• Review: "If Spielberg shed the skin of Hergé’s style in an effort to get to the heart of his stories, the compelling work of Dutch cartoonist Joost Swarte performs the procedure in reverse.... Swarte, equally inspired by the underground comix that emerged from the American counterculture of the 1960s and ’70s, adapted the clear line and reanimated it with subversive content unlike the perennially chipper Boy Scoutism of Hergé’s Tintin. ...Is That All There Is?, collecting the bulk of his comics oeuvre to date (excluding a body of children’s comics), provides an overdue opportunity to linger over and consider his narrative work.... Like a Rube Goldberg machine designed according to De Stijl aesthetics—with a rhythm and blues soundtrack—Swarte’s comics communicate a historically freighted, European sense of the absurd, poised toward a globalizing, postmodern present." – Bill Kartalopoulos, The Brooklyn Rail
• Review: "The real joy of Swarte’s work... is the architectural elegance of his illustrations and his fine ability to colour them using everything from watercolour to retro duo-tones. Looking at Swarte’s mostly 20th century work [in Is That All There Is?] now, what’s also — and tangentially — interesting is the retro-futuristic look of it: the settings are near-future, but everything’s styled circa the 1940s, much in the same way Ridley Scott imagined the future in Bladerunner. For sheer design swagger you need to check Swarte out." – Miles Fielder, The List
• Review: "These stories [in Athos in America] are a little less open-and-shut than Jason usually makes. His comics are always good, but I usually don't think about them too much after reading them. This one's more of a think stimulator than previous books.... It's a beautiful book. This is definitely Jason's best book yet. Good job, Jason." – Nick Gazin, VICE
• Interview:Chicago Publishes has an interview with Mome contributor Laura Park: "I’m really happy with the stories I did for MOME. I love short stories. Novels are the format now — it’s a selling format. You can have graphic novels in a bookstore, because non-comics people might buy them. Whenever you can get a comic from the comic shop into a bookstore, it’ll make more money. But short stories are kind of magical to me. My favorite writer is Flannery O’Connor. She has novels, but her short stories are the ones that linger and itch away through you."
• Review: "Nearly every cover in this collection [Action! Mystery! Thrills! Comic Book Covers of the Golden Age 1933-45] sizzles like a good slice of breakfast bacon. Pop art and the peculiar modernist aesthetic that defined postwar American culture really started here, with the liberation of comics from the funny pages and their metamorphosis into this most dynamic and demented of mediums. As a result, every deli and newsstand in America became its own peculiar gallery exhibit, a nexus of transient mass culture. This magical and immersive communion is now a thing of the past, but flipping through the gory, scary, and often beautiful pages of this discerning and honest anthology is an intoxicating experience." – Publishers Weekly
• Review: "If you think you've seen all the best early comic covers, this'll make you think again.... I have a bias here myself...I helped Greg put parts of this together, with rare and fun covers from my own collection. Here you find the really cool and offbeat stuff... And Greg writes a concise bio of every cover and cover artist, putting each in perspective. I can't wait to show this to my Golden Age collecting buddies, it's a must-have book. You have my word on it." – Bud Plant
• Review: "...[N]o publisher has done more to preserve the Great American Newspaper Strip than the Seattle-based Fantagraphics, which has undertaken an audacious program of reprints in the last decade.... The most recent addition to the Fantagraphics line is the most anticipated: Walt Kelly’s unassailable funny-animal strip about Pogo the possum and his cadre of friends and antagonists in the Okefenokee Swamp. ...[I]f the company can pull off a complete edition of Kelly’s masterpiece — especially a full series as lovely as the first volume promises — ...it will be a publishing masterpiece of its own." – Matthew Everett, MetroPulse
• Review: "Is Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 the coolest book ever published? Yes, it is. Just out from the stellar Seattle publisher Fantagraphics, Listen, Whitey! is a gorgeously designed and smartly written coffee table book... Author Pat Thomas has done major archeological work to unearth albums from the era; for people like me who love classic record designs from the 1960s and ’70s, it’s heaven.... The book is a joy to leaf through.... Black music, art, and culture has been assimilated, and it’s made America a better, stronger place. Listen, Whitey! is an archival project, not a modern one. To which I, a white guy, can only say: Right on!" – Mark Judge, The Daily Caller
