Stop the presses! Making good on a pre-election promise, Steven Weissman has brought Barack Hussein Obama back for a second term — though not "in person" yet, as it were — with all new strips at What Things Do. Thanks to everybody who voted to re-elect the President for helping to make this possible.

Steven Weissman's Barack Hussein Obama has been about as enthusiastic about his campaign as Walt Kelly's Pogo, seen here learning of his first Presidential nomination in 1952 (in our 2nd Pogo volume, Bona Fide Balderdash, coming soon):

Pogo was a favorite write-in candidate during Kelly's run on the strip; we couldn't find data on his standing in the 2008 election. However, according to one source, Mickey Mouse received 11 votes last time around (and found himself in executive office under unusual circumstances in the 1938 "Monarch of Medioka" storyline included in Walt Disney's Mickey Mouse Vol. 4: House of the Seven Haunts by Floyd Gottfredson)...

...and Donald Duck, who found himself tempted by a seat of power in "The Golden Helmet," found in the new Carl Barks Library volume A Christmas for Shacktown, received seven votes.

Meanwhile, our Peanuts pals have prepared their own ballot (Jen has vowed to write in Woodstock):

So, America, be like Ernie Bushmiller's Nancy in this 1948 strip found in Nancy Likes Christmas, coming soon, and perform your solemn civic duty today!

 The most feathered pom-pom of Online Commentaries & Diversions:

• Interview: Steven Weissman is a popular man with his presurrealidential comic, Barack Hussein Obama. Comic Book Resources and Alex Dueben interviews Weissman on the evolution of a comic and re-engaging your audience. 

• Interview: Comics Alliance's J. Caleb Mozzocco interviews Steven Weissman on Barack Hussein Obama. "The Barack Hussein Obama that ultimately emerges from the book is a pretty regular guy trapped in a comic strip, struggling to be all things to all people," states Mozzocco.

 • Review: Jim Woodring's sneak peek at his sketchbooks that eventually became Problematic was up on BoingBoing before the video went 'kaput,' now there is Jim inking like a badass with a nib. You can still see sample pages here for Problematic. Video made and featuring the hands of Marketing Director, Mike Baehr, coming soon!

• Plug: Comics Reporter comments on a few of our releases from this week. In reference to The Cartoon Utopia, Tom Spurgeon states, "Ron Regé Jr. is one of those special cartoonists where I buy everything he does without asking questions first. On the strength of this latest collection, with which I'm only about halfway done, Lilli Carré may join that group of cartoonists much sooner than I thought possible. . . " with her collection of stories in Heads or Tails.

• Interview: Andrew Wheeler of Comics Alliance interviews Justin Hall, editor of No Straight Lines. "It's also a testament to how good those early creators were. Howard Cruse, Trina Robbins, Roberta Gregory, they're some of the best cartoonists in the business and they were doing work of surprising sophistication from the very beginning."

[For this installment of The Umpteen Millionaire Club (which perhaps should be renamed The Umpteen 1% Club for the occasion), The Comics Journal interns Kristen Bisson, Aiden Fitzgerald, Tom Graham, Janice Lee & Anna Pederson put together this series of discussion questions about Barack Hussein Obama by Steven Weissman for use in book clubs. – Ed.]

Summary:

Barack Hussein Obama is a collection of absurdist four-panel gag strips featuring the Head of State, his family and numerous political friends and foes.

Barack Hussein Obama Book Club Questions:

What does this book have to say about Obama’s role as a statesman and/or figurehead?

Is this book making a political statement? If so, what is that statement?

Discuss the significance of characters’ transformations: i.e. head sizes, into birds, into trees.

What effect does showing the characters’ personal lives — even fictionally — have on our view of their political lives?

What picture does the book paint about the future of politics?

How is religion portrayed?

What does the book say about media culture in politics?

