Our artists will be partaking in programming throughout the weekend, so check out their panels!
Saturday, April 27th
12:00-12:45 pm // Meathaus Reunion: Becky Cloonan, Brandon Graham, Farel Dalrymple and Dash Shaw: A reflective spotlight on Meathaus luminaries, Becky Cloonan, Brandon Graham, Farel Dalrymple and Dash Shaw whose work has appeared in various Meathaus anthologies since 2002. These artists have each maintained their own strong modern stylistic identity receiving both critical and commercial acclaim. Marc Arsenault (Alternative Comics) will introduce the panel with a look at the SVA art groups and graduates that led to the creation of the Meathaus comics collective. (Room B114)
1:00-1:45 pm // Angels and Demons: The Mythology of S. Clay Wilson: Mythology may be the key to understanding the work of highly influential underground cartoonist S. Clay Wilson, from the self-mythology that Wilson invented and polished over the years as a dashing and dangerous figure, to his personal inner landscape where his archetypal characters dwell when they arena gracing the pages of Zap Comix, Thrilling Murder, or Insect Fear, to the body of language and lore passed down from his hillbilly ancestors. With Patrick Rosenkranz. (Room B117)
2:00-2:45 pm // Two-Faced Artist Lives Double Life in Single Body!: The joys and perils of straddling the worlds of fine art and comics with cartoonists Jon McNaught, Julia Gfrörer, and Daniel Duford, moderated by Chloe Eudaly. Join us for a conversation with our panel of artists, each of whom are experienced in the realms of fine art and comics. We'll explore how they came to work in two seemingly disparate mediums, how their work in each converges with, diverges from, and influences the other, and the the sometimes arbitrary or artificial distinction between the two. (Room B117)
5:00-5:45 pm // Dylan Williams Tribute Panel: Share some time with the friends and colleagues of comics' best friend as we all recount our favorite stories about the late Sparkplug publisher's life and celebrate his philosophy and work as an artist, scholar and publisher. Time permitting, we will also attempt to make sense of his passion for unsettling any and everyone who dared point a camera at him at festivals like this one. Panelists include: T Edward Bak, Julia Gfrörer, Tim Goodyear, David Lasky, Tom Neely; moderated by Milo George. (Room B114)
Sunday, April 28th
1:00-1:45 pm // Submissions Do's and Don'ts: Jen Vaughn (Fantagraphics), Jamie Rich (formerly Oni Press), Bob Schreck (Legendary Comics), Allison Baker (Monkeybrains Comics), and Sina Grace (Image/Skybound) will share their experiences slogging through the submissions pile, everything from finding a diamond in the rough to bartering with the mailman to stop delivering submissions. Your questions? Answered! Your comics published? We'll see. (Room B114)
2:00-2:45 pm // Dash Shaw's New School: Dash Shaw is a cartoonist and animator whose graphic novel New School debuts at Stumptown from Fantagraphics Books. In this spotlight presentation, he will screen and discuss his animations, including his Sigur Ros video and Sundance short Seraph, and show slides of the process behind creating New School as well as some of his other comics. Moderated by Fantagraphics' Jen Vaughn. (Room B111)
4:00-4:45 pm // DIY Publishing: For many micropublishers, making good books is easy; it's the marketing and the selling that's hard. Panelists Tom Kaczynski (Uncivilized Books), Zack Soto (Study Group), Chloe Eudaly (Reading Frenzy), Jason Leivian (Floating World Comics), Keenan Keller (Drippy Bone), and moderator Milo George will look at different printing processes and their costs and compare notes on production/distribution issues including pricing and sustainability. (Room B111)
5:00-5:45 pm // Spain Tribute Panel: Spain Rodriguez, legendary underground cartoonist, tore his way into hearts of readers like the beloved motorcycles that grace the pages of his comics. Patrick Rosenkranz, Jen Vaughn, Eric Reynolds, and Charles Brownstein take you though the wild days of Spain's work from his groundbreaking ZAP anthology contributions to adapting the life of Che Guevara. Get acquainted with this revolutionary cartoonist and his award-winning work. (Room B117)
So, stop by the Fantagraphics Booth this weekend at Stumptown, Booth Q1 right down the aisle when you first walk in!
* Other People's Publications ** Yeah, You Know Me.
I'm super-excited to announce that the Fantagraphics Bookstore & Gallery is now carrying work from Koyama Press, one of my absolute favorite small press publishers, run by the lady I've deemed "The Nicest Woman in Comics"™, Ms. Annie Koyama.
And one of the titles we now have in stock is Root Rot, the forest-themed anthology edited by Annie and Michael DeForge last year, featuring Mome-vets like T. Edward Bak, Joseph Lambert, and Jon Vermilyea, alongside some other excellent artists like Derek M. Ballard, Dan Zettwoch, Hellen Jo, and many more.
