• Review: "By the 1980s, however, the anti-establishment sensibility of the underground comix had been replaced by a faith in just 'do-it-yourself' — making your own 'zines,' and that sense of independence is what [editor Michael] Dowers praises [in Newave! The Underground Mini Comix of the 1980s]." – George Elliott Clarke, The Chronicle Herald
• Review: "...Jim Woodring's Weathercraft creates a fantastic alternative universe. ...Woodring constructs a nightmarish tale in which Manhog falls victim to the villainous depredations of the all-too-aptly named Whim and the spells of the witchy pair Betty and Veronica. Those unfamiliar with the Woodring dreamscape may want to pick up The Frank Book collection as a primer, but the stand-alone Weathercraft requires no real prep work — just an openness to disturbing, id-derived imagery." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "Although King of the Flies... is anchored in a sharply delineated but deliberately generic suburbia, the book plunges us into an often violent, always profane environment that recalls David Lynch's Blue Velvet. Using multiple narrators, the book is an intricately constructed series of interlocking short stories that acidly etch a disquieting portrait of modern alienation and unease." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "French master Tardi gives an infantry-level view of World War I's meat-grinder carnage in grim vignettes that primarily keep tight, telling focus on the stories of individual soldiers. ...[It Was the War of the Trenches] deserves a place on the top shelf of graphic lit." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "Reading Jacques Tardi's It Was the War of the Trenches, I realized just how short most American war comics fall in portraying the reality and horror of war. ... Tardi brings every ounce of his talent to the task of trying to articulate the sheer horror of this war. And while he doesn't flinch once, neither does he resort to trite 'war is bad' or 'good versus evil' oversimplifications. He merely puts you directly in the soldiers' viewpoint and then tries to relate their experiences to you. ... It's a raw, uncompromising, devastating book, and, I'm kind of sad to say, unlike anything that's been published on these shores." – Chris Mautner, Robot 6
• Review: "...St. Louisan Tim Lane's Abandoned Cars, one of 2008's essential comics, has recently been reissued in paperback with two variant covers that vividly recall the lurid pulps of the 1930s." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "It can sometimes be hard to get a grip on what Jason is going for in his stories, since even when he approaches a familiar subject, he takes a strange angle and dwells on the types of moments that wouldn’t normally receive focus in these sorts of tales. Werewolves of Montpellier goes even further afield... Leave it to Jason to dwell on the awkwardness of the 29 non-full-moon days of the month in which the werewolf has to pass as a normal human." – Matthew J. Brady, Indie Pulp
• Review: "What I think is most interesting about [The Best American Comics Criticism] is that in his choices of pieces, [editor] Schwartz is laying out a theory of lit comics. It's a theory that rings very true to me. Part of this theory goes that as literary comics grew, they made necessary a reevaluation and relearning of certain classic comics." – Robert Boyd, The Great God Pan Is Dead (via The Comics Reporter)
• Profile: Steve Duin of The Oregonian talks to Patrick Rosenkranz about assembling The Artist Himself: A Rand Holmes Retrospective: "With rare access to Holmes' journals and sketchbooks, Rosenkranz succeeds in giving readers access to the cartoonist that Holmes denied his closest friends. And he succeeds because of a compulsion, born 45 years ago, to understand the world in which these artists moved 'and how what happened in their lives affected their work.'"
• Comic-Con: At About.com: Manga, Deb Aoki gives a quick report from the Moto Hagio Spotlight Panel at Comic-Con 2010, with a promise of more to come: "...Hagio-sensei charmed the audience with her self-effacing wit and matter-of-fact responses to questions..."
