Charles Peterson: Taking Punk to the Masses exhibition at Fantagraphics Bookstore & Gallery opening Saturday, May 14 with special guest Peter Bagge.
April 28, 2011 - Seattle, WA. As the Northwest's grunge generation examines the implications of their misspent youth, Fantagraphics Bookstore & Gallery is pleased to present "Charles Peterson: Taking Punk to the Masses." Inspired by the recent Fantagraphics book, Taking Punk to the Masses: From Nowhere to Nevermind, published in association with the acclaimed Nirvana exhibition at EMP, Peterson's photography show will focus on the seminal musicians and social milieu that evolved into a global youth movement. The show opens on Saturday, May 14 from 6:00 to 9:00 PM with a reception for the artist and a guest appearance by extraordinary Seattle cartoonist Peter Bagge, who chronicled the grunge counterculture in his comic book series Hate.
Charles Peterson's cinematic approach to photography captured the unrestrained enthusiasm of Seattle's punk environment throughout the 1980s and 90s. His exhibition will include influential early bands like the U-Men and 10 Minute Warning (with future Guns N' Roses member Duff McKagan), as well as audiences at local venues. Peterson's work is central to both EMP's Nirvana exhibit and the companion book, which documents the grunge scene from its inception with images, artifacts and oral histories provided by many of the participants (including Fantagraphics Bookstore's resident curator). His photography is the subject of several books and has been celebrated in galleries and museums worldwide. The exhibition at Fantagraphics Bookstore will give audiences an opportunity to see this remarkable artist in his formative period.
Peterson will be joined by legendary cartoonist Peter Bagge signing copies of the recently released Hate Annual #9 comic and Yeah! collection. Bagge's influential comic book serial Hate went beyond satire to help establish the attitude and aesthetics of the grunge era. In the latest issue, Hate protagonist Buddy Bradley returns to Seattle from his home in New Jersey so his wife Lisa can look after her ailing parents, once again mimicking the experiences of his readership. Making its debut is the Yeah! collection. Originally serialized on DC's imprint Homage, Yeah! tells the tale of an intergalactic all-girl pop group trying to make it big. Collaborating with artist Gilbert Hernandez of Love and Rockets fame, Bagge again hits his mark. According to Jane Wiedlin of the Go-Go's, "Reading Yeah! is a bit like reading my life story, as told in an alternative universe."
Adding to the atmosphere, Fantagraphics Bookstore's retail partners, Georgetown Records, will mount a related installation of vintage Seattle punk posters, records, and ephemera, alluding to a boutique record store of the grunge era. Russ Battaglia of Fallout Records & Skateboards fame will spin period platters. (Fallout was the site of an early Charles Peterson show, and a frequent hangout for artists and musicians.)
The evening will conclude with a concert at neighboring Mix nightclub with Bagge's pop combo Can You Imagine? featuring musician/producer Steve Fisk. The group highlights harmonies by Michelle Plaitis, Sue Merrill, and Rachel Frost, reflecting the imagined music of Yeah! They'll be joined by the return of the Capillaries, fronted by gifted cartoonist and musician Matthew Southworth (who will also be on hand at the bookstore to sign newly minted copies of the collected Stumptown from Portland publisher Oni). Also on the bill is Wormburner from Hoboken, New Jersey — Bagge's home prior to his move to Seattle. (New Jersey is also home to Buddy Bradley and Yeah!)
The festivities on May 14 coincide with the colorful Georgetown Art Attack featuring visual and performing arts presentations throughout the historic industrial arts corridor. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street (at Airport Way S.) Open daily 11:30 - 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
CHARLES PETERSON: TAKING PUNK TO THE MASSES
Opening reception Saturday, May 14, 6:00 - 9:00 PM
Special guest Peter Bagge premiering HATE ANNUAL 9 and YEAH collection
Concert by Can You Imagine?, Capillaries, and Wormburner follows at Buddy & Jay's Scrap Metal Emporium (AKA Mix), 6006 12th Ave. S.
