Our acclaimed art-comics anthology forges into its 6th year with another diverse and wonderful volume full of returning favorites and a few surprises.
On the cover, a detail from Sara Edward-Corbett's haunting, Gorey-esque tale of nocturnally animate objects. Also in this issue: Steven "Ribs" Weissman's freewheeling, sometimes-satirical, sometimes-deeply-weird webcomic "Barack Hussein Obama" (starring the President of the United States and his associates) makes its print debut; Sergio Ponchione provides another full-color prequel story to his acclaimed series Grotesque (translated from its appearance in Italy's Linus magazine); Josh Simmons is back with more "White Rhinoceros" and one of his unparalleled standalone horror stories; Nate Neal takes us back to the world of his graphic novel The Sanctuary; and we welcome Nick Thorburn, cartoonist and frontman of the acclaimed indie bands Unicorns and Islands.
All this plus: a one-pager from Dash Shaw; a blackly comic fable from Jon Adams; a typically trenchant strip from Tom Kaczynski; new chapters of T. Edward Bak's "Wild Man," Derek Van Gieson's "Devil Doll," and Kurt Wolfgang's "Nothing Eve" serials; a dreamlike tale from Lilli Carré; and more autobiographical vignettes by Nicolas Mahler.
112-page full-color 7" x 9" softcover • $14.99 ISBN: 978-1-60699-394-1
Ships in: February 2011 (subject to change) — Pre-Order Now
Our acclaimed art-comics anthology forges into its 6th year with another diverse and wonderful volume full of returning favorites and a few surprises.
On the cover, a detail from Sara Edward-Corbett's haunting, Gorey-esque tale of nocturnally animate objects. Also in this issue: Steven "Ribs" Weissman's freewheeling, sometimes-satirical, sometimes-deeply-weird webcomic "Barack Hussein Obama" (starring the President of the United States and his associates) makes its print debut; Sergio Ponchione provides another full-color prequel story to his acclaimed series Grotesque (translated from its appearance in Italy's Linus magazine); Josh Simmons is back with more "White Rhinoceros" and one of his unparalleled standalone horror stories; Nate Neal takes us back to the world of his graphic novel The Sanctuary; and we welcome Nick Thorburn, cartoonist and frontman of the acclaimed indie bands Unicorns and Islands.
All this plus: a one-pager from Dash Shaw; a blackly comic fable from Jon Adams; a typically trenchant strip from Tom Kaczynski; new chapters of T. Edward Bak's "Wild Man," Derek Van Gieson's "Devil Doll," and Kurt Wolfgang's "Nothing Eve" serials; a dreamlike tale from Lilli Carré; and more autobiographical vignettes by Nicolas Mahler.
Download an EXCLUSIVE 15-page PDF excerpt (2.4 MB) with pages from every contributor.
We have reached the landmark 20th volume of Mome. For those of you who read the box scores, that’s 5 years, 20 volumes, 72 artists, and 2,352 pages of comics.
Much is new in this anniversary volume. Fantagraphics' flagship anthology now boasts a new design courtesy of art director Adam Grano (who also chips in a few pages of art), and we have 4 other artists making their Mome debuts: Steven "Ribs" Weissman's haunting story "This Already Happened" makes its first appearance in print after being serialized at What Things Do; Sergio Ponchione provides a full-color prequel story to his acclaimed series Grotesque (translated from its appearance in Italy's Linus magazine); and we welcome Chicago stalwart Jeremy Tinder and Portland illustrator Aidan Koch to the fold with their new stories.
From our returning champions: another "Blind Date" from Dash Shaw; a forest fable from Sara Edward-Corbett; part 2 of "The White Rhinoceros" from Josh Simmons and The Partridge in the Pear Tree; the continuation of T. Edward Bak's "Wild Man," Derek Van Gieson's "Devil Doll," and cover-boy Ted Stearn's "Fuzz and Pluck in: The Moolah Tree" serials; another atmospheric Conor O'Keefe story; a star-studded story in verse from Nate Neal; and more autobiographical vignettes by Nicolas Mahler. It all adds up to another diverse and rewarding volume of this literary comics juggernaut.
120-page color/b&w 7" x 9" softcover • $14.99 ISBN: 978-1-60699-365-1
Ships in: October 2010 (subject to change) — Pre-Order Now
We have reached the landmark 20th volume of Mome. For those of you who read the box scores, that’s 5 years, 20 volumes, 72 artists, and 2,352 pages of comics.
Much is new in this anniversary volume. Fantagraphics' flagship anthology now boasts a new design courtesy of art director Adam Grano (who also chips in a few pages of art), and we have 4 other artists making their Mome debuts: Steven "Ribs" Weissman's haunting story "This Already Happened" makes its first appearance in print after being serialized at What Things Do; Sergio Ponchione provides a full-color prequel story to his acclaimed series Grotesque (translated from its appearance in Italy's Linus magazine); and we welcome Chicago stalwart Jeremy Tinder and Portland illustrator Aidan Koch to the fold with their new stories.
