Holy yes-more-please, SPX rocked us. Jacq Cohen, Gary Groth and I traversed across the country for one of the single best comic books shows that exists. We knew it was going to be quite the fun time when we boarded the plane and saw Joseph Remnant. A small favor to stranger later and he was TRAPPED between us for 4+ hours.
SPX is that magical place where we stay in the same hotel as the convention so you run into people all the time. We found a Ben Catmull by the elevators right away! Maybe he was haunting the place (NOT COOL, BEN)
Early morning rise and shine, all the books were out in their deliciously intimidating stacks including all sexy color Peanuts Every Sunday.
Speaking of Peanuts, kids are attracted to it like a magnet. Yes!
Sketching Guantanamo also debuted at SPX and Janet Hamlin, the military tribunal artist for the last seven years showed upwith some new sketches. This book is very important, not just to Janet or us but to the United States as a form of public record.
Peter Bagge signs some books for fans! (photo by Meredith Rizzo)
Zak Sally took a break behind our booth to do some sweet sketches.
The last thing to do at a con after packing up some unsold books and labeling boxes is EAT COOKIES. SPX social media coordinator and crazy busy man, Michael David Thomas, is the stuff fucking dreams are made of my friends.
I'm so pissed I forgot to show off my '90s HIP HOP socks to Ed while he was signing Hip Hop Family Tree. See those smiley faces and peace signs? The kind of socks you keep for the rest of your life! Eden Miller, Ignatz organizer, also showed off her own foot related fashion---an Ignatz tattoo pulled right from the pages of Herriman's comic!
Back on the plane ride home, Jacq took a photo of me working on comics.
We had SUCH a great time at SPX, thank you so much to Warren Bernard, Michael David Thomas, Dan Stafford, Eden Miller, Sam Marx and the many, many, many other staffers and volunteers who made the show rock. Our bags are already packed for next year.
• Ottawa, ON: Oh, Ottawa! Dave Cooper presents his latest art show Eddy Table and Other Misbehavers at the La Petite Mort Gallery! Dave will have a ton of affordable drawings and doodles available, as well as a cool super-affordable, specially-priced inaugural fine art print to celebrate his new printing venture! (more info)
• Ottawa, ON: Ottawa, it's a two-fer-Thursday! World-famous cartoonist and filmmaker Max Andersson will screen his first feature-length film Tito on Ice as part of the Ottawa International Animation Festival! Don't miss it! (more info)
• Burlington, VT: Don't miss Chris Wrightat the 2013 Burlington Book Festival! He'll be part of the panel "The Novel Graphic: A Summit", alongside Vermont’s first Cartoonist Laureate, James Kochalka; award-winning author and artist Genese Grill; and legendary illustrator, author, and New Yorker cartoonist Ed Koren. (more info)
• Ottawa, ON: Ottawa, were you not listening when I said "don't miss it" back on Thursday? Were you too busy enjoying the fun at Dave Cooper's art show? Well, you've got another chance to see Max Andersson's feature-length film Tito on Ice as part of the Ottawa International Animation Festival! Go, go, go! (more info)
The Brooklyn Book Festival is coming up for all you readers, writers and fans! A few of our cartoonists are coming up for panels AND we have one hell of a rager party planned at Bergen Street Comics! SIX, count 'em, SIX cartoonists will be at Bergen Street signing their newest graphic novels and minis. Saturday at 8pm at 470 Bergen Street---the place to be! Chuck Forsman, Leslie Stein, Ulli Lust, Ed Piskor, Dash Shaw and Tom Kaczynski will all be there. And so should you!
And then on Sunday, let the Brooklyn Book Festival commence! Below are the panels our cartoonists are on, please note that some are in different locations and please plan in travel time. For a full schedule, visit the Brooklyn Book Festival page.