Fantagraphics Bookstore & Gallery 1201 S. Vale Street (at Airport Way S.) Seattle, WA 98108 206.658.0110 Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM www.fantagraphics.com
The Georgetown Art Attack has become one of the region's most provocative cultural outings, as adventurous residents explore the delightfully rustic industrial arts corridor and discover aesthetic treasures at every turn.
Among the many highlights of the May 14 Art Attack installment: Taking Punk to the Masses, seminal Seattle grunge photography by Charles Peterson, joined by cartoonist Peter Bagge signing copies of his new Yeah!collection and Hate Annual #9 at Fantagraphics Bookstore & Gallery; a companion installation of vintage Seattle punk posters, records and ephemera at Georgetown Records followed by a concert with Bagge's combo Can You Imagine? featuring Steve Fisk, with the Capillaries and Wormburner from Hoboken, N J at the Mix; new work by Mark Takamichi Miller and students at the Miller School of Art; the Nautilus is celebrating its one year anniversary with a show of Kyle Abernathy's oil paintings, live music and a magician; a solo show of photomontages by Amie Stewart at Calamity Jane's; live music by Cold Cold Ground and guests at the Georgetown Trailer Park Mall together with a show of industrial jewelry by Sonja Albin at Lula B Lightning and "I Don't Know Shit" by mixed media artist Julie Trout at Frida Trailer Gallery; "Inky Spokes: Bicycle Inspired Art" by Aaron Asis, Deborah Scott, Greg Boudreau, Jethaniel Peterka, Nikki Mazzei, Soren O'Malley and Yvette Endrijautzki at All City Coffee; Krab Jab Studio celebrates a move to Studio 246 in the Origial Ranier Brewery complex, welcomes new member Sandra Everingham, and mounts a show by East Coast illustrator Jeff Menges with Mark Tedin, Julie Baroh, and Michael Hoppe; an opening reception for "One Act," new paintings by Michael McDevitt at Georgetown Arts & Culture Center; mixed media photographer Misha Hunting and experimental images by John Gerhard at Vecta Photo Studio & Gallery; Foto Bolivia, a group photography exhibition of daily life in the South American country at La Catrina; "This a Way and That," new works and limited edition prints by Mark LaFalce at Two Tartes Café; and, as always, much more.
Don't miss the colorful and boisterous Honk Fest West festival of unconventional marching band throughout Georgetown on the evening of Friday, May 13. So plan to spend your weekend in Seattle's outrageously unorthodox arts community. The Georgetown Art Attack is a monthly promotion of the Georgetown Merchants Association (www.georgetownmerchants.org). For a printable Art Attack map visit: www.georgetownartattack.com.
See that incredible logo at the top of this FLOG post? Designed by our one and only Jacob Covey, seen here with his lovely lady, Liz. It's hard to get Covey out these days, so SEATTLE, I HOPE YOU APPRECIATED IT.
I love what Seattle Twist wrote about our own Larry Reid so much, that I just wanna quote it here: "Mister Larry Reid — Seattle's own kulture chaos kingpin, curating/instigating collisions of art and xcitement in this town for the last three decades, and still ready to kick some 'sick-up-the-butt' art establishment attitude for years to come."AMEN.
You can check out more photos -- including some can't-miss shots of Krist Novoselic's shirt -- over at SeattleTwist.com! And if you missed opening night, don't worry, you have until 2014 to view the Nirvana exhibit at the EMP.
