FLOG! Entries tagged 'Taking Punk to the Masses'

Taking Punk to the Nordstrom!

janice

The flagship Nordstrom store in downtown Seattle is currently hosting The Seattle Music Project, an exhibit of photos and ephemera commemorating five decades of Northwest music, curated by renowned local photographer Lance Mercer!

The exhibit is on display in the Mens Shop, downstairs...

... next to the rounder of plaid flannel shirts...

...and by the escalators, you'll find this photo by Cam Garrett of the legendary Fallout Skate Shop! Can you spot the employees of the Fantagraphics Bookstore & Gallery? Yup, that's our very own Larry Reid and Russ Batagglia above, circa 1985! Fashion icons!

[ ETA: Eric informs me, "there's also two ex longtime-employees in that pic: Tom Price and Tim Hayes!" Nice! ]

"We love the grunge music..."

The Seattle Music Project exhibit will be on display at the downtown Seattle Nordstrom location [ 500 Pine Street ] through this Sunday, September 30th.

For more excellent photos and stories of the grunge-era, get yr hands on a copy of Taking Punk to the Masses: From Nowhere to Nevermind! And stop by the Fantagraphics Bookstore & Gallery [ 1201 S. Vale Street ] to say hi to Larry and Russ!

What a Bunch of Babies!

Eric

Having been preoccupied by this past weekend's Emerald City Con, we're a bit late in offering our warmest wishes and hearty congratulations to two of our favorite gentlemen and their lovely significant others.

First up, TheComicsJournal.com co-editor and Picturebox Founder Dan Nadel and his partner Rachel welcomed their first child, Henry, into the world early Friday morning. (You should do each of you a favor and help keep Henry in fresh diapers by picking up Picturebox's new Rory Hayesand Destroy All Monsters! books).

Meanwhile, on Sunday, our old pal Jacob McMurray , Senior Curator of Seattle's Experience Music Project and author of our book TAKING PUNK TO THE MASSES , and his wife Sara welcomed their second daughter, Eleanor, into their family.

Daily OCD: 12/16/11

mike

Today's Online Commentary & Diversions:

• List: FEARnet's Joseph McCabe names Richard Sala's The Hidden to their Best of 2011: Books and Comics: "Sala's unique brand of creepy quirk combines Edward Gorey, Chester Gould, and Charles Adams with his own unclassifiable magic. The Hidden, from Fantagraphics Books, is his most ambitious work -- an intimate apocalypse."

• List: The SF Site's Rick Klaw ranks 21: The Story of Roberto Clemente at #4 on his top graphic novels of 2011: "In this emotionally moving biography, the Puerto Rican Wilfred Santiago magnificently chronicles the often tragic life of this icon.... Santiago expertly traverses Clemente's tribulations, losses, and success with ease and skill. His portrayal of the baseball games rank among the finest ever attempted in this medium. Under the masterful hands of Santiago, 21 evolves into far more than just a biography of a sports figure. It showcases a life worth emulating."

• Review: "I’ve been eagerly anticipating Wilfred Santiago’s graphic biography 21: The Story of Roberto Clemente since I first heard it was the works... Santiago uses black and white and some yellow-orange fill-ins, but really that’s all he needs. His style is clean, ranging in depiction of Clemente throughout the years to religious leaders to baseball action scenes, which he often depicts in a seemingly photo-realistic style with ballplayers drawn against what appears to be a collaged photo background of a baseball setting but is instead a note perfect drawing. ...Santiago does Clemente proud with 21." – David A. Kirschenbaum, Boog City (PDF download)

• Review: "Looking for someone to turn lemons into lemonade? In his own distinctive way, Alexander Theroux might be your man.... In Estonia: A Ramble Through the Periphery, he mines his disappointment and catalogs his discontents to impressively crotchety effect. ...[L]ike the country's many invaders—Russians and Germans, and, before them, Swedes and Danes—Mr. Theroux largely uses Estonia as a space for his own purposes, transforming this admirable country into a grotesque but clever caricature perfect for use as... a stage for Mr. Theroux's verbal pyrotechnics and some fine jokes... I laughed a lot, but guiltily." – Andrew Stuttaford, The Wall Street Journal

• Review: "After years and years and years, Fantagraphics has finally started their deluxe reprint series of Walt Kelly's comic strip Pogo. The first volume is available right now, and it's absolutely beautiful, a big comic book with real heft and majesty.... Pogo always felt, to me, like a strip you should read like a novel, a continuing sitcom about the personality-heavy critters who live in a swamp. This collection proves that I was right. This isn't a book you read so much as sink into: Kelly's brilliant ear for dialect and voice lulls you along, and then you're lost in his beautiful artwork.... The whole book is... a series of packed — but crystal clear — panels that grow together to establish a world of curious characters whose misunderstandings lead to great adventures. If I had to make one complaint about this Pogo collection, it'd be that it ends too soon.... If you like comics, or if you know any kids who read comic strip collections, this is the Christmas book for you." – Paul Constant, The Stranger

• Review: "[My] gripes are minor in relation to the beauty and quality of this book presentation, as well as the stories themselves.... The stories, of course, are outstanding. Most of the long adventure tales are classics in their own right.... Plus, Barks comes up with some of the most brilliant schemes and swindles — most perpetrated against Donald for comedic effect. The super-compressed plotting makes everything more frenetic — and more funny! Walt Disney’s Donald Duck: Lost in the Andes is an excellent start to Fantagraphics’ Carl Barks Library." – K.C. Carlson, Comics Worth Reading