From our returning champions: another "Blind Date" from Dash Shaw; a forest fable from Sara Edward-Corbett; part 2 of "The White Rhinoceros" from Josh Simmons and The Partridge in the Pear Tree; the continuation of T. Edward Bak's "Wild Man," Derek Van Gieson's "Devil Doll," and cover-boy Ted Stearn's "Fuzz and Pluck in: The Moolah Tree" serials; another atmospheric Conor O'Keefe story; a star-studded story in verse from Nate Neal; and more autobiographical vignettes by Nicolas Mahler. It all adds up to another diverse and rewarding volume of this literary comics juggernaut.
Download an EXCLUSIVE 15-page PDF excerpt (4.3 MB) with a page from every artist in the issue, plus the Table of Contents.
The acclaimed anthology of contemporary comics steams toward its landmark 20th issue. This issue leads off with the cover story, the first part of the satiric psychedelic epic "The White Rhinoceros," drawn by Josh Simmons and written by The Partridge in the Pear Tree. It is our privilege to welcome the great Gilbert Hernandez to the pages of Mome with a brand-new story starring his beloved character Roy! Also debuting this issue, exciting newcomer D.J. Bryant, with what may be the most hard-boiled story to appear in Mome yet. And making return appearances: Olivier Schrauwen, Tim Lane, Conor O'Keefe, and Robert Goodin with new stories, and T. Edward Bak with the continuation of his epic "Wild Man" serial.
Download an EXCLUSIVE 9-page PDF excerpt (1.6 MB) with a page from every artist in the issue, plus the Table of Contents.
Congratulations to T. Edward Bak for reaching his Kickstarter fundraising goal for his research trip to Alaska for his ongoing Mome serial and graphic novel in progress Wild Man. You can still donate through the end of the month and get yourself nifty pledge gifts like prints and original art, and maybe enable TEB to get some extra-nice expedition gear or something.
128-page color/b&w 7" x 9" softcover • $14.99 ISBN: 978-1-60699-349-1
Ships in: June/July 2010 (subject to change) — Pre-Order Now
The acclaimed anthology of contemporary comics steams toward its landmark 20th issue. This issue leads off with the cover story, the first part of the satiric psychedelic epic "The White Rhinoceros," drawn by Josh Simmons and written by The Partridge in the Pear Tree. It is our privilege to welcome the great Gilbert Hernandez to the pages of Mome with a brand-new story starring his beloved character Roy! Also debuting this issue, exciting newcomer D.J. Bryant, with what may be the most hard-boiled story to appear in Mome yet. And making return appearances: Olivier Schrauwen, Tim Lane, Conor O'Keefe, and Robert Goodin with new stories, and T. Edward Bak with the continuation of his epic "Wild Man" serial.
Download an EXCLUSIVE 9-page PDF excerpt (1.6 MB) with a page from every artist in the issue, plus the Table of Contents.
• If Noah Van Sciver knew my email address he'd probably be asking me to plug the new issue of his self-published comic Blammo — hey Noah, send me a copy and I'll think about it, cough cough
I wish I had time to Flog all that I'd like to Flog but until I manage to write some decent design-related posts (as if anyone wanted my take on the history of the illuminated Bible up through the Wolverton Bible), here's a quick bit of editorializing promotion for a few talented people:
• There's a new interview with Andy Smith over on James Morrison's Caustic Cover Critic book cover blog (which is a good place to hang out if you care about such things). Andy is a UK illustrator who does a lot of distinctive book cover design work. He also makes silkscreened comics by way of a kids-book format (one illustration per page/spread). The work is lively and really satisfying to hold. Frequently his books use typography as a narrator's voice but also as a kind of character and setting. I'm always impressed with people who can pull off messy, loose drawing styles with total confidence and Andy manages to do it with deceptive sophistication. These are comics meant to be a joy and they are.
• Last weekend I had the chance to put up Mome artist T. Edward Bak in our guest room and I really enjoyed talking with him about the research for his in-progress graphic novel about the life of G. W. Steller. With all the self-indulgent Kickstarter projects that feel like sad panhandling, Bak's book is a standout for what makes that site a great resource. Anyone who wants to support comics as a legitimate form of reportage/biography should fund this project on principle alone. Bak is doing a remarkable amount of background study to make this book not just some accessible story of an easy-to-glorify character but one that presents a new perspective on a legendary naturalist explorer. Sign on here.
• Then there's Lizz Hickey. I love the artwork of Lizz Hickey so if she wants to make a comic book out of copperplate etchings, then I can get behind her need to raise money for such an expensive endeavor. I'm not going to try to describe her work. She's unique, very unique.
• T. Edward Bak and I were also talking about the Facebook posts of Art Chantry. Chantry is an icon of contemporary graphic design and a wealth of popular culture knowledge (especially of the blue collar variety) as it relates to design. He's had a big impact on me over the years and his lengthy and entertaining Facebook posts are well worth enduring whatever makes Facebook supposedly evil.
• And speaking of Chantry, Mikey Burton did this smart poster for one of Art's speaking engagements. Mikey does some great design work and I was excited to talk to him recently about xerox transfer process but all he did is tell me I should quit it because it gave him spontaneous nosebleeds. What a killjoy.
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