The multiple Harvey and Eisner Award nominee returns for its fifth year. With this issue, the series has now featured over 2000 pages of comics in its four and half years of existence (2109, to be exact), which may be a record for an English-language alternative comics anthology. This issue's cover is by Nate Neal, who delivers "The Neurotic Nexus of Creation," a 15-page explication of the creative process. MOME 18 also includes the first new comic in several years by Dave Cooper, as well as the MOME debuts of Tim Lane, Ivan Brun, Joe Daly, and Jon Adams. Also returning are MOME stalwarts Lilli Carré, Ben Jones, Frank Santoro, Jon Vermilyea, Nicolas Mahler, Ted Stearn, Renée French, Conor O'Keefe, Derek Van Gieson, and T. Edward Bak.
Download an EXCLUSIVE 15-page PDF excerpt (5.9 MB) with a page from every artist in the issue.
Here's your reminder in the form of the official press release:
Limited Ed Silkscreen print of the above image available!
Dumbo, Brooklyn, NYC - February 12th: opening reception 6-9 pm and continuing to March 31st, 2010 - Scott Eder Gallery
BROOKLYN, February 12, 2010- HOTWIRE #3 features a dynamic selection of artwork from the upcoming all-new third volume of Hotwire Comics! Following the success of last year's Hotwire #2 show, this seminal show features paintings, works on paper in all media from some of the heaviest hitters in the alternative comix scene, including Tim Lane, David Sandlin, Glenn Head, Mark Dean Veca, Danny Hellman, Jayr Pulga, Mary Fleener, Karl Wills, R. Sikoryak, Sam Henderson, Mats?!, Rick Altergott, Chadwick Whitehead. The opening of the show is timed to coincide with the release of the brand-new volume of Hotwire Comics. Hotwire #3 is currently on view at 18 Bridge St., DUMBO, Brooklyn until March 31, 2010.
The Harvey- and Eisner-nominated anthology of action, thrills, chills and transgression is back with a third volume! Anything goes in Hotwire, eschewing literary high-mindedness for a pure, gut-wrenching viscerality that you can tune in and rest your brain on after a long day.
Opening party Friday night, Feb. 12th, from 6pm-9pm
Join us to celebrate the Hotwire #3 group show featuring the great selection of paintings, ink drawings and works in graphite.
About Scott Eder Gallery Established in August, 2007 as a venue for bringing comic book art creators into a fine art context and gallery setting, Scott Eder has been dealing and exhibiting original comic book art at festivals and museums in the U.S. and throughout Europe (France, England, Italy, Germany, Spain, and the Netherlands) for over 15 years. All show info at www.scottedergallery.com
The Harvey and Eisner nominated anthology of action, thrills, chills and trangression is back with a third volume! Anything goes in Hotwire, eschewing literary high-mindedness for a pure, gut-wrenching viscerality that you can tune in and rest your brain on after a long day.
Hotwire the third leaps off the page from the get-go with David Sandlin’s “Infernal Combustion,” about boozing it up in a broke-down caddy, and Tim Lane’s bit of freight-hopping grit, “Spike.” Underground comics legend Mary Fleener returns with “The Judge,” a true tale about her own life fending off thugs… with a .38! Meanwhile, Hotwire Captain Glenn Head spins the biography of German surrealist Hans Bellmer as a down and out Vaudevillian in decadent Weimar Berlin. R. Sikoryak turns in a brand new batch of "Masterpiece Comics", as Dennis the Menace stars as Prince Hamlet! Other creepy delights: Rick Altergott delivers a fable of a child-molesting clown pleasuring himself in the suburbs, while Matti Hagelberg’s “Passion of Atte” is a modern-day Dante’s Inferno of comics.
There’s also more knockout work and crazy visuals by Mark Dean Veca, Johnny (Angry Youth Comix) Ryan, Mats?!, Max Andersson, Sam Henderson, Steve Cerio, Stephane Blanquet, Doug Allen, Michael (Tales Designed to Thrizzle) Kupperman, Danny Hellman, Mack White, David Paleo, Chadwick Whitehead, Onsmith, Karl Wills and Jayr Pulga. Looking for laffs? A psychic jolt? A partner for your next trip? Look no further than… Hotwire!
Download an EXCLUSIVE 15-page PDF excerpt with a sampling of pages from throughout the book (16.5 MB).