12:00 P.M. The World (According to Cartoonists): Border Crossing Comics. Adrian Tomine (Optic Nerve #13), Rutu Modan (The Property), Dash Shaw (New School), and David Prudhomme (Rebetiko) all explore characters crossing borders -national and personal, real and imagined. Discover how these award-winning cartoonists translate the world through art and story. Moderated by Kent Worcester. Featuring screen projection. ST. FRANCIS AUDITORIUM
1:00 P.M. Mundane/Profane/Profound: What We Draw About When We Draw Comics. Gag cartoonists and graphic novelists talk about the weird, wonderful, and sometimes shocking choices they make in their craft. Ben Katchor (Hand-Drying in America) offers urban fables where daily details lead to socio/political revelations. Lisa Hanawalt's sexy/snarky one-pagers in My Dirty Dumb Eyes hinge on the vulnerability of showing it all. Miriam Katin's thoughtful, witty memoir Letting it Go explores profound loss and forgiveness in the context of teeth whitening and stomach troubles. Ulli Lust's punk travelogue Today is the Last Day of the Rest of Your Life lays bare body and soul. Moderated by Anne Ishii, translator, The Passion of Gengoroh Tagame. Featuring screen projection. BROOKLYN HISTORICAL SOCIETY AUDITORIUM (128 Pierrepont Street)
2:00 P.M. The New American Dream: What is today's Great American Novel, anyway? Ayana Mathis (The Twelve Tribes of Hattie), Dash Shaw (New School), and Adam Mansbach (The Dead Run) give us glimpses into a new kind of American Dream: a fifteen-year-old mother of nine; a boy's island adventures in graphic novel form; and in one case, an American nightmare. Moderated by David Unger. BROOKLYN HISTORICAL SOCIETY AUDITORIUM (128 Pierrepont Street)
3:00 P.M. The Real: Comics Nonfiction. Three artists represent the diverse spectrum of topics taken on by nonfiction comics-Ed Piskor's Hip-Hop Family Tree offers an encyclopedic comics history of the formative years of hip hop; Lucy Knisley's Relish: My Life in the Kitchen is a loving memoir of growing up gourmet and Tom Kaczynski's Trans-Terra: Towards a Cartoon Philosophy is a mutant memoir that melds comics, politics, and philosophy. Moderated by Professor Jonathan W. Gray, John Jay College. Featuring screen projection. BROOKLYN HISTORICAL SOCIETY AUDITORIUM (128 Pierrepont Street)
4:00 P.M. Lost and Found: The Journey Begins at Home. Where do we discover our truest selves, and what journeys-and what experiences-are ultimately the most transformative? From Prix Médicis-winner Jean-Marie Blas de Roblès's doomed expeditions through the Brazilian backlands (Where Tigers Are at Home) and Austrian graphic novelist Ulli Lust's recollections of a youthful romp through Italy (Today is the Last Day of the Rest of Your Life) to Shani Boianjiu's fierce but wise coming-of-age tale set within the Israeli army (The People of Forever Are Not Afraid), life's lessons can be found in the most unexpected-and familiar-places. Special thanks to Cultural Services of the French Embassy and the Goethe Institute. Moderated by David Kaufman, (Telling Stories: Philip Guston's Later Work) George Mason University. BOROUGH HALL COMMUNITY ROOM (209 Joralemon Street)
Hey all, Fantagraphics is heading over to Autoptic in Minneapolis this Sunday. A swell new one day show that's SURE to knock the socks off your feet (or sandals off your sockless feet). Sunday, August 18th from 11am-7pm at Aria, 105 N 1st Street. We have some books debuting and some authors signing in addition to giving you the sweet inside scoop to their lives, comic processes and more in some panels. Find us at table 33!
Friday, August 16th 6:00-9:00pm Artist reception for "Jaime Hernandez: 30 Years of Locas" at the Minneapolis College of Art and Design (2501 Stevens Ave, Minneapolis, MN). Jaime's talk starts at 7pm and don't miss it!