• Review: "The page in [The Cabbie Vol. 1] where the cabbie brings his father’s sewage covered remains home and puts them in what’s left of the coffin and then puts the coffin on top of his mother’s recently deceased body tells you everything you need to know. Unless you’re a Prince Valiant dude, this is the best reprint of the year. Impregnable would be the best word, EXCELLENT! will have to do." – Tucker Stone, Savage Critics
• Review: "Prince Valiant Vol. 4: 1943-1944 is not only a great book, I think it could also serve well as a good jumping-on point for those curious about the strip. By this point Foster has gotten a strong grip on his characters and the format of the strip, and with a new storyline beginning so early on in this volume you don’t have to worry about being lost. And while this volume doesn’t end at a conclusion for the last storyline (running a whopping 20 months in all, as it turns out, only the first 7 months are present here), there’s so much meat here that you’ll be eager for Prince Valiant Vol. 5 so you can find out how it ends. I, for one, can’t wait." – Greg McElhatton, Read About Comics
• Review: "Are you a fan of Ghost World? You might not have noticed that Seattle-based Fantagraphics has reduced the price of their Ghost World: Special Edition to a bargain-priced $25.... The Special Edition is packed with goodies sure to thrill the Ghost World geek.... It’s a great item to add to your Ghost World collection — or to get it started." – Gillian Gaar, Examiner.com
Leslie Stein gives you an illustrated and photo-documented glimpse into her life all this week for the latest Cartoonist's Diary feature at TCJ.com. Her self-portrait in the style of Sam Henderson is worth the price of admission alone.
• Review: "...Young Romance: The Best of Simon & Kirby’s Romance Comics isn’t just a book of some minor historical interest; it’s a genuinely entertaining and artful set of comics, and in some ways more readable than Simon and Kirby’s adventure stories.... Simon’s plots deal with jealousy, class conflict, mistaken identity, selfishness, and selflessness — the romance staples — while Kirby’s art makes these tales of passion and deceit especially dynamic, with deep shadows and a mix of the glamorous and the lumpen. ...Simon and Kirby... depict[ed] a world of darkness and heavy emotion, inhabited by clean-looking people in pretty clothes." – Noel Murray, The A.V. Club
• Review: "Though not a novel per se, The Life and Death of Fritz the Cat does tell a story of sorts, about Crumb’s evolution as an artist, from the mild-mannered greeting-card designer who drew cheeky doodles in his spare time, to the prickly satirist who’d use Fritz as a way to comment on the sick soul of the ’60s and his own at-times-unwieldy success." – Noel Murray, The A.V. Club
• Review: "Nuts wasn't action-packed or boldly satirical. Just the opposite, in fact -- it was subtle and thoughtful, with what I'm guessing was a heavy autobiographical element on the part of Mr.Wilson.... You might not have grown up when Wilson did, or when the [National Lampoon] was published, or when I first read these strips years ago, so the details have changed. But I'm willing to bet the emotions our hero felt remain almost exactly the same, no matter what generation is reading about him. And, of course, Gahan Wilson's cartooning is what makes the strips special." – Will Pfeifer, X-Ray Spex
• Review: "There are few collections of comics that you can truly describe as 'beautiful art'; however, Fantagraphics’ series of Prince Valiant trades is absolutely stunning to look at and is easy to write flattering things about, because it is so flattering for a reader’s eyes to behold Foster’s artwork crisp, clear, and huge in all its splendor. The fourth volume of Prince Valiant, which collects all the Sunday pages in full color from 1943 to 1944, is just wonderful, whether you are 4 or 94; it is a totally engrossing experience to dive into the world of the adventurous prince on these pages." – Drew McCabe, ComicAttack.net
• Interview:The Comics Reporter's Tom Spurgeon talks with Zak Sally about his new self-published, self-printed collection of Sammy the Mouse: "I've gotten out three issues of Sammy in five years, and in that five years I've had two kids, I've been married. My life has changed extraordinarily. That's just the way art works, you know. I was doing issue #2 -- maybe #3, I can't remember -- and there was stuff going on in my life. Six months later I look at that issue and I was like, 'Oh my sweet God.' It was absolutely reflective of what had been going on at the time, and I was completely unaware of it. I just think that's part of it, and that's the way it works."
