentary with Ballard's keen tech consumer insight and siliconic wit…is where we should be looking if we want to know what comes next, if we want to discern which hip priest had their ear closer to the ground."
• Interview: The Comics Journal's Tim Holder interviews Tom Kaczynski (cartoonist of Beta Testing the Apocalypse)on his comics and publishing endeavors.
• Plug: Jade at the D&Q Bookstore holds onto some serious love for Lilli Carré's Heads or Tails. "Her stories always incorporate some sense of magic realism, where bizarre occurrences are treated as if they were just another aspect of daily life. Equally impressive is Carré’s artistic versatility, always finding the appropriate style, palette and medium to tell her dreamy tales."
• Review: Cosmic Comix reviews The Crackle of the Frost by Mattotti and Zentner. "The story itself is amazing. It’s a story about loneliness, loss, and, most of all, fear…It’s a rare feat in which the words, although separate from the picture, are in perfect synch with it… If you are looking for a book that truly pushes the comics medium, then this is the book for you," writes David Lee.
•Review: Music magazine Ugly Things Issue 34 reviews Kevin Avery's book. Alan Bisbort writes "Everything is an Afterthought would, in another age, be considered 'essential reading' for anyone even remotely hip…these bokos remind us of how deeply some people cared for the music and its larger pop culture that many of us now take for granted."
• Plug: Geekosystem has suggestions for our 20% sale like Joe Sacco's book. "Safe Area Gorazde is a great introduction to his work and to the concept of comics journalism as a whole. This new special edition with notes from the author, updates on the characters, and a behind the scenes look at the creative process is must-own material.
• Plug: Geekosystem has suggestions for our 20% sale like I Shall Destroy All Civilized Planets by Fletcher Hanks. "Weirdness on the highest scale prevails in these collections…these delightfully strange relics deserve a place in the library of any comics art history completist or student of the medium."
• Plug: Filth and Fabulations looks at books for 2013 and The Astonishing Exploits of Lucien Brindavoine by Jacques Tardi is on there. "This book is perhaps a slightly less mature piece than some of Tardi's later self-authored work, but it is filled with a vibrancy and a dark humor that makes it a thing not to be missed, especially so for those who enjoy his amusing riffs on traditional genre pastiches, with a nice dose of violence and sarcasm thrown in". In addition to Goddamn this War! by Tardi and Jean-Pierre Verney. "It looks very promising, and seems to be more of a single narrative spanning the entirety of the war, rather than the looser vignette-style format of the earlier book."
The cutest Carré animation of Online Commentaries & Diversions*:
• Review: Chris Sims on Comics Alliance looks at the first story (and title story) of the latest Carl Barks collection: Walt Disney's Donald Duck "A Christmas for Shacktown." Sims says, "At 32 pages, it's a sprawling epic (By Barks' standards, anyway) that hits those beautiful Holiday themes of altruism and the spirit of giving. Although to be fair, it does get a little closer to cannibalism than most other Christmas comics.
• Review: Speaking of Christmas comics, John Seven of the North Adams Transcript reads Charlie Brown's Christmas Stocking by Charles M. Schulz. "As with the best of Schulz's work, the humor alternates between deadpan and over the top, and the presentation of religion and holidays both is both irreverent and respectful at the same time. Schulz was a multi-faceted writer and could tackle contradictions through great simplicity. Charlie Brown's Christmas Stocking stands as gift from the past that is greater than the size of the package. It's a real treasure."
• Review (audio): Comic Books are Burning in Hell take you on a whirlwind, family road-trip of a podcast review of Gary Panter, Dal Tokyo and his occasional critics (Andrew Arnold). "Panter is very good at drawing altered states." "What was loose, scrappy and punk rock becomes much tighter." "The later stuff in here is the quote, unquote nicest drawing Gary has ever done, most acceptable comicswise." The evolution of one man's comics.
• Plug: Creator of Barack Hussein Obama, Steven Weissman, runs around looking for vintage comics with Love and Rockets co-creator, Mario Hernandez at the Comics Alliance. Need a hot tip? "They stick a lot old stuff in between the new stuff so I always look for the brown spines,"says Mario.