Saturday, August 17th 7:00 p.m. - 8:30 pm Alexander Stewart and Lilli Carré's EYEWORKS animation Festival on a double bill with Sara Drake and PupHouse's shadow puppet play SALTWATER WEATHER. (also on view: Bats by Marijpol) Open Eye Theater (506 E 24th St, Minneapolis, MN)
Sunday, August 18th Noon-1pm Printmakers Panel Anders Nilsen moderates with panelists: Nick Butcher, Jenny Schmid, Ryan Duggan. Every picture has a story. We'll dig into how artists approach different projects of their own and work for hire. How do you come up with an image for a death metal band versus one for a book festival? What would you do if you were approached by a band you hate? Located at ARIA (programming area 1)
1:30-2:30pm Animals as People "Funny Animal" comics have been a staple of the medium since its inception, though the reasons for using animals that act like humans or actual anthropomorphic animals has evolved through the years. Many artists find ways to emphasize the animal's true nature while at the same time using them as a stand-in for human characters. Moderator Isaac Cates will discuss with artists Lisa Hanawalt, Jon Lewis, Zak Sally and Anders Nilsen the ways in which they've been able to explore a number of different themes and ideas through their use of animals as their characters. Located at Alliance Francaise (programming area 2)
2:30-3:30 The Dark Roots of Myth A number of cartoonists are using familiar fantasy, horror and mythological tropes as a staging ground for getting at deeper issues. Sexuality, politics, class, gender, religion and other issues have been evoked and explored using the visceral and familiar images and storytelling techniques of fantasy. Moderator Rob Clough will join artists Caitlin Skaalrud, Max Mose, Eamon Espey, Anna Bongiovanni and Eleanor Davis in elaborating on their own personal takes on fantasy and myth. Located at ARIA (programming area 1)
4:00-5:00pm Jaime Hernandez & Lisa Hanawalt In Conversation Jaime Hernandez is a legendary cartoonist whose Love and Rockets series just passed its 30th anniversary. Lisa Hanawalt is a humorist whose hilarious, surreal and frequently gross cartoons have garnered her a great deal of praise and attention in a relatively short period of time. Both artists greatly admire the work of the other, even as their comics seem to have little in common. Moderator Rob Clough will join them in exploring their common ground as artists and what each finds most intriguing about the other's work. Located at ARIA (programming area 1)
Love and Rockets enters its fourth decade with this installment of its acclaimed graphic novel-format iteration, featuring both old friends and new faces, and some genuine surprises... The cover shows Gilbert's new star Killer in a pose and milieu that will bring back memories for long-time fans - imitating the hammer-wielding Luba in her adopted Palomar. Jaime continues to explore his intriguing new character Tonta: In "Fuck Summer," Tonta is talked into joining the summer swim team but can't figure out why the brand new swim coach knows her.
Assembled from work done in Anders Nilsen’s sketchbooks over the course of the year following the death of his fiancée in 2005, The End is a collection of short strips about loss, paralysis, waiting, and transformation. collection of short strips about loss, transformation, waiting, and paralysis. A concept album in disparate styles, a meditation on paying attention, an abstracted autobiography and a travelogue. Now updated & expanded to 80 pages.
This landmark collection features ten of Clowes's most influential graphic narratives, along with interviews about his career and creative process, and twelve thought-provoking essays by contemporary scholars and critics. It also features the full Ghost World, Clowes's celebrated graphic novel about the complex friendship of two teenage girls. It also includes stories — some reprinted for the first time — about boys coming of age, troubled superheroes, and the place of artists and critics in popular culture.
Join us this weekend at CAKE at Center on Halsted in Chicago from Saturday, June 15 through Sunday, June 16th! Table 13-14 is the place to be. We're pumped to announce our special guests, Kim Deitch, Ben Catmull, Charles Forsman, Leslie Stein, Josh Simmons, Tom Kaczynski, Lilli Carré, and Noah Van Sciver! Check out our lush signing schedule:
Our artists will be partaking in programming throughout the weekend, so check out their panels! - See more at: http://www.fantagraphics.com/index.php?option=com_myblog&show=Fantagraphics-at-Stumptown-Comics-Fest-2013-in-Portland.html&Itemid=113#sthash.R89fGTf6.dpuf
We have some lip-bustin' new books to debut at CAKE.
