The most recent ramblin' Online Commentaries & Diversions:
•Commentary:ABC News and Amy Bingham picked up a few quotes by a partial interview online by Gary Groth with Maurice Sendak. The full interview will be published in The Comics Journal #302 in December: “Bush was president, I thought, ‘Be brave. Tie a bomb to your shirt. Insist on going to the White House. And I want to have a big hug with the vice president, definitely."
•Commenary:MSNBC's Kurt Schlosser also writes on Maurice Sendak's TCJ #302 interview. In the article, associate publisher Eric Reynolds is also quoted, "[Sendak] was at the point in his life where he clearly didn't give a damn about propriety; he could speak his mind and clearly enjoyed provocation. I see these comments as part and parcel of his personality, not as a legitimate, actionable, treasonous threat."
•Review:The Washington Times takes a close look at Mr. Twee Deedle, edited by Rick Marschall. The long-forgotten artwork of Johnny Gruelle inspired writer Michael Taube: "Mr. Twee Deedle’s world is, quite simply, a series of innocent tales in a fantasyland that any child - and many adults - would have loved to experience, if but for a short while."
•Plug:The Frank Book by Jim Woodring gets a nice staff recommendation on theHarvard Book Store site. Craig H. says, "[Frank] takes us on his adventures through the psychedelic terrain of “The Unifactor,” a universe alive with rich pen-width and symmetrical, flying devices.
•Plug (audio): In the first few minutes of podcast Bullseye with Jesse Thorn, Angelman is recommended. Comics journalist Brian Heater of the Daily Crosshatch says, "it's Sergio Aragonés meets David Foster Wallace. . . about a little red winged superhero and his powers are good listening and empathy."
Late last year Gary Groth interviewed the recently-departed Maurice Sendak for the forthcoming next issue of The Comics Journal (#302, due toward the end of this year). At TCJ.com, Gary shares the story of how his encounter with Sendak came together along with a sneak peek of a few choice snippets from the interview.
• Plug: "Listen, Whitey!is the largest collection of Black Power recordings, and the only book of its kind. Even if you’re not that much into social history or political music, the rock and soul rabble rousing and poetic preachers and extrapolative urban players here are exciting to listen to, and the artwork accompanying it in both the CD booklet and the full book is extraordinary." – The KEXP Blog
• Review: "If Spielberg shed the skin of Hergé’s style in an effort to get to the heart of his stories, the compelling work of Dutch cartoonist Joost Swarte performs the procedure in reverse.... Swarte, equally inspired by the underground comix that emerged from the American counterculture of the 1960s and ’70s, adapted the clear line and reanimated it with subversive content unlike the perennially chipper Boy Scoutism of Hergé’s Tintin. ...Is That All There Is?, collecting the bulk of his comics oeuvre to date (excluding a body of children’s comics), provides an overdue opportunity to linger over and consider his narrative work.... Like a Rube Goldberg machine designed according to De Stijl aesthetics—with a rhythm and blues soundtrack—Swarte’s comics communicate a historically freighted, European sense of the absurd, poised toward a globalizing, postmodern present." – Bill Kartalopoulos, The Brooklyn Rail
• Review: "The real joy of Swarte’s work... is the architectural elegance of his illustrations and his fine ability to colour them using everything from watercolour to retro duo-tones. Looking at Swarte’s mostly 20th century work [in Is That All There Is?] now, what’s also — and tangentially — interesting is the retro-futuristic look of it: the settings are near-future, but everything’s styled circa the 1940s, much in the same way Ridley Scott imagined the future in Bladerunner. For sheer design swagger you need to check Swarte out." – Miles Fielder, The List
• Review: "These stories [in Athos in America] are a little less open-and-shut than Jason usually makes. His comics are always good, but I usually don't think about them too much after reading them. This one's more of a think stimulator than previous books.... It's a beautiful book. This is definitely Jason's best book yet. Good job, Jason." – Nick Gazin, VICE
• Interview:Chicago Publishes has an interview with Mome contributor Laura Park: "I’m really happy with the stories I did for MOME. I love short stories. Novels are the format now — it’s a selling format. You can have graphic novels in a bookstore, because non-comics people might buy them. Whenever you can get a comic from the comic shop into a bookstore, it’ll make more money. But short stories are kind of magical to me. My favorite writer is Flannery O’Connor. She has novels, but her short stories are the ones that linger and itch away through you."
