Gary Groth just emailed me some copy regarding the forthcoming 300th issue of The Comics Journal and I simply want to run it verbatim, because it sounds pretty damn great:
We paired established, influential creators with rising stars and asked them to talk about the changes the comics medium has been going through during the eventful 33 years of the Journal's existence. Among the intergenerational dialogues to be overheard: alt wiz Kevin Huizenga and reigning Maus king Art Spiegelman; the most convention-shattering cartoonist/publishers of their respective hemispheres Kramers Ergot's Sammy Harkham and L'Association's Jean-Christophe Menu; celebrated Watchmen artist Dave Gibbons and award-winning All-Star Superman artist Frank Quitely; Asterios Polyp comeback auteur David Mazzucchelli and Bottomless Belly Button breakthrough auteur Dash Shaw; acclaimed Fun Home author Alison Bechdel and award-winning Slow Storm creator Danica Novgorodoff; Martin Luther King chronicler Ho Che Anderson and American Flagg creator Howard Chaykin; legendary writer/editor Denny O'Neil and fan-favorite indy and Iron Man writer Matt Fraction; indy comics publisher/cartoonist/musician Zak Sally and Love & Rockets co-creator Jaime Hernandez; inflammatory muckraker Ted Rall and editorial cartoonist Matt Bors; super-popular Zits! cartoonist Jim Borgman and newly syndicated Knight Life stripper Keith Knight; and Usagi Yojimbo creator Stan Sakai and Crogan's Vengeance author Chris Schweizer.
And that's not even mentioning all the other stuff in the mag. Whoa! This should be out by Oct. or so.
• Review: "...Jason elevates his skewering of filmic genres to a whole new level in his latest collection, Low Moon, which sees his unique takes on film noir, westerns and screwball comedy. All of the tales are informed by his signature clean lines, bright colors, sparse dialogue and taste for a particularly brutal brand of slapstick humor and occasional moments of dark, incisive brilliance that are often reached without uttering a word... Featuring tawdry sex, alien abductions, existential crises, betrayal, and a hundred and one different varieties of murder, this is a book that pretty much has it all." - Ian Chant, PopMatters
• Review: "...Jason's Low Moon... [is] a collection full of mostly wordless comedic pleasures." - Richard Gehr, The Village Voice
• Review: "A question regarding the title of Michael Kupperman's Tales Designed to Thrizzle Volume One: Does 'thrizzle' mean 'pee your pants a little from laughing so hard'? Because if so, it just about achieved its promise..." - Rod Lott, Bookgasm
• Review: "[Boody: The Bizarre Comics of Boody Rogers ] is one of the funniest comics I've ever read, and all I do is read comics... Just looking at his drawings makes me laugh... If you like Johnny Ryan, you should check this out. And they weren't fooling around with that title. These comics are as weird as hell... This book is essential. Get it or get out." - Nick Gazin, Vice
• Review: "[Uptight] doesn't come out often enough... Jordan Crane is an immense talent; I just wished he worked faster. He's one of the best new guys of the past five years." - Nick Gazin, Vice (same link as above)
• Review: "This is one of the greatest works of American art of the past century and fuck you if you were ignorant of this. Prince Valiant was and is one of the greatest comics of all time and most would agree that it's the greatest adventure comic... Reading Prince Valiant has the same thrill as reading Sherlock Holmes. He's smarter, handsomer, and a better fighter than everyone around him. Reading his adventures and watching him sneak around castles, swordfight small armies, and romance medieval bitches is more exciting to me than almost any other comic. I'm getting pumped just thinking about it... It's so beautiful. I want to be Prince Valiant and I want to be Hal Foster." - Nick Gazin, Vice (same link as above)
• Review: "Fantagraphics, the gold standard when if comes to collecting and reprinting newspaper strips, has released the first volume of Prince Valiant, covering the years 1937 to 1938 in all-new remastered color, the result is breathtaking! Foster is truly one of the great comic illustrators who ever lived but has never got his just due it seems because he didn't work in the traditional comic book medium. One needs only to read the first few pages of the book to grasp his incredible ability... This is graphic storytelling at its finest and a true treasure! Grade A" - Tim Janson, Mania
