• Interview: Sean T. Collins's series of interviews with Marvel Strange Tales MAX contributors at Marvel.com continues with Peter Bagge: "The Hulk story's about both the Hulk and Bruce Banner trying to cope with their many issues via the use of modern pharmacology, in the form of head pills, Viagra, et cetera. Needless to say, wackiness ensues."
• Interview: And another one from Sean at Marvel.com, this time with Jason: "With the Spider-Man story I pretty much followed the Stan Lee formula of him being a super hero but a screw-up as a private person."
• Interview: In the second part of his talk with Brian Heater at The Daily Cross Hatch, Seth discusses his involvement and design for The Complete Peanuts series: "The design evolves slightly for each decade, but it’s all about subtle change. For example, the end papers change each decade. The color scheme changes each decade, but it’s a very subtle shift."
• Review: "Fantagraphics' recent release Abstract Comics, while nicely designed and filled with some fantastic artwork (kudos to editor Andrei Molotiu and the Fantagraphics team), brings up an interesting argument...: at what point do you stop calling something comics and start calling it... well, something else?... I'm not sure there is an answer, but it's an interesting debate. Check out this book and come to your own conclusions." - Paul DeBenedetto, Wednesday's Child
• Review: Comic Book Bin's Leroy Douresseaux examines The Comics Journal #298, calling the Trevor Von Eeden interview "scandalous and provocative," saying R.C. Harvey's "Comicopia" column is "both thoughtful and insightful, the kind of exceptional writing that would normally earn a magazine about comic books an Eisner Award," and overall grading the issue an A-
• Plug: "I can't recommend Johnny [Ryan]'s comics highly enough. They go places no one else would dare and, like all great art, show you something you've always known but never have seen before." - Benjamin Marra
• Interview: Sean T. Collins's series of interviews with Marvel Strange Tales MAX contributors at Marvel.com continues with Johnny Ryan. The imagination reels: "Well, there was one joke, now that I think of it, with Galactus that had to be altered a little bit. I don't know if I should reveal the joke—it might ruin the experience. But it was this little detail for that joke that I initially put there, and they were like, 'Eh, can you change that a bit?'"
• Review: "...Tales Designed to Thrizzle... is not all tradition; it's largely a satire, a satire of a pulp fiction oeuvre that didn't take itself that seriously to begin with. Kupperman's humor — a mix of genre, non-sequitur and nonsense — is a kind of laughter in the void, wonderfully lucid and slightly sickening... That Kupperman so masterfully plays to and upsets expectation makes Thrizzle that much funnier and finer. With stunts such as a Twain & Einstein crime-fighting partnership, Kupperman is all goofball, all the time. But Kupperman's line, even in shaping locomotive-sized garden snails, is weighty. And the weight of five years of Thrizzle, is, well, as formidable as a locomotive-sized garden snail." - John Reed, Art in America
• Review: "The story [in Delphine] surrounded me and carried me away to a very real world. It's a cartooned, exaggerated world, but a real world nonetheless... The layouts are impeccable: very clear and superbly paced... I noticed that the story GREW in my mind when I took breaks from reading, allowing me to immerse myself in the story like a dream." - Frank Santoro, Comics Comics
• Review: "...Fletcher Hanks [was] one of the greatest comic book talents you’ve never heard of. Working in the earliest years of comics (1939-1941) Hanks’ contributions walked on the darker side of comic books in a way that managed to take on a timeless quality... In this collection is the work that makes Hanks so incredibly special to the world of comic books. The physiognomics of his evildoers, the strange retributions they suffer at the hands of the heroes, is all really powerful stuff... You Shall Die by Your Own Evil Creation! is an incredible testament to what comic books were once capable of... If you want to understand the essence of comic books in their purest form then pick up You Shall Die by Your Own Evil Creation! and learn." - Iann Robinson, Crave Online
• Plug: "The pieces in The Bradleys are broadly satirical and funny, marked by Bagge’s rubbery art style and a sarcastic tone that should appeal immediately to anyone with a prior awareness of The Simpsons or Looney Tunes. They’re also good stories, full of sharp observations about the impossible expectations that govern the dynamics of a nuclear family, as well as the way a good used Yardbirds record can make a crappy day better." - Noel Murray, The A.V. Club "Recommended First Comics"