• Review: "It was the best of Momes, it was the worst of Momes. Alright, that’s not quite accurate, and not quite fair, either. But this unwittingly penultimate issue of Fantagraphics’ long-running alternative-comics anthology — page for page the longest-running such enterprise in American history! — is a hit-or-miss affair in the mighty Mome manner. ...[T]he hits... are strong enough to make the book worth checking out.... You gotta take the rough to find the diamonds." – Sean T. Collins, Attentiondeficitdisorderly

• Review: "The ability to make me cry is not generally something I praise in a book.... But in Special Exits Joyce Farmer pulls off something much more difficult — she takes a true story and plays it straight without any overly dramatic embellishment. Her frank honesty lays bare the emotional core of the story.... Farmer’s black and white line drawings are detailed and expressive, but never flashy. Her art is straightforward, as befits the story.... The end product is as honest and unembellished as a personal journal and we’re lucky Farmer’s chosen to share it with us." – Andrew Fuerste-Henry, No Flying No Tights

• Review: "Despite [Taking Punk to the Masses'] coffee table book appearance, McMurray tries to keep the punk rock do-it-yourself ethic by letting the artifacts and punk denizens speak for themselves.... The quotes from the publisher/artists who created them and musicians who were featured weave together nicely to give a sense of moment. And sometimes the creator and object merge, such as the Nirvana show posters hand-drawn by Kurt Cobain." – Ian S. Wilder, Boog City (PDF download)

• Interview: At Heeb, Eli Valley chats with Drew Friedman about old Jewish comedians and Old Jewish Comedians: "A lot of these guys, they get to a point where they’re angry they’re not getting the attention they used to get. I guess that’s true for anybody getting old who used to be in the limelight. I wanted to capture that. 'Pay attention to me, I’m old but I’m still funny and I want you to pay attention to me.' These guys are still in your face, they never slow down, but basically it’s over. There’s no more work. A lot of them would just be happy to receive an award for their work. You just don’t want to be forgotten."

Things to See: 9/26/11 Roundup

mike

• Lettering by Jason for Athos in America; other recent Cats Without Dogs blog posts include Woody Allen movie reviews and an R.E.M. top 5

• From Kevin Huizenga, a couple of images from an upcoming anthology contribution (the originals of which are part of the Dylan Williams benefit auctions)

• Frank in the Museum of Sex, a recently-completed painting by Jim Woodring; also, Frank and the Living Rock, a drawing; Icebreaker, a drawing; and Frank in an unusual place, a photo

• Aqualad action by Steven Weissman at Repaneled; also his weekly "I, Anonymous " spot

• Unused (amazingly) poster design by Jim Blanchard for EMP's Nirvana: Taking Punk to the Masses exhibit

• Cartoon Utopia drawings by Ron Regé Jr. (still raising cash to aid in the completion of the book)

• Eleanor Davis robot portraits and trial sketches for the GR2 Robots art show; also a band sketch and custom book cover

• Paul Hornschemeier continues posting Forlorn Funnies prep artwork and other drawings on his The Daily Forlorn blog

• Stephen DeStefano gets Trekky in this recent storyboard work

• Versions of Lorenzo Mattotti's cover illustration for The Adventures of Huckleberry Finn in various states and media

• Caliban from Shakespeare's The Tempest and more by Max

• Prison Pit fan art by Jon Light

Plus:

• Updates on Frank Santoro's Tumblr including new drawings

• New updates on the Jim Flora blog with vintage spot illustrations

• Glow-in-the-dark prints by Lilli Carré

• A Noah Van Sciver "Chicken Strips" story from 2007

• One of Renee French's patented cute-n-creepy guys

• Steve Brodner redesigns the symbol of justice in light of the Troy Davis execution

• More travel sketches by Anders Nilsen

Taking Punk to the Masses Tour: Downtown Seattle (UPDATED)

janice

UPDATE: Corrected with updated date and time!

The Northwest tour for Taking Punk to the Masses: From Nowhere to Nevermind has been hitting some pretty rockin' places, from record stores to college bookstores, but tomorrow's event is totally classy!

Join EMP curator/editor Jacob McMurray on Wednesday, September 28th at the Pan Pacific Hotel in downtown Seattle for a reading and discussion of the "grunge" era in a completely non-grunge-y locale!

Your $30 registration includes a copy of the book, and complimentary appetizers. Seating and noshing starts at 5:30 PM, and the presentation starts at 6:00 PM. RSVP to 206.654.5005 or seattle.events@panpacific.com. Note: seating is limited, so don't delay!

From the pages of Taking Punk to the Masses.

Wanna find out more reasons why Washington State is a cool place to live? Why not visit Seattle? If you book a room at the Pan Pacific Hotel in the "Nirvana Room Package," you'll get a signed copy of Taking Punk to the Masses: From Nowhere to Nevermind, as well as passes to the EMP exhibit! Note: do not treat your hotel room like a rock star.

Taking Punk to the Masses Tour: Tacoma

janice

The Taking Punk to the Masses Northwest tour wraps up this Thursday, September 22nd at the University Book Store in Tacoma... a city where apparently this happened:

From the pages of Taking Punk to the Masses

Holy crap, do they mean shoegazer band Lush? With Nirvana? For $5? Less if you brought canned foods?