• Review: "The cover [of The Pin-Up Art of Dan DeCarlo] sums it up -- a man who looks disturbingly like Riverdale’s Mr. Lodge gazes lasciviously at a lingerie-clad young woman who looks disturbingly like a (very) bosomy Veronica. That is just so wrong... Breasts swell and sag with the weight of flesh, not silicone; thighs press firmly and meatily together, hips and butts strain against fabric, threatening plentiful wardrobe malfunctions. And the wardrobes!... The overall effect is -- well, I can’t describe the overall effect. Let’s just say that in trying to take it all in I may have stretched my eyes permanently out of shape." - Noah Berlatsky, The Hooded Utilitarian
• Review: "...Peter Bagge's new compilation of comics, Everybody Is Stupid Except for Me and Other Astute Observations... turns out also to be a rude form of local history... [H]is craftsmanship - in the tradition of Mad's Don Martin and Nancy creator Ernie Bushmiller - lies in his ability to reduce his drawings to the simplest possible details needed to tell the story. His rants are funny, but the frictionless gag-delivery systems of his panels are an even more effective rebuke to the willful obscurity of contemporary art." - David Stoesz, Seattle Weekly
• Review: "Collecting 10 years’ worth of cartoons originally done for Reason magazine, as well as a few odds and sods, [Everybody Is Stupid Except for Me] finds Bagge as sharp and irate as ever, and his art has improved while still being recognizably his own. Bagge is also, thankfully, still possessed of a great sense of humor, especially about himself—even the title reveals an element of self-mockery among all the self-righteousness." - The A.V. Club
• Review: "There are few comics in the history of the medium as universally beloved as Love and Rockets... The Palomar stories, while extraordinarily literate and often brilliant in how they straddle the line between magical realism and gritty serial drama, are complex narratives which benefit greatly from being read from the very beginning; Jaime’s lighter, simpler approach is probably a better place to start." - Leonard Pierce, The A.V. Club, offering advice on how to start reading Love and Rockets; here's our advice
• Interview: Robot 6's Tim O'Shea talks to John Kerschbaum about Petey & Pussy, self-publishing and other topics. Sample quote: "It’s what it would look like if Elmer Fudd REALLY blew Daffy’s beak off. But I’ve always felt that humor and horror are very closely related. That they naturally play off of each other. The funny bits make the scary bits scarier and vice versa."
• Interview: At The A.V. Club, Sam Adams gets Michael Kupperman to reveal some of the secrets of his comedy genius and the future of Thrizzle. For example: "Certainly I enjoy the outré and I enjoy artistic comics and surrealism in comics very much. But the decision I made and have stuck with and refined was the decision to try to be funny and communicate humor. Once you put that ahead of everything else, it resolves those other questions for you."
• Plug: Jog - The Blog spotlights 3 of our new releases from last week
THE TRUE STORY OF HOW MICHEL CHOQUETTE (ALMOST) ASSEMBLED THE MOST STUPENDOUS COMIC BOOK IN THE WORLD
Issue No. 299 of The Comics Journal [in-stores August 2009, premiering at the 2009 San Diego Comic-Con] unearths a long-lost treasure: Way back in 1970, satirist/editor Michel Choquette conceived a mammoth anthology of new comics from all over the world by just about every cartoonist imaginable circa 1970 (as well as such unimaginable cultural icons as Federico Fellini and Frank Zappa). All of the contributors were to riff on the 1960s, creating a comics snapshot of that decade, but the project kept growing in ambition until it reached a scale that scared off its publishers. Today, bookstore shelves are filled with comics collections and graphic novels, but in 1970, there was no Watchmen or Persepolis. Even Art Spiegelman's Pulitzer-winning Maus had yet to be published. To publishers of the time, Choquette's dream book was an enormous folly and one by one they backed out of negotiations, leaving Choquette, who had spent all his book advances traveling the globe enlisting contributors, to disappear into relative obscurity.