• Plug: "All my exploration of the Moon/Ba axis came out of reading their pretty great Comics Journal interview in [#298]. I love it when an interview is so well-done that it convinces me to sample writers and artists whose work I haven't read before." - Alan David Doane, Comic Book Galaxy
• Review: "An eye-opening cornucopia of visual storytelling styles traversing a wide variety of narrative avenues, this anthology [From Wonderland with Love] gives a strong representation of contemporary Danish comics as a thriving comics culture. Largely surreal, the work is tough to nail down, but much of it is lighthearted even when dealing with very dark issues; it's devoid of the self-conscious self-referentialism that so often dogs American comics both genre and literary... An essential volume for those interested in comics' global development and newest voices." - Publishers Weekly (starred review)
• Review: "...[R]idiculously imaginative... Grotesque is a comic book that might sound the 'more of these' alarm... An inhalation and reformatting of a classic trope here and there, that's not something the shelves are lacking, what's lacking is the skill with which Ponchione ejects them, creating something wholly his own." - Tucker Stone, The Factual Opinion
• Interview: Robot 6's Tim O'Shea talks with Carol Tyler. On the positive reviews for You'll Never Know: "I would like to kiss the reviewers because those comments uplift me during the weed pulling, wheelchair pushing, dog poop picking up moments that pepper my life."
• Analysis: At Comics Comics, Jeet Heer looks back on the history and formative influences of The Comics Journal: "It’s difficult for anyone now to understand how baffling and upsetting the Journal was in its early years."
• Plug: "Jaime Hernandez, as far as I'm concerned most days, is the best cartoonist in America. I know a few people who've been scared off exploring his work by the amount of stuff he's published, but part of the beauty of it is that you can jump in almost anywhere. Like, say, this volume [Locas II]... I envy anyone getting to read this for the first time, either way." - Douglas Wolk, Comics Alliance
• Plug: "Some serious coffee-table-book action here: an Andrei Molotiu-edited anthology of comics [Abstract Comics] that are just abstract images in sequence, by people from the fine-art and art-comics world, as well as some people I wouldn't have expected: Patrick McDonnell? Mark Badger? Of course, a lot of the fun of reading this is noticing your mind automatically trying to impose narrative on these abstractions." - Douglas Wolk, Comics Alliance (same link as above)
• Plug: "Abstract Comics: The Anthology: You wanted this. You may not have known it, and you probably didn't say it, but your heart was read, your soul scoured, your eyes met to understand what your mind could only scream in silence. Abstract comics. Wednesday is almost here. Let them in...; your $39.99 gets you what's looking like the most intriguing comics anthology of 2009." - Joe McCullough, Jog - The Blog
• Plug: "Making [Abstract Comics] my pick of the week isn’t going to do anything to alleviate my reputation as Snooty McSnootenstein, mayor of Snobville, but this is one hell of a gorgeous book... I liked this book very, very much." - Chris Mautner, Robot 6
• Plug: "[Locas II] is a lot of really, really great comics for a pretty decent price. [Ghost of] Hoppers in particular is one of the best things Hernandez has ever done." - Chris Mautner, Robot 6 (same link as above)
Is July really over already? Hoo-ee, time sure flies when you're compiling Online Commentary & Diversions:
• Review: "Based on his research, interviews, and personal experiences in Palastinian Occupied Territories in 1991 and 92, [Joe Sacco]'s comic [Palestine] takes you there and gives you a first-hand account of the atrocities and suffering in the conflict with Israel. He gives you a close up visual rendering of the physical and emotional conditions of the people, who struggle daily for survival... Sacco has rendered the terrible conditions of life into a compelling and sympathetic artistic documentary. It is sad, but most good stories are sad... What’s better, his drawing is detailed and realistic, very approachable and interesting." - American in Auckland