• Review: On the North Adams Transcript, John Seven enjoys Charles Forsman, Oily Comics and The End of the Fucking World. "When I started, I didn't have a real plan for [TEOTFW]," Forsman said. "I just wanted it to be fun. After laboring over the other book, I wanted to have fun again, because when you're working on something for awhile, you can get bogged down in the details."
• Plug: On the Forbidden Planet International site, Simon Moreton praises The End of the Fucking World by Charles Forsman as "It evokes that intoxicating, teen slacker vibe, a cool, calm, detached horror and the intelligence of a well-paced, keenly told tale."
• Review: Filth and Fabulations includes Dungeon Quest 3 by Joe Daly in a Best of 2012 list. "The riffing on classic roleplaying tropes is often hilarious, but the true comedic brilliance of the series lies in the way Daly writes the often drawn out pages of dialogue between the main characters. He manages to capture the way people talk in real life perfectly."
• Review: MTV Geek's Best of Graphic Novel 2012 List includes Athos in America by Jason. "A series of short stories that put Jason's insecurities and imperfections on display in an occassionally uncomfortable and frequently moving way," states Eddie Wright.
• Review: MTV Geek's Best of Graphic Novel 2012 List counts Noah Van Sciver's The Hypo as Numbah One! "A big-budget movie can't capture the subtlety of Lincoln's personality like it's done here," states Valerie. Eddie Wright chimes in and says, "In Van Sciver's well-researched, moving portrait of the troubled president, he's painted as a nuanced, difficult, intriguing and most of all, human figure."
• Review: Noah Bertlatksy of The Hooded Utilitarian looks at Johnny Ryan's Prison Pit 4, the importance of genitals in an invulnerable society. "Prison Pit is a hyberbolic, endless series of incredibly gruesome, pointless, testosterone-fueled battles with muscles and bodily fluids spurting copiously in every direction. . . everybody, everywhere, is a sack of more or less constantly violated meat, to whom gender is epoxied (literally, in this sequence) as a means of more fully realizing the work of degradation."
• Plug: David Allen of the Daily Bulletin takes a look at all the comic strip reprints out currently, ready to read Pogo: The Complete Syndicated Strips Vol. 2 "Bona Fide Balderdash" by Walt Kelly. "Through his nonsense-spouting critters in the Okefenokee swamp, Kelly often satirized government and national politics, taking on the Red Scare and coining the phrase "We have met the enemy and he is us. But 'Pogo' also had slapstick combined with wordplay and whimsy. Nice to have 'Pogo' back."
The most symmetrical cake slice of Online Commentaries & Diversions:
• Review: Publishers Weekly occasionally lets smart and famous people recommend books. Jeopardy Master Ken Jennings "skipped the obvious Marjane Satrapi and Alison Bechdel entries in favor of this lesser-known three-volume masterpiece, about Tyler’s complicated relationship with her distant dad, a World War II vet. With her playful, fluid brush line and busy patchwork of watercolor woodgrain, Tyler’s art looks like the past feels." Carol Tyler's complete series You'll Never Know is available.
• Review: Booklist Online cooks up a review from some Pogo (The Complete Syndicated Comic Strips Vol. 2: "Bona Fide Balderdash"). Ian Chipman writes, "[Walt Kelly's] hallmarks of deft wordplay, daft swamp critters, and poisonously sharp sociopolitical satire are in full blossom here. The highlight is the 1952 election season that saw Pogo’s first and entirely reluctant presidential run and the birth of the “I Go Pogo” slogan. Mimicking “I Like Ike. . . A must for all collections of comic-strip history."
• Plug: Forces of Geek throws out some good gift recommendations for kids like Walt Disney's Uncle Scrooge "Only a Poor Old Man" by Carl Barks. "Comic books have always been an excellent gateway into reading, and when it comes to smart, imaginative and engaging, you don't have to go much further than Carl Barks. . . What better way to introduce your own Huey, Dewey or Louie to comics?"