Some of the contributions are singular drawings over two-spreads, like T. Edward's gorgeous opening piece, or Robin Nishio's hilarious squirrel sketches. Others submitted short strips, like Joe Lambert and Angie Wang's family portraits. They all do what a good anthology should do: which is leave you wanting more!
Get some Root Rot and other Koyama Press titles while supplies last at the Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.
Come to Fantagraphics Bookstore & Gallery this Saturday, May 12 from 6:00 to 9:00 PM and discover emerging artists associated with Zack Soto’s Portland-based publishing house Study Group. Enjoy an exhibition of original art, prints and book works by an array of independent cartoonists that represent some of the best in the small press movement.
Join Zack Soto, T. Edward Bak, Ian MacEwan, Kazimir Strzepek, and other exhibiting artists at this festive art opening. This event coincides with the colorful Georgetown Art Attack featuring visual and performing arts presentations throughout the historic arts community.
Fantagraphics Bookstore is located at 1201 S. Vale St. (at Airport Way S.) only minutes from downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110. See you all soon.
Fantagraphics is rockin' the convention scene from coast to coast this coming weekend, and you can also find us at the 9th Annual Stumptown Comics Fest in Portland, Oregon! Drop by the Oregon Convention Center this Saturday, April 28th and Sunday, April 29th!
You can find us at Booth 101, right near the entrance to the lobby, panels, workshops, and registration!
And many of our fine Fantagraphics artists will be featured in panels this year! Go check 'em out!
Saturday, April 28th
2:00-2:45 pm // WILD MAN: A Confluence of Art, Science and History:T Edward Bak's natural history-oriented graphic novel-biography, WILD MAN: The Strange Journey and Fantastic Account of the Naturalist Georg Wilhelm Steller was serialized from 2009-2011 in the Fantagraphics comics anthology MOME. The artist has conducted his own research throughout SE Alaska and the Aleutian archipelago, as well as St. Petersburg (Russian Federation) where he recently delivered presentations of his work for this ongoing project. Mr. Bak will relate his travel experiences, share WILD MAN artwork, relate the challenges of his process and research, and discuss his recent collaboration with writer Sarah Mirk on the Oregon History Comics project, "Voices from Celilo Falls", which further explores his interest in North Pacific natural history. (Room B111)
1:00-1:45 pm // Frank Santoro's Comic Book Layout Workshop: Frank Santoro (Cold Heat, The Comics Journal) will present a Layout Workshop for comic book makers via Skype. Borrowing lessons from his Correspondence Course, Frank will lead an informal talk and workshop which will revolve around formats available to makers in 2012 - and how comics composed for print might be translated to the web. (Room B113)
1:00-1:45 pm // Spotlight on Peter Bagge:Best known for his comic-book series Hate, which helped to define the grunge generation, and his recent contributions to Reason magazine, Peter Bagge is always willing to confront hard-hitting societal issues with intelligence, wit, and funny bone intact. Join us for a conversation with the multiple Harvey and Eagle Award-winning cartoonist, whose newest series, Reset, has just been launched in the Dark Horse Originals line. Moderated by Ryan Alexander-Tanner. (Room B114)
2:00-2:45 pm // Of Rabbits and Ronin: Spotlight on Stan Sakai: World-renowned cartoonist Stan Sakai has been writing, drawing, and even hand-lettering his beloved rabbit samurai series Usagi Yojimbo for twenty-seven years and counting. Join Sakai for a discussion of Usagi's history and future, as well as demonstrations and all-ages audience participation! Moderated by Usagi series editor, Diana Schutz. (Room B114)
Sunday, April 29th
4:00-4:45 pm // Making History: What do a Victorian robot, theology scholar, and rabbit ronin have in common? They're the stars of three very different stories in historical settings: Boilerplate: History's Mechanical Marvel; Family Man; and Usagi Yojimbo. Join their creators -- Paul Guinan and Anina Bennett, Dylan Meconis, and Stan Sakai -- for a lively discussion of history and storytelling. (Room B114)
2:00-2:45 pm // The New Underground:Frank Santoro referred to the current independent comics scene as a dawn of a new "Golden Age". There is a theory that if you go deep enough underground you hit the actual main stream. This generation is equally fluent in zines and Tumblr accounts; genre exploration and abstract art; printing process and independent distribution. Join panelists Chris Cilla, Max Clotfelter, Farel Dalrymple, Julia Gfrorer, Jack Hayden, Jason Miles, Jesse Moynihan, Emily Nilsson, Zack Soto, Angie Wang and Malachi Ward for a roundtable discussion on the future of underground comics. (Room B116)
Bak (or "Tebs," as I like to call him) will deliver a presentation on WILD MAN: The Strange Journey and Fantastic Account of the Naturalist Georg Wilhelm Steller, which was serialized in Mome. The artist has conducted his own research in Southeast Alaska and the Aleutian archipelago, as well as St. Petersburg (Russian Federation) where he recently delivered presentations of his work for this ongoing project.