• Review: "Either you think Michael Kupperman's stuff is hilarious or you don't. And if you don't, well, that's sad, because you suck and you have no friends... Kupperman has created a world with its own humor/"Dadaist" vibe, as he puts it in one meta-strip, and no critical breakdown can really relate its LOL-charm... Much of the charm resides in his art, heavily hatched, shadowed, stippled, and Benday-dotted in an old-fashioned style. He slams the retro up against his postmodern wisecracks, and it works nearly every time... This new omnibus of all four of his can't-miss gems from Fantagraphics not only makes it easy to get his out-of-print stuff, it's the only way to go—that's because the reprints are in color for the first time, and it just looks really nice." - Byron Kerman, PLAYBACK:stl
• Review: "The Wolverton Bible is a collection of drawings that Basil Wolverton did for Herbert Armstrong's Worldwide Church of God. I've been hoping for a collection of these drawings for ages... What a great collection. The drawings are nicely printed, very black, on nice white paper... The book is sturdy and feels good... This is a windfall. It's a wonderful additon to any art collection." - Garth Danielson, Primitive Screwheads
• Interview: "[Craig] Yoe revels in the hidden histories of comics, and not just because they’re money at the movies. In Boody: The Bizarre Comics of Boody Rogers, published by Fantagraphics earlier this year, the historian has helped uncover one of comics’ left-field treasures. 'Boody’s comics could survive a nuclear holocaust,' Yoe wisecracked. 'Silliness, sex and surrealism. Why can’t all so-called comic books be like this?'" - Scott Thill, Wired
• Things to see: Tom Kaczynski draws Zak Sally (and reports from the release party for Zak's new album Fear of Song)
• Comic-Con/Things to see: Rickey Purdin's Watchmen con sketchbook filled up with FBI artists (Johnny Ryan, Esther Pearl Watson, Jordan Crane) and friends (Mark Todd, Sammy Harkham & more) at San Diego (via Sean T. Collins)
The Pirates and the Mouse author Bob Levin tracks down the El Dorado of comics, a lost collection of unpublished strips by 190 of the world’s most important cartoonists, including Will Eisner, Vaughn Bodé, Jack Kirby, Harvey Kurtzman, Art Spiegelman, Arnold Roth, Bill Griffith, Ralph Steadman, Don Martin, Gahan Wilson, Jeff Jones, Guido Crepax — even William Burroughs, Tom Wolfe and Frank Zappa! The comics were assembled in the 1970s by Michel Choquette (creator with Neal Adams of National Lampoon’s Son o’ God comics) for a book called Someday Funnies, which never saw print. Levin and Choquette reveal for the first time the whole catastrophic story of what might have been the comics anthology of the century.
Also in this issue: Sean T. Collins interviews Skyscrapers of the Midwest’s Josh Cotter; Noah Van Sciver's cartoon interview with King Cat's John Porcellino; our classic comics section features Myron Waldman’s Eve, with an introduction by Mark Newgarden; our usual smattering of insightful and incisive columns; reviews of Kramers Ergot 7, The Times of Botchan, Chaykin, Clowes, Tezuka and many more!
Gary Groth just emailed me some copy regarding the forthcoming 300th issue of The Comics Journal and I simply want to run it verbatim, because it sounds pretty damn great:
We paired established, influential creators with rising stars and asked them to talk about the changes the comics medium has been going through during the eventful 33 years of the Journal's existence. Among the intergenerational dialogues to be overheard: alt wiz Kevin Huizenga and reigning Maus king Art Spiegelman; the most convention-shattering cartoonist/publishers of their respective hemispheres Kramers Ergot's Sammy Harkham and L'Association's Jean-Christophe Menu; celebrated Watchmen artist Dave Gibbons and award-winning All-Star Superman artist Frank Quitely; Asterios Polyp comeback auteur David Mazzucchelli and Bottomless Belly Button breakthrough auteur Dash Shaw; acclaimed Fun Home author Alison Bechdel and award-winning Slow Storm creator Danica Novgorodoff; Martin Luther King chronicler Ho Che Anderson and American Flagg creator Howard Chaykin; legendary writer/editor Denny O'Neil and fan-favorite indy and Iron Man writer Matt Fraction; indy comics publisher/cartoonist/musician Zak Sally and Love & Rockets co-creator Jaime Hernandez; inflammatory muckraker Ted Rall and editorial cartoonist Matt Bors; super-popular Zits! cartoonist Jim Borgman and newly syndicated Knight Life stripper Keith Knight; and Usagi Yojimbo creator Stan Sakai and Crogan's Vengeance author Chris Schweizer.
