The multiple Harvey and Eisner Award nominee returns for its fifth year. With this issue, the series has now featured over 2000 pages of comics in its four and half years of existence (2109, to be exact), which may be a record for an English-language alternative comics anthology. This issue's cover is by Nate Neal, who delivers "The Neurotic Nexus of Creation," a 15-page explication of the creative process. MOME 18 also includes the first new comic in several years by Dave Cooper, as well as the MOME debuts of Tim Lane, Ivan Brun, Joe Daly, and Jon Adams. Also returning are MOME stalwarts Lilli Carré, Ben Jones, Frank Santoro, Jon Vermilyea, Nicolas Mahler, Ted Stearn, Renée French, Conor O'Keefe, Derek Van Gieson, and T. Edward Bak.
Download an EXCLUSIVE 15-page PDF excerpt (5.9 MB) with a page from every artist in the issue.
Daily clips & strips — hit the links for improved/additional viewing at the sources:
• This limited-edition print by Sergio Ponchione is available at festivals (I think — the autotranslation is a little sketchy) from Coconino Press. Sergio also reveals that Grotesque #4 is in the can (and coming this summer from Fantagraphics); the complete Italian run of Grotesque will be available in a slipcased set with additional materials, and the slipcase will be available separately (hopefully U.S. fans will be able to order it from overseas); and the full-color Grotesque stories from Linus magazine will appear in future volumes of Mome (hey, that was my suggestion)!
• Review: "It’s vaudevillian and it’s Old Hollywood. It’s rock n’ roll and beat poetry. It’s introspective and depressing and quite often funny, and depicts a world that exists on the fringes of society where the American Dream meets the cold, harsh reality of life as viewed through a grimy windshield. ... When you put all the pieces together, you don’t simply get a story or a group of stories, you get a book that pulls back the curtain on the collective unconscious of a nation. ... Like the myths that it is inspired by, Abandoned Cars lingers long after reading and grows in stature as you re-live and re-tell it." – Chad Derdowski, Mania
• Review: "Part of Pim & Francie’s disconcerting effect is that it confounds easy categorization, leaving the reader uncertain what exactly this book is, or how to approach it. It doesn’t contain discrete, coherent stories, but it’s also more unified and linear than a sketchbook; there are continuing characters, recurring images and situations, even a discernable arc. It’s possible to piece together narratives from the fragments here, the way you might reconstruct a crime scene from bits of evidence, or a nightmare from fading details. These stories may even be all the more potent for having to be inferred, like the phantasms we imagine when we listen to horror stories on the radio." – Tim Kreider, The Comics Journal
•Profile/Review:Thought Balloonists' Charles W. Hatfield has a doozy of a report from Robert Williams's March 10 lecture at Cal. State Northridge, with plenty of insight into the artist, the talk, and the Conceptual Realism exhibit at the CSUN gallery: "Williams and his academic audience met halfway; the bracing, not to say ass-kicking, potency of the paintings seemed to wow most of the crowd. This was a fine performance, enlivened from the start by Williams' genuine gratitude and enthusiasm for being there."
• Plug:Library Journal spotlights Jason's Werewolves of Montpellier among notable July graphic novel releases: "Having subjected zombies to the witty vagaries of his goofy, humanized animals, Eisner Award winner Jason tackles werewolves mixed up in re-creational burglary and romance. It’s the pretender vs. the professionals — who are not happy about amateur competition."
• Television:Adult Swim will start re-running The Drinky Crow Show starting March 30, so mark your calendars and set your DVRs now. Even if you caught it the first time, it merits repeat viewings
This item is available with two different cover designs. Please indicate your preference when ordering.
THE ACCLAIMED 2008 DEBUT, BACK IN PRINT IN A 2010 SOFTCOVER!
Abandoned Cars is Tim Lane’s first collection of graphic short stories, noir-ish narratives that are united by their exploration of the great American mythological drama by way of the desperate and haunted characters that populate its pages. Lane’s characters exist on the margins of society—alienated, floating in the void between hope and despair, confused but introspective. Some of them are experiencing the aftermath of an existential car crash—those surreal moments after a car accident, when time slows down and you’re trying to determine what just happened and how badly you’re hurt. Others have gone off the deep end, or were never anywhere but the deep end. Some are ridiculous, others dignified in their efforts to struggle to make sense of, and cope with, the absurdities, outrages, ghosts, and poisons in their lives.
The writing is straightforward, the stories mainstream but told in a pulpy idiom with an existential edge, often in the first person, reminiscent of David Goodis’s or Jim Thompson’s prose or of films like Pick-Up on South Street or Out of the Past. Visually, Lane’s drawing is in a realistic mode, reminiscent of Charles Burns, that heightens the tension in stories that veer between naturalism on the one hand and the comical, nightmarish, and hallucinatory on the other. Here, American culture is a thrift store and the characters are thrift store junkies living among the clutter. It’s an America depicted as a subdued and haunted Coney Island, made up of lost characters—boozing, brawling, haplessly shooting themselves in the face, and hopping freight trains in search of Elvis.
Abandoned Cars is an impressive debut of a major young American cartoonist.
2009 Ignatz Award Nominee: Outstanding Anthology or Collection
Download an EXCLUSIVE 16-page PDF excerpt containing the first two stories (2.2 MB).
FREE Desktop Wallpaper Downloads! Just click on the size that matches your monitor resolution and the image will open in a new window; if you're on a PC, right-click the image and select "Set As Background"; if you're on a Mac, control+click and select "Set As Desktop Background." (We don't know what the procedure is for iPhones, but if you have one, you probably do, right?) More wallpapers...
Tim Lane graces the cover of the Seattle Weekly this week. Matt Silvie, who does double duty at Fantagraphics and the Weekly, offers a No-Prize to the first person who can name the classic Marvel Comics cover that inspired this.
Get ready for the HOTWIRE comics slide show! That’s right, the Eisner and Harvey nominated anthology comic is about to chew up the scenery live. Presented by HOTWIRE editor Glenn Head and Carousel host R. Sikoryak.
Featuring these great artists performing their comics for your delectation: Danny Hellman, Sam Henderson, Michael Kupperman, Tim Lane, Jayr Pulga, David Sandlin, Chadwick Whitehead, plus Head and Sikoryak. This show is sure to offer both spontaneous cartoon funk and the slickest of production values. Live comic entertainment at its best!
MoCCA Thursday, March 25, 2010. 7pm Admission: $5 | Free for MoCCA Members Museum of Comic and Cartoon Art 594 Broadway, Suite 401 New York, NY 10012 212-254-3511