• Interview: At Nummer 9, Erik Barkman has a Q&A (in Danish) with Johan F. Krarups (editor Matthias Wivel describes it as a "commentary track") about his contribution to the Kolor Klimax: Nordic Comics Now anthology
• Plug: Heidi MacDonald of The Beat looks forward to Jaime Hernandez's God and Science: Return of the Ti-Girls: "We can’t help but think that all of the people calling for great superhero stories featuring women will find Ti-Girls a masterpiece, as well, an entire superhero universe made up of nothing but superheroines of various shapes and sizes. It’s jaunty Jaime to be sure, but even so probably one of the best superhero stories of the last decade."
• Plug: "Fantagraphics is still the gold standard for classy newspaper strip collections. I’m afraid people are getting jaded now about how the wonderful Peanuts volumes are chugging right along year after year, but it’s worth pointing out that they continue to be everything anyone could ever want from an archive edition. What’s more, Fantagraphics followed it up with these new Floyd Gottfredson Mickey Mouse collections." – Greg Hatcher, Comic Book Resources
• Plug: Found this nice nugget in Laura Hudson's interview with Chris Onstad at ComicsAlliance: "Jim Woodring is great, and is one of those people who will honestly admit to you that, 'Yeah, my brain's a little f**ked up.' His comics are sort of a manifestation of his brain. It works for him. He's a really wonderful guy. He has this big three-story place with big, gothic abbey rope hanging in front of the front door. The rope rings a little bell to let you know that someone's at the door. One time it rings in the foyer so his wife opens the door, and there's this little cat there that came in from the road. So they let the cat in, shut the door, and we all go about our night. Then we watched Popeye for two hours. That's Jim. And he does all of his work based on hallucination. None of it's set in reality. Uncanny things that make me feel strange happen [in his comics]."
• Analysis: Jordan Hurder, Chance Press examines the collaborations between Jacques Tardi and Jean-Patrick Manchette: "Tardi is a fantastically celebrated cartoonist who has been at the forefront of the industry in France for 35 years. In contrast to his slow burn, Manchette shot out ten crime novels over the course of ten years, redefined and reinvigorated the French crime novel, became hugely influential, and died of cancer in the 1990s.... The compatibility between the two artists is uncanny; maybe a better critic could point out exactly why in just a few words, or maybe it’s one of those matchups that works without needing explanation." – Jordan Hurder, Chance Press
• Commentary:Gary Groth remembers Christopher Hitchens in "My Dinner with Hitch" at The Comics Journal
• History: Speaking of our dear leader, David Hine presents some scans from an issue of Gary's pre-Fantagraphics fanzine, Fantastic Fanzine (hat tip to Dan Nadel at TCJ.com)
• List:Love and Rockets: New Stories #4 lands at #4 on Comic Book Resources' Top 100 Comics of 2011, with Chris Mautner saying "The hype and acclaim surrounding Jaime Hernandez's conclusion to his 'Love Bunglers' saga has been overwhelming, and every ounce of it is deserved. This is simply a phenomenal achievement in comics. I'd be hard pressed to think of a better comic that came out this year," and Sean T. Collins saying "...[L]et's add to the chorus praising Jaime's 'The Love Bunglers' as one of the greatest comics of all time, the point to which one of the greatest comics series of all time has been hurtling toward for thirty years.... You can count the number of cartoonists able to wed style to substance, form to function, this seamlessly on one hand with fingers to spare. A masterpiece."