And that's not even mentioning all the other stuff in the mag. Whoa! This should be out by Oct. or so.
• Review: "...Jason elevates his skewering of filmic genres to a whole new level in his latest collection, Low Moon, which sees his unique takes on film noir, westerns and screwball comedy. All of the tales are informed by his signature clean lines, bright colors, sparse dialogue and taste for a particularly brutal brand of slapstick humor and occasional moments of dark, incisive brilliance that are often reached without uttering a word... Featuring tawdry sex, alien abductions, existential crises, betrayal, and a hundred and one different varieties of murder, this is a book that pretty much has it all." - Ian Chant, PopMatters
• Review: "...Jason's Low Moon... [is] a collection full of mostly wordless comedic pleasures." - Richard Gehr, The Village Voice
• Review: "A question regarding the title of Michael Kupperman's Tales Designed to Thrizzle Volume One: Does 'thrizzle' mean 'pee your pants a little from laughing so hard'? Because if so, it just about achieved its promise..." - Rod Lott, Bookgasm
• Review: "[Boody: The Bizarre Comics of Boody Rogers ] is one of the funniest comics I've ever read, and all I do is read comics... Just looking at his drawings makes me laugh... If you like Johnny Ryan, you should check this out. And they weren't fooling around with that title. These comics are as weird as hell... This book is essential. Get it or get out." - Nick Gazin, Vice
• Review: "[Uptight] doesn't come out often enough... Jordan Crane is an immense talent; I just wished he worked faster. He's one of the best new guys of the past five years." - Nick Gazin, Vice (same link as above)
• Review: "This is one of the greatest works of American art of the past century and fuck you if you were ignorant of this. Prince Valiant was and is one of the greatest comics of all time and most would agree that it's the greatest adventure comic... Reading Prince Valiant has the same thrill as reading Sherlock Holmes. He's smarter, handsomer, and a better fighter than everyone around him. Reading his adventures and watching him sneak around castles, swordfight small armies, and romance medieval bitches is more exciting to me than almost any other comic. I'm getting pumped just thinking about it... It's so beautiful. I want to be Prince Valiant and I want to be Hal Foster." - Nick Gazin, Vice (same link as above)
• Review: "Fantagraphics, the gold standard when if comes to collecting and reprinting newspaper strips, has released the first volume of Prince Valiant, covering the years 1937 to 1938 in all-new remastered color, the result is breathtaking! Foster is truly one of the great comic illustrators who ever lived but has never got his just due it seems because he didn't work in the traditional comic book medium. One needs only to read the first few pages of the book to grasp his incredible ability... This is graphic storytelling at its finest and a true treasure! Grade A" - Tim Janson, Mania
• Review: "The cover [of The Pin-Up Art of Dan DeCarlo] sums it up -- a man who looks disturbingly like Riverdale’s Mr. Lodge gazes lasciviously at a lingerie-clad young woman who looks disturbingly like a (very) bosomy Veronica. That is just so wrong... Breasts swell and sag with the weight of flesh, not silicone; thighs press firmly and meatily together, hips and butts strain against fabric, threatening plentiful wardrobe malfunctions. And the wardrobes!... The overall effect is -- well, I can’t describe the overall effect. Let’s just say that in trying to take it all in I may have stretched my eyes permanently out of shape." - Noah Berlatsky, The Hooded Utilitarian
• Review: "...Peter Bagge's new compilation of comics, Everybody Is Stupid Except for Me and Other Astute Observations... turns out also to be a rude form of local history... [H]is craftsmanship - in the tradition of Mad's Don Martin and Nancy creator Ernie Bushmiller - lies in his ability to reduce his drawings to the simplest possible details needed to tell the story. His rants are funny, but the frictionless gag-delivery systems of his panels are an even more effective rebuke to the willful obscurity of contemporary art." - David Stoesz, Seattle Weekly
• Review: "Collecting 10 years’ worth of cartoons originally done for Reason magazine, as well as a few odds and sods, [Everybody Is Stupid Except for Me] finds Bagge as sharp and irate as ever, and his art has improved while still being recognizably his own. Bagge is also, thankfully, still possessed of a great sense of humor, especially about himself—even the title reveals an element of self-mockery among all the self-righteousness." - The A.V. Club
• Review: "There are few comics in the history of the medium as universally beloved as Love and Rockets... The Palomar stories, while extraordinarily literate and often brilliant in how they straddle the line between magical realism and gritty serial drama, are complex narratives which benefit greatly from being read from the very beginning; Jaime’s lighter, simpler approach is probably a better place to start." - Leonard Pierce, The A.V. Club, offering advice on how to start reading Love and Rockets; here's our advice
• Interview: Robot 6's Tim O'Shea talks to John Kerschbaum about Petey & Pussy, self-publishing and other topics. Sample quote: "It’s what it would look like if Elmer Fudd REALLY blew Daffy’s beak off. But I’ve always felt that humor and horror are very closely related. That they naturally play off of each other. The funny bits make the scary bits scarier and vice versa."