The cuddliest cat at the shelter of Online Commentaries & Diversions:

• Review: Body Literature reviews The Last Vispo Anthology: Visual Poetry 1998-2008 edited by Nico Vassilakis & Crag Hill. Stephan Delbos writes "The Last Vispo Anthology is strange. It is also challenging, eclectic, confounding, erudite, punchy, and, by turns, beautiful. . .overall there is an elegiac note to this anthology, which extends from the title to the feeling, put forth by several of the essays, that visual poetry is facing a turning point.. .visual poetry is the bastard hermaphrodite of arts and letters. In a good way."

• Review: David Fournol looks at The Cavalier Mr. Thompson by Rich Tommaso, a rough translation states, "Exemplified by its beautiful design and the use of only two colors gives the book a slightly dated, authentic look.  . . Describing and illustrating people's lives is a major talent of Rich Tommaso's. It is a process that has already been perfected in another of his works. . ."

• Review: Los Angeles I'm Yours gets Barack Hussein Obama by Steven Weissman in a big way. Kyle Fitzpatrick says, "The novel follows a gangly Barack Hussein Obama who is a constant prankster and has absolutely no manners. . . It’s a dark world and Obama is the smarmy asshole king. . . It’s a great pre-election graphic novel with some great, dark laughs."

• Review: Comic Book Resources and Tim Callahan looks at two books from the 'W' section of his library. Barack Hussein Obama by Steven Weissman "seems part of a larger movement (from IDW's Artist's Editions to years of Kramers Ergot) to signify the artwork as the end result rather than as a means of producing an end result. . . And Weissman's work demands ingestion and interpretation rather than declaration. Oh, it's good, too, if that has any meaning after all that abstraction." On Wallace Wood's Came the Dawn from the EC Library, Callahan posits, "This is a serious-looking, important comic, for serious-minded, important people. This isn't some lascivious spectacle. Heck, there's only one female on the cover, and she's facing away from us. No one is carrying around any chopped-off heads or limbs. There's no blood anywhere. No shrieking to be seen."

• Plug: Chris Mautner of Robot 6 looks through our next season catalog. The End by Anders Nilson, I tend to consider this book. . . to be his best work to date, an absolutely shattering and deeply moving account of dealing with loss and grief." On The Cabbie Vol. 2 by Marti, Mautner mentions, "Oh man, I seriously love me some Cabbie. I don’t think the first volume exactly sold like hotcakes, but I’m glad to see their continuing on with Marti’s ultra-dark Chester Gould homage." In reference to Storm P.: A Century of Laughter: "Kim Thompson is going to school us all in the world of Eurocomics or die trying. I, for one, am always eager to learn, however.  This coffee-table book features the work of Danish gag cartoonist Robert Storm Petersen, whose work is reminiscent of O. Soglow and other New York cartoonists from the same era." 

• Plug: Boing Boing covers a few of their favorite books. Mark Frauenfelder enjoyed flipping through Weird Horrors and Daring Adventures by Joe Kubert, edited by Bill Schelly. "Best known for Sgt. Rock, Tarzan, and Hawkman in the 1960s and 70s, this anthology of Kubert's 1940s work reveals his versatility in a variety of genres, including horror, humor, and romance." In regards to the Is That All There Is? by Joose Swarte Frauenfelder admits, "I prefer his work over Hergé's (don't shoot me). This anthology of Swarte's alternative comics from 1972 showcases his famous clean-line style that makes reading his work a pleasure."

 

• Review: Jason Sacks of Comics Bulletin interviews Justin Hall, editor of No Straight Lines, on queer comics, teaching comics and preserving history. Hall says, "I think in general the queer comics underground is – if you could categorize it with anything, there is a directness and honesty to the work – a real rawness that's quite impressive. I think that comes out of the feminist underground comics: Wimmen’s Comix, Tits and Clits, etc."

• Review: Gay Comics List talks about No Straight Lines, edited by Justin Hall. Francois Peneaud says, "Hall wisely chose to follow a (more or less) chronological path instead of anything fancier, but that doesn’t mean he has nothing interesting to say, far from it. The tension between specialized comics (by which I mean comics made by and for a specific group of people) and mainstream audience, the evolution from the urgent need for visibility to the creation of complexified issues and characters, all these and more are covered in a few pages."

