Today's Online Commentary & Diversions:

• Awards: Congratulations to the great Joost Swarte, awarded the 2012 Marten Toonder Prize and its concomitant fat cash prize by the Netherlands Foundation for Visual Arts, Design and Architecture, as reported by Tom Spurgeon at The Comics Reporter

• Review: "One of the first comprehensive comic strip reprint projects of the current era, and arguably the most important, has achieved completion with the publication of the thirteenth and final volume in Fantagraphics’ series collecting George Herriman’s Krazy Kat Sunday pages in their entirety.... I expect I will be reading from this library for years to come. I am as grateful for this body of work as, I expect, readers of Emily Dickinson were when her complete works were first published in full." – Bill Kartalopoulos, Print

• Review (Audio): Inkstuds host Robin McConnell is joined by Paul Gravett, Joe McCulloch and Tom Spurgeon for a roundtable discussion of Cruisin' with the Hound by Spain Rodriguez and other books

• Review: "Here are the early ejaculations from the primordial form of what was to become one of the great American writers. Here is Flannery O'Connor as she is  formulating her unique vision of America and all that it entails.... What value does Flannery O'Connor: The Cartoons have inherently? I think the answer to that question is entirely subjective. ...I personally wish to thank Fantagraphics for going out on a limb and publishing this book, if for no other reason than to put Flannery O'Connor back into the pop culture discussion for however briefly it may be." – Daniel Elkin, Comics Bulletin

• Review: "Anyone can be grotesque and horrifying. To truly get under the skin of the audience is an ability not many have. Someone who does is Thomas Ott, and he uses his ability to the highest effect in Cinema Panopticum. ...[I]f you are looking for an unsettling horror story rendered beautifully by an expert craftsman there is no doubt this should be in your collection." – Taylor Pithers, The Weekly Crisis

• Interview (Audio): Spend 3 minutes with Michael Kupperman as Tom Gambino of Pronto Comics talks to Michael from the floor of last April's MoCCA Fest on the ProntoCast podcast

• Film Studies: At Boing Boing, Jim Woodring writes about the 1931 Fleischer Bros. short that expanded his young mind: "I might have come to grips with the overwhelming mystery of life in a rational, organic manner if it weren't for a cartoon I saw on my family's old black and white TV in the mid '50s when I was three or four years old. This cartoon rang a bell so loud that I can still feel its reverberations.... Whatever [the creators'] motivation and intent, 'Bimbo's Initiation' became my prime symbolic interpreter, the foundation of my life's path and endlessly exploding bomb at the core of my creative output."

• Gaming: Thanks to intrepid Fantagraphics intern Michael Fitzgerald for passing along this article at Hardcore Gaming 101 about something that I've been very curious about, the Usagi Yojimbo "Samurai Warrior" game for Commodore 64

Now in stock in our warehouse and ready to ship to our mail-order customers:

Cinema Panopticum (Softcover Ed.)
by Thomas Ott

104-page black & white 6.5" x 9.25" softcover • $16.99
ISBN: 978-1-60699-485-6

See Previews / Order Now

T. Ott plunges into the darkness with five graphic horror novelettes: "The Hotel," "The Champion," "The Experiment," "The Prophet," and the story which frames it all, "The Girl," each executed in his hallucinatory and hyper-detailed scratchboard style.

The first story in the book introduces the other four: A little girl visits an amusement park. She looks fascinated, but finds everything too expensive. Finally, behind the rollercoaster she eyeballs a small booth with "CINEMA PANOPTICUM" written on it. Inside there are boxes with screens. Every box contains a movie; the title of each appears on each screen. Each costs only one coin, so the price is right for the little girl. She puts her money in the first box: "The Hotel" begins. In the film, a traveler goes to sleep in what seems to be an otherwise empty hotel. His awakening is the stuff of nightmares.

"The Champion," the second film, introduces a Mexican wrestler who fights against death himself. In a typical Ott twist, he wins and loses at the same time. In the third film, "The Experiment," a short-sighted man initially goes blind from some pills his doctor gave him, but soon the blindness wears off and he finds they accord quite a view. In the final story, "The Prophet," a vagrant foresees the end of the world and tries to warn people, but nobody believes him. They will soon enough...

