A healthy helping of Online Commentary & Diversions:
• List: At The Manga Curmudgeon, David Welsh writes "So you’re among the legion of people who are grateful to Fantagraphics for their recently announced manga initiative, to be curated by Matt Thorn. Who isn’t? I know I am. And you may want to express that gratitude by buying something that Fantagraphics has published. If your comics interests rest primarily in titles from Japan, you may not have sampled other works published by Fantagraphics, so here are some books for your consideration."
• Review: "Amazingly, I was sucked in by the whole enterprise, laughing and groaning and shaking my head. ... It’s scarcely what I would call 'elegant in its simplicity' but with subject matter like this photo-realistic art and emotional weight aren’t called for. These are ugly characters in a gross situation, and Prison Pit treats them with all the indulgence and nastiness needed." – Mark Hale, The Bureau Chiefs
• Review: "Taken as a whole, Newave presents a portrait of an era that might otherwise be overlooked as a vital link between, say, Zap and Eightball. ... [T]he book is a veritable treasure trove of material that would otherwise have been lost to the ages. And, perhaps most importantly, it’s a hell of fun read." – Brian Heater, The Daily Cross Hatch
• Pre-review: At Trouble with Comics, Alan David Doane takes a look at our preview sampler galley of the forthcoming Stephen Dixon story collection: "What Is All This, based on my reading of this short and enticing preview, looks to be one of the most exciting and intriguing fiction releases of the decade. That I’ve only had a chance to read less than a quarter of its 450 pages is maddening, and thrilling. I can’t wait to read the rest of what Dixon has in store."
• Opinion: At The Comics Journal, Shaenon Garrity's reaction to our manga publishing news and appreciation of Moto Hagio is a must-read: "Is there an animated gif of a unicorn with the head of Jason Shiga devouring the universe and exploding? Because that might just about express the awesomeness of this development."
• Staff: Selections from the forthcoming anthology The Last Vispo, co-edited by our own Nico Vassilakis, will be on exhibit at the Common Ground Art Gallery in Windsor, Ontario, opening this Saturday, March 13 — more info from Crg Hill or on the Facebook event invitation (above example by Dirk Krecker)
"In June, Fantagraphics Books will publish a collection of Norman Pettingill’s work. Comic fans may remember that Robert Crumb published some of Pettingill’s cartoon drawings in Weirdo in the mid-’80s. The idea of publishing an entire book collecting Pettingill’s work was first broached to me by Johnny Ryan, a Pettingill fan (and the cartoonist behind Angry Youth Comics and Prison Pit), a few years ago. The John Michael Kohler Arts Center in Sheboygan, Wisconsin, is the repository for most of Pettingill’s work, and agreed to help us put together a book. Johnny wrote a brief appreciation; R. Crumb loved Pettingill’s work and wrote a brief introduction. But, so little is known about Pettingill himself that I felt the book required a short biography of the man — so I wrote one."
Read the rest of Gary's intro, and the biography itself, starting here.
Series editor/curator/translator Matt Thorn speaks out on his blog, providing a bit of background and a few more details about the two inaugural releases, Moto Hagio's A Drunken Dream and Other Stories and Shimura Takako's Wandering Son Vol. 1. Be sure to bookmark Thorn's blog for ongoing updates on the project. Meanwhile, The Comics Journal's Dirk Deppey, who was instrumental in bringing the project to fruition, uses his ¡Journalista! pulpit to reveal much more information and background about the line. Both links are must-reads for anyone interested in this project.
We also want to point out that the cover images that we've posted and sent out, as lovely as they are, are still works in progress by Fantagraphics art director Adam Grano and will likely be revised before the final releases.
Various other blogospheric reaction and commentary:
• Icarus Publishing honcho Simon Jones has some great commentary, including: "Fantagraphics’ taste for artistic, compelling, quality comics, and the expertise of Thorn makes for an inspiring combination; Fantagraphics is a risk taker, with faith in art and willingness to see difficult projects through, while Thorn has the knowledge necessary to comb through and make sense of Shogakukan’s immense catalog."
• Review: "Dash Shaw seems set to become a name to be reckoned with in comics... [The Unclothed Man in the 35th Century A.D.] is a wonderful introduction to Shaw’s work, and should certainly find its way into the hands of those craving more." – Grovel
• Review: "I'm so glad I started reading this series and can't wait to catch up. Usagi Yojimbo is that rare breed of animal comic that works for me, blending Sakai's cartoon style with a story that would not be out of place in Lone Wolf and Cub. Fans of comics set in historical Japan should definitely check this out. You'll be glad you did. I think it would also be a good fit for manga fans looking to try a non-Japanese comic. I enjoyed this book a lot, and look forward to reading more." – Panel Patter
• Review: "Yet another reason to love Fantagraphics is their meticulous sequential collections of classic newspaper strips such as... Hank Ketcham’s Dennis the Menace. This volume collects the strips from 1961 - 1962 in a huge 654-page volume. What has always stood out about the Dennis the Menace strips is that they were single panel cartoons. It takes an incredible level of talent write a single panel cartoon and Ketcham was one of the best. ... Truly a delight that has lost none of its humor in fifty years. Grade A" – Tim Janson, The Gouverneur Times
• Review: "...Ho Che Anderson's Sand & Fury... [is] a slightly twisty tale of sex, serial killers, and the supernatural, told very stylishly in black, white, and red. Blood and shadows therefore get a lot of play across Anderson's desolate southwestern landscapes; and although his lines can be thick and blocky, his figures evoke a good bit of emotion. There's a lot of nudity, a whole lot of violence, and so the plot can be boiled down to a very simple level: revenge, good vs. evil, etc. However, Anderson's anonymous main character, and the people she befriends, are more than just nominally sympathetic. I feel like I'm not doing the book justice, because it is a very raw tale, full of death and sex, and I liked it a lot." – Tom Bondurant, Robot 6
• Plug: "King creator Ho Che Anderson has a brand new Scream Queen book, Sand & Fury. Ho's work always looks good, and I'm personally pretty happy to see this one..." – Chris Butcher, The Beguiling
• Interview: At Robot 6, Tim O'Shea talks to Ho Che Anderson about the new Special Edition of King ("That’s one thing I wish I could have done more of, slashing dialog, rewriting more of it, but at a certain point you gotta let it go. (Yes, George Lucas, I am talking about you.)") and his new graphic novel Sand & Fury ("To me, sex and horror or sex and violence seem to go naturally together. They seem to stem from the same twisted areas of our psyches. What scares us can often arouse us, sometimes despite ourselves, and vice versa.")