• Review: Editor Kim Thompson speaks to World Literature Today about translating Nicholas Mahler's Angelman and other books in the Fantagraphics library. "Humor is far more difficult to translate than anything else. If you translate a dramatic sequence and your words or rhythm aren’t quite right, it still can work."

• Review: Page 45 enjoys Special Exits by Joyce Farmer. "No punches are pulled, this is life, specifically the twilight years and subsequent demise of elderly parents, told with such honesty, candour and compassion that I actually find myself welling up again as I'm typing this. . . SPECIAL EXITS becomes a testament to the human spirit and the value of a positive outlook on life, especially in one's latter years when faced with failing health," says Jonathan.

• Review: The Comics Reporter enjoys Buz Sawyer Vol. 2: Sultry's Tiger by Roy Crane. Tom Spurgeon says, "To get the obvious out of the way, this book has some almost impossibly beautiful cartooning in it. Even for someone like me that finds the basic visual approach of Buz Sawyer less thrilling than the more rugged, crude cartooning of Crane's Wash Tubbs work, there are several panels of stop and whistle variety."

 The kissiest babyface on a campaign of Online Commentaries & Diversions:

• Review: The Las Vegas Weekly breaks out their ballots and their copies of Barack Hussein Obama by Steven Weissman. J. Calob Mozzococco says, "Weissman’s delicate line work and fine-art design style further remove the narrative from the caricature-style visuals usually associated with comics about politicians, and is perfectly suited to the meandering, poetic, almost meditative comic."

•Interview (audio): Steven Weissman talks about comics, math and trying to identify with such public, political characters on the Inkstuds podcast with Robin McConnell. Weissman talks about the impotes impotus for Barack Hussein Obama. "Initially, it was just his name and. . .  the dreams his followers had for him. . . I started to treat Hillary Clinton as a Lucy van Pelt character."

• Interview: On the quest to The Cartoon Utopia, Ron Regé Jr. is interviewed by Ryan Ingram on Comic Book Resources. Regé states,"Similar to Lynda Barry's "What It Is," [The Cartoon Utopia] should be approached slowly, as a textbook would. It might also be useful when read via bibliomancy, opening the book to a random page to access the information in a magical way."

• Review (audio): Comic Books are Burning in Hell talks about Johnny Ryan and Prison Pit 4 with all the usual suspects: Joe McCullough, Matt Seneca, Chris Mautner and Tucker Stone. "While visually Prison Pit is very clean, composed and controlled, plotwise, I think, its the ultimate noise comic. Its fucking total destruction and nothing else. And I value the hell outta that."

• Review: Grovel enjoys the comics, yes literary but still comics of Lorenzo Mattotti and Jorge Zentner in The Crackle of the Frost. Andy Shaw states, "It’s a wilfully arty book – more of an essay in mood that just happens to have a plot, than a traditional story – but the writing is interesting and the artwork is stunning. . . so is one for the literary, rather than the mainstream comics enthusiast."

• Interview: Comic Book Resources coverage on the APE panel featuring all three Hernandez Brothers. Steven Sautter writes,"There was no set plan in those early days, no grand storyline or over-arcing plot; the Hernandez brothers simply told the stories they felt like telling, none of them counting on the eventual longevity of "Love and Rockets."

• Plug: Liv Suddall of It's Nice That thoroughly enjoys the content and design of Is That All There Is? by Joost Swarte. "With a more-than-just-a-nod nod to Tintin creator Hergé, this surprisingly raunchy book is a big slice of aesthetic pleasure from start to finish and should probably be on everyone’s wish list this Christmas."

In anticipation of their exciting book release party this coming Sunday, October 28th, we've been asking our artists Steven Weissman and Ron Regé Jr. about the genesis of their friendship. You can read Steve's answers on Ron here. And now, today, it's Ron's turn...