• Review: "Nearly every cover in this collection [Action! Mystery! Thrills! Comic Book Covers of the Golden Age 1933-45] sizzles like a good slice of breakfast bacon. Pop art and the peculiar modernist aesthetic that defined postwar American culture really started here, with the liberation of comics from the funny pages and their metamorphosis into this most dynamic and demented of mediums. As a result, every deli and newsstand in America became its own peculiar gallery exhibit, a nexus of transient mass culture. This magical and immersive communion is now a thing of the past, but flipping through the gory, scary, and often beautiful pages of this discerning and honest anthology is an intoxicating experience." – Publishers Weekly
• Review: "If you think you've seen all the best early comic covers, this'll make you think again.... I have a bias here myself...I helped Greg put parts of this together, with rare and fun covers from my own collection. Here you find the really cool and offbeat stuff... And Greg writes a concise bio of every cover and cover artist, putting each in perspective. I can't wait to show this to my Golden Age collecting buddies, it's a must-have book. You have my word on it." – Bud Plant
• Review: "...[N]o publisher has done more to preserve the Great American Newspaper Strip than the Seattle-based Fantagraphics, which has undertaken an audacious program of reprints in the last decade.... The most recent addition to the Fantagraphics line is the most anticipated: Walt Kelly’s unassailable funny-animal strip about Pogo the possum and his cadre of friends and antagonists in the Okefenokee Swamp. ...[I]f the company can pull off a complete edition of Kelly’s masterpiece — especially a full series as lovely as the first volume promises — ...it will be a publishing masterpiece of its own." – Matthew Everett, MetroPulse
• Review: "Is Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 the coolest book ever published? Yes, it is. Just out from the stellar Seattle publisher Fantagraphics, Listen, Whitey! is a gorgeously designed and smartly written coffee table book... Author Pat Thomas has done major archeological work to unearth albums from the era; for people like me who love classic record designs from the 1960s and ’70s, it’s heaven.... The book is a joy to leaf through.... Black music, art, and culture has been assimilated, and it’s made America a better, stronger place. Listen, Whitey! is an archival project, not a modern one. To which I, a white guy, can only say: Right on!" – Mark Judge, The Daily Caller
• Review: "The page in [The Cabbie Vol. 1] where the cabbie brings his father’s sewage covered remains home and puts them in what’s left of the coffin and then puts the coffin on top of his mother’s recently deceased body tells you everything you need to know. Unless you’re a Prince Valiant dude, this is the best reprint of the year. Impregnable would be the best word, EXCELLENT! will have to do." – Tucker Stone, Savage Critics
• Review: "Prince Valiant Vol. 4: 1943-1944 is not only a great book, I think it could also serve well as a good jumping-on point for those curious about the strip. By this point Foster has gotten a strong grip on his characters and the format of the strip, and with a new storyline beginning so early on in this volume you don’t have to worry about being lost. And while this volume doesn’t end at a conclusion for the last storyline (running a whopping 20 months in all, as it turns out, only the first 7 months are present here), there’s so much meat here that you’ll be eager for Prince Valiant Vol. 5 so you can find out how it ends. I, for one, can’t wait." – Greg McElhatton, Read About Comics
• Review: "Are you a fan of Ghost World? You might not have noticed that Seattle-based Fantagraphics has reduced the price of their Ghost World: Special Edition to a bargain-priced $25.... The Special Edition is packed with goodies sure to thrill the Ghost World geek.... It’s a great item to add to your Ghost World collection — or to get it started." – Gillian Gaar, Examiner.com
Leslie Stein gives you an illustrated and photo-documented glimpse into her life all this week for the latest Cartoonist's Diary feature at TCJ.com. Her self-portrait in the style of Sam Henderson is worth the price of admission alone.