Ott’s O. Henry-esque plot twists will delight fans of classic horror like The Twilight Zone and Tales From the Crypt, or modern efforts like M. Night Shyamalan’s films (well, the good ones); his artwork will haunt you long after you’ve put the book down.

This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.

The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics
by various artists; edited by John Benson

192-page full-color 7.25" x 10.25" softcover • $24.99
ISBN: 978-1-60699-511-2

"Before there were knockoffs of MAD-the-magazine like Cracked and Crazy... there were a whole lot of knockoffs of MAD-the-comic-book, like Whack, Nuts, Eh, Unsane... This John Benson-edited anthology collects work from a bunch of them." – Douglas Wolk, ComicsAlliance

"On the historical side, Fantagraphics brings us The Sincerest Form of Parody: The Best 1950s MAD Inspired Satirical Comics ($24.99). KC’s working on a review that we’ll have for you shortly [since posted here – Ed.]." – Joanna Draper Carlson, Comics Worth Reading

"I was well aware of the number of imitators that attempted to capitalize on Kurtzman and company’s success early on, but didin’t know much more than that. Were any of these comics any good? Hopefully this book will let me know." – Chris Mautner, Robot 6

"Editor John Benson follows up 2010′s excellent Four Color Fear: Forgotten Horror Comics of the 1950s [John Benson provided editorial consultation and contributed to the back matter for Four Color Fear, but the book was edited by Greg Sadowski – Ed.] with The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics, culling choice bits from humor magazines by Atlas, Charlton, Harvey and the like; $24.99." – Joe McCulloch, The Comics Journal

"The success of MAD Magazine lead to a number of 1950s knock-offs. This book collects some of the of the finest examples of non-MAD parody comics, featuring work by Jack Davis, Will Elder, Jack Kirby, Dick Ayers, Bill Everett, Bob Powell, and many more. Portzebie!" – Benn Ray (Atomic Books), Largehearted Boy

Cinema Panopticum (Softcover Ed.)
by Thomas Ott

104-page black & white 6.5" x 9.25" softcover • $16.99
ISBN: 978-1-60699-485-6

"And readers that missed out on Thomas Ott’s 2005 collection of wordless works can now enjoy a softcover edition of Cinema Panopticum; $16.99." – Joe McCulloch, The Comics Journal

"Love reading comics but find all the words a drag? Then Thomas Ott's wordless, gorgeous and haunting scratchboard horror stories are just the thing for you." – Benn Ray (Atomic Books), Largehearted Boy

"I assume this is a new edition of the Thomas Ott, in which case I already have it. If you don't, those books tend to hold up really well over time." – Tom Spurgeon, The Comics Reporter

Cinema Panopticum (Softcover Ed.)
by Thomas Ott

104-page black & white 6.5" x 9.25" softcover • $16.99
ISBN: 978-1-60699-485-6

Ships in: March 2012 (subject to change) — Pre-Order Now

T. Ott plunges into the darkness with five graphic horror novelettes: "The Hotel," "The Champion," "The Experiment," "The Prophet," and the story which frames it all, "The Girl," each executed in his hallucinatory and hyper-detailed scratchboard style.

The first story in the book introduces the other four: A little girl visits an amusement park. She looks fascinated, but finds everything too expensive. Finally, behind the rollercoaster she eyeballs a small booth with "CINEMA PANOPTICUM" written on it. Inside there are boxes with screens. Every box contains a movie; the title of each appears on each screen. Each costs only one coin, so the price is right for the little girl. She puts her money in the first box: "The Hotel" begins. In the film, a traveler goes to sleep in what seems to be an otherwise empty hotel. His awakening is the stuff of nightmares.

"The Champion," the second film, introduces a Mexican wrestler who fights against death himself. In a typical Ott twist, he wins and loses at the same time. In the third film, "The Experiment," a short-sighted man initially goes blind from some pills his doctor gave him, but soon the blindness wears off and he finds they accord quite a view. In the final story, "The Prophet," a vagrant foresees the end of the world and tries to warn people, but nobody believes him. They will soon enough...

Ott’s O. Henry-esque plot twists will delight fans of classic horror like The Twilight Zone and Tales From the Crypt, or modern efforts like M. Night Shyamalan’s films (well, the good ones); his artwork will haunt you long after you’ve put the book down.