Do you remember the first time you met Steven?
No, I don't remember the first time I met Steven! It was probably at a comic convention? One of the 3 or 4 early memories I have of Steven must be the "first time," but unraveling it now, it feels like I already knew him all of those times. It was around the turn of the century. Who is this Steven character, anyhow? I thought his name was Ribs?

Do you have any funny stories of Steven?
Steven used to live in a little house in Chinatown in San Francisco. It was on a really steep hill. It was a little shack in between all these big buildings, like that old Warner Bros. cartoon. As I came up the hill, there he was at his desk, looking out the window. I think it was at this moment that I stopped calling my peers "cartoonists" and just started calling them "cartoons." All them funny cartoons. haha.

Write me a haiku about his brand new book Barack Hussein Obama!
ribs new book is art
makes sense if you just read it
stories get told all drawn 

Angelenos, do not miss this incredible event. Now is your chance to ask them much better questions than the ones I asked! The book release party starts at 5:00 PM at Skylight Books [ 1818 N Vermont Ave. in the Los Feliz neighborhood ]. 

flyer designed by Steven Weissman!

We could not be more excited about our forthcoming event with Steven Weissman and Ron Regé Jr., this coming Sunday, October 28th!

What will happen when these two incredible talents collide at Skylight Books in Los Angeles? Will time stop? Will doves cry? You'll have to find out for yourself at 5:00 PM!

To prepare everyone for the awesome, and to give those outside of the L.A.-area a glimpse of what we'll be missing, I asked the guys a few questions about the other. Today, we start with Steven:

Do you remember the first time you met Ron?
Ron and I met at Wonder Con '99. I traded him a copy of Hi-Yo Silver #21 I'd just spent all my money on for The Dum Dum Posse Reader. He was really cool about it, so we exchanged numbers.

Do you have any funny stories of Ron?
A few of us were driving around L.A. a couple of years ago when Ron's car started smoking like crazy. Luckily, we were near a mechanic I knew, and he was willing to take a look at it while we waited around. It was really hot out, so Ron bought us ice-cream from a passing cart vendor. After a bit, we wandered back to the garage where the mechanic was just finishing up, and he said it looked like Ron had blown a seal.

"What? No!" Ron told him, embarrassed. "We just had some ice-cream."

Write me a haiku about his brand new book The Cartoon Utopia!
Ron Rege
Stole my squeegee

Skylight Books is located at 1818 N Vermont Ave. in the Los Feliz neighborhood of L.A. Someone go and tell Steve what a haiku is!!! And stay tuned for The Squeegee Thief's answers on Steven, coming tomorrow... 

Monday, October 22nd

• Seattle, WA: The Fantagraphics Bookstore & Gallery is pleased to co-present "Building Comix with Charles Burns and Chris Ware" at Town Hall. The modest $5.00 admission fee can be redeemed on the purchase of any book at the signing following the presentation. (more info)

Tuesday, October 23rd

• Eugene, OR: The Jordan Schnitzer Museum of Art at the University of Oregon in Eugene, OR is hosting the exhibit GOOD GRIEF! Original Art from 50 Years of Charles M. Schulz's PEANUTS, and curator Ben Saunders will interview Jan Eliot about her experiences with Charles Schulz and her own career as the artist of the nationally successful newspaper strip "Stone Soup." (more info)

• Portland, OR: Editors Nico Vassilakis & Crag Hill will be joined by contributor James Yeary to perform a collage of excerpts of essays from The Last Vispo Anthology: Visual Poetry 1998-2008 at Gallery 214 on the campus of the Pacific Northwest College of Art. (more info) 

Friday, October 26th

• Portland, OR: It's your last day to check out pages of The Last Vispo Anthology: Visual Poetry 1998-2008 on display at Gallery 214 on the campus of the Pacific Northwest College of Art. (more info)  

• Seattle, WA: Jaap Blonk, revered Dutch voice virtuoso and contributor to The Last Vispo Anthology: Visual Poetry 1998-2008, will be performing at the Chapel Performance Space, as part of the annual Earshot Jazz Festival. (more info)