• Interview: At The A.V. Club, Sam Adams gets Michael Kupperman to reveal some of the secrets of his comedy genius and the future of Thrizzle. For example: "Certainly I enjoy the outré and I enjoy artistic comics and surrealism in comics very much. But the decision I made and have stuck with and refined was the decision to try to be funny and communicate humor. Once you put that ahead of everything else, it resolves those other questions for you."
• Plug: Jog - The Blog spotlights 3 of our new releases from last week
THE TRUE STORY OF HOW MICHEL CHOQUETTE (ALMOST) ASSEMBLED THE MOST STUPENDOUS COMIC BOOK IN THE WORLD
Issue No. 299 of The Comics Journal [in-stores August 2009, premiering at the 2009 San Diego Comic-Con] unearths a long-lost treasure: Way back in 1970, satirist/editor Michel Choquette conceived a mammoth anthology of new comics from all over the world by just about every cartoonist imaginable circa 1970 (as well as such unimaginable cultural icons as Federico Fellini and Frank Zappa). All of the contributors were to riff on the 1960s, creating a comics snapshot of that decade, but the project kept growing in ambition until it reached a scale that scared off its publishers. Today, bookstore shelves are filled with comics collections and graphic novels, but in 1970, there was no Watchmen or Persepolis. Even Art Spiegelman's Pulitzer-winning Maus had yet to be published. To publishers of the time, Choquette's dream book was an enormous folly and one by one they backed out of negotiations, leaving Choquette, who had spent all his book advances traveling the globe enlisting contributors, to disappear into relative obscurity.
But by the time publishers had gotten cold feet, Choquette had already assembled an astounding array of comics contributions from 190 of the most influential comics creators and cultural figures of the 1960s and '70s, including: Jack Kirby, William Burroughs, Harvey Kurtzman, Art Spiegelman, Will Eisner, Arnold Roth, Don Martin, Michael O'Donoghue, Ralph Steadman, Tom Wolfe, Wally Wood, Bill Griffith, Barry Windsor-Smith, Gahan Wilson, Moebius, C.C. Beck, Vaughn Bodé, Harlan Ellison, Shary Flenniken, Albert Uderzo and René Goscinny, Russ Heath, Doug Kenney, Patrice Leconte, Chris Miller, Denny O'Neil, Roy Thomas, as well as the aforementioned Fellini and Zappa. It was a legendary compilation of the comic art form that would give heart palpitations to anyone who ever loved comics or was alive in 1970, but no one has seen it all except for Choquette.
Comics Journal writer Bob Levin tracked Choquette down and discovered that this long-lost El Dorado of comics still exists in storage. In an epic article, Levin follows Choquette's path across continents and countries as the would-be anthologizer encounters a cultural Who's Who of the '60s and '70s (Salvador Dali! Gloria Steinem! Jann Wenner! Jorge Luis Borges! Bianca Jagger!), collecting art that will, in part, see print FOR THE FIRST TIME EVER in the pages of this issue.