• Review: Paste Magazines's 10 Best Collections of 2012 include two Fantagraphics titles. Hillary Brown loved Young Romance, by Joe Simon and Jack Kirby edited by Michel Gagné who "painstakingly restored them (without making them look exactly new, thus giving the book the feel of a vintage compilation that just happens to be in amazing shape). . . Simon and Kirby tried to bring as much excitement to primarily psychological and interpersonal goings-on as to punching and flying." And this might be the last year anything by Carl Barks is on the list, "We’ll just grant it permanent honorary status as the best of the best, like when John Larroquette removed himself from Emmy consideration after winning four straight for Night Court. . . [Walt Disney's Donald Duck "A Christmas for Shacktown] once again proves Barks to be one of the finest draftsmen and storytellers we’ve ever had." Well put, Garrett Martin.
• Plug: The KUER Radiowest Show hosted many book sellers with their holiday gift ideas. Ken Sanders of Rare Books chose Walt Disney’s Donald Duck: “A Christmas for Shacktown” by for the "brilliant, brilliant artwork by Carl Barks" and Walt Disney’s Mickey Mouse: Volume 4 “House of the Seven Haunts” by Floyd Gottfredson to top his 2012 list for kids.
• Plug: The Scotsman lists some of the Best of 2012 as told by the best scotsman. Withered Hand's singer/songwriter Dan Willson has eyes only for Ron Rege, Jr. and states, "[The] Cartoon Utopia , his magnum opus, is quite a head-trip. Thousands of very dense little drawings and words resemble a psychedelic illuminated manuscript peppered with themes of spiritual redemption and good versus evil. It’s a very unusual and beautiful work."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. On Ron Rege Jr.'s The Cartoon Utopia , "The first esoteric text of the new century. The harbinger of the New Aeon. This book will be a staple of Esoteric Lore for millennia to come."
• Plug: Boing Boing makes my job easy by providing the Best Damn Comics of 2012. Compiled by Brian Heater, a lot of creative people offered up their favorite books of the year. Nick Abadzis thinks Kolor Klimax (edited by Matthias Wivel), "feels startling and vital to me and features a wide variety of styles, each as absorbing as all the others contained within these pages. I don't think I've enjoyed an anthology as much as this one in years."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown on Barack Hussein Obama, "Steven Weissman does stuff with actual analog comic materials that most dudes can't even do with photoshop." Jeffrey Brown chimes in on BHO, "Strange, funny and beautiful. Weissman reinvents his comics with the kind of book I wish I would make." Will Dinksi agrees, "Barack Hussein Obama is pretty much my favorite book of the year. . . I get a better appreciation for Weissman's craft in the printed collection where it can feel like you're actually looking at the finished artwork." Mari Naomi says,"I just love what this book is. If I didn't know better, I wouldn't even recognize this as Weissman. And I like that."
• Review: Paris Review checks out The Last Vispo, edited by Nico Vassilakis and Crag Hill. Nicole Rudick states,"it makes sense that in visual form poetry would elicit a kind of motion, an unfolding over the space of a page, and that even its sound would be voiced as a series of discoveries. Movement disrupts the continuity of a sentence, a phrase, a word. And language, unsettled, is unbound."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown continues to wax poetic on Josh Simmons' The Furry Trap, "Funny, even as it makes your hair stand on end and your skin start to crawl... Horror comics that gash their way below the surface."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Shaenon K. Garrity says that The Heart of Thomas by Moto Hagio "is a book I've been awaiting for over ten years, and it exceeds my expectations."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Nate Powell on Interiorae by Gabriella Giandelli, is "just what I look for in a narrative: patient, dreamy, full of seemingly endless layers of shadow, slowly revealing the sweetness inside the rotten, all within the confines of a single high-rise apartment building, surrounded by snow and static."
• Review: Slate finds themselves choosing Heads or Tails, going for broke. Dan Kois says, "Lilli Carré’s short stories are dreamy, unlikely, and unsettling. What transforms the stories from nightmares to fables is Carré’s artwork, which varies with each story. . ."
• Review: Page 45 looks at Heads or Tails by Lilli Carré. "The art reminds me a little of Lynda Barry and the flow of the pages reminded me a little of Walt Holcombe. . .I recently recommended this book to a customer who named their favourite film as Amelie (good choice!) precisely because it has that feeling of whimsy about it."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Jeremy Tinder on Heads or Tails by Lilli Carré, "A nice encapsulation of many of the ways Lilli has been pushing herself both narratively and stylistically over the last few years. If only there was a way to squeeze her animation in there too." Will Dinksi comments on Heads or Tails by Lilli Carré, "Beautiful artwork. Thoughtfully paced. "Of The Essence" is one of the best comic book short stories I've ever read."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Robert Kirby on No Straight Lines edited by Justin Hall, "Long overdue, this beautifully-produced, sharply edited retrospective may usher in a new era of respect and recognition for a long-neglected realm of the alt-comics world."