• List: At Popdose, Johnny Bacardi lists his favorite comics of 2011, including Love and Rockets: New Stories #4: "Jaime didn’t need the last couple of issues of L&R:NS to make his already stellar rep, but I’d think these stories will be revered and referred to for decades to come. Don’t mean to downplay Gilbert’s contributions — they’re as solid as ever — but the last couple of issues have been Jaime’s masterpieces and are absolutely essential if you’ve ever cared for Ray, Maggie, Hopey or any of these characters for the last three decades, and a hell of a good read even if you are unfamiliar with them except by reputation." (Richard Sala's The Hidden and Wilfred Santiago's 21: The Story of Roberto Clemente merit Honorable Mentions.)
• List: Ed Sizemore names his Top 10 Manga of 2011 at Manga Worth Reading, with Wandering Son by Shimura Takako at #2: "Words fail me when trying to describe the beauty and artistry of this manga. The genius of this series is that Takako doesn’t focus on how 'strange and unusual' transgender people are, but rather how ordinary."
• Review: "Being in the band is an aspiration held by many a young girl, and for a lucky few, a reality. Peter Bagge envisioned this world in zealous delight with his graphic novel Yeah!... As a long time fan of Hernandez’s Palomar and Love & Rockets, it was a real treat to see his familiar drawing style across the pages of Yeah! Hernandez has a knack for conjuring up Dan DeCarlo (of Archie fame), with his own unique zany twist.... Readers are in for a wild ride as they follow the band’s intergalactic adventures. Old school comic fans, pop music lovers, and alien aficionados will enjoy Yeah! – it’s even Comics Code approved." – Marie Penny, The Hub (ALA/YALSA)
• Review: "In the seventh issue of his own, glamorously titled Tales Designed to Thrizzle, Kupperman’s got more mockery in store.... Kupperman’s highs are surrealism and satire melting together, and those highs in this issue is a riff on Tales from the Crypt that specifically targets the terrorizing world of baths, and a McGruff the Crime Dog equally as grim. The main adventure is Jack Klugman in his Quincy shoes tumbling down the rabbit hole of allusions new and old. Humor-wise, that focused quest is more spontaneity than surrealism and satire. But that’s the only complaint." – Zack Kotzer, Newsarama
• Commentary: At Robot 6, Chris Mautner presents a reader's guide to the work of Jessica Abel as part of his "Comics College" series
• Commentary: Tom Spurgeon's interview with The Comics Journal and Robot 6 contributor Chris Mautner at The Comics Reporter is a highly recommended read, and not just because of all the love and shout-outs Mautner throws our way
• Review: "Uncut, uncensored and politically incorrect – these tales are from an alternate Disney universe, where Mickey is a red-blooded, two-fisted adventurer; they are fun to read and a delight to view. Gottfredson’s comics are as classy, funny and as slick as the Disney shorts from the same period. And as usual, co-editor David Gerstein provides a plethora of 'bonus materials'... A fine package, a full meal, and a perfect follow-up to volume 1, Walt Disney’s Mickey Mouse Vol. 2: Trapped on Treasure Island fills a gap long-neglected in animation history. Buy it." – Jerry Beck, Cartoon Brew
• Review: "I think I’ve been waiting for this book my entire life.... At long last the complete Pogo has been compiled, lovingly, ...in the miraculous new hardcover, Pogo: The Complete Syndicated Comic Strips, Vol. 1: Through the Wild Blue Wonder. Buy this book.... Kelly’s drawings are just magnificent, and his sophisticated writing style was far ahead of its time. Its time has come – and Fantagraphics has gone out of its way to ensure the best possible copies of these rare strips were found, restored and preserved perfectly here for all time... A great gift for anyone – especially you." – Jerry Beck, Cartoon Brew
• Review: "Walt Kelly’s Pogo... is justifiably hailed as one of the great achievements of the postwar comic strip. In theory, it belongs to the 'funny animal' genre; in practice, it was a personal, whimsical combination of comedy and mood, dressed in linguistic wordplay and laced with sociopolitical satire.... This wonderful first volume of a projected 12-volume series contains the strip’s first two official years (plus its early pre-syndication stint in a single New York paper), with the Sundays reproduced in color, and with Kelly’s topical references annotated by scholar R.C. Harvey.... I salute this launch... [Rating] 9/10" – Michael Barrett, PopMatters