TCJ #299 also features an interview with SKYSCRAPERS OF THE MIDWEST creator Josh Cotter, a gallery of MYRON WALDMAN AND EVE strips with an introduction by Mark Newgarden, essays by Noah Berlatsky, R.C. Harvey, Matthias Wivel, and the usual assortment of reviews (KRAMERS ERGOT 7!), news and criticism from the best writers-about-comics in the field.
THE COMICS JOURNAL #299 [August 2009] • 208 pages • $11.99 U.S. • ISBN 978-1-60699-147-3
Holy moly there's a lot of links today! There's a few major interviews in today's Online Commentary & Diversions, so let's lead off with those:
• Interview: At Amazon's Omnivoracious blog, Heidi Broadhead talks to our own Kim Thompson about translating the works of Jason ("His latest collection, Low Moon... has filmic moments and comic pathos that have set a new standard for me for short fiction") and other Eurocomics. Sample quote: "But I'm also more invested in these books because I work so hard on them, and in many cases, of course, such as Tardi, I'm literally fulfilling a childhood dream by translating them."
• Interview: "Carol Tyler is one of the best cartoonists currently working. She has been for years... Earlier this year Tyler released the first of an expected three volumes that seek to explore her father's time in World War II. You'll Never Know: A Good And Decent Man gently peels back the layers on these seminal experiences while at the same time providing an earnest portrait of the artist and her most important relationships during the time she started on the project. Tyler combines the unflinching eye of the late underground with the self-deprecating portrait of the alternative comics movement with the poetic qualities that some of the best post-alternatives are able to wring from their art. I really love Carol Tyler's work, and I was delighted she agreed to talk to me." - Tom Spurgeon, The Comics Reporter
• Interview: "In a perfect and just world, John Kerschbaum would be one of its most famous cartoonists." - Rob Clough, presenting his Q&A with Kerschbaum from The Comics Journal #295. Sample quote: "And when you're doing work for kids you just leave out the cursing… and tits - no tits."
• Review: "Wolverton... had a knack, too, for nightmarish drama... [He] saved his most enthralling pieces for the Bible. An ordained minister for a wacky Oregon church, he produced, in the mid 1950s, a series of apocalyptic scenes for the Book of Revelations; men and women, foregrounded in close-up, writhe under dominant skies of fire, plague, and war." - Robert Shuster, The Village Voice, on the Wolverton exhibit at Gladstone Gallery; hat tip once again to Drew Friedman
• Review: "Jason's unique skill of meshing cut-out Hollywood genres with fleeting moments of missed opportunities is like a unique cocktail - one part Hitchcock, one part Kubrick with a dash of Woody Allen... Low Moon is a slow-moving delight. Jason has crafted a perfectly executed yarn that is at once both familiar and bizarre. This collection is an exceptional entryway for reader still unaware of one of sequential arts greatest contributors." - Ascot J. Smith, examiner.com
• Review: "Known for his ability to convey melancholic, deadpan humor, Jason is as on top of his game as ever with this release... Each story expresses a different degree of the author’s range, mixing dark or mature themes with absurdity to varying degrees... Since it demonstrates Jason’s range and is priced fairly modestly..., Low Moon makes for a great starting point for those unfamiliar with Jason’s work." - Anthony Farruggia, examiner.com
• Review: "Jason's work is something to be revered... His comics are stark and morbid and often hilarious. Low Moon presents five beautifully illustrated stories that show a mastery of the craft... The stories range from violent to funny to sad, and the tragedies, murders, and pratfalls therein never seem out of the ordinary. It all fits into four rectangular panels on each page that seem like they were drawn to make you understand something more." - Gabe Bullard, PLAYBACK:stl
• Review: "Ho!... promises the most degenerate and juvenile one-panel gag comics ever penned by a working college professor... You're either loving it or deeply concerned for the author." - Byron Kerman, PLAYBACK:stl
• Review: "Kevin Huizenga introduces a relatable and unusual story with his quirky sequel to the first Ganges in the 'Ignatz' series from Fantagraphics. A tale about morality, realism, and video games, Ganges [#2] spins a web of confusion for those universal questions that lurk at the edge of our minds... 'Pulverize' makes a bold attempt to portray how living in a technological age can confuse as well as enlighten you to great lengths. Touching and unique, Huizenga creates a quirky story for the win." - Melissa Kay, Girls Entertainment Network