This is the kind-of amazing paraphernalia of the grunge-era that you can only find in Taking Punk to the Masses: From Nowhere to Nevermind! Join EMP Senior Curator/editor Jacob McMurray at 5:30 PM for a reading and discussion.

The University Bookstore is located at 1754 Pacific Ave in Tacoma. Somebody, ask him about that Nirvana show.

Taking Punk to the Masses Tour: U-District

janice

School is back in session! And this Thursday, September 15th, EMP curator/editor Jacob McMurray will "school" you all on the Seattle music scene, as documented in Taking Punk to the Masses: From Nowhere to Nevermind!

Join Jacob at the University Book Store in Seattle at 7:00 PM, as he discusses the "grunge" phenomenon... on the very street where a lot of those unwashed musicians first bumped into each other, perhaps reaching for a Mudhoney 7" at Cellophane Square at the exact same time?

Sub Pop poster, from the pages of Taking Punk to the Masses, featuring artwork by Peter Bagge AND one of my all-time favorite bands, Velocity Girl

The University Book Store is located at 4326 University Way, N.E. or "The Ave," as it is called 'round these parts. Flannel optional.

Daily OCD: 8/26/11

mike

Today's Online Commentary & Diversions:

• Review: "It would take Gottfredson a few years to hit his stride: Many of his best Mickey stories appeared in the later ’30s and ’40s. But the basic characteristics that would make the print version of Mickey popular after the studio curtailed his animated antics can clearly be seen in these first installments.... Race to Death Valley is the latest entry in Fantagraphics’ reprints of classic comic strips, and is sure to delight fans of Mickey Mouse as well as comic strip aficionados. The strips are clearly printed in a readable size, and editors Gerstein and Groth carefully document the origins of the strip." – Charles Solomon, Los Angeles Times Hero Complex

• Review: "A new book from Fantagraphics helps restore the balance to Toth's broader reputation. In Setting the Standard: Comics by Alex Toth, 1952-1954, editor Greg Sadowski has assembled all of the crime, war, science-fiction, horror, and romance titles that Toth produced during his two years working for Standard Comics.... Setting the Standard pays tribute to Toth... by collecting genre-bound stories that the artist made fascinating through the sheer force of his talent." – Casey Burchby, L.A. Weekly

• Review: "Setting the Standard is chock full of stories... Lovers of good retro stories that support heroic warriors and the emotional problems of young women whose heart is between two men will be delighted." – Le Blog de Li-An (translated from French)

• Review: "For anyone with an interest in the Seattle music scene of the 1980s and ‘90s, the subgenre that became known as grunge, Taking Punk to the Masses: From Nowhere to Nevermind is essential reading.... If you can’t make it out to Seattle to visit Experience Music Project’s Nirvana: Taking Punk to the Masses exhibit, this book is a suitable substitute. Tons of gig posters, set lists, and album artwork provide further context. These visuals, accompanied by McMurray’s straightforward commentary and the extensive DVD interviews, create a compelling document of a unique era of music history." – Blogcritics

• Reviews (Video): On the latest Comics-and-More video podcast, hosts Dave Ferraro and Patrick Markfort look at our two most recent Franco-Belgian translations, Gil Jordan, Private Detective: Murder by High Tide by M. Tillieux and Sibyl-Anne Vs. Ratticus by R. Macherot — hope they liked 'em

• History: At Comic Book Resources, Brian Cronin digs into a piece of Carl Barks duck-comic trivia that we'll have to address somehow when that volume of the Carl Barks Library comes around

• Lore: The latest installment of Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com takes us into the Sixties

Taking Punk to the Masses Tour: West Seattle

janice

The tour rolls on for Taking Punk to the Masses: From Nowhere to Nevermind! EMP Senior Curator and editor of the collection, Jacob McMurray, is on tour across the Northwest, doing readings and discussions of the "Seattle sound."

And this Friday, August 19th, Jacob will be appearing at Easy Street Records in West Seattle! Enjoy an ice cold beer as the store spins hits from the "grunge" era, and join Jacob for a presentation, followed by a Q&A.

(And don't miss the vinyl section upstairs at Easy Street, man, oh man...)

Artwork by Ellen Forney, from the pages of Taking Punk to the Masses

This all-ages event starts at 6:30 PM. Easy Street Records is located at 4559 California Ave SW in West Seattle. Stay tuned to the Fantagraphics Events page and our FLOG for upcoming dates on the Taking Punk to the Masses tour!

Taking Punk to the Masses Tour: Bellevue

janice

Our summer tour continues for Taking Punk to the Masses: From Nowhere to Nevermind!

After a sell-out show in Olympia [note: it was free], editor and Senior Curator of the EMP museum, Jacob McMurray, is now heading over the water to bad-ass Bellevue, WA!

Charles Burns's iconic artwork for Sub Pop 200, from Taking Punk to the Masses

Sub Pop friends like Modest Mouse and Sunny Day Real Estate both formed on that side of the lake, and the East Side used to boast some legendary all-ages venues like Ground Zero and the Fire House.

You can join Jacob this Saturday, August 13th at Silver Platters Records in Bellevue at 2:00 PM for more local music talk and a book signing at this free, all-ages event!

Silver Platters Records is located at 15600 NE 8th St, in the Crossroads Shopping Center, next to the QFC. Keep an eye on the Fantagraphics Events page and stay tuned to the FLOG for upcoming dates on the Taking Punk to the Masses tour!

Taking Punk to the Masses Tour: Olympia

janice

This summer, Taking Punk to the Masses: From Nowhere to Nevermind is going on tour, right here where it all began!