This Great Show includes some of the best and boldest talents working in comix today. Here's a chance to see original art work by Glenn Head, Danny Hellman, Mark Dean Veca, David Sandlin, Tim Lane, Jayr Pulga, Chadwick Whitehead, Sam Henderson, Mary Fleener, Rick Altergott, R. Sikoryak, and Mats!?....
Many of these exciting artists will be on hand to meet you, discuss their work, and their insights into the comics scene. HOTWIRE's contributors have graced the pages of the very best comix anthologies — such as RAW, R. Crumb's WEIRDO, SNAKE EYES, DRAWN AND QUARTERLY, as well as mainstream publications like The New York Times, The Wall Street Journal, Nickelodeon, and The Village Voice.
It will be a terrific show, curated by Scott Eder, who has many cool comic art shows to his credit. Now's your chance to get a good look at HOTWIRE art and it's artists — in person!
Drinks and food will be served, the scene will be mellow, the vibes happening.... This is definitely an art scene worth making the trek to!
Opening reception Friday Feb. 12th 6-9pm
18 Bridge St. #2i Brooklyn*, NY 11201 *DUMBO 718-797-1100
Visit scottedergallery.com to view all the exhibition artwork (soon!) and to get more information (and directions).
• List: Matthew Price of The Oklahoman gives Ganges #3 the 9th position on his 10 Best Periodical Comic Books of 2009: "Kevin Huizenga continues to be one of comics' brightest indie creators... Huizenga uses his talents to immerse the reader inside Ganges' head."
• List/reviews/analysis: On the Inkstuds radio program, a roundtable of prominent critics (Sean T. Collins, Tim Hodler, & Chris Mautner) join host Robin McConnell for a discussion of 2009's standout books, including our two "You" books, You Are There by Tardi & Forest and You'll Never Know, Book 1 by C. Tyler
• Review: "What's better than a new story by Jason? Why, several in one volume, of course! ...[T]he more of Jason's weird energy and quirky, poignant storytelling that I can consume at one time, the better. ... It's kind of a mystery how well he's able to do it, crafting easy-to-follow stories in such a minimalist style, but luckily, they're incredibly enjoyable, so one can easily get lost in them, forgetting questions of craft and technique because those aspects become all but invisible. ... [Low Moon] is another great example of the strange alchemy that Jason has mastered, drawing readers in to compelling tales of people caught up in oddly familiar situations, even when they're dealing with something that's off-kilter from reality as we know it. That's the Jason touch, and long may it continue to grace our pages." – Matthew J. Brady
• Plug: In Richard Metzger's profile of Steve Ditko for Dangerous Minds, he says "I may be a little late to the game on this one, but I recently got a copy of Blake Bell’s Strange and Stranger: The World of Steve Ditko, a coffeetable book published by Fantagraphics last year and it is a wonderful and fascinating look at Ditko’s life and work. Kudos to Bell for putting together such a volume which was clearly a labor of love and unique erudition."
• List:Details magazine names Ghost World #10 on The 25 Greatest Gen X Books of All Time: "This caustically funny duo-tone tale follows the iconic cat-eyed adolescent Enid Coleslaw in her quest to find meaning, or at least cruel humor, in an age where everything's disposable."
• Review: "Strange Suspense collects dozens of Ditko stories from the 1950’s... Almost a decade before Ditko moved to Marvel, these stories bear his unmistakable style. His fine line work and flair for the abstract that would serve him so well on Doctor Strange particularly, is on full display. ... If you only know Ditko for his work at Marvel or later at DC, here is the chance to explore Early Ditko, unconstrained by editors or the Comics Code. While all of this work is marvelous, clearly Ditko is best at home in horror where he could let his imagination run wild, creating monsters and demons and the things that go bump in the night. Rediscover Ditko today!" – Tim Janson, Newsarama
• Review: "Brian Kane, author of the [Definitive Prince Valiant] Companion and surely the world’s foremost authority on the strip and its creator, Hal Foster, has once again done a herculean amount of work, and Fantagraphics has once again clothed that work in a sturdy, pretty volume. Prince Valiant hasn’t been treated this well since the ersatz King of England sang his praises. Those unfamiliar with the character – a young man who finds adventure, fame, and even love at the court of the legendary King Arthur – will find here all the background information they could ever want... But even long-time Prince Valiant fans will find plenty to fascinate them in this volume." – Khalid Ponte, Open Letters
• Review: "Delphine is a morbid interpretation of the symbology of fairy tales resounding with echoes of unrequited love and abandonment. This is perhaps Sala’s darkest and most intricate story ever – impressive in its nuance and ever shifting emotions. One can only hope that it is not ignored." – Ng Suat Tong, The Comics Journal
• Interview: From TCJ.com: "Every weekday from now until December 25, we’ll be posting a conversation between cartoonists from The Comics Journal #300, complete and online! In today’s installment, it’s a chat between L’Association publisher Jean-Christophe Menu and Kramers Ergot publisher Sammy Harkham."