• Review: "Erotic, harrowing, graphically violent, and astonishingly grim, Love from the Shadows sees Hernandez plunging ever further into his own heart of darkness. [...] Every line is heavy with sadness, with the desire of the character, and the character within the character, and the artist, and the audience, to escape. But if there’s one message you can draw from Gilbert Hernandez’s comics, it’s that once you enter that cave, there’s no going back. Christ, what a fucking book." – Sean T. Collins, The Comics Journal
• Review: "Clearly Taking Punk to the Masses will appeal first and foremost to fans of Kurt Cobain, Nevermind, and everything Nirvana — but by placing this groundbreaking band within a cultural and historical context it becomes more than just another Nirvana book. In fact, you’ll be surprised at how much more there is between its covers, and the Nirvana artifacts are kept to a minimum. Instead, it tells the tale of underground American punk, the Seattle scene, and the grunge phenomenon. [...] Even if you haven’t had the chance to check out the EMP’s exhibit, ...Taking Punk to the Masses provides an intriguing visual and oral history of the generation that changed music — and the Northwest — for good." – Dan Coxon, CultureMob
• Review: "The undisputed king of the adventure comic strip was Roy Crane. [...] Suddenly faced with a whole new audience and a world newly at war, Crane created a new strip for Hearst, the exploits of a daring Navy pilot named Buz Sawyer, beginning in 1943. The result was one of the greatest adventure strips ever, the first two years of which have been collected in Buz Sawyer: The War in the Pacific. [...] The bright-eyed, steely resolve of Crane's generation shines in every panel, making it a refreshing bit of nostalgia as well as an exemplar of sequential art. [...] For history buffs and comic fans alike, Roy Crane's flyboy provides a great escape from 21st-century cynicism." – John G. Nettles, Flagpole Magazine
• Review: "It's called Popeye, Vol. 4: "Plunder Island"... and it's just as good and thrilling a mixture of low humor, high adventure, running gags, populist sentiment, brawling action, expressive drawing, and unforgettable characters as ever. [...] This is great stuff, and it's just as funny and enthralling as it was in the mid-30s when Segar was spinning it out, day by day, in the funny papers. Someone who can read Popeye and doesn't has no advantages to speak of over the mule, who cannot read Popeye." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review/Interview:ESPN.com's Jim Caple looks at 21: The Story of Roberto Clemente — "Santiago has a stunning, cinematic style, and 21 is filled with gorgeous illustrations that capture the power and grace of Clemente as no standard book of black and white type ever has or could. […] By appealing to all ages, 21 is a wonderful way to introduce younger readers to one of baseball's most important players and a great way to introduce older readers to the story-telling power and sophistication of graphic novels." — and talks to its creator, Wilfred Santiago: "Clemente's appeal is exactly what you see in 21. He had many sides but the story of a young person from a humble background going against the odds, overcoming obstacles and challenges, the struggles, anger, injustice, the loneliness, while not losing himself in the process, was compelling. On top of it, he did not conform to being an average athlete or human being but excelling as both. And he did it during one of the most volatile times in America. This is a story that spoke to me, and I couldn't pass. I also got to dip into baseball; it was a great experience dissecting the sport."
• Review: "While there was clearly a lot on his mind, Trondheim is still first and foremost a gag man. He imbues every page with his dry wit, creating an authorial voice that allows him to get away with all sorts of slapstick and nonsense (without seeming too silly), while also allowing him to write about personal and serious matters (without seeming too ponderous). In later years, Trondheim would return to autobio comics as a way to revive his interest in drawing, but he’s truly at the height of his powers in Approximate Continuum Comics." – Rob Clough, The Comics Journal
• Plugs: At Comic Book Resources, Alex Dueben's report from last weekend's MoCCA Festival includes praise for Peter Bagge & Gilbert Hernandez's Yeah! ("The book isn’t on sale yet, but this should be in demand by anyone who like all-ages comics and those who, when they read that it features a section penciled by Gilbert and inked by Jaime, know they need to own it") and Leslie Stein's Eye of the Majestic Creature ("charming and fabulous") as well as mentions of some of our other debuts
• Review: At Comix Cube Kevin Czap praises Steven Weissman's "Barack Hussein Obama" (seen here on our website and in Mome Vol. 21): "It actually reminds me of Wally Gropius in terms of the structure, which is not surprising given its appearance in MOME. One can only hope that the whole thing will get collected, at which point I predict it to be one of my favorite comics ever." (Via The Comics Reporter)
• Review: We almost missed this cartoon review by Casey Scieszka and Steven Weinberg at Unshelved Book Club: "…The Last Musketeer… is the epitome of everything we love about Jason: stunning color palette, insane and absurd plot, humor that sneaks up on you, his signature anthropomorphized animals, and surprisingly serious themes of authority, humanity, death, love, jealousy…"
• Profile: At Examiner.com, Gillian Gaar talks to editor/EMP curator Jacob McMurray about Taking Punk to the Masses: From Nowhere to Nevermind: "The book, as its title suggests, views Nirvana’s success as the culmination of the alternative rock scene that blossomed in America during the 1980s. 'That’s the bigger context in the exhibition as well,' McMurray explains. 'It is the story of Nirvana, but it's couched within what was happening throughout the Northwest, and throughout the US, from the rise of punk rock on. It’s the idea that there needs to be a sort of infrastructure in place for a band like Nirvana to even exist; that without all of these advances that had been happening in the underground by a dozen different bands, Nirvana would have never happened.'"