But by the time publishers had gotten cold feet, Choquette had already assembled an astounding array of comics contributions from 190 of the most influential comics creators and cultural figures of the 1960s and '70s, including: Jack Kirby, William Burroughs, Harvey Kurtzman, Art Spiegelman, Will Eisner, Arnold Roth, Don Martin, Michael O'Donoghue, Ralph Steadman, Tom Wolfe, Wally Wood, Bill Griffith, Barry Windsor-Smith, Gahan Wilson, Moebius, C.C. Beck, Vaughn Bodé, Harlan Ellison, Shary Flenniken, Albert Uderzo and René Goscinny, Russ Heath, Doug Kenney, Patrice Leconte, Chris Miller, Denny O'Neil, Roy Thomas, as well as the aforementioned Fellini and Zappa. It was a legendary compilation of the comic art form that would give heart palpitations to anyone who ever loved comics or was alive in 1970, but no one has seen it all except for Choquette.
Comics Journal writer Bob Levin tracked Choquette down and discovered that this long-lost El Dorado of comics still exists in storage. In an epic article, Levin follows Choquette's path across continents and countries as the would-be anthologizer encounters a cultural Who's Who of the '60s and '70s (Salvador Dali! Gloria Steinem! Jann Wenner! Jorge Luis Borges! Bianca Jagger!), collecting art that will, in part, see print FOR THE FIRST TIME EVER in the pages of this issue.
TCJ #299 also features an interview with SKYSCRAPERS OF THE MIDWEST creator Josh Cotter, a gallery of MYRON WALDMAN AND EVE strips with an introduction by Mark Newgarden, essays by Noah Berlatsky, R.C. Harvey, Matthias Wivel, and the usual assortment of reviews (KRAMERS ERGOT 7!), news and criticism from the best writers-about-comics in the field.
THE COMICS JOURNAL #299 [August 2009] • 208 pages • $11.99 U.S. • ISBN 978-1-60699-147-3
Holy moly there's a lot of links today! There's a few major interviews in today's Online Commentary & Diversions, so let's lead off with those:
• Interview: At Amazon's Omnivoracious blog, Heidi Broadhead talks to our own Kim Thompson about translating the works of Jason ("His latest collection, Low Moon... has filmic moments and comic pathos that have set a new standard for me for short fiction") and other Eurocomics. Sample quote: "But I'm also more invested in these books because I work so hard on them, and in many cases, of course, such as Tardi, I'm literally fulfilling a childhood dream by translating them."
• Interview: "Carol Tyler is one of the best cartoonists currently working. She has been for years... Earlier this year Tyler released the first of an expected three volumes that seek to explore her father's time in World War II. You'll Never Know: A Good And Decent Man gently peels back the layers on these seminal experiences while at the same time providing an earnest portrait of the artist and her most important relationships during the time she started on the project. Tyler combines the unflinching eye of the late underground with the self-deprecating portrait of the alternative comics movement with the poetic qualities that some of the best post-alternatives are able to wring from their art. I really love Carol Tyler's work, and I was delighted she agreed to talk to me." - Tom Spurgeon, The Comics Reporter
• Interview: "In a perfect and just world, John Kerschbaum would be one of its most famous cartoonists." - Rob Clough, presenting his Q&A with Kerschbaum from The Comics Journal #295. Sample quote: "And when you're doing work for kids you just leave out the cursing… and tits - no tits."