Download and read a 14-page PDF excerpt (1.9 MB) with the introductory story, "The Girl."

Video & Photo Slideshow Preview (view in new window):

The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in February 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.

This month's Spotlight item is a new softcover edition of Swiss horror-meister's short story collection Cinema Panopticum; our anthology of Scandinavian cartoonists Kolor Klimax: Nordic Comics Now is "Certified Cool"; and the issue also includes the new volumes of our best-selling The Complete Peanuts and Prince Valiant series; a new, expanded edition of The Complete Crumb Comics Vol. 1 with 60 newly-discovered, never-before-published pages; Folly, a collection of Hans Rickheit's inscrutable and discomfiting minicomics; and the final (prose) novel in Monte Schulz's jazz-age trilogy, The Big Town.

See them all here!

If I were up on skate lingo I would be spouting the equivalent of "holy crap" here... Penguin has produced a series of limited edition skate decks featuring artwork from their Penguin Classics Deluxe line, including covers by Jason for Kerouac's Dharma Bums, Lilli Carré for Twain's The Adventures of Huckleberry Finn, and Thomas Ott for We Have Always Lived in the Castle by Shirley Jackson. At Lilli's blog you can see a photo of her hoisting hers over her head. There was a Facebook contest where you could win one (which we learned of too late) and USA Today's report on the decks lists some promotional events on college campuses — no word on if/when you'll actually be able to buy these, though.

Today's Online Commentary & Diversions:

• List: Joe McCabe of FEARnet names "Five Horror Graphic Novels You Need to Read," including:

"The black-and-white scratchboard art of German comics creator Thomas Ott is without peer among today's comics artists. That Ott can also tell one helluva fun horror short story is almost icing on the cake.... This omnibus volume [R.I.P.: Best of 1985-2004] collects his three out-of-print albums... I've never read a Thomas Ott tale that was anything less than fantastic. Highly recommended."

"...[Richard Sala] has carved his own niche as perhaps the most twisted but brilliant cartoonist working in comics today.... Labyrinthine in its complexity and endlessly imaginative in its designs and characterizations, [The Chuckling Whatsit] tells the story of Broom, an unemployed writer who gets mixed up in a murder plot and the Ghoul Appreciation Society Headquarters (GASH), whose membership boasts more creepy eccentrics than the collected works of Edward Gorey."

• Review/Interview: After reviewing Yeah!, Vice's Nick Gazin asked writer Peter Bagge about some things that troubled him about the comic:

[Gazin:] The main feeling that the comic left me with was a crushing sense of hopelessness. With the exception of the cover art, the girls usually seem unhappy.

[Bagge:] Why?!? Well, I gave them troubled backstories, but they sure have a lot of fun at the same time. 

[Gazin:] I guess I feel like Krazy, Honey, and Woo Woo don't usually look like they're having fun. They look troubled, upset, or angry in almost every panel. They go to other planets, but they usually don't enjoy it. Even when Woo Woo gets to date her rockstar crush, Hobo Cappiletto, she's too racked with guilt to be able to enjoy it. It seems like they're only having fun on the front and back cover.

[Bagge:] Good point! I guess I simply enjoy their misery. I'm a monster!

• Opinion: Help put Yeah! in perspective by reading Peter Bagge's essay "Raiding Hannah's Stash: An Appreciation of Late '90s Bubblegum Music" at Scram magazine

• Interview: At Comic Book Resources, Shaun Manning talks to Jason and Fabien Vehlmann about collaborating on their new graphic novel Isle of 100,000 Graves. Says Vehlmann: "I love his incredible and unusual style, and I didn't want to change it totally... So even if I created the entire story and the characters of Isle of 100,000 Graves, I also did kind of a 'forger-job,' trying to write as if I was Jason but also bringing my own private topics (death, childhood, etc...), which was a very exciting challenge." Manning says of the book, "Displaying all of the keen wit, sharp twists and disarming sincerity readers have come to love in books like Werewolves of Montpellier, I Killed Adolf Hitler and others, Isle of 100,000 Graves teams the artist known as Jason with writer Fabien Vehlmann for a wholly original adventure tale that pushes both creators in an intriguing new direction."