Saturday, October 27th

• Minneapolis, MN:  Visual poet John M. Bennett is bringing The Last Vispo Anthology: Visual Poetry 1998-2008 to the Cheap Theatre at the Black Forest Inn for an afternoon of avant poems, group sounds, collaborations, and more. (more info)

• Chicago, IL: See Lilli Carré at the annual Eyeworks Festival of Experimental Animation. For more Fanta-fantasticness, this year's programs were designed by Ivan Brunetti! (more info) 

Sunday, October 28th

• Los Angeles, CA: Both Steven Weissman and Ron Regé Jr. will be  signing and reading from their brand-new books, Barack Hussein Obama and The Cartoon Utopia, at Skylight Books. Mind-blowing! (more info)

• Chicago, IL: It's your last day to catch Lilli Carré at the annual Eyeworks Festival of Experimental Animation! (more info)  

The blackest ink in the pot of Online Commentaries & Diversions:

 

• Review: AV Club shows presidential love for Barack Hussein Obama and The Hypo. Noel Murray on Steven Weissman's book: "For the most part Barack Hussein Obama is just wild fun, built around the notion that a president can be easily reduced to his public image—and that we, the people, have the right to manipulate that image for our own delight." And Murray on The Hypo: "[Noah Van Sciver renders] an American icon as a lumpen everyman, fighting through the same fog that many people find themselves in—even if few of those ordinary folks wind up in the Oval Office."

• Review: Publishers Weekly picks The Hypo by Noah Van Sciver as one of the best new books of the month. "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . . .A thoroughly engaging graphic novel that seamlessly balances investigation and imagination."

• Review: Paste Magazine reviews Steven Weissman's newest book and Hillary Brown gives it a 8.1 (outta 10). "With its gold foil stamp and red, white and blue partial jacket, Barack Hussein Obama could well be a semi-official graphic rendering of a presidency.  . . If this book is a portrait of anything, it shows the grind and the way that hope and idealism erodes when faced with the everyday, and that is valuable"

•Review: La Tempestad on Barack Hussein Obama by Steven Weissman. Rough translation states "Through these pages, Weissman satirizes and creates a parallel reality of based on the stewards of American power."

• Review: MetroPulse enjoys reading Ralph Azham Vol. 1 "Why Would You Do That To Someone You Love" by Lewis Trondheim. Matthew Everett states "There’s action, drama, pratfalls, bad-ass mercenaries, and a last-panel surprise that promises future volumes will head off in entirely unexpected directions. . . Ralph Azham is off to a near-perfect start. It’s a quietly marvelous addition to the English-language catalog of a working world master. Get it while you can."

• Review: The Quietus peeks at Dal Tokyo by Gary Panter. Mat Colegate can barely contain himself: "Panter is probably one of the single most influential underground American cartoonists of all time, a kind of Ramones to Robert Crumb’s Jefferson Airplane, which makes his relative unknown status a bit baffling. A cartoonists’ cartoonist, maybe?. . . The man’s inks are practically sentient, devouring white space like it was candy floss as his crude likenesses become imbued with a very deliberate purpose, that of guiding the reader through Panter’s personal inferno: the urban Twentieth Century."

• Review: The Quietus continues comic coverage on Joe Daly's Dungeon Quest: Book Three. Mat Colgate states,"Dear J.R.R. certainly never had one of his characters wank off a gnome, did he? Indeed Dungeon Quest’s good natured, silly humour gives it much of its character and combines with Daly’s beautiful Charles Burns-esque artwork to make the book much more than the sum of its parts. It feels like a real labour of love and when you read it you’ll see why. Nerdgasm guaranteed. I’m in love with this comic."

• Review: Unshelved looked at Dungeon Quest: Book Three by Joe Daly. Gene Ambaum writes "I never know where this weird, Dungeons & Dragons-ish adventure will take me next. . . Every dungeon should have a vending machine [a la Dungeon Quest]! Makes more sense than turning a corner and finding an elf with a fully-stocked shop where there’s little to no foot traffic."