• Interview:Comic Book Resources' Chris Mautner talks to Gilbert Hernandez about Love from the Shadows and the other "Fritz B-Movie" books: "The Fritz series frees me of any obligation to be a do-gooder cartoonist, something most regular L&R readers probably don't want to hear. I felt straight jacketed with 'Palomar' and the like after a while, really. I have a lot more going on in my imagination than I'm expected to utilize." Further reading: at CBR's Robot 6 blog, Sean T. Collins comments on the interview
• Feature: At the Drawing Words & Writing Pictures blog, Best American Comics series co-editors Jessica Abel & Matt Madden spotlight two stories from Mome Vol. 13 as 2010 Notable Comics: Abel picks Dash Shaw's "Satellite CMYK" — "Dash Shaw just keeps popping up in our 'can’t miss' pile. [...] Beyond being a good story, the formal element of using color (and black and white) as a storytelling tool is very unusual and makes this work a standout." — and Madden picks Josh Simmons's "Jesus Christ": "The storytelling is fluid and dynamic, and Simmons’s ability to convey the enormity of the monster is bracing. Simmons deliberately mixes elements from different mythologies to defy any obvious reading. In the end, all we have before us is this escstatic Kali-Godzilla-Centaur with a halo of fire and a title to provoke us."
Seattle's Experience Music Project is hosting festivities all weekend to launch their ambitious Nirvana exhibition and companion book Taking Punk to the Masses, published by Fantagraphics in association with EMP. The celebration begins with a private reception, followed by a members preview, this Friday evening with celebrity DJs including Fantagraphics friends Steve Fisk, Mark Pickerel, and Charles Peterson. Activities continue all weekend, including a panel on the origins of grunge at 2:30 on Saturday, with panelists including Peterson and former Fantagraphics frontman Tom Price, moderated by curator and the book's author Jacob McMurray.
The EMP exhibition focuses on Nirvana, while the book takes a broader view of Seattle's grunge counterculture, primarily through artifacts and oral histories provided by many of the principals of the movement. It reads like a chronicle of my misspent youth. (I'm quoted on Page 1 along with Kurt Cobain of Nirvana, Wayne Kramer of the MC5, and Mike McCready of Pearl Jam.) Every page reveals another fascinating step in an evolving punk subculture that would eventually alter the course of popular music worldwide. Who would've guessed at the time? Not me.
It's appropriate that Fantagraphics published this document. Comix played an important role in shaping the attitude and aesthetics of Seattle's grunge movement. I often compare Seattle in the late 80s and early 90s to San Francisco in the mid-60s. Like the hippie movement in the Bay Area, the Northwest had distinctive rock music, poster graphics, and fashion (or anti-fashion) sensibilities. We also had an army of talented and perceptive alternative cartoonists to disseminate the emerging scene, none more influential than Peter Bagge. The book establishes that many Fantagraphics artists, friends and future employees were central to the development of Seattle's domination of the counterculture of the era.