He'll be joined by artist Vera Brosgol for the event. "Cartoonists Talking" is from 6:30-7:45 PM at the Portland Central Library [ 801 S.W. 10th Avenue ]!
• Seattle, WA: It's also your last chance to see the Short Run Art Show at the Fantagraphics Bookstore & Gallery! Curated by Kelly Froh, the exhibit features original comix art, illustration and book works by Max Clotfelter, Patrick Keck, Martine Workman, Elaine Lin, Jason T. Miles, Chris Cilla, Andrice Arp, Tim Root, Billis Helg, Marc Palm, Eroyn Franklin, Tom Van Deusen, Tim Miller, Tory Franklin, Jesse Reklaw, Sean Christensen, and Erin Tanner. (more info)
• Review: "Shimura Takako’s story of two adolescents—a boy who wants to be a girl and a girl who wants to be a boy—isn’t exactly fast-paced in terms of plot, but [Wandering Son] book 2 continues the excellent work of book 1 and raises the emotional stakes a bit.... There’s... a slowly unfolding pleasure to Shimura’s story. Sensitive to the plight of young teenagers and potentially transgender youth alike, she’s managed to create a compelling story without including much that, considered in isolation, is particularly dramatic, which speaks to the realism of her efforts." – Hillary Brown, Paste
• Review: "This is really fantastic storytelling. Another review of this volume [Walt Disney's Donald Duck: Lost in the Andes] compared it to Tintin, and I think that’s very apt. There’s the adventures in foreign lands, the constant peril, the occasional wacky gags thrown in to alleviate said peril, and of course good old American ingenuity that, thankfully, never verges on jingoism quite as much as Tintin sometimes did.... I picked this up thinking it’d be a good chance to see if I liked Carl Barks and what the fuss was all about. Well, now I get it – and I’m hooked. ...[T]his is well worth the purchase for any fan of classic comics." – Sean Gaffney, Manga Bookshelf
• Review: "Kelly’s genius was the ability to beautifully, vivaciously draw comedic, tragic, pompous, sympathetic characters of any shape or breed and make them inescapably human and he used that gift to blend hard-hitting observation of our crimes, foibles and peccadilloes with rampaging whimsy, poesy and sheer exuberant joie de vivre. The hairy, scaly, feathered slimy folk here are inescapably us, elevated by burlesque, slapstick, absurdism and all the glorious joys of wordplay from puns to malapropisms to raucous accent humour into a multi-layered hodge-podge of all-ages accessible delight.... Timeless and magical, Pogo is a giant of world literature, not simply comics, and this magnificent edition should be the pride of every home’s bookshelf." – Win Wiacek, Now Read This!
• Review: "...I was extremely impressed by Santiago's artistic abilities. He manages to shift the comic page in ways you'd never think of for a biography, using all sorts of layouts, from jagged panels to Family Circus ovals to standard grid formats. His characters wiggle their way through when in motion, show their feelings on faces that are slightly oversized and full of expression, and sometimes contort themselves into shapes that aren't quite natural. It's an artistic tour de force and shows that bio comics do not have to be the stolid, one step at a time narrative that we often see. ...21 is an excellent book... Clemente is every bit the important figure in baseball history that Robinson was, and more people need to know his story. 21 is an excellent place to start, either for you or the baseball fan in your life." – Rob McMonigal, Panel Patter
It's that time of year again! The time of year where a flock of Fantagraphics artists participate in the annual Giant Robot Post-It Show, and like last year, it will be curated by the inspirational husband-wife team of Esther Pearl Watson and Mark Todd.
The Giant Robot Post-It Show 7 runs from December 10th through 29th at GR2 [ 2062 Sawtelle Blvd., Los Angeles, CA ] with an opening reception event on Saturday, December 10th from 6:30 - 10:00 PM. It's "cash-and-carry," so don't forget your bag-and-board!