• Plug: "Get ready, because if you like comics in which monsters and barbarian wrestlers beat the living shit out of each other (and who doesn’t?), [Prison Pit Book Three] is probably going to be the best book you’ve read since Prison Pit Book Two." – Ben Spencer, Nerd City

• Commentary: The Chicago Tribune's Heidi Stevens goes to Paul Hornschemeier & Anders Nilsen for expert opinions on the use of "grawlix" (you know, "#$&*!")

Today's Online Commentary & Diversions:

• Review: "...Everything is an Afterthought: The Life and Writings of Paul Nelson by Kevin Avery — due out this November from Fantagraphic Books — is an absolutely riveting and (I think) important read. ...I'm only halfway through the book at the moment, but I can tell you that Avery has done an absolutely smashing job of research and that there's a lot to chew on here about all sorts of issues... I'll have more to say about it later in the year, when it's actually in print, but rest assured that this would be an important book if Avery had done nothing more than get some of Nelson's brilliant essays and reviews between hardcovers, where they clearly belong, at last." – Steve Simels, PowerPop

• Review: "Ott’s psychobilly sensibilities litter his narrative world with pimps, thugs and geeks; desperate chancers, deadly beloveds and down and outs on the edge of reality as well as society, so if jaded comics fans might feel they’ve been here before, the wider world are still only curious first-timers into a dismal dimension of vice, spice and bad advice. Graphic, violent funny and unforgettable [R.I.P.: Best of 1985-2004] is a special treat for thrill-starved adults in search of something a little beyond the norm." – Win Wiacek, Now Read This!

• Commentary: "It's fascinating to see the history of comics play out in real time by reading these 30-year-old 'fanzines' (which is what The Comics Journal was called by pretty much everyone who refers to the magazine within its pages, even though it was already much more than that within the first few years of its existence) and reflect on how much the industry has changed and yet how the same questions and concerns from 1980 still pop up in conversations around the comic book water cooler today." – Timothy Callahan, Comic Book Resources

This month's issue of Booklist brings a starred review for 21: The Story of Roberto Clemente by Wilfred Santiago and additional favorable reviews of 5 more of our recent releases, excerpted below:

"Nearly every page brings a new compositional marvel, setting energetic, limber figures against stylized photographic backgrounds washed in sepia tones and Pirate-yellow highlights. The in-game sequences, though, are show-stoppers, taking advantage of dizzying perspective shifts to capture the fluid, whirling nature of the game as it moves in fits and starts through huge moments of pause into cracking shots of sizzling drama. It’s not a comprehensive biography by any means, nor does it try to be one. But for a book that matches the pure athleticism, unshakable compassion, and towering legacy of its subject, look no further." — Ian Chipman (Starred Review)

Popeye Vol. 5: "Wha's a Jeep?" by E.C. Segar: "The fifth oversize volume collecting Segar’s vintage 1930s newspaper strip sees two particularly notable events, the introduction of Popeye’s lovable pet from the fourth dimension, Eugene the Jeep, who can foretell the future — a talent that Olive Oyl and Wimpy predictably exploit at the racetrack — and the seafaring quest to find Popeye’s long-lost father, Poopdeck Pappy, who turns out to be even more irascible than his cantankerous son. The out-of-continuity Sunday pages are more humor-driven, allowing Segar’s most brilliant comic creation, the rotundly roguish J. Wellington Wimpy, to take the fore." – Gordon Flagg

Prince Valiant Vol. 3: 1941-1942 by Hal Foster: "This period, with its far-flung story lines and lavishly detailed artwork, is arguably the acme of Foster’s four decades chronicling the bold exploits of his medieval hero. While the oversize pages don’t approach the expanse of the bygone broadsheet newspapers that were Valiant’s original home, this is the best showcase Foster’s epic creation has had since its original appearance more than 70 years ago." — Gordon Flagg

Krazy & Ignatz 1919-1921: A Kind, Belevolent and Amiable Brick by George Herriman: "Although nearly a century has elapsed since these episodes first saw print, nothing that’s appeared on newspaper comics pages in the intervening years has approached their graphic and linguistic sophistication, let alone their brazenly idiosyncratic singularity. The bounty of Herriman’s fanciful masterwork is enhanced by a pair of informative supplemental essays and Chris Ware’s strikingly stark cover design." – Gordon Flagg