• Review: "...Young Romance: The Best of Simon & Kirby’s Romance Comics isn’t just a book of some minor historical interest; it’s a genuinely entertaining and artful set of comics, and in some ways more readable than Simon and Kirby’s adventure stories.... Simon’s plots deal with jealousy, class conflict, mistaken identity, selfishness, and selflessness — the romance staples — while Kirby’s art makes these tales of passion and deceit especially dynamic, with deep shadows and a mix of the glamorous and the lumpen. ...Simon and Kirby... depict[ed] a world of darkness and heavy emotion, inhabited by clean-looking people in pretty clothes." – Noel Murray, The A.V. Club
• Review: "Though not a novel per se, The Life and Death of Fritz the Cat does tell a story of sorts, about Crumb’s evolution as an artist, from the mild-mannered greeting-card designer who drew cheeky doodles in his spare time, to the prickly satirist who’d use Fritz as a way to comment on the sick soul of the ’60s and his own at-times-unwieldy success." – Noel Murray, The A.V. Club
• Review: "Nuts wasn't action-packed or boldly satirical. Just the opposite, in fact -- it was subtle and thoughtful, with what I'm guessing was a heavy autobiographical element on the part of Mr.Wilson.... You might not have grown up when Wilson did, or when the [National Lampoon] was published, or when I first read these strips years ago, so the details have changed. But I'm willing to bet the emotions our hero felt remain almost exactly the same, no matter what generation is reading about him. And, of course, Gahan Wilson's cartooning is what makes the strips special." – Will Pfeifer, X-Ray Spex
• Review: "There are few collections of comics that you can truly describe as 'beautiful art'; however, Fantagraphics’ series of Prince Valiant trades is absolutely stunning to look at and is easy to write flattering things about, because it is so flattering for a reader’s eyes to behold Foster’s artwork crisp, clear, and huge in all its splendor. The fourth volume of Prince Valiant, which collects all the Sunday pages in full color from 1943 to 1944, is just wonderful, whether you are 4 or 94; it is a totally engrossing experience to dive into the world of the adventurous prince on these pages." – Drew McCabe, ComicAttack.net
• Interview:The Comics Reporter's Tom Spurgeon talks with Zak Sally about his new self-published, self-printed collection of Sammy the Mouse: "I've gotten out three issues of Sammy in five years, and in that five years I've had two kids, I've been married. My life has changed extraordinarily. That's just the way art works, you know. I was doing issue #2 -- maybe #3, I can't remember -- and there was stuff going on in my life. Six months later I look at that issue and I was like, 'Oh my sweet God.' It was absolutely reflective of what had been going on at the time, and I was completely unaware of it. I just think that's part of it, and that's the way it works."
• Interview: At Nummer 9, Erik Barkman has a Q&A (in Danish) with Johan F. Krarups (editor Matthias Wivel describes it as a "commentary track") about his contribution to the Kolor Klimax: Nordic Comics Now anthology
• Plug: Heidi MacDonald of The Beat looks forward to Jaime Hernandez's God and Science: Return of the Ti-Girls: "We can’t help but think that all of the people calling for great superhero stories featuring women will find Ti-Girls a masterpiece, as well, an entire superhero universe made up of nothing but superheroines of various shapes and sizes. It’s jaunty Jaime to be sure, but even so probably one of the best superhero stories of the last decade."
• Plug: "Fantagraphics is still the gold standard for classy newspaper strip collections. I’m afraid people are getting jaded now about how the wonderful Peanuts volumes are chugging right along year after year, but it’s worth pointing out that they continue to be everything anyone could ever want from an archive edition. What’s more, Fantagraphics followed it up with these new Floyd Gottfredson Mickey Mouse collections." – Greg Hatcher, Comic Book Resources
• Plug: Found this nice nugget in Laura Hudson's interview with Chris Onstad at ComicsAlliance: "Jim Woodring is great, and is one of those people who will honestly admit to you that, 'Yeah, my brain's a little f**ked up.' His comics are sort of a manifestation of his brain. It works for him. He's a really wonderful guy. He has this big three-story place with big, gothic abbey rope hanging in front of the front door. The rope rings a little bell to let you know that someone's at the door. One time it rings in the foyer so his wife opens the door, and there's this little cat there that came in from the road. So they let the cat in, shut the door, and we all go about our night. Then we watched Popeye for two hours. That's Jim. And he does all of his work based on hallucination. None of it's set in reality. Uncanny things that make me feel strange happen [in his comics]."