• Review: "Small wonder that Jonathan Lethem modeled Chronic City’s protagonist on [Paul] Nelson: Nelson’s bohemian eccentricities... make his biography a more gripping read than the criticism that makes up [Everything Is an Afterthought]’s second half.... In the end, Nelson’s best epitaph comes from a sprawling essay that portrays the writer as a hermeneutic gumshoe hired to suss out the meaning of Dylan’s oeuvre: 'I know we need people like you because a world filled with romantics would be a disaster, but a world without them would be worse.'" – Jonah Wolf, The College Hill Independent
• Review: At The Factual Opinion, Tucker Stone examines The Comics Journal #38 (from 1978). A highlight: "Kim Thompson gets to review the Spider-Man television special and one of the Hulk television movies. He likes the Hulk one more than the Spider-man one, but then, he doesn't like the Spider-man one at all. (It sounds really fucking weird.) He's also really ticked off about Stan Lee re-writing the comic strip Spider-man's origin to better match the television show. Fists are shaken!" (Incidentally, this seminal issue is considered one of the magazine's historic best by both Kim Thompson and the bloggers of Love & Maggie.)
• Profile: Alec Berry of West Virginia University's The Daily Athenaeum introduces its readers to Fantagraphics in an article on independent comics publishers: "These innovative works could be characterized as dramatic, journalistic or satirical. Really, what happened was Fantagraphics stepped up and presented the thoughtful analysis that could be done on comics by publishing the trade magazine The Comics Journal, and Fantagraphics published the actual work that inspired the thought."
What could be more festive than a cake decorated with the cover of The Comics Journal #301 (featuring artwork from Robert Crumb's Genesis)? This gorgeous edible monstrosity was procured by TCJ's Matt Silvie for the Thanksgiving festivities chez Groth. Photos by Jacq Cohen.
This week's comic shop shipment is slated to include the following new title. Read on to see what comics-blog commentators and web-savvy comic shops are saying about it (more to be added as they appear), check out our previews at the link, and contact your local shop to confirm availability.
32-page two-color 8.5" x 11" comic book, with jacket • $7.95 Part of the Ignatz Series
"Kevin Huizenga has blessed us all with another issue of Ganges, totally unexpected and entirely wonderful. Let's not disappoint him." – Chris Butcher, The Beguiling
"...Ganges #4 seems to me to be the obvious choice for the $15 and under crowd, continuing everyman Glenn Ganges’ attempts to get some shuteye. This time he attempts to find a really dull book and the results are hugely entertaining." – Chris Mautner, Robot 6
"I’ve been waiting for this one awhile, and glad to see it. $7.95 might seem like a lot for a 32 page book, but Huzienga’s craft really makes it worth it. It’d also be an ideal palette cleanser in case I read some unexpectedly bad books." – Chris Arrant, Robot 6
"I think the third issue of Kevin Huizenga’s series was either at the top of my list of favorite comics of last year, or at least very near the top, so this is one of my most anticipated releases not just for this week, but probably this year." – J.K. Parkin, Robot 6
"...Ganges #4 from Fantagraphics... has crept across this land’s shops like a heart attack down the spine of an insomniac; $7.95. Spooky." – Joe McCulloch, The Comics Journal
"Every single thing that Kevin Huizenga does is a must-have for me. This is a continuation of the insomnia storyline." – Tom Spurgeon, The Comics Reporter
"Great fun as always from Kevin, he certainly knows how to spin a yarn out of almost nothing." – Jonathan Rigby, Page 45
Congratulations to the great Stan Sakai, whose wonderful Usagi Yojimbo series reaches its milestone 200th issue (#141 of its current Dark Horse incarnation) this week!