I commissioned this poster by Weirdo and Real Stuff contributor Ashleigh Talbot (formerly Ashleigh Raffloer, AKA Triangle-Slash) for a 1988 show I promoted with the U-Men, a legendary proto-grunge outfit. This bill included famed illustrator Ed Fotheringham's Thrown Ups featuring Mark Arm on drums. Mark and Ed are pictured prominently in Peterson's cover photo for the book. Both Mark and Tom Price of the U-Men would later work for Fantagraphics. Tom is playing guitar with the U-Men on the announcement for Peterson's May 14 show at Fantagraphics Bookstore below.
The Nirvana exhibition at EMP continues through 2014. To supplement the EMP show, Fantagraphics Bookstore & Gallery will mount an exhibition of seminal work by accomplished Seattle photographer Charles Peterson opening May 14. He will be joined by Peter Bagge signing copies of Hate Annual #9 (featuring Buddy's return to Seattle) and the Yeah! collection. The show will be followed by a concert by Bagge's band Can You Imagine? featuring Steve Fisk on keyboards. You should just move to Seattle. OK?
Catching up on several days' worth of Online Commentary & Diversions:
• List/Plugs: In an article titled "Fantagraphics: The Greatest American Comics Publisher," GUY.com's Rob Gonsalves says "What the Criterion Collection is to DVDs, Fantagraphics is to comics. Any self-respecting collection of graphic novels, any library public or personal, needs to sport at least one Fantagraphics book," and recommends a nicely idiosyncratic top-20 list of our publications which includes some of our more obscure releases
• Review: "While there definitely were some hardships, Clemente’s life was as unique and joyful as his persona and ball playing skills were, and Wilfred Santiago’s 21: The Story of Roberto Clemente reflects this uniqueness and joy through its own unique retelling of Clemente’s life. [...] The simple joy conveyed in this book is universally appealing... Baseball is a game that is full of life and story, and every year the game blooms in the spring with the trees and flowers of the season. 21: The Story of Roberto Clemente celebrates life, and new life, as much as it does baseball." – Andy Frisk, Comic Book Bin
• Interview: Pittsburgh City Paper's David Davis, who says "In his new graphic novel 21: The Story of Roberto Clemente, the author of 2002's In My Darkest Hour uses Clemente's life to explore issues on and off the diamond. These include the thorny politics of Puerto Rico (statehood or commonwealth status?) as well as the racism Clemente faced in America as a dark-skinned Latino. The result is both a superhero cartoon and a lyrical time-machine, rendered in the regal black-gold-and-white of the Bucs' uni," has a brief Q&A with Wilfred Santiago: "I began my career working on superhero cartoons. That's the look I wanted to get -- somewhere between a cartoon and a painting. I wanted to get the camera right there with him and you're experiencing the action up close."
• Review: "Slavishly documenting and lavishly illustrating through band flyers and set lists and rare record sides and marvelous photography, along with first-person textual accounts, this strange, excited dialogue between misfits in America through bands, venues, zines, and lives and how it was all done punk and how punk was done. [...] Taking Punk to the Masses’ gallant bridging of universal punk history with our own in Ecotopia is a reason to celebrate. Your eyes can gnaw on decades of delicious artwork while you read and watch stories you may have heard of, but after this, will never forget." – Chris Estey, The KEXP Blog
• Review: "In Hate Annual #9, Buddy returns to Seattle to meet the dysfunctional family of his wife Lisa who he has never met despite having been with Lisa for close to 20 years. In a tension-filled 72 hours, Buddy is subjected to senile parents, criminals, and drug addicts. Each page is filled with the sardonic humor and high drama that are staples of Bagge's work. [...] Read this issue slowly because once you're done laughing your head off, you are sure to be sad that you'll have to wait another year to check in with one of the best characters of alternative comics." – Rip Ransley, Stray Riffs
• Review: "The particular fascination in this early work [The Arctic Marauder] is seeing one of the unique individual styles in cartooning at a formative stage. [...] As for the subject matter: It’s an example of parody that continues on when the thing parodied has long faded away. [...] Part of the appeal is feeling superior to an earlier age, and another part is being engaged in the traces of the earlier form embedded in the parody, which you would normally feel yourself too sophisticated to enjoy." – R. Fiore, The Comics Journal