• Review: "Wolverton... had a knack, too, for nightmarish drama... [He] saved his most enthralling pieces for the Bible. An ordained minister for a wacky Oregon church, he produced, in the mid 1950s, a series of apocalyptic scenes for the Book of Revelations; men and women, foregrounded in close-up, writhe under dominant skies of fire, plague, and war." - Robert Shuster, The Village Voice, on the Wolverton exhibit at Gladstone Gallery; hat tip once again to Drew Friedman
• Review: "Jason's unique skill of meshing cut-out Hollywood genres with fleeting moments of missed opportunities is like a unique cocktail - one part Hitchcock, one part Kubrick with a dash of Woody Allen... Low Moon is a slow-moving delight. Jason has crafted a perfectly executed yarn that is at once both familiar and bizarre. This collection is an exceptional entryway for reader still unaware of one of sequential arts greatest contributors." - Ascot J. Smith, examiner.com
• Review: "Known for his ability to convey melancholic, deadpan humor, Jason is as on top of his game as ever with this release... Each story expresses a different degree of the author’s range, mixing dark or mature themes with absurdity to varying degrees... Since it demonstrates Jason’s range and is priced fairly modestly..., Low Moon makes for a great starting point for those unfamiliar with Jason’s work." - Anthony Farruggia, examiner.com
• Review: "Jason's work is something to be revered... His comics are stark and morbid and often hilarious. Low Moon presents five beautifully illustrated stories that show a mastery of the craft... The stories range from violent to funny to sad, and the tragedies, murders, and pratfalls therein never seem out of the ordinary. It all fits into four rectangular panels on each page that seem like they were drawn to make you understand something more." - Gabe Bullard, PLAYBACK:stl
• Review: "Ho!... promises the most degenerate and juvenile one-panel gag comics ever penned by a working college professor... You're either loving it or deeply concerned for the author." - Byron Kerman, PLAYBACK:stl
• Review: "Kevin Huizenga introduces a relatable and unusual story with his quirky sequel to the first Ganges in the 'Ignatz' series from Fantagraphics. A tale about morality, realism, and video games, Ganges [#2] spins a web of confusion for those universal questions that lurk at the edge of our minds... 'Pulverize' makes a bold attempt to portray how living in a technological age can confuse as well as enlighten you to great lengths. Touching and unique, Huizenga creates a quirky story for the win." - Melissa Kay, Girls Entertainment Network
• Review: "My choice for the greatest comic strip in history would be Hal Foster's epic adventure strip Prince Valiant. And now Fantagraphics is reprinting the series in a series of spiffy, oversized hardcover collections, with the first volume out this week. And even though I own the whole 40-volume set of the Foster-drawn pages that Fantagraphics published in the 1990s, I’m perfectly happy to buy this new series, with larger pages, better-quality paper, and much better-quality coloring... It’s excellent stuff, and I look forward to enjoying it all over again." - Michael Rawdon, Fascination Tangents
• Review: "The most influential adventure strip ever produced, Foster's gorgeous Prince Valiant inspired generations of artists. While the Sunday-only strip has been reprinted several times, this edition contains for the first time images shot from Foster's own color engraver's proofs. Published at the strip's original dimensions and complete with an introduction by Hal Foster biographer Brian M. Kane and the insightful 1969 Hal Foster interview with Fred Schreiber, the hardcover Prince Valiant Vol. 1: 1937-1938 finally presents these lush tales in a format worthy of the material." - Rick Klaw, The SF Site - Nexus Graphica
• Review: "Like H.L. Mencken, [Peter] Bagge favors a scorched-earth satirical attack, tearing down arguments by ridicule as much as reason. Unlike Mencken, Bagge's work is more playful and less likely to attempt to install himself as a know-it-all (even if he thinks he does) because of his nebbishy self-portrayal... It's rare to see a cartoonist branch out into this kind of second act of a career with this much flourish and skill... his work here [in Everybody Is Stupid Except for Me] demands a reader's attention every bit as much as the more famous editorial cartoonists in America... Best of all, Bagge is still funny... and this is a very good thing for both his hardcore fans and new readers alike." - Rob Clough
• Review: "[Peter] Bagge made his reputation with the wicked social satire of Hate, but since 2001 he’s also produced these short comics [in Everybody Is Stupid Except for Me] for the libertarian magazine Reason... His visual style—in which people are all huge-mouthed, squinty-eyed, rubber-limbed caricatures—is turned up all the way to 'jeer'; it’s also pretty funny on its own. Bagge aims his (constitutionally protected) satirical blunderbuss at both the left and the right, and occasionally points it at fellow libertarians and even himself." - Publishers Weekly
• Review: "...Norwegian cartoonist Jason’s latest wheeze of a graphic novella [I Killed Adolf Hitler] invents a time-travelling professional assassin who attempts to exterminate the Fuhrer with predictably bizarre results... The deadpan humour, pared-down plotting and simple illustrations featuring Jason’s trademark zoomorphic characters make for a brisk and extremely enjoyable read." - 2012
• Plug: "OMG reading Low Moon on lunch IT IS SO GOOD how long can comics stay this awesome?" - Dustin Harbin, via Twitter
• Plug: Portuguese shop Ghoulgear recommends the comics work of Jason, "who reinvented the narrative language of comics... He is an author that is worth knowing."