Join editor and Senior Curator of the EMP museum, Jacob McMurray, as he travels across the Northwest, offering an insider's look at this expansive document of the "Seattle" sound.

A page detail from Taking Punk to the Masses

This Friday, August 5th, McMurray will be reading at the Timberland Library in Olympia, WA. Olympia, as you may already know, has its own unique sound and history, and McMurray will be focusing on that during Friday's presentation!

Even though it's a library, copies of the book will be available for purchase, so you can get yours signed, if you don't already have a copy.

This free, all-ages event starts at 7:30 PM this Friday. Note: since this is after regular library hours, no other library services will be available, so you'll have to come back another time to pay those overdue fines!

The Timberland Library is located at 313 8th Avenue SE in Olympia, WA. And be sure to check out the Fantagraphics Events page and stay tuned to the FLOG for upcoming dates on the Taking Punk to the Masses tour!

Daily OCD: 7/26/11

mike

We'll be catching up on the past week's Online Commentary & Diversions over the next several days.

• Review: "Fantagraphics Books, which has previously done such an amazing job of collecting other classic comic strips like Prince Valiant and Peanuts , once again hits it out of the park with this collection [Walt Disney's Mickey Mouse Vol. 1].... From the beautifully reproduced strips to the densely packed ancillary features, this must be the book that editors David Gerstein and Fantagraphics’ co-founder Gary Groth wanted for years for their own libraries. Their enthusiasm shows in the wonderfully designed package. This book is highly recommended for any Disney fan and fans of America's rich comic strip history." – Rich Clabaugh, Christian Science Monitor

• Review: "Murder by High Tide introduces Maurice Tillieux’s private detective Gil Jordan to America, collecting two 1950s stories from an acclaimed series that has never before been translated into English. Tillieux isn’t quite Hergé, but he’s adept at writing and drawing suspenseful detective stories with brief flurries of action. ...Tillieux’s plotting and deft hand at action, figures, and environments make Murder by High Tide a thrilling read." – Garrett Martin, Paste

• Review: "...Fantagraphics is always a good place to start if you’re worried about trying something new. The venerable comics publisher is a stamp of quality, a guarantee that the vetting process has been serious and that, at very least, the book you hold in your hands will have been beautifully printed. Wandering Son [Vol.] 1 bears all that out.... It’s a lovely, tactile-y rich object, but it’s also a sweet book in terms of content. ...[T]he characters are pleasant to spend time with, the art is emotive and expressive (embarrassment comes up a lot), and there is a gentleness to the whole project that is welcome." – Hillary Brown, Paste

• Review: "...Shimura Takako's Wandering Son, with its direct treatment of transgenderism, feels simultaneously natural and singular in the world of manga.... The true distinction of Wandering Son is not its subject matter so much as Shimura Takako's quiet and sensitive handling of it. Fifth grade is a difficult time and age for any author to handle well, and throwing transgenderism into the mix merely adds to the challenge. By keeping the story's focus on the intensely personal thoughts, experiences, and emotions of the characters, Shimura avoids both heavy-handed preachiness and overly melodramatic scenes, keeping the tone of the story sympathetic and realistic and — most importantly — a story." – Caleb Dunaway, Otaku USA

• Review: "...Fantagraphics' edition is beautifully presented as a full-sized hardcover with excellent print and paper quality. The volume is just as lovely to behold as it is to read.... Instead of following a strictly linear narrative, Wandering Son provides a somewhat fragmented view. To me, it seems more like a collection of memories, glimpses of important and influential moments in the characters' lives. Though told chronologically, the story has an impressionistic quality to it. Wandering Son is lovely and quiet with tremendous emotional depth.... I was very pleased with the first volume of Wandering Son and greatly look forward to the release of the second volume." – Ash Brown, Experiments in Manga

• Review: "Brought straight to your chamber door from the ever-awesome Fantagraphics, we finally have The Raven graphic novel. Personally commissioned by Reed, legendary illustrator Lorenzo Mattotti (Dr. Jekyll and Mr. Hyde, Stigmata) has sketched some remarkably vivid scenes for what amounts to the definitive bard of Baltimore project from New York City’s own poet laureate.... Hardcovered, with a jacket by Grammy-nominated designer Jesse LeDoux, the whole presentation is indeed first-class." – Logan K. Young, Paste

• Review: "...Taking Punk to the Masses: From Nowhere to Nevermind... is a dense tome... packed with beautiful photos of EMP’s vast collection of instruments, posters and flyers and assorted rock and punk memorabilia, with commentary and excerpts from the oral history project, featuring testimonials from people like Greg Ginn and J Mascis and Grant Hart and Novoselic, on facing pages. The effect is that of taking a guided tour through the museum, exhibit by exhibit, with headphones on.... There’s an awful lot to look at here, and the book stands up to repeated readings.... Taking Punk to the Masses is a definite keeper for anyone who loves the bands of the Pacific Northwest or the history of rock in America." – John G. Nettles, Flagpole

• Review: "Simply put, if you’ve enjoyed any of Alex Chun and Jacob Covey’s series of glamour-girl cartoon retrospectives they’ve assembled for Fantagraphics over the years, you’ll want — if not need — their latest, The Pin-Up Art of Humorama.... As with Chun and Covey’s previous collaborations, the captions to the cartoons rarely matter — sometimes, they don’t even match what’s depicted. All that matters is the art, full of lovely, curvy, super-sexy women whose bra sizes run deep into the alphabet. It may not come in a brown paper wrapper, but yeah, this book’s hot. It spills over with an abundance of retro tease to please." — Rod Lott, Bookgasm

• Reviews: At his High-Low blog, Rob Clough looks at several of our translated volumes of the work of Jacques Tardi: "Tardi is an interesting figure because he felt comfortable writing mainstream material like detective stories, mysteries, fantasy and even science-fiction (though usually of a period nature; The Arctic Marauder, for example is a steampunk book) as well as more experimental and mature fare. No matter what the subject, his books always have a density and meatiness to them that rewards multiple readings. I'll briefly examine each book roughly in order of narrative complexity."