• Review: "My choice for the greatest comic strip in history would be Hal Foster's epic adventure strip Prince Valiant. And now Fantagraphics is reprinting the series in a series of spiffy, oversized hardcover collections, with the first volume out this week. And even though I own the whole 40-volume set of the Foster-drawn pages that Fantagraphics published in the 1990s, I’m perfectly happy to buy this new series, with larger pages, better-quality paper, and much better-quality coloring... It’s excellent stuff, and I look forward to enjoying it all over again." - Michael Rawdon, Fascination Tangents
• Review: "The most influential adventure strip ever produced, Foster's gorgeous Prince Valiant inspired generations of artists. While the Sunday-only strip has been reprinted several times, this edition contains for the first time images shot from Foster's own color engraver's proofs. Published at the strip's original dimensions and complete with an introduction by Hal Foster biographer Brian M. Kane and the insightful 1969 Hal Foster interview with Fred Schreiber, the hardcover Prince Valiant Vol. 1: 1937-1938 finally presents these lush tales in a format worthy of the material." - Rick Klaw, The SF Site - Nexus Graphica
• Review: "Like H.L. Mencken, [Peter] Bagge favors a scorched-earth satirical attack, tearing down arguments by ridicule as much as reason. Unlike Mencken, Bagge's work is more playful and less likely to attempt to install himself as a know-it-all (even if he thinks he does) because of his nebbishy self-portrayal... It's rare to see a cartoonist branch out into this kind of second act of a career with this much flourish and skill... his work here [in Everybody Is Stupid Except for Me] demands a reader's attention every bit as much as the more famous editorial cartoonists in America... Best of all, Bagge is still funny... and this is a very good thing for both his hardcore fans and new readers alike." - Rob Clough
• Review: "[Peter] Bagge made his reputation with the wicked social satire of Hate, but since 2001 he’s also produced these short comics [in Everybody Is Stupid Except for Me] for the libertarian magazine Reason... His visual style—in which people are all huge-mouthed, squinty-eyed, rubber-limbed caricatures—is turned up all the way to 'jeer'; it’s also pretty funny on its own. Bagge aims his (constitutionally protected) satirical blunderbuss at both the left and the right, and occasionally points it at fellow libertarians and even himself." - Publishers Weekly
• Review: "...Norwegian cartoonist Jason’s latest wheeze of a graphic novella [I Killed Adolf Hitler] invents a time-travelling professional assassin who attempts to exterminate the Fuhrer with predictably bizarre results... The deadpan humour, pared-down plotting and simple illustrations featuring Jason’s trademark zoomorphic characters make for a brisk and extremely enjoyable read." - 2012
• Plug: "OMG reading Low Moon on lunch IT IS SO GOOD how long can comics stay this awesome?" - Dustin Harbin, via Twitter
• Plug: Portuguese shop Ghoulgear recommends the comics work of Jason, "who reinvented the narrative language of comics... He is an author that is worth knowing."
• Plug: "There's some great material in [Everybody Is Stupid Except for Me], whether you agree with the opinions or not, since Bagge does some great cartooning and good journalism, providing hilarious insights into topics like art, public transportation, homelessness, and gun ownership." - Matthew J. Brady
• Plug: "[Love and Rockets] was like an underground Archie, with Hispanic characters, plus it was literally oozing with a sensuality that simply couldn't be found in mainstream funnybooks... If you have the opportunity to pick up any L&R comics, I highly recommend it, as it is still some of the consistently very best comics that is being produced." - Robert J. Sodaro (former Fantagraphics employee)
• Plug: "I’m currently reading through the latest issue of The Comics Journal, number 298... I’m really looking forward to the interview with Thriller artist Trevor Von Eeden. Also, the Percy Crosby Skippy strips included in the gallery section are a wonder." - Chris Mautner, Robot 6; also, their guest contributor this week is Paul Karasik
• Things to see: Comic Book Resources presents a bunch of work by Terry LaBan (whose Fantagraphics titles are all out of print)