• Plug: "There's some great material in [Everybody Is Stupid Except for Me], whether you agree with the opinions or not, since Bagge does some great cartooning and good journalism, providing hilarious insights into topics like art, public transportation, homelessness, and gun ownership." - Matthew J. Brady
• Plug: "[Love and Rockets] was like an underground Archie, with Hispanic characters, plus it was literally oozing with a sensuality that simply couldn't be found in mainstream funnybooks... If you have the opportunity to pick up any L&R comics, I highly recommend it, as it is still some of the consistently very best comics that is being produced." - Robert J. Sodaro (former Fantagraphics employee)
• Plug: "I’m currently reading through the latest issue of The Comics Journal, number 298... I’m really looking forward to the interview with Thriller artist Trevor Von Eeden. Also, the Percy Crosby Skippy strips included in the gallery section are a wonder." - Chris Mautner, Robot 6; also, their guest contributor this week is Paul Karasik
• Things to see: Comic Book Resources presents a bunch of work by Terry LaBan (whose Fantagraphics titles are all out of print)
Online Commentary & Diversions will return Monday. Have a great holiday in the US of A.
• Review: "Like many mysteries, there's something initially frustrating about the end of 'Emily Says Hello,' but it's the best by Jason for a while... it's in the new Low Moon collection... Worth it for 'Emily' alone." - Graham Linehan (The IT Crowd, Father Ted), via Twitter (part 1, part 2)
• Review: "A thin line exists between [Basil] Wolverton’s jokey grotesqueries and the horrors of disfigurement and mutilation that appear in his postwar illustrations of the Book of Revelations (recently published in The Wolverton Bible)... Wolverton’s unsparing depictions of nightmarish prophecies are relentlessly grim but absorbingly so. There are hints of Goya’s crazed, melancholic Saturn and predictions of Charles Burns’s brooding mutant teens." - Nicole Rudick, Artforum (reviewing the Wolverton exhibit currently on view at Gladstone Gallery; hat tip to Drew Friedman)
• Review: "Oh my god.It’s like someone wheeled my senile, racist grandfather onto a metropolitan sidewalk and let him free associate.Unfortunately, my grandfather’s psychosis might have more acuity and humor than Everyone is Stupid [Except for Me]." - Ashley Cardiff, CC2K (via Reason link below; don't say we never post negative reviews)
• Review: "Michael Kupperman is the funniest cartoonist alive, and Tales Designed to Thrizzle is his funniest comic book... Thrizzle has the manic joy of a really good sketch-comedy series... Thrizzle was originally published as four comics, and Kupperman has recolored the series for its hardcover release... [It] should amuse just about anyone who can read." - Paul Constant, The Stranger
• Review: "[Fletcher] Hanks's stuff burns itself into and onto the brain like a giant scalding iron of dementedness." - fústar
• Review: "Certainly nobody takes umbrage with the claim that these are four awesome comics, collected in one hardcover edition [Blazing Combat]... Fantagraphics have done us a big favor by reprinting them all." - The Comic Book Haters (streaming video)
• Plug: "...Reason's own beloved Peter Bagge has a fantastic collection of a near-decade's worth of political cartooning coming out from Fantagraphics [Everybody Is Stupid Except for Me]. The content is king but the actual production is nothing short of stunning, filled with the bright, bright colors that Paul Simon used to sing about back when Kodak was still making film." - Nick Gillespie, Reason
• Interview: At comiXology, Tucker Stone interviews The Comics Journal online editor, the ista! in ¡Journalista!, my comrade-in-linkblogging-arms, Dirk Deppey. Pull quote of all pull quotes: "I got the job at Fantagraphics by making fun of The Comics Journal's website on its message board, basically."