And if you're picking up the big Someday Funnies book from Abrams ComicsArts this week, be sure to snag yourself a copy of The Comics Journal #299, which chronicles the long, strange history of this decades-in-the-making anthology.
• Review/Interview: "Leslie Stein is a pretty lady who made a comic [Eye of the Majestic Creature] in which she is a cute/gross little humanoid with eyes that are like coins and a best friend who is a guitar. Her comical alter ego is named Larry Bear and her guitar's name is Marshy. They live in a house in a field, but it's pretty clear that almost everything they experience is some joked-up fantasized autobiographical story. It's hard to know what's based on reality and what isn't, and which characters are based on real folks and which are just supposed to be Leslie's internal feelings personified.... Leslie's work communicates an urban loneliness that I relate to a lot, seeing as we live in the same place. It's cute and sad and familiar, especially if you're 30 or under." – Nick Gazin, who also talks to Leslie at Vice: "I think for the most part she represents the lighter side of my personality. I'm happy when I'm drawing and I hope that comes across through her on the page, in whatever situation she is in. She dresses a bit weirder than I do, so that's fun. I'm not really a shy person, but I feel like I'm constantly embarrassing myself. She doesn't have that self-consciousness."
• Review: "Post-apocalyptic stories tend to be grim, but The Hidden is very dark indeed.... The book feels like a modern-day gothic horror. The survivors are metaphors for humanity, with a heroic few battling an onslaught of monsters, human or otherwise. Humanity is on the brink of extinction, and still people bring out the worst in one another.... Sala’s illustration is compelling... ★★★★ [out of 5]" – Grovel
• Review: "[Kevin] Avery’s book, Everything Is an Afterthought: The Life and Writings of Paul Nelson, is an admirably unorthodox construction that starts with a bracing 180-page biography of Paul followed by a 265 page collection of Nelson’s music writing, primarily that from the seventies focusing on the artists he was particularly drawn to.... What’s impressive about Avery’s biographic half of the book is that he’s produced both an intimate personal bio and a comprehensive professional bio as well. He’s talked to virtually everyone who Nelson inspired or mentored in rock criticism starting in the latter half of the sixties and into the Rolling Stone years. These knuckleheads are a who’s who of American rock criticism, God help us." – Joe Carducci (SST Records, Rock and the Pop Narcotic), The New Vulgate
• Review: "I was looking forward to this new book [Setting the Standard] a/ because it's Alex Toth and b/ because it reprints 60 stories, Toth's entire contribution to the catalogue of a long defunct publisher whose material we rarely see reprinted.... Toth's work has long been admired for its distilled simplicity of black and white design, but these early pages fizz and bubble with life.... The book under discussion is from Fantagraphics, with the original printed pages restored in all their colours by Greg Sadowski, who put the whole package together with extensive notes..." – Eddie Campbell (via The Comics Reporter)
• Plugs: Brian Ralph's choices for his guest contribution to Robot 6's weekly "What Are You Reading?" column include Captain Easy Vol. 2 by Roy Crane ("It’s a fun combination of action and laughs. Sometimes very serious and other times very cartoony, in both story and art style. I just love the way Roy Crane draws these goons. And the colors! The palettes are unusual and beautiful.") and Setting the Standard: Comics by Alex Toth 1952-1954 ("I’ll read one of these [stories] before I go to bed. I like that in a short page count he quickly develops a rich story and twilight zoney twist. Sometimes it’s a bizarre romance or horror story with a stunning conclusion. They’re a fun read.")