• Analysis: Jordan Hurder, Chance Press examines the collaborations between Jacques Tardi and Jean-Patrick Manchette: "Tardi is a fantastically celebrated cartoonist who has been at the forefront of the industry in France for 35 years. In contrast to his slow burn, Manchette shot out ten crime novels over the course of ten years, redefined and reinvigorated the French crime novel, became hugely influential, and died of cancer in the 1990s.... The compatibility between the two artists is uncanny; maybe a better critic could point out exactly why in just a few words, or maybe it’s one of those matchups that works without needing explanation." – Jordan Hurder, Chance Press
• Commentary:Gary Groth remembers Christopher Hitchens in "My Dinner with Hitch" at The Comics Journal
• History: Speaking of our dear leader, David Hine presents some scans from an issue of Gary's pre-Fantagraphics fanzine, Fantastic Fanzine (hat tip to Dan Nadel at TCJ.com)
• List:Love and Rockets: New Stories #4 lands at #4 on Comic Book Resources' Top 100 Comics of 2011, with Chris Mautner saying "The hype and acclaim surrounding Jaime Hernandez's conclusion to his 'Love Bunglers' saga has been overwhelming, and every ounce of it is deserved. This is simply a phenomenal achievement in comics. I'd be hard pressed to think of a better comic that came out this year," and Sean T. Collins saying "...[L]et's add to the chorus praising Jaime's 'The Love Bunglers' as one of the greatest comics of all time, the point to which one of the greatest comics series of all time has been hurtling toward for thirty years.... You can count the number of cartoonists able to wed style to substance, form to function, this seamlessly on one hand with fingers to spare. A masterpiece."
• List: At Popdose, Johnny Bacardi lists his favorite comics of 2011, including Love and Rockets: New Stories #4: "Jaime didn’t need the last couple of issues of L&R:NS to make his already stellar rep, but I’d think these stories will be revered and referred to for decades to come. Don’t mean to downplay Gilbert’s contributions — they’re as solid as ever — but the last couple of issues have been Jaime’s masterpieces and are absolutely essential if you’ve ever cared for Ray, Maggie, Hopey or any of these characters for the last three decades, and a hell of a good read even if you are unfamiliar with them except by reputation." (Richard Sala's The Hidden and Wilfred Santiago's 21: The Story of Roberto Clemente merit Honorable Mentions.)
• List: Ed Sizemore names his Top 10 Manga of 2011 at Manga Worth Reading, with Wandering Son by Shimura Takako at #2: "Words fail me when trying to describe the beauty and artistry of this manga. The genius of this series is that Takako doesn’t focus on how 'strange and unusual' transgender people are, but rather how ordinary."
• Review: "Being in the band is an aspiration held by many a young girl, and for a lucky few, a reality. Peter Bagge envisioned this world in zealous delight with his graphic novel Yeah!... As a long time fan of Hernandez’s Palomar and Love & Rockets, it was a real treat to see his familiar drawing style across the pages of Yeah! Hernandez has a knack for conjuring up Dan DeCarlo (of Archie fame), with his own unique zany twist.... Readers are in for a wild ride as they follow the band’s intergalactic adventures. Old school comic fans, pop music lovers, and alien aficionados will enjoy Yeah! – it’s even Comics Code approved." – Marie Penny, The Hub (ALA/YALSA)
• Review: "In the seventh issue of his own, glamorously titled Tales Designed to Thrizzle, Kupperman’s got more mockery in store.... Kupperman’s highs are surrealism and satire melting together, and those highs in this issue is a riff on Tales from the Crypt that specifically targets the terrorizing world of baths, and a McGruff the Crime Dog equally as grim. The main adventure is Jack Klugman in his Quincy shoes tumbling down the rabbit hole of allusions new and old. Humor-wise, that focused quest is more spontaneity than surrealism and satire. But that’s the only complaint." – Zack Kotzer, Newsarama
• Commentary: At Robot 6, Chris Mautner presents a reader's guide to the work of Jessica Abel as part of his "Comics College" series
• Commentary: Tom Spurgeon's interview with The Comics Journal and Robot 6 contributor Chris Mautner at The Comics Reporter is a highly recommended read, and not just because of all the love and shout-outs Mautner throws our way
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!