• Profile:CNN's Bob Greene pays tribute to Bill Mauldin on the occasion of the release of Mauldin's commemorative US postage stamp this month: "Mauldin, and his work, meant so much to the millions of Americans who fought in World War II, and to those who had waited for them to come home. He was a kid cartoonist for Stars and Stripes, the military newspaper; Mauldin's drawings of his muddy, exhausted, whisker-stubbled infantrymen Willie and Joe were the voice of truth about what it was like on the front lines." (hat tip to Walt Simonson)
Presidents Day does not stop the Online Commentary & Diversions:
• Review: "In Hernandez’s hands, [The Troublemakers] unspools on the page like a Russ Meyer production, from the in-your-face nudity, right down to the cartoony violence played for laughs. ...[I]t sure is fun." — Rod Lott, Bookgasm
• Review: "Even if I finally accepted that [Sublife Vol. 2] did not answer any of my questions from the first volume... I still admired the growth in Pham’s work on display between the two volumes. Volume 2 shows a terrific range, beginning a Clowes-like opening series of strips about a murderous blogger with an under-read blog that shows a biting wit not on display in the first volume. The tour de force of the volume is the second piece, which picks up (for those paying incredibly scrupulous attention) on a deep space adventure from the inside covers of Volume 1. Here Pham lets his instincts for architectural design sense take off in a trippy sequence that is pure pleasure to look at. ... In some ways — in many ways actually — the first two volumes of Sublife evoke memories of the early volumes of Acme Novelty Warehouse [sic]. And that could be a very good thing." – Jared Gardner, The Comics Journal
• Review: "...I am delighted to report that The Great Anti-War Cartoons offers an impressive showcase of political cartooning. Many of its contributors have never had their work reprinted with as much care. Even the most well-informed reader will stumble across pieces they have never seen or names they have never heard of." – Kent Worcester, The Comics Journal
• Review: "[There are] ...a number of strong stories to be found here [in Mome Vol. 17], and a number of rewards to be gained by those who were following serials like Paul Hornschemeier’s 'Life With Mr. Dangerous' or the second chapters of the stories done by Renee French and Ted Stearn." – Rob Clough, The Comics Journal
• Interview:Newave! The Underground Mini Comix of the 1980s editor Michael Dowers talks to Robot 6's Tim O'Shea: "I want people to see that if you believe in something hard enough and never give up that you can get somewhere in life. Here is a group of creative types who couldn’t take no for an answer and made their own world of comics."
• List:The Comics Journal's R.C. Harvey names Sam's Strip ("because its spoof of comic strip cartooning is a joy to behold and because it has been so long awaited") and Humbug ("because, like Sam’s Strip, we’ve waited so long for a reappearance and because of the exquisite care Fantagraphics took in making the copies of the magazine’s pages as exact as possible") as two of the Best Reprints of 2009
• Review: "...[T]he handful of short stories [in The Unclothed Man in the 35th Century A.D.] represent great leaps in, or at the very least previously unseen examples of, [Shaw's] innovative approach to comics coloring, as well as some inventive storytelling techniques." – Christopher Allen, Comic Book Galaxy
• Analysis: At PopMatters, Oliver Ho explores the resonances between Gipi's Wish You Were Here #2: They Found the Car and the classic noir film Out of the Past: "It’s as though the story is trying to invert noir’s cliches. For example, Gipi avoids flashbacks, where Out of the Past is built on them. In this respect, the comic feels like a distilled, even-harder-boiled noir story."
During our recent inventory count at our storied and labyrinthine warehouse, we discovered additional copies of several items thought to be sold out and unavailable for weeks, months — or years! Grab these gems while you can before they run out again — quantities are limited!
• Review: "It’s weird and it’s different and it immediately showed me that Ganges #2 is not what I thought it was. I was expecting mopey autobio, a distant cousin of Blankets with better artwork, and instead got something that was well worth the hype. ...It’s a comic about people and how they interact, held high by shockingly good art. The first ten pages show that Huizenga can do some amazing things with storytelling and the rest of the book shows his strong grasp of body language and how to make talking heads interesting." – David Brothers, 4thletter!
• Tunes:Zak Sally provides a soundtrack playlist for Like a Dog to Largehearted Boy, who says of the book "Sally is incredibly inventive, these cartoons differ in theme greatly, but all come together through his dark, foreboding illustrations. This volume is worthwhile alone for the two editions of Sally's Eisner Award nominated comic, The Recidivist, but the additional works offer a glimpse into this talented artist's evolution (as do the copious notes included in the collection)."