• Johnny Ryan has a bunch of new prints for sale. We saw Matt Groening admiring the one above at Comic-Con, our own Kristy Valenti very happily bought the cat one, and the "Nachos" one is just 100% pure genius
• Review: "In Weathercraft, his first foray into graphic-novel territory, Seattle denizen Jim Woodring employs his repertory troupe of ambiguous, liminal characters — Frank, Manhog, Pupshaw, and Pushpaw — to tell the kind of Pilgrim's Progress tale that David Lynch might have conjured up if he were a cartoonist. ... Impermanence, the conundrum of physical senses that guide and ensnare at the same time, the challenge of a rational response to an irrational universe — all this and more await the returning fan or the open-minded acolyte in Woodring's best work yet. And for an artist of his caliber, that's saying something." – Damian Van Denburgh, Critical Mob
• Review: "Loaded with hipster irony, profanity and long digressive conversations, it’s a loving tribute to half-repudiated childhood pleasures. ... At times, Dungeon Quest captures the anything-goes wanderlust of Calvin & Hobbes — if Calvin’s fantasies were real, set in rundown Los Angeles neighborhoods and loaded with swearing." – Jason Thompson, The Comics Journal
• Review: "The relationship stuff all rings true, and when it gets weird at the end, it doesn’t seem random and arbitrary, and that’s a difficult trick to pull off. ... I found Werewolves [of Montpellier] to be a delightful read; no profound life lessons were learned, but Jason’s storytelling is first-rate and life lessons are overrated anyway." – Johnny Bacardi, Popdose
• Reviewer:On his blog, Jason reviews the film Léon Morin, prêtre
• Review: "Deep within the barroom psychosis, Lane looks into the abyss and thinks about spitting into it. The drive that leads to destruction can also be a powerful and satisfying personal experience. While each story in Abandoned Cars ties together in a thick knot of dread, the best story sees Lane go on a blatantly autobiographical adventure, and head out for an adventure by jumping on trains." – Bob Temuka, The Tearoom of Despair
• Review: "This graphic memoir chronicles the author’s struggle with the aging of her father and stepmother. The subject matter isn’t pretty. Still, [Special Exits] is intriguing, well-written and thought-provoking." – Nick Smith, ICv2
• Review: "You have to be a real expert in Jason-character physiognomy to even be able to tell that the lonely expat main character in Werewolves of Montpellier is sometimes wearing a werewolf mask. After all, the guy's an anthropomorphized dog at the best of times. In the end, that ends up being the gag. You're not some uniquely unlovable monster, you're just a guy with problems, like anyone else..." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "I have always had a soft spot in my heart for the Peanuts comic strip. I grew up on the old paperback collections and it was always a great day when my mom bought me a new one. Now, thanks to Fantagraphics, the entire run of Peanuts is available to fans in their beautiful, year-by-year collections of Charles Schulz’ masterful and hilarious comic strip. This collection puts us into the years of 1975 - 1976 and includes all of the daily and Sunday strips for the period. ... Thank you Fantagraphics! Grade A" – Tim Janson, Mania
• Review: "The most recent issue is probably the strongest [Hate] Annual to date, 36 pages of concentrated hilarity, including the longest Buddy Bradley story in quite some time. Just as impressive are his one-page strips about scientists from DiscoverMagazine..." – Rob Clough, The Comics Journal
• Analysis: "For the first time, this hapless figure, this half-man, half-animal is a picture of heroism and nobility, his metamorphosis achieved not through cosmic dances or tops but by cruelties inflicted on him by that creature of many masks and tricks, Whim. Earlier in Weathercraft , an infernal creature plucked from the pig-man’s gullet sanctions enlightenment. He who once resembled the demons surrounding the decapitated Ravana becomes whole and fully clothed, now cognizant of his true nature." – Ng Suat Tong, The Hooded Utilitarian
• Interview: From last Friday, Chris Mautner's revealing conversation with Tim Hensley at Robot 6: "Sometimes it's infuriating to read about a bunch of attractive saccharine pupils in the suburbs. Maybe [Archie] could add a brain damaged character. Maybe Moose, but more likely he never learned to read — have they already done that? Somewhere off-panel there's a convalescent hospital with all the rejects in it. But I wasn't attempting a Dark Knight makeover where everyone has stubble and never prevaricates."
The acclaimed anthology of contemporary comics steams toward its landmark 20th issue. This issue leads off with the cover story, the first part of the satiric psychedelic epic "The White Rhinoceros," drawn by Josh Simmons and written by The Partridge in the Pear Tree. It is our privilege to welcome the great Gilbert Hernandez to the pages of Mome with a brand-new story starring his beloved character Roy! Also debuting this issue, exciting newcomer D.J. Bryant, with what may be the most hard-boiled story to appear in Mome yet. And making return appearances: Olivier Schrauwen, Tim Lane, Conor O'Keefe, and Robert Goodin with new stories, and T. Edward Bak with the continuation of his epic "Wild Man" serial.
Download an EXCLUSIVE 9-page PDF excerpt (1.6 MB) with a page from every artist in the issue, plus the Table of Contents.
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