• Review: Nate's Broadcast enjoyed The Hypo by Noah Van Sciver in addition to the recent film, Lincoln, and book America Aflame. "Van Sciver’s contribution to the Lincoln mythology is perfect for those who like their heroes a little troubled and messy, but good at their core- not a bad way to interpret the American ideal."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Will Dinski continues with The Hypo. "[Noah] Van Sciver is pretty prolific, but this is his best work to date. The line art just drips with anguish." Brian Heater thinks it "puts the cartoonist's brimming angst to a different use entirely, in a book that does precisely what a good piece of historical non-fiction should: finding a fascinating way to tell a story we were convinced we already knew."
• Review: Blacklung by Chris Wright is whittled on by Tucker Stone at TCJ. It's called "the big, trippy brother to Drew Weing’s Segar influenced Set To Sea. . . . [and] Gore saturates this comic. . . Brutality for its own sake is the point of some entertaining movies, no reason it can’t be the point of some entertaining comics as well."
• Review: On Filth and Fabulations, Jeppe Mulich states that Chris Wright's "[Blacklung is] not a work of splatter punk or mindless gore, but rather an engaging, breathless, and humorous tale of the dregs of the sea, including a colorful assortment of pirates and madmen, quite clearly drawing inspiration from both Melville, Stevenson and Peckinpah."
• Review: Paste Magazine reviews Charlie Brown's Christmas Stocking by Charles M. Schulz. "Seeing this work isolated and expanded only reinforces the sheer timelessness and brilliance inherent; Schulz was a master of mood and line in equal measure. . . it’s some of the finest nostalgia porn you can put under the tree," quips Sean Edgar.
•Review: Pheonix New Times unwraps their present early and Jason P. Woodbury interviews Nat Gertler on Charlie Brown's Christmas Stocking by Charles M Schulz. "[Schulz] had done a Christmas book, Christmas is Together-Time, using red and green," Gertler says, explaining the minimal color palette. "We wanted to keep that simplicity and Christmas-sense in there." The stable of Schulz characters transcend fads and time because as Gertler points out "It's not the way kids talk, but they way they feel is the way that kids feel."
• Plug: Drawn blog tops off another the Best of 2012 list with some Ernie Bushmiller. John Martz points out, "Nancy seems to be a love-it-or-leave-it strip, and I am firmly in the Love It camp. . . Often surreal, and always impeccably drawn, there is nothing quite like it. . . these books are a virtual masterclass in cartooning."
• Review: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Tom Kaczynski on Ernie Bushmiller's Nancy is Happy, "The minimalism of the art, the quirky humor, the amazing consistency, it all started with these strips."
• Review: Getting ready for the hardback release of Delphine by Richard Sala, Carrie Cuinn of SF Portal reviews the tale complete with "dark duotone inking style, little dialogue, and gothic, shadowy, art. . . Overall I think that Sala’s retelling of that well-known love story is affectingly tragic. . . It is, in a word, creepy."
• Review: If MTV Geek knows about The End of the Fucking World then the secret is out: Charles Forsman is amazing! "[It] pulls you in like no other comic this year. Stunning in its simplicity and brave in its subject matter. Charles Forsman is a future force. . . [it] is like stumbling onto the ultimate secret in comic books, but based on how great TEOTFW is, it won't be much a secret longer."
• Review: Ashley over at Bibliophibien looks at Wandering Son series by Shimura Takako, "While the story is focused on transgender topics, I think that this is a wonderfully moving coming-of-age story and captures the complexities of sexual identity, friendships, and family that teens face."
• Review: Rick Klaw at SF Site enjoys the glossy glory of Action! Mystery! Thrills!, edited by Greg Sadowski. "As in his previous volumes. . . Sadowski supplies copious end notes and annotations. Though this time, the information additionally reads as an entertaining history of early comics. . . Sadowski once again delivers an essential book for anyone with an interest in comics history."