• Review: The Quietus focuses New York Mon Amour by Jacques Tardi. Mat Colgate states"Using only black, white and red, Tardi illustrates a seedy, roach-infested New York that’s utterly plausible. You can practically smell the trash on the sidewalks as you follow the hapless narrator’s spiral into madness and murder. . . .if you know anyone looking to take the plunge into comics, someone who’s interested in what the medium can do and the fascinating ways it can do it, then point them in this books’ direction."

• Review: BUTT Magazine sinks its teeth into No Straight Lines, edited by Justin Hall. "Justin’s 328-page anthology is a very thorough introduction to the world of GLBT comics. His knowledge on the subject is pretty extensive, probably because he’s been a fan of the medium since he was a kid. Justin tells me that’s how he learned to read. . . In fact, the entire collection features a healthy dose of realism from a genre usually characterized by fantasy."

• Interview: Brandon Soderberg of The Comics Journal interviews the elusive Josh Simmons on The Furry Trap and his recent short film, The Leader, plus horror in all aspects: "Often, the best horror is about losing. And maybe struggling to keep a shred of dignity while you do. But often, you don’t even get that. Sometimes, you get your throat cut while a clown is pulling your pants down. It’s not enough that you’re getting murdered, you’re being humiliated at the same time!" Simmons eloquently states.

• Review: Los Angeles Review of Books ponders Listen, Whitey! The Sights and Sounds of Black Power by Pat Thomas. Rickey Vincent says,"The book is meticulously detailed, reflecting Thomas’s skills as a researcher (and record producer), yet conversational in tone, balancing the voice of a rock critic with the heft of a historian. . .The book remains consistent with its vision, and Thomas delivers black power with authority."

 

• Commentary: SFWeekly talks about Love and Rockets' art show at the Cartoon Art Museum, Chris Hall explains "If Love and Rockets brought one innovation to the comics field, it could be its lack of misogyny. . .  Love and Rockets has, from the beginning, been praised for consistently depicting strong, complex women characters."

• Commentary: Jordan Hurder posted some APE coverage on the Hernandez Brothers and our company: "Fantagraphics crushed this show. It helps that they had Los Bros celebrating 30 years of Love and Rockets and Jim Woodring was already there as a special guest, but there was a consistent buzz around their table, and there were lines for pretty much every signing they had."

• Commentary: Jaime, Gilbert and Mario Hernandez appeared at APE much to JK Parkin of Robot 6 's delight. "All three Hernandez Brothers were at the show, and when they hit the Fantagraphics table the crowds surrounded them."

• Interview: The Comics Reporter links to some great vids from SPX interviews with Jaime Hernandez, Gilbert Hernandez and Daniel Clowes. 

• Review: Simcoe looks at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. Glenn Perrett says, "The stories are entertaining and the illustrations are excellent with a wonderful use of colour. . . Walt Disney's Uncle Scrooge: Only a Poor Old Man will appeal to young and old."

• Review: Pat Afforo looks at Stigmata by Lorenzo Mattotti and Claudio Piersanti. "If anyone has not read it you are definitely in for a ride and it is not a smooth one at the very least. This book covers a lot of different topics: religion, redemption, reincarnation, sin, good vs. evil, and above all love."

• Review: AV Club has high hopes for Rich Tommaso and his future books starring The Cavalier Mr. Thompson. Noel Murray posits,"Tommaso’s talented enough that The Cavalier Mr. Thompson might one day be seen as the lurching beginning to something truly great. . ."

•Interview: The Guardian asks Chris Ware some questions. In answer to Rosanna Greenstreet's question 'Which living person do you most admire and why?' Ware answers,"For intellect: Art Spiegelman. For art: Robert Crumb. For poetry and vision: Gary Panter. For decency: Barack Obama. For genuine goodness: Charles Burns. For genius: Charlie Kaufman. For soulfulness and love: Lynda Barry. For words: Zadie Smith. For unique life's work and superhuman effort expended: Ira Glass, Dave Eggers."