• Plug: Library Journal's Martha Cornog spotlights Diane Noomin's Glitz-2-Go in the latest Graphic Novels Prepub Alert: "Retro-glamgirl DiDi Glitz, Noomin's signature character, originally appeared in the women's comics anthology Twisted Sisters and other collections. Hypno Magazine described her as a 'shamelessly campy, mai-tai-swilling swinger with a voracious appetite for polyester, poodles, and doomed relationships.' Also, 'hysterically funny.' This volume collects nearly 40 years of Noomin comics. Catch this transcript of a Noomin presentation about her work, with sample strips, some NSFW."

• Plug: I was very excited to present Leonard Maltin with a copy of Drew Friedman's brand new book at Comic-Con, and today Maltin writes on his Movie Crazy blog "Fantagraphics Books had just received its first copies of Drew Friedman’s latest opus, Even More Old Jewish Comedians, which in the 'real world' is still a pre-order item."

• Interview: Jaime Hernandez reveals what kind of music he listens to while he's working in a survey on the topic by the Village Voice's R.C. Baker: "When told that one artist interviewed didn't want a fondness for a particularly 'retarded' pop song revealed, he cracks up. 'They don't want you to know they have a heart,' he says. 'I was never afraid to show mine — I put it out there in the comic every time.'"

• Interview (Video): Lee Keeler of Classy Hands has an on-camera chat with Paul Hornschemeier

• Scene: From Whitney Matheson's rundown of "50 Things I Learned at Comic-Con" at USA Today Pop Candy: "23. Johnny Ryan aims to scare us all. One of the most frightening moments on the convention floor came when a bloody, shirtless man walked up to the Fantagraphics booth and started screaming. Turns out he was portraying a character in Ryan's Prison Pit."

Taking Drinks to the Masses

mike

Hats off to Seattle's Phinney Neighborhood Association for their clever appropriation of Jacob Covey's Taking Punk to the Masses design for their annual Summer Beer Taste.

Daily OCD: 7/12-13/11

mike

Ran out of time to finish yesterday's Online Commentary & Diversions so here's a two-fer:

• Review: "With skill, restraint and a deep sensitivity to the roiling emotions involved, Shimura relates the tale of fifth-grade boy Shuichi, who wants to be a girl, and his classmate Yoshino, a girl who wants to be a boy. This is the first volume of the Japanese saga [Wandering Son] to be published in English, and translator Thorn does great work parsing the complex gender honorifics of the Japanese language. We only just begin to get to know our two leads, but Shimura's approach allows us to feel their confusion, their heartache and — when a perceptive mutual friend orchestrates a plan that starts them down the road to self-acceptance — their quiet, nervous joy." – Glen Weldon, NPR - Monkey See

• Review: "Gender roles and cross-dressing are often fodder for laughs in anime and manga, but this is the most serious and thoughtful take I've seen on the subject. And I love how Shimura doesn't make things too angsty for the characters. Maybe that will come later, but for now it's more of a quiet discomfort -- the reader is finding out at the same time as the characters, and it's quite touching. ...Wandering Son is a tender take on a taboo subject. I wish it success in the American market." – Eric Henrickson, The Detroit News - Geek Watch

• Review: "Wandering Son by Shimura Takako is a heartfelt story of two people who I desperately feel for and for their families and friends.... The main thing that drew me to this book was the fact that unlike a lot of western media that plays off the fact that a transgender teenager would have to deal with their friends and peers ostracising or bullying them for being different, Wandering Son goes straight for the heart, tackling the more important idea of how the person in the story feels. Reading the first volume, I can feel their awkwardness at them coming to the decision that they are different from other people and that they need to do something about it.... I want to be alongside these characters as they discover who and how they are. I want to see them triumph in ways that many of us never get to. Most of all, I want to be there at the end even if it ends in failure." – Eeeper's Choice

• Review (Audio): Phillip of Eeper's Choice, Erica Friedman, and David Welsh (The Manga Curmudgeon) discuss Wandering Son Vol. 1 with hosts Ed Sizemore and Johanna Draper Carlson on the Manga Out Loud podcast. At Manga Worth Reading, Carlson notes "We talk about the value of translation/cultural end notes (which inspired a followup post by David) and the pacing of the series in light of Takako Shimura’s career. It’s a wonderful read that we all enjoyed and recommend."