• List: The Village Voice 's R.C. Baker names 2009's Best Comics and Graphic Novels. Among the choices: "A lucid nightmare, Al Columbia's dazzlingly well-drawn Pim & Francie features vignettes of its young protagonists menaced by creepy relatives or starring in exceedingly grim fairy tales. These inky visions seem unearthed from the deepest vaults of Uncle Walt's id. ... Anything but Victorian, Nell Brinkley (1886–1944) celebrated the Roaring '20s with sinuous lines and colors as lurid as William Randolph Hearst's presses could muster. Author Trina Robbins notes, in the lavishly oversize The Brinkley Girls, that the illustrator 'closely resembled the girls she drew.' But Brinkley, with her thrilling fantasias of pirate abductions and aviatrix romances, remains an inspiration beyond flapper flamboyance to any young lady seeking to break into the boys' club of high-end illustration."
• List: Greek site Comicdom is halfway through counting down the top 100 comics of the '00s. On the list so far: Tales Designed to Thrizzle Vol. 1 by Michael Kupperman at #99 ("Following at a discreet distance from the legacy of Monty Python, Michael Kupperman should be considered a genius by any man who has laughed with the group of Britons"), Billy Hazelnuts by Tony Millionaire at #67 ("In the surrealist vein of Krazy Kat and the otherworldly, oneiric atmosphere of Little Nemo... misanthropy and almond sweetness"), Safe Area Gorazde by Joe Sacco at #60 ("The shock was, however, not an end in itself, since what actually manages to come across is the sense of pain and loss that each of the interviewees had experienced"), and Fred the Clown by Roger Langridge at #53 ("Ingenious comics by an equally intelligent designer who not only knows the history of the instrument and understand what makes it work"). [Quotes cobbled from autotranslation.]
• Review: "There have been a lot of great comic book releases this year, but none has the beauty and melancholy resonance of Fantagraphics' Prince Valiant: Volume 1-1937-1938. ... As for Hal Foster, Fantagraphics has given this artist his due and helped place him in his proper context as a great American artist and master of the comics form." – Mark Rhodes, Omnicomic
• Review: "Employing a storytelling dynamic not unlike that of Serling’s science fiction classic, Thomas Ott’s The Number 73304-23-4153-6-96-8 is itself a visit... to a dimension not of sound, but of sight and mind that at once both rewards and confuses. ... Ott’s hyper-meticulous attention to how detail relates to used space and negative space is at once both unsettling and captivating, utilizing a form of technical, pen-like cross-hatching for essentially every line that can only be described as Robert Crumb on Adderall. ... The Number is a universally literate work of fiction that is a quick first read with potential for longer lasting examination." – C.R. Stemple, Pads & Panels
• Review: "The Unclothed Man in the 35th Century A.D. is a fascinating first animated work [third, actually — ed.] from one of today's most original and unusual artists. Shaw adapts well from the comics page to the cinematic form. ... Almost as well as his comics, this film expresses Shaw's ongoing desire to look at the world from a slightly askew perspective, to express his fascination with the complexity of people's inner universes. ...[T]he film... [is] a probing, emotional examination of what it means to make art and to forge meaningful human interactions..." – Ed Howard, Only the Cinema
• Plug: In an interview with IFC found by our own Janice Headley, musician Chuck Prophet names Ghost World as a favorite movie: "A coming-of-age teen flick movie that pivots around Skip James’ 'Devil Got My Woman' can do no wrong with me. And shouldn’t with anyone else."
• Interview: At Comics Comics, Dan Nadel presents audio of the panel with Gary Panter & Peter Saul at the Brooklyn Comics & Graphics Festival last weekend
At his blog, Tim Lane reveals the back covers for the paperback edition of Abandoned Cars coming next year (note that the bar code and ISBN have yet to be added). Head over there for larger images and Tim's inspiration for the design. Let me just say that he totally nailed that flea market/used bookstore price handwriting, which seems to be the same wherever you go. Previously: the front covers.