Our cartoonists will be partaking in programming throughout the weekend, so check out their panels!
On Friday, June 14th Kim Deitch has a signing from 6pm-8pm at Chicago Comics. (3244 N Clark)
Saturday, June 15th
Noon-1:00pm // Chris Ware: Special Guest Chris Ware is the author of Jimmy Corrigan - the Smartest Kid on Earth, which received the Guardian First Book Award and was included in the 2002 Whitney Biennial of American Art. His most recent book, Building Stories, was voted a 2012 Top Ten Book of the Year by the New York Times, Time Magazine and Publishers Weekly. Jake Austen, editor of the vital and influential Chicago cultural magazine Roctober, will host Mr. Ware in conversation, speaking on Ware's career and his connection to Chicago and its living comics history.
3:00 - 4:30pm // Eyeworks: Parallel Lines: The Eyeworks Festival of Experimental Animation is a film festival with a focus on abstract animation and unconventional character animation. The festival programs showcase outstanding experimental animation of all sorts: classic films, new works, and rare masterpieces. Founded in 2010 byAlexander Stewart (Library Book, Sideral) and Lilli Carré (Heads or Tails, The Lagoon), Eyeworks is held annually in Chicago, with additional curated programs presented in Chicago and other cities throughout the year. The Eyeworks program showing at CAKE this year, Parallel Lines, features animated work that highlights an overlap between alternative comics and experimental animation. The screening will include both classic and contemporary works on this theme, showcasing narrative and graphic parallels between the two forms. Immediately following the screening there will be a Q&A, with presented animators Kim Deitch, Kevin Eskew, and Leif Goldberg.
Sunday, June 16th
12:30 - 1:30pm // Mega-Solutions to Micro-Publishing: Oily Comics: In the current expansion of the micro-publishing field, Special Guests Oily Comics is a premiere imprint. Operated by Chuck Forsman (The End of the Fucking World, Snake Oil) and Melissa Mendes (Lou, Freddy), Oily Comics features some of the best talent in alternative comics. Joining them on stage will be fellow Special Guest Michael DeForge (Adventure Time, Elizabeth of Canada, Lose), and German cartoonist, Anna Haifisch (The Buddies, Future Tense). CAKE co-organizer Max Morris will moderate this exciting discussion.
2:00 - 3:00pm // Kim Deitch: Special Guest Kim Deitch came from a legacy in the animation field and continues to form a legacy of his own. From the hey-day of the undergrounds, through the breakthrough of Raw, Kim Deitch remains a seminal force in alternative comics. Deitch will be speaking about his new book, The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley, out this year from Fantagraphics. He will be joined by Caitlin McGurk (Good Morning You), librarian at the Billy Ireland Cartoon Library and Museum.
3:30 - 4:30pm // Intimate Anxiety: Beyond the shock tactics of portraying "inappropriate" subject matter in comics, we find the medium is exquisitely suited for grappling with explicit content, unchained from the trappings of taboo. Intimate Anxiety focuses on three artists' ferocious visions of sex and death, made all the more visceral through gorgeous and painstaking details. Special Guest Phoebe Gloeckner sets the standard for work that probes these realms. From her experimental memoir, Diary of a Teenage Girl, to her iconic illustrations for RE/Search to her current work dealing with the ongoing femicide in Cuidad, Juárez, Gloeckner continues to confront difficult realities with groundbreaking graphic integrity. Julia Gfrörer's art vibrates off of the page while crafting oblique erotic worlds laced with terror. Through sparse text and a perfect sense of visual timing, Gfrörer's comics, such as Too Dark to See, Flesh and Bone and Black Is the Color bring language to the unspeakable. Joining them will be Special Guest Heather Benjamin, whose obsessively rendered drawings aim straight for the jugular vein. Author of the cult