• Review: "Collected in oversize hardbacks that present the pages at their original size, these beautiful books restore one of the original adventure heroes of the strips -- the affable (albeit two-fisted) mercenary who was much more interested in excitement than money or women, which is what he was supposedly after. [Captain] Easy moved through a more innocent — and largely unexplored — world, and there's no better word for this adventure strip than 'charming.'" – Andrew A. Smith, Scripps Howard News

• Review: "...Leslie Stein is a young lady out of Brooklyn, NY who has been crafting literary/illustrative dub versions of her tastes and trials and laying them out in meticulously crafted yet still oodles-of-eye-fun anecdotes and tall tales. Fanta has collected them all into Eye of the Majestic Creature, a big-sized anthology of her work, with color covers and B&W insides and a whole lot of heart reproduced superbly for proper long-term keeping.... Stein's easy-on-the-eyes drawing style shows an affinity for the same greatly defined, goofy universe Pete Bagge's youthful wanderers once trolled though Seattle in... I found it irresistible, and will come back to its gentle humor and delightful glimpses into woozy alt-country gal delights again and again." – Chris Estey, Three Imaginary Girls

• Review: "Growing up to this era of punk rock, I feel an initial offense taken to McMurray’s collection of punk rock relics. It seems strange and kitschy to run across a book like Taking Punk to the Masses when you lived it. My first reaction was that we are not a novelty, punk was defined from a purpose and we are that purpose, not an exploitation. But the curious person that I am, I skimmed through it. Then I skimmed through it again. Then I read it. And then I fell in love with it." – Andrew Duncan, ZapTown

• Commentary: At Robot 6, Sean T. Collins comments on the Jim Woodring letter to Hans Rickheit we shared here yesterday: "Woodring, an intrepid chronicler of the underbrain in his own right, clearly recognized a kindred spirit in Rickheit when the younger cartoonist sent him a copy of his elaborate and powerful Fantagraphics graphic novel The Squirrel Machine."

• Interview: The Daily Cross Hatch's Brian Heater continues his conversation with Mome editor Eric Reynolds: "My two passions in comics are old strips like Popeye and the great cartoonists that I came of age reading, like Clowes and Charles Burns and the Hernandez Brothers. But, as much as that’s the stuff I dearly love, it’s the new stuff we’re publishing, the new artists, the sort of unexpected things that, on a day to day basis, keep me motivated and keep my interest in publishing, from day to day."

• Interview (Audio): Listen to Johnny Ryan's appearance today on the Sara Tea Time podcast

• Scene: At El Estupendo Grouchomarxista, Tiago Soares reports (in Portuguese) from a recent São Paolo bookstore appearance by Joe Sacco

Daily OCD: 7/6/11

mike

Today's Online Commentary & Diversions:

• Review: "...Wilfred Santiago... has done something very extraordinary and that's create a graphic novel that will eventually stand the test of time. If there was ever a novel that every Latino/Latina (baseball fan or not), comic book fan, family or anyone who volunteers/works in nonprofit must own in their library, it's 21: The Story of Roberto Clemente. Am I exaggerating? No, being the comic book nerd that I am, I haven't been this moved from a novel since I read Frank Miller's Batman: The Dark Knight Returns.... While Roberto Clemente was a fantastic baseball player, it was his humanity in this graphic novel that shone brightly. And I thank Wilfred Santiago for creating his masterpiece and Fantagraphics for publishing it. Thank you! Thank you! Thank you!" – Cesar Diaz, Latino Sports

• Review: "[Megan Kelso's] interest in open-ended narrative is apparent and, while occasionally frustrating, important, and her gouache work in the title story [in Queen of the Black Black] is lovely and subtle..." – Hillary Brown, Paste

• Reviews (Audio): The June 26 episode of Easy Rider, the radio show for "rock, punk rock, country, power pop, garage and comics" from Radio PFM out of Arras in northern France, features Johnny Ryan's Take a Joke among their Comics of the Week and Taking Punk to the Masses as their Book of the Week; on their July 3 episode, the Comics of the Week include Yeah! by Peter Bagge & Gilbert Hernandez and Gilbert's Love from the Shadows

• Scene: The New Yorker's Vanna Le reports from Lou Reed's reading of The Raven at the Strand bookstore in NYC last week: "Mattotti's illustrations, which were projected in a slide show, saturated the room with a kind of terror and despair. There was also something about the sound and sudden fits of fury in Reed's voice that seemed to mirror Poe's tormented vision." From the accompanying slideshow of images of the book: "Lorenzo Mattotti skillfully brings out the terror and elegance of Reed and Poe’s joint masterwork…. The book is an aesthetically stunning treat — but it isn’t only for the coffee table. Mattotti’s artwork is as enigmatic and suspenseful as the poetry itself."

• Interview (Audio): Bob Fingerman is the guest on the new episode of The Comics Journal's TCJ Talkies podcast with host Mike Dawson

Fantagraphics Bookstore Open on July 4

LarryR

For your viewing pleasure, Fantagraphics Bookstore & Gallery will be open on Monday, July 4 until 4:00 PM. This is the last weekend to take in Charles Peterson's fantastic exhibition Taking Punk to the Masses. Oooh, aaaah!

Daily OCD: 6/3/11

mike

Today's Online Commentary & Diversions:

• Review: "Taking Punk to the Masses: From Nowhere to Nevermind is the latest volume dedicated to the celebration of punk — specifically, in this case, punk music from the Pacific Northwest. But unlike its notable forebears..., it complements its substantive oral history and vivid testimonials with an array of arresting visual artifacts — pivotal punk imagery that includes iconic show posters, electrifying performance photographs and heaps of wild costumes and dilapidated guitars — to tell its rambunctious story.... Paradoxically for a volume dedicated to such a proudly ragged and rough-hewn aesthetic, Taking Punk to the Masses is a beautifully constructed gem. Even more peculiarly for a history lesson wedged between hard covers, it'll make you hear the music that has so spectacularly inflamed your speakers and headphones for three decades." – Jason Diamond, NPR.org

Attention Comix Shoppers!

mike

For your shopping pleasure, Fantagraphics Bookstore & Gallery will be open Memorial Day weekend, Saturday 11:30 to 8:00 PM, Sunday and Monday 11:30 to 5:00 PM. Check out Charles Peterson's Taking Punk to the Masses show and pick up some lit to enrich your long weekend.