• Review: "Issue #3 of Jordan Crane's Uptight serves as a wonderful example of just how good pamphlet format comics can be... Uptight #3 delivers 24 pages of beautifully focused storytelling... If you like Crane's work or simply want to try something a little different, do go out and buy this. Uptight represents everything single issue comics should be but so very rarely are. Fact is, we need more comics like this, so vote with your wallets and support the fine folks at Fantagraphics..." - Matthew Dick, Exquisite Things
• Review/Profile: "...[Boody Rogers's] command of dream-state narrative logic and language-mangling dialogue remains unnerving and uproarious in about equal measure... Now comes the Fantagraphics edition of Boody: The Bizarre Comics of Boody Rogers — a 144-page whopper, rich in humor and dreamlike oddities..." - Michael H. Price of the Fort Worth Business Press recounts meeting Rogers in the 1980s and also reviews Rogers's memoir, Homeless Bound
• Review: "For his latest... book [Low Moon], Jason has decided to try something a bit different... In attempting to stretch himself, though, he offers some of his weakest work to date, but some of his strongest and emotionally wrenching as well... Longtime readers... will definitely want to pick it up..." - Chris Mautner, Robot 6
• Plug: "Literally jam-packed with strips that constantly vary in sizes, [Tales Designed to Thrizzle Vol. 1] shines with [Michael] Kupperman's earth-shattering wit, his excellent vintage-comics-inspired draftsmanship and his genius comedic timing. Thanks Fantagraphics!" - Librarie D+Q
• Plug: "You'll Never Know[Book 1: A Good and Decent Man] by C. Tyler arrived this week... it is funny, moving, sad -- highly recommended." - Librarie D+Q
• Plug: "The Comics Journal #298: Lotsa good interviews in this issue... For me though, the meat of the issue is the wealth of daily Skippy strips by Percy Crosby reproduced in the gallery section." - Chris Mautner, Robot 6
• Interview: Publishers Weekly has a Q&A with Peter Bagge about his new collection Everybody Is Stupid Except for Me. Money quote: "I could have taken the Doonesbury route and pandered to my fellow libertarians by pretending I (and they) had all the answers, but that would have been both too easy and dishonest."
• Interview: Newsarama's Zack Smith talks to Sam's Strip creators Mort Walker and Jerry Dumas about the creation of the strip and the new Fantagraphics collection. Sample quote from Walker: "You always put something personal in every strip, so it’s wonderful to see all these old strips again."
• Charity: ComicList reports that Jaime Hernandez will participate in Comic Book Legal Defense Fund fundraising at Comic Con with an autograph card and original art auction
• Oddity: What does Popeye have in common with Michael Jackson? Well, now they're both subjects of Jeff Koons artwork, according to this Reuters story
Scheduled to arrive in better comics shops across the land this week: The Comics Journal #298, featuring The Umbrella Academy's Gabriel Bá & Fábio Moon, Perry Bible Fellowship's Nicholas Gurewitch, and much more:
Also popping up on some unofficial lists: Tales Designed to Thrizzle Vol. 1 by Michael Kupperman. It's not on the official distribution list, though, so no promises.
