160-page full-color 9" x 6.75" hardcover • $22.99 ISBN: 978-1-60699-308-8
Joe McCulloch at Comics Comics describes it aptly: "An interesting experiment in Golden Age of Reprints presentational engineering, this new 160-page landscape-format Fantagraphics hardcover collects all of the great Basil Wolverton’s crackpot daily advice strips as seen in the pages of Fawcett’s Whiz Comics, 1945-52, presented in comparison with Wolverton’s original pencil roughs for what looks like every installment." The Comics Reporter's Tom Spurgeon brings the basketball metaphor: "Who doesn't want to read as much Basil Wolverton as they can? He's not in the starting all-time five, but he gets a lot of playing time off the bench." At Comics Alliance Douglas Wolk declaims "Goofiness, history and process!"
128-page color/b&w 7" x 9" softcover • $14.99 ISBN: 978-1-60699-303-3
Joe McCulloch at Comics Comics opines "The centerpiece of this Spring 2010 edition of the Fantagraphics house anthology is, without question, the return of Dave Cooper to comics" and of the other contributors says "That really is a nice lineup"; Tom Spurgeon of The Comics Reporter agrees that it "offers a super-strong line-up of creators." We can't disagree — you can see the full table of contents and samples from each contributor as part of our PDF excerpt.
So head on down to your local comic shop, but not before checking out the bountiful information and sneak peeks at the links above, and it's always a good idea to confirm availability beforehand.
• Review: "When most people try to employ dream logic in their work they fail miserably but Jim [Woodring] is great at it. The closest thing to a peer he might have is David Lynch but even that’s a stretch. Jim Woodring is the only Jim Woodring and no one has done what he does except for him. ... There’s not much point in trying to sum up the story of [Weathercraft]. There’s no text, the art is beautiful, and you’re totally consumed by the world he’s created and you exist inside it while you’re reading it." – Nick Gazin, Vice
• Review: "You know who is awesome and holds more water than anyone in comics? Basil Wolverton, that’s who. I might have gone overboard there but Basil Wolverton is so fucking funny that it’s no laughing matter. ... This little hardcover [of The Culture Corner] is sweet. The left page of each spread contains the pencil sketch of every comic that it’s available for and even the sketches for comics that never got finished. It is rad as hell." – Nick Gazin, Vice (same link as above)
• Review: "Holy crap, I love [Ganges]. Huizenga has this amazing way of writing and drawing comics that hit me in the soul, either directly reflecting an experience I can relate to (having trouble falling asleep in #3) or a feeling (like missing the good old days of a group of awesome work friends). Plus, his art style is this amazing mix of surreal and everyday imagery that mimics the daily weirdness of being a creative, introspective person and also takes on the look of a classic comic strip (Glenn’s nose reminded me of Popeye for some reason)." – T.J. Deitsch, United Monkee (via Sean T. Collins)
• Review: "Opulent; florid; intermittently bizarre: Red Barry,Will Gould’s gangling, glowering, undercover cop, countered Chester (no relation) Gould’s grimly taciturn Dick Tracy with a ripely atmospheric, robustly theatrical, unflinchingly lurid theater, replete with run-on dialogues, soliloquies and, not infrequently, faces that appeared to be 'made up' in the pointed, dagger-like beards, eye patches, and whiskers that would earn a chuckle of recognition from George Jean Nathan (once-and-forever dean of American drama critics)." – Donald Phelps, The Comics Journal
• Plug: On his News and Head Lice blog Paul Hornschemeier says "if you're not yet reading anything and everything Tim Lane and Tim Hensley produce, you're missing out. Hensley's comics and posts are always a welcome addition to any day over at Blog Flume and Lane's ongoing strip, Belligerent Piano reminds of me of the baby produced from the time Chester Gould had a three-way with Alex Raymond and Spain Rodriguez. Who's the one with the womb? I'm not telling."
The multiple Harvey and Eisner Award nominee returns for its fifth year. With this issue, the series has now featured over 2000 pages of comics in its four and half years of existence (2109, to be exact), which may be a record for an English-language alternative comics anthology. This issue's cover is by Nate Neal, who delivers "The Neurotic Nexus of Creation," a 15-page explication of the creative process. MOME 18 also includes the first new comic in several years by Dave Cooper, as well as the MOME debuts of Tim Lane, Ivan Brun, Joe Daly, and Jon Adams. Also returning are MOME stalwarts Lilli Carré, Ben Jones, Frank Santoro, Jon Vermilyea, Nicolas Mahler, Ted Stearn, Renée French, Conor O'Keefe, Derek Van Gieson, and T. Edward Bak.
Download an EXCLUSIVE 15-page PDF excerpt (5.9 MB) with a page from every artist in the issue.
Daily clips & strips — hit the links for improved/additional viewing at the sources:
• This limited-edition print by Sergio Ponchione is available at festivals (I think — the autotranslation is a little sketchy) from Coconino Press. Sergio also reveals that Grotesque #4 is in the can (and coming this summer from Fantagraphics); the complete Italian run of Grotesque will be available in a slipcased set with additional materials, and the slipcase will be available separately (hopefully U.S. fans will be able to order it from overseas); and the full-color Grotesque stories from Linus magazine will appear in future volumes of Mome (hey, that was my suggestion)!
• Review: "It’s vaudevillian and it’s Old Hollywood. It’s rock n’ roll and beat poetry. It’s introspective and depressing and quite often funny, and depicts a world that exists on the fringes of society where the American Dream meets the cold, harsh reality of life as viewed through a grimy windshield. ... When you put all the pieces together, you don’t simply get a story or a group of stories, you get a book that pulls back the curtain on the collective unconscious of a nation. ... Like the myths that it is inspired by, Abandoned Cars lingers long after reading and grows in stature as you re-live and re-tell it." – Chad Derdowski, Mania
• Review: "Part of Pim & Francie’s disconcerting effect is that it confounds easy categorization, leaving the reader uncertain what exactly this book is, or how to approach it. It doesn’t contain discrete, coherent stories, but it’s also more unified and linear than a sketchbook; there are continuing characters, recurring images and situations, even a discernable arc. It’s possible to piece together narratives from the fragments here, the way you might reconstruct a crime scene from bits of evidence, or a nightmare from fading details. These stories may even be all the more potent for having to be inferred, like the phantasms we imagine when we listen to horror stories on the radio." – Tim Kreider, The Comics Journal
•Profile/Review:Thought Balloonists' Charles W. Hatfield has a doozy of a report from Robert Williams's March 10 lecture at Cal. State Northridge, with plenty of insight into the artist, the talk, and the Conceptual Realism exhibit at the CSUN gallery: "Williams and his academic audience met halfway; the bracing, not to say ass-kicking, potency of the paintings seemed to wow most of the crowd. This was a fine performance, enlivened from the start by Williams' genuine gratitude and enthusiasm for being there."
• Plug:Library Journal spotlights Jason's Werewolves of Montpellier among notable July graphic novel releases: "Having subjected zombies to the witty vagaries of his goofy, humanized animals, Eisner Award winner Jason tackles werewolves mixed up in re-creational burglary and romance. It’s the pretender vs. the professionals — who are not happy about amateur competition."
• Television:Adult Swim will start re-running The Drinky Crow Show starting March 30, so mark your calendars and set your DVRs now. Even if you caught it the first time, it merits repeat viewings