Mark your calendars now for Saturday, June 11!

Jim Woodring signing Congress of the Animals at the festive Georgetown Carnival. Come see Larry and Bella defend their title in Hazard Factory's popular Power Tool Races. This year it's a Peter Bagge-inspired Monster Truck powered by a Black & Decker "Dragster" model belt sander. (I'm swear that's what it's called.) Art, music, circus acts, sideshows, carnival games, comix, cotton candy. What else is there?

Taking Punk to the Comix Shop

LarryR

The opening reception for the Taking Punk to the Masses exhibition on May 14 was a stellar affair - a reunion of misfits and miscreants from Seattle's grunge era together with a new generation of counterculture mavens. The show documents Seattle's grunge scene in its formative period from 1983 - 1985. I often equate Seattle's youth culture in the mid-80s to San Francisco's hippie movement in the mid-60s. Both had a singular music style, provocative graphics, and an anti-fashion sensibility. Beyond that, these movements benefited from a community of gifted cartoonists that disseminated unfiltered observations. Fitting, then, that Peter Bagge was the special guest at the event on the occasion of the release of Hate Annual # 9 and the Yeah! collection.

It's remarkable how Peterson's early works display sophisticated formal qualities while capturing the energy of the era. The halo of light in many of the candid concert shots is used to stunning effect. Also evident is the advent of his signature cinematic approach to still photography.

Comix enthusiast Bruce Pavitt's Sub Pop fanzine of the early-80s featured the work of cartoonists like Lynda Barry and Charles Burns. His commitment to the emerging "Seattle Sound' in this period led to the phenomenal success of bands like Nirvana, Soundgarden, Mudhoney and others — all of whom released early recordings on his fledgling Sub Pop record label.

Notable horror writer Wilum Hopfrog Pugmire, editor of seminal Seattle zine Punk Lust, pictured here between low brow art collectors Marlow Harris and Jo David.

A rare public appearance by Art Chantry, perhaps the most influential graphic designer of his generation. He helped develop the aesthetics associated with grunge.

Look at this line up of kickass kuties: artist Lisa Petrucci, tattooist Sunny Buick visiting from Paris, and their art dealer extraordinaire Kirsten Anderson of Roq la Rue.

You can view the Peterson exhibition, and pick up the companion book, through July 5 at Fantagraphics Bookstore & Gallery. See you all soon.

Daily OCD: 5/13-5/16/11

mike

The Online Commentary & Diversions hamster wheel started spinning a little too fast, but I think I've got it back under control now:

• Feature: For Largehearted Boy's "Book Notes" feature, Wilfred Santiago creates a musical playlist for 21: The Story of Roberto Clemente: "Golden age animation has been a big influence on my work and the graphic novel itself is very musical. It would be interesting to see the shape that it would take as a feature film. So here is what the 21 soundtrack would sound like."

(The following links are via the Largehearted Boy link above:)

• Review: "The graphic novel [21] is a beautifully wrought Clemente collage, following the hitter from the impactful events of childhood through his career as a Pirate and up to his untimely death. While there were several poignant dramatic through lines, the book’s strength lies in its brilliant visuals, which far outweigh its strictly biographical content. In addition to his many other notable qualities, like his humanitarianism and his greatness as a player, Clemente was a beautiful man, with a striking physicality. Drawing on this aesthetic truth, Santiago stuns and heightens it, with an imaginative and dramatic illustrative style, with its palette of Pirates yellow, and orange and black. The oral tradition of myth-making is put into visual form here." – Ted Walker, Pitchers & Poets

• Review: "The comic book biography is alive and well in 21: The Story of Roberto Clemente... In 21, Wilfred Santiago, who was also born in Puerto Rico, uses the language of comic books to tell the story of Clemente’s life as something like the arc of the hero’s journey or as a heroic epic.... 21 captures what made Clemente unique. However, Santiago uses the medium of the comic book in a unique way to tell the story of man who represents the best of us. [Grade] A-" – Leroy Douresseaux, I Reads You

• Review: "...I love a good graphic novel biography. Well as those of you who are familiar with the great baseball player and humanitarian that Roberto Clemente was already know, it would be hard to tell his story in any media and for that story not to be powerful. ...21 ... is a handsome production... [and] an... EXCELLENT graphic novel." – Ralph Mathieu, Ich Liebe Comics!