• Review: "Brief but witty dialogue and black humor come together in a brutal satire of deception, torture and the death penalty. This comic is a good comedy that combines the sense of adventure and intrigue of Jason's comics, his 'tempo' and narrative tone, with a trio of protagonists who I came to appreciate in very few pages. Emotion, gags, surprises, and an ending that you do not expect. Isle of 100,000 Graves is an original and very enjoyable read that keeps Jason as a safe bet in the shopping cart. Between tenderness and cruelty, of course the contribution of writer Fabien Vehlmann to the Norwegian cartoonist's particular universe could not have been more successful." – Alita News (translated from Spanish)
• Review: "Warm-hearted, deceptively heart-wrenching, challenging, charming and irresistibly addictive, Love and Rockets: New Stories is a grown up comics fan’s dream come true and remains as valid and groundbreaking as its earlier incarnations — the diamond point of the cutting edge of American graphic narrative." – Win Wiacek, Now Read This!
• Interview:The Comics Reporter 's Tom Spurgeon talks to backbone Mome contributor T. Edward Bak about his experience at Boomfest in St. Petersburg, Russia: "There were so many things going on. There were people interested in all of the presentations. They took place over four or five hours, in three or four different centers. A lot of artists were there. For these kinds of presentations, it was other artists attending. It was like APE: you have people that are making comics or are interested in making comics."
• Interview: At The Comics Journal, Matt Seneca enjoys a studio visit and thoughtful discussion with Gary Panter: "That’s one of the games that modern art plays: where does it go, and what does it affect by trying to go? And so, usually in fine art, you’re making a kind of pregnant or puzzling object, or some object that has presence and which calls to people, hopefully. It arrests them for a second and various things happen, whereas in a comic, I want people lying in bed reading it. I want people lying in bed and reading it, and you forget you’re reading it, and you go in the story, and you’re like, 'Whoa! What happened?' And you either remember it or you don’t."
• Review: "Ganges #4 is the Godfather Part II of comics about insomnia: the rare sequel that tops the already excellent original.... Here he returns to the sleeplessness well, but this time around Glenn’s mental avatar remains relatively stationary (though Glenn himself does plenty of wandering around the Ganges family manse), allowing Huizenga to instead burrow down deep into some of the most unpleasant sensations a bored and overtired brain is able to conjure. Folks, he does this so well.... The... comic maintains [a] dizzying blend of writing and drawing power, with alarmingly familiar sensations reproduced, and stop-and-marvel visual effects created, on nearly every page." – Sean T. Collins, The Comics Journal
• Review: "When did The Comics Journal get so freakin' fat? Weighing in at one and a half pounds, this 624 page sucker features more of what you love (or hate) about comics criticism: long, detailed interviews and reviews that will take you days to read." – Chris Auman, Reglar Wiglar
• Review: "Dave McKean’s art never fails to amaze me... At one point, as she goes deeper and deeper into the film, the woman encounters a fourteen-breasted being, and they have sex. McKean mixes images of real fruit with his drawings and color to create sexual images that are as fresh as they are startling. I’ll never look at a fig, a pear, or a red tomatillo the same way again. ...I think [Celluloid] would make a good paper anniversary gift." – Gene Ambaum, The Unshelved Book Club
• Review: "In Ghost World, Daniel Clowes doesn’t romanticize the teenage experience or show teenage girls as sweet and idealistic. His portrayal is raw, cynical, and honest, often hitting the nail on the head.... It’s an excellent portrayal of alienation, especially teenage alienation. Even when Enid and Rebecca aren’t being nice, they’re still understandable. This graphic novel is very funny, but it’s also very sad, and sometimes it’s both at the same time.... Though it’s only 80 pages long, this graphic novel still manages to leave a deep impression." – Danica Davidson, Graphic Novel Reporter
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