• Plug: "At once a parody and a tribute to late 19th, early 20th century mystery/adventure Jules Verne-esque fiction, this gorgeous one-shot [The Arctic Marauder] is masterfully drawn scratchboard style, as to echo the woodcuts of the era. The result is sumptuous, and look at those elegant art-nouveau panels! [...] Fans of concentrated mysteries, steam-operated machines, dramatic adventures and over-the-top vilains should be all over this!" – 211 Bernard (Librairie Drawn & Quarterly)
• Review: "With Woodring’s skill, I never found myself confused, at least, more than you’re supposed to be. I’ve never read a statement by Woodring saying this, but I always got the impression he wanted you to work for the meaning behind his stories. Even if it’s not the case, I highly enjoy the process. In one graphic novel [Weathercraft], I got what I think may have been a love story, a treatise on spiritual enlightenment and sometimes just a whole lot of fun." – Joe Keatinge, Joe Keatinge's Comics & Stories
• Review: "Weathercraft... [is a]nother volume of nightmarishly beautiful wordless comics by the remarkable Mr. Woodring. Even for those accustomed to his work, there is page after page that makes you say, 'I’ve never seen anything like that before!' And then hide under your bed." – M. Ace, Irregular Orbit
• Interview:Book By Its Cover's Jen Rothman, who says "Ray Fenwick has created yet another masterpiece. His second book, Mascots, hit shelves in the beginning of this year and it’s quite a beauty. It’s filled with his signature style that mixes ornate hand lettering and imagery, creating amusing little narratives," has a Q&A with Ray: "I thought of the idea of mascots because they’re these outrageous, often ridiculous figures, but they’re symbolic of something else. The thing they’re there to represent isn’t ridiculous at all. I thought that was similar in a lot of ways to the work in the book."
• Interview:One Two One Two Microphone Check has a cultural Q&A with our own Kim Thompson: "There is no movie I love but would be embarrassed to talk about in a serious, intellectual conversation, because if I love it, it is worth talking about by definition. (I concede this could be taken as arrogant.) That said, I am mildly embarrassed at how much I actually love Love, Actually."
• Interview: Alex Dueben's great interview with Daniel Clowes at Comic Book Resources touches on Dan's design work for our upcoming series of Crockett Johnson's Barnaby collections: "It's probably the best written comic strip of all time. The artwork is disarmingly simple. It's the kind of thing that I would normally not be attracted to. He uses typography instead of hand lettering and very simple diagrammatic drawings, yet they are perfect, and work beautifully in a way that anything added to it would detract from it. My goal with the design of the book is to follow his very severe minimal design style and try to live up to that."
• Interview: At TCJ.com, Sean T. Collins also talks to Clowes: "I was always baffled that people who liked mainstream comics seemed to really gravitate towards [Eightball #22]. I couldn’t quite figure out what it was about that one, specifically, that made them like that so much."
• Commentary:Tim Kreider pens an essay on the state of the cartooning industry for TCJ.com: "When you’re young, it’s exciting and fun just to have your work published in the local alternative weekly, or posted online, “liked” and commented on and linked to; but eventually you turn forty and realize you’ve given away a career’s worth of labor for nothing. What’s happening in comics now is what happened in the music industry in the last decade and what’ll happen to publishing in the next. Soon Don DeLillo will be peddling T-shirts too."
• Commentary:Robot 6 polled Gilbert Hernandez for their weekly "What Are You Reading?" feature: "The new comics I always enjoy are by R. Crumb, Dan Clowes, Richard Sala and Charles Burns. I haven’t seen Burns’ and Sala’s new books yet but I did read The Bible by Crumb, which I found tedious only because of the subject matter and Wilson by Clowes. That was hard to get through because the protagonist is so supremely hateful. Well executed, though."