• Plug: "21: The Story of Roberto Clemente by Wilfred Santiago, a graphic novel by an illustrator and writer from Puerto Rico, received a nice write up in a recent issue of Sports Illustrated (linked here)... If we could only have found it at the book store. Sports shelves? Graphic novels? You give it a shot." – Tom Hoffarth, Los Angeles Daily News

• Review: "...Mattotti is an artist who is equally concerned with complex imagery and sharp storytelling — attention to that combination leads us to what makes Mattotti so great. Claudio Piersanti wrote a very crisp script for Stigmata, and Mattotti illuminates the story deftly, probably because he has a real appreciation for well told stories.... If one’s standard for great cartooning is drawing that tells a story without a shred of vagueness, Mattotti’s work on the events described above is thrilling in its virtuosity. But this is a work of art far more potent than a simple story well-told. Mattotti’s two extremes — that of high level storytelling and drawing that suggests unique emotions — exist side by side without any fuss." – Austin English, The Comics Journal

• Review: "While the core timeline of Freeway is only a few hours of frustration spent in traffic, Alex’s mind wanders through past fiction and reality, present fact, and fantasy. Kalesniko, who himself worked at Disney as an animator, designed his main character as an anthropomorphic dog. The result is a wistful, innocent, and somewhat naive protagonist who is coming to the realization that his childhood dreams aren’t quite turning out as he planned.... It is definitely worth the challenge of meandering through the crammed vehicles to reach those poignant moments of Alex’s life, moments many of us share in our own versions of our adult selves." – Ashley Cook, Giant Fire Breathing Robot

• Review: "Less able graphic novelists might scare themselves silly with the scope of this book, but Mark Kalesniko’s attention to detail in all aspects of his craft — the backgrounds, the emotional ranges of the characters and the slow but steady-paced urbane drama — blends the components together masterfully.... [Freeway] is deeply sophisticated and literary. It deals with humanity’s big questions – love, death, life, and what we do with our time. It’s funny, touching, heart-warming, tragic and very engaging." – Andy Shaw, Grovel

• Review: "Gilbert’s sketches actually give an insight into how he feels about his characters, and as a reader, I found myself understanding the characters a bit more, just by looking at his drawings.... The work in the ‘Jaime’ section is quite beautiful and well drawn, however, it does not give further insights into the ways in which Jaime sees his characters, or what he has planned for them... To sum up, Love and Rockets Sketchbook Volume 2 is pretty awesome." – Lisa Polifroni, lisaloves2read

• Interview: At Inkstuds, a 2008 conversation with Johnny Ryan conducted and with illustations by Josh Bayer: "It’s interesting that you bring it up because people always demand that artists deliver some sort of meaning and truth, and when that truth’s hideous they throw up their arms and get upset and have hurt feelings and it’s 'you’re ruining people’s lives.' There’s conflict; you want the art to be true, but don’t want to be shown stuff that makes you feel bad, you can’t make people feel good all the time, it's not true, the object is to make people feel something. There’s no rule that it has to be something good."

• Interview: The Daily Cross Hatch wraps up their serialization of the transcript of Brian Heater's MoCCA panel conversation with Peter Bagge: "I used to worry about what my peers thought. That’s a big mistake. Never worry about what your peers think, because then you always find out that they would have done it in a heartbeat. [Laughter] If you take anything away from this conversation, it should be 'fuck Dan Clowes.'"

• Feature: The Seattle Times' Marian Liu previews our Charles Peterson: Taking Punk to the Masses exhibit at Fantagraphics Bookstore & Gallery: "'I was wondering why this kid was bothering to take photos,' said Larry Reid, curator of the Fantagraphics show, of Peterson. Now, flipping through the photos, Reid remembers each scene as if it happened yesterday. Drawn to the energy of the music, Reid was a good decade older than many in the scene then. He shepherded the artists by promoting their shows and allowing them to play in his gallery's basement. 'I can recognize the artists by their shoes,' said Reid, looking through the photos."

• Plug: "For a reality check, I turned to a former Rolling Stone colleague and friend who always seemed to have a better line on all things cultural than anyone else around and a way of stating his position in a manner that set him apart, way apart, from other music writers — make that writers, period — of his time, and boy does he put today’s snarky music press to shame. This would be the late Paul Nelson... (Nelson’s life and work are getting their just due in September with the publication of a long-awaited, diligently researched biography by Kevin Avery, Everything Is An Afterthought: The Life and Writings of Paul Nelson. Full disclosure: Yours truly was among those Avery interviewed. But buy the book anyway.)" – David McGee, The Bluegrass Special

• Plug: "I’m in the process of reading an advance of Everything Is An Afterthought, Kevin Avery’s biography and selected works of the music critic Paul Nelson. Reading Nelson’s writing reminds me how of the role that he and other music critics of the time — our own John Swenson included — played in creating the myth of New York City for me." – Alex Rawls, OffBeat

• Plug: "The 63-page conversation between mad geniuses Al Jaffee and Michael Kupperman in the new issue of The Comics Journal" lands on the "Lowbrow/Brilliant" quadrant of New York magazine's "Approval Matrix"

• Plug: "Back in 2003, Lou Reed paid tribute to poet Edgar Allen Poe with his sprawling The Raven, which didn't exactly strike a positive chord with the many critics and fans at the time. Nevertheless, Reed will now be revisiting that album with a new illustrated book. The book, also titled The Raven, was made in collaboration with Italian illustrator Lorenzo Mattotti.... We originally called The Raven 'bizarre and thoroughly uneven.' We'll have to see if this new illustrated spin helps to make the entire album a bit more rewarding." – Alex Hudson, exclaim.ca

• Essay: Twilight of the Assholes cartoonist/writer Tim Kreider recounts his experiences with internet dating for Nerve

• Feature: Friday was the last day of Joyce Farmer's "Cartoonist's Diary" at The Comics Journal

• History: At Torontoist, Jamie Bradburn looks back to the 1954 debut of a little comic strip called Peanuts in the Toronto Telegram