• Review/Interview: "Leslie Stein is a pretty lady who made a comic [Eye of the Majestic Creature] in which she is a cute/gross little humanoid with eyes that are like coins and a best friend who is a guitar. Her comical alter ego is named Larry Bear and her guitar's name is Marshy. They live in a house in a field, but it's pretty clear that almost everything they experience is some joked-up fantasized autobiographical story. It's hard to know what's based on reality and what isn't, and which characters are based on real folks and which are just supposed to be Leslie's internal feelings personified.... Leslie's work communicates an urban loneliness that I relate to a lot, seeing as we live in the same place. It's cute and sad and familiar, especially if you're 30 or under." – Nick Gazin, who also talks to Leslie at Vice: "I think for the most part she represents the lighter side of my personality. I'm happy when I'm drawing and I hope that comes across through her on the page, in whatever situation she is in. She dresses a bit weirder than I do, so that's fun. I'm not really a shy person, but I feel like I'm constantly embarrassing myself. She doesn't have that self-consciousness."
• Review: "Post-apocalyptic stories tend to be grim, but The Hidden is very dark indeed.... The book feels like a modern-day gothic horror. The survivors are metaphors for humanity, with a heroic few battling an onslaught of monsters, human or otherwise. Humanity is on the brink of extinction, and still people bring out the worst in one another.... Sala’s illustration is compelling... ★★★★ [out of 5]" – Grovel
• Review: "[Kevin] Avery’s book, Everything Is an Afterthought: The Life and Writings of Paul Nelson, is an admirably unorthodox construction that starts with a bracing 180-page biography of Paul followed by a 265 page collection of Nelson’s music writing, primarily that from the seventies focusing on the artists he was particularly drawn to.... What’s impressive about Avery’s biographic half of the book is that he’s produced both an intimate personal bio and a comprehensive professional bio as well. He’s talked to virtually everyone who Nelson inspired or mentored in rock criticism starting in the latter half of the sixties and into the Rolling Stone years. These knuckleheads are a who’s who of American rock criticism, God help us." – Joe Carducci (SST Records, Rock and the Pop Narcotic), The New Vulgate
• Review: "I was looking forward to this new book [Setting the Standard] a/ because it's Alex Toth and b/ because it reprints 60 stories, Toth's entire contribution to the catalogue of a long defunct publisher whose material we rarely see reprinted.... Toth's work has long been admired for its distilled simplicity of black and white design, but these early pages fizz and bubble with life.... The book under discussion is from Fantagraphics, with the original printed pages restored in all their colours by Greg Sadowski, who put the whole package together with extensive notes..." – Eddie Campbell (via The Comics Reporter)
• Plugs: Brian Ralph's choices for his guest contribution to Robot 6's weekly "What Are You Reading?" column include Captain Easy Vol. 2 by Roy Crane ("It’s a fun combination of action and laughs. Sometimes very serious and other times very cartoony, in both story and art style. I just love the way Roy Crane draws these goons. And the colors! The palettes are unusual and beautiful.") and Setting the Standard: Comics by Alex Toth 1952-1954 ("I’ll read one of these [stories] before I go to bed. I like that in a short page count he quickly develops a rich story and twilight zoney twist. Sometimes it’s a bizarre romance or horror story with a stunning conclusion. They’re a fun read.")
• Review: "Brief but witty dialogue and black humor come together in a brutal satire of deception, torture and the death penalty. This comic is a good comedy that combines the sense of adventure and intrigue of Jason's comics, his 'tempo' and narrative tone, with a trio of protagonists who I came to appreciate in very few pages. Emotion, gags, surprises, and an ending that you do not expect. Isle of 100,000 Graves is an original and very enjoyable read that keeps Jason as a safe bet in the shopping cart. Between tenderness and cruelty, of course the contribution of writer Fabien Vehlmann to the Norwegian cartoonist's particular universe could not have been more successful." – Alita News (translated from Spanish)
• Review: "Warm-hearted, deceptively heart-wrenching, challenging, charming and irresistibly addictive, Love and Rockets: New Stories is a grown up comics fan’s dream come true and remains as valid and groundbreaking as its earlier incarnations — the diamond point of the cutting edge of American graphic narrative." – Win Wiacek, Now Read This!
• Interview:The Comics Reporter 's Tom Spurgeon talks to backbone Mome contributor T. Edward Bak about his experience at Boomfest in St. Petersburg, Russia: "There were so many things going on. There were people interested in all of the presentations. They took place over four or five hours, in three or four different centers. A lot of artists were there. For these kinds of presentations, it was other artists attending. It was like APE: you have people that are making comics or are interested in making comics."
• Interview: At The Comics Journal, Matt Seneca enjoys a studio visit and thoughtful discussion with Gary Panter: "That’s one of the games that modern art plays: where does it go, and what does it affect by trying to go? And so, usually in fine art, you’re making a kind of pregnant or puzzling object, or some object that has presence and which calls to people, hopefully. It arrests them for a second and various things happen, whereas in a comic, I want people lying in bed reading it. I want people lying in bed and reading it, and you forget you’re reading it, and you go in the story, and you’re like, 'Whoa! What happened?' And you either remember it or you don’t."
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