Thursday, December 6th
• Seattle, WA: It's your last chance to see our exhibit for The Last Vispo Anthology: Visual Poetry 1998-2008 at the Fantagraphics Bookstore & Gallery! Prints are a ridiculously-cheap $25 each! (more info)
Friday, December 7th
Saturday, December 8th
• Seattle, WA: The Love and Rockets 30th Anniversary Celebration comes to the Fantagraphics Bookstore & Gallery with guests of honor Jaime & Gilbert Hernandez! We'll also have a special musical performance from Geneviève Castrée! (more info)
• Los Angeles, CA: Esther Pearl Watson and Mark Todd present the Eighth Annual Giant Robot Post-It Show, with work from Andrice Arp, Gabrielle Bell, Lilli Carre, Martin Cendreda, John Cuneo, Eleanor Davis, Renee French, Johnny Ryan, Malachi Ward, and Steven Weissman! (more info)
• Review: Drawn's John Martz is ready for Heads or Tails. "Lilli Carré is one of those cartoonists who has been putting out plenty of great work. . . She’s a master of short stories, so this collection is a welcome addition to my bookshelves. Rainbow Moment, a smartly-crafted story of nested memories all told in different colour palettes is the stand out work, and worth the price of admission alone."
• Review: John Martz of Drawn looks at Barack Hussein Obama. "Steven Weissman has been posting his odd comic strip, named after and starring a Bizarro-Universe version of Barack Hussein Obama . . . and it quickly became one of my favourite comics online. . . Obama’s re-election, if anything, hopefully means another four years of this strange and delightful oddity."
• Plug: On Librairie D + Q, staffer Helen lists Wandering Son Vol. 3 in her picks for 2012. "Shimura Takako treats her two young, trans* protagonists (or an approximation of "trans*", in the context of Japanese gender politics and identities) with gentleness, but does not fall into the trap of painting an overly rosy picture of their experience . . . while [they navigate] the general difficulties and anxieties of tween-hood."
• Plug: Maria Popova creates her 10 Best Design Books of 2012 and reiterates her love of Significant Objects on Brain Pickings. " 'The universe is made of stories, not atoms,' poet Muriel Rukeyser famously remarked. Hardly anyone can back this bombastic proclamation with more empirical conviction than [editors] Rob Walker and Joshua Glenn."
• Review: Geekrocker looks at Gabriella Giandelli's Interiorae. Wee Claire says, "Giandelli's pale ghostly illustrations reflect the sombre, mysterious mood Giandelli skilfully creates. This isn't a story about great feats of human strength or otherworldly adventures, this is a simple tale about real human lives.. . . Interiorae shows us that if we look hard enough, there's a little bit of magic waiting around every darkened corner."
• Plug: Chris Butcher recommends you pre-order 7 Miles a Second. "James Romberger and Marguerite Van Cook do a phenomenal job at bringing [writer David Wojnarowicz's] story to life, and this is a vital and important piece of gay history that had been denied to me as a gay teen, and which has been out of print for far too long."
• Plug: Boing Boing posted their 2012 Gift Guide and included two of our books again, Is That All There Is? by Joose Swarte. "This anthology of Swarte's alternative comics from 1972 showcases his famous clean-line style that makes reading his work a pleasure." Mark Frauenfelder also includes Joe Kubert's Weird Horrors that showcases "his versatility in a variety of genres, including horror, humor, and romance."
• Plug: Recordings from The Last Vispo 's Seattle book launch are encamped here! Thanks to Greg Bem for posting.
• Review: Avid fan and writer Benjamin Herman rereads Love and Rockets, while making some great conclusions on the way. "[Duck Feet] was my first real exposure to Gilbert’s stories of Luba and the denizens of the Latin American village of Palomar, and I really enjoyed it. Gilbert’s writing was full of character, containing a distinctive voice, his artwork imbued with real atmosphere. . . Gilbert expertly crafted an almost epic tale that spans across a generation, giving us very real, flawed, dysfunctional characters." For Jaime's work "one of the key elements of Jaime’s stories is the process of growing up, of maturing, the struggle to become an adult and leave childhood behind. Maggie and Hopey both have to face the choice of pursuing long-term adult relationships or continuing teenage flings."