As always, feast your eyes on our many previews and excerpts at the above links, and contact your local shop to confirm availability before busting open your piggy bank.
Now online for subscribers — and available soon in better bookstore and comics shop shelves nationwide — The Comics Journal #298, chock full of all the comicky goodness you need to get through the summer. Check it out:
Diego Assis presents a full-length interview with breakout comic-book stars Fábio Moon and Gabriel Bá, who discuss their self-publishing apprenticeship in Brazil, their entry into the North American comics scene, their work on such titles as Casanova and The Umbrella Academy, and exactly who does what on their various projects.
Shaennon Garrity sits down for a chat with Perry Bible Fellowship creator Nicholas Gurewitch, who explains how he became an Internet cartoon sensation, where he goes next after ending his weekly run on the strip, and the joys of being an envelope artist.
Michel Fiffe tracks down one of the most fascinating cartoonists to rise out of the superhero-comics scene in the last three decades, Trevor Von Eeden, in a no-holds-barred conversation that illuminates Von Eeden’s struggles in the New York City corporate-comics industry and the attendant racism that came with it.
You will definitely not want to miss our comics section this issue, which features a massive gallery of Percy Crosby’s legendary newspaper strip, Skippy — the first publication of these exquisite strips in decades!
Bill Randall takes us through an issue of the renowned avant-garde manga anthology AX, and prepares us for the eagerly anticipated English-language collection of comics from said magazine scheduled for release later this year.
I think we're all caught up on our Online Commentary & Diversions now:
• Review: "It's impossible not to love Jason's hapless cartoon characters; they're dog-faced descendants of Charlie Chaplin in that way, usually placed into situations far beyond their control or understanding... The five stories that make up Low Moon, Jason's newest collection of comics, hark back to the classic golden age of film... Each story reverberates with the little eccentricities that Jason has built a career on (instead of gunfights, the cowboys in the title story battle over long games of chess). Remarkably, none of them seem over-the-top or manipulative." - Paul Constant, The Stranger
• Review: "From Jordan Crane and Fantagraphics, Uptight #3. One of the best covers of the year and the last time, I suspect, that the guys in the crowd will read 'Back soon' and not feel that chill at the back of the neck." - Steve Duin, The Oregonian
• Review: "Sublife weaves a tighter, more focused narrative with intelligently ornate Chris Ware inspired design..." - Raina Lee, Lunch
• Review: "The current issue of theComics Journal (#297) has a wonderful in-depth interview with cartoonist Mort Walker, creator of Beetle Bailey, as well as a stable of other strips including Hi and Lois, Sam and Silo, and Boner's Ark that's a fun read." - Randy Reynaldo, WCG Comics
• Commentary: Looking at our recent spate of Special Edition releases at examiner.com, Spencer Ellsworth says "the notes, interviews and annotations give a look into some of the most innovative of the new generation of movers and shakers in the current comics renaissance."
• List: Industry news & analysis site ICv2 ranks sales of The Complete Peanuts at #3 on the list of "Top 10 Humor Properties Q1 2009"
• List: The Comics Reporter reports that at BEA a panel of librarians chose a list of "Hot Fall Graphic Novels," including our forthcoming titles Strange Suspense: The Steve Ditko Archives Vol. 1 and West Coast Blues by Manchette & Tardi
In this issue: Brazilian twins Gabriel Bá and Fábio Moon on The Umbrella Academy and breaking into U.S. comics; Perry Bible Fellowship's Nicholas Gurewitch talks about love; brutally honest Thriller artist Trevor Von Eeden on his professional and romantic struggles; Percy Crosby's Skippy rediscovered; Jiro Taniguchi's A Distant Neighborhood previewed; a cartoon interview of Peter Bagge by Noah Van Sciver; and much more!