Taking Punk to the Masses: From Nowhere to Nevermind visually documents the explosion of Grunge, the Seattle Sound, within the context of the underground punk subculture that was developing throughout the U.S. in the late 1970s and 1980s. This musical journey is represented entirely through the collection of Experience Music Project, Seattle’s museum of music and popular culture, pulling from a permanent archive of over 800 filmed oral history interviews and 140,000 artifacts – instruments, costumes, posters, records and other ephemera – dedicated to the pursuit of rock ’n’ roll.
Featuring over 100 key artifacts from EMP’s collection, Taking Punk to the Masses illustrates the evolution of punk rock from underground subculture to mainstream embrace. These artifacts are put into context by the stories of those that lived it: Mudhoney’s Mark Arm, Devo’s Mark Mothersbaugh, Hüsker Dü’s Grant Hart, Beat Happening’s Calvin Johnson, X’s Exene Cervenka, Sub Pop founders Bruce Pavitt and Jonathan Poneman, Black Flag’s Henry Rollins, Screaming Trees’ Mark Lanegan, Blondie’s Chris Stein, Nirvana’s Krist Novoselic, Dinosaur Jr’s J Mascis, Soundgarden’s Kim Thayil, and nearly 100 others.
Tracing a lineage from “Louie Louie” to the rise of Grunge with Nirvana, Soundgarden, Pearl Jam, Alice in Chains and Mudhoney, Taking Punk to the Masses is the first visual history of one of America’s most vibrant music scenes, as told by its participants and seen through the surviving artifacts.
About the DVD:
Over the past 15 years, Experience Music Project has amassed over 800 filmed oral history interviews with musicians, producers, club owners, fans, and others associated with every genre of music. These interviews, along with the museum’s massive artifact collection, form the basis for every exhibition. The exhibition Nirvana: Taking Punk to the Masses includes footage from over 100 interviews. A selection of those interviews are included in a DVD, exclusive to the Taking Punk to the Masses book.
• Review: "Luminous really is the right word for the visuals here [in R.I.P.: Best of 1985-2004]: Their pure-white-on-pure-black construction makes every line and reverse-negative shading — carved out with scalpel precision — practically shine forth from the glossy black and white pages. Like Charles Burns’s inks or Drew Friedman’s stippling, Thomas Ott’s scratchboard work is art to be marveled at as much as read." – Sean T. Collins, The Comics Journal
• Review: "This initial collection is the perfect means of discovering or rediscovering Crane’s second magnum opus — spectacular, enthralling, exotically immediate adventures that influenced generations of modern cartoonists, illustrators, comics creators and storytellers. Buz Sawyer: War in the Pacific ranks as one the greatest strip sequences ever created: stirring, thrilling, funny and moving tale-spinning that is unforgettable, unmissable and utterly irresistible." – Win Wiacek, Now Read This!
• Review: "Deitch is one of the great originals of comics: wordy and discursive, but always compelling, with a detailed pen-and-ink style that incorporates a thousand grotesques while remaining essentially sunny and full of wonders. [...] Simply put, it's lovely to be in a world that not only contains a Kim Deitch, but celebrates him and lets him continue to create stories like [The Search for Smilin' Ed]; his continued career is almost enough to make me believe in his wilder flights of fancy." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: "Tardi created this sucker in 1974, and it’s amazing how modern and even slightly avant-garde [The Arctic Marauder] looks today. Man, those Frenchies can do some cool comics, can’t they?" – Greg Burgas, Comic Book Resources
• Plug:NME reports on EMP's upcoming Nirvana: Taking Punk to the Masses exhibit and mentions our accompanying Taking Punk to the Masses book
• Plug:Portable Grindhouse is the current Staff Pick of Strand Books' Miguel S.: "A deliciously low brow collection of VHS covers that should be in every artist or movie buff's bookcase. Witness in these pages gloriously smutty, cheesy art from days when one had to rewind your movies before returning them to the video store or face a $2 fine! Nostalgia indeed!"
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