The Complete Peanuts 1979-1980 (Vol. 15) by Charles M. Schulz: "Although Schulz’s much-loved comic strip is considered timeless — the continued reprinting of decades- old episodes in today’s newspapers attests to its perennial appeal — it wasn’t immune to contemporary trends. In these episodes, Peppermint Patty advocates for women’s equity in sports and gets Bo Derek-inspired cornrows. In other anomalous sequences, Charlie Brown’s pals express uncharacteristic affection for him when he’s hospitalized, and Peppermint Patty falls in love with — of all people — Pig-Pen. But most of the strips here display the comfortable tropes, from Snoopy as a WWI flying ace to Linus awaiting the Great Pumpkin, that Peanuts fans grew to love during its five-decade run." – Gordon Flagg

R.I.P.: Best of 1985-2004 by Thomas Ott: "With Ott’s trademark scratchboard style affording the highest possible contrast, this is some of the most stunningly crafted work in comics today." – Ray Olson

Today's Online Commentary & Diversions:

• Review: "...The Arctic Marauder [is] a gorgeous, sprawling tale that — thanks to translator Kim Thompson's finely tuned ear for tone — boasts chewy Vernian narration... Call it ur-steampunk — one of the works that laid the groundwork for a genre that would, just a few years later, fill bookstore shelves with soot, goggles and gutta percha. [...] Tardi's arctic seascapes and undersea trenches are things to marvel over, as is his ability to evoke the eerie undulations of the Aurora borealis with just a few finely scratched lines. The Arctic Marauder is at once a loving homage and a smart satire; it's also, not for nothing, a rollicking adventure. Pick it up, and get rollicked." – Glen Weldon, NPR's Monkey See

• Plugs (Video): The Backroom video comics podcast features The Arctic Marauder by Jacques Tardi and 21: The Story of Roberto Clemente by Wilfred Santiago at the 30:00 mark

• Review: "Tardi is one of France's most famous creators, and Adele Blanc-Sec, the cynical author turned adventurer, is his most famous creation. [...] I am very happy to see that Fantagraphics has decided to republish the first two stories in a beautiful hardcover book, with another book to follow next year. [...] The adventures are by turns funny, weird, and surprising. They are reminiscent of Tintin, if Tintin was a cynical Frenchwoman instead of an idealistic boy." – John Anderson, The Beguiling

• Review: "...[T]he colorful (in many senses of the word) collection The Artist Himself... is a smorgasbord of senses working overtime, the coffee table book of the year for raunch-loving pop art fans and literary hedonists alike. [...] One of Canada’s best pop cult artists, Holmes lived far too hard and died way too young. I can’t imagine a better book being put together about him, though. The Portland-based [Patrick] Rosenkranz (whose earlier underground comics compilation Rebel Visions is a tidy and sweet sweep of the entire field) has written a beautiful biography of the 60s-born underground cartoonist..." – Chris Estey, The KEXP Blog

• Review: "You can tell by the cover [of R.I.P.: Best of 1985-2004] that it bodes pretty badly for all those involved, from have-a-go-heroes, souped up for the occasion Charles Atlas-stylee, to those covering their murderous tracks, now newly addicted to cleanliness. Indeed both virtue and godliness play their part here, though neither is rewarded. These very short stories are like ten-second episodes of Roald Dahl’s Tales of the Unexpected and really challenge you to think, but they’re so concise and precise that it makes that a joy rather than a chore. [...] The medium employed... is scratchboard: that blank-slate of black upon which you work in reverse, scratching out shivers of white with a needle, sharp compass or random sterilised murder weapon. It works enormously well for stories so penumbral, yet on occasions the panels break out as blindingly as the light which fills them." – Stephen L. Holland, Page 45

• Analysis: At Robot 6, Matt Seneca takes a close look at a 2-panel sequence from Prince Valiant Vol. 3: 1941-1942: "Foster’s composition is wonderfully harmonic: two chords, beautifully struck in a rich and assured ink line, that complement each other perfectly.  Though the panels use different camera angles and depict different subjects at different distances from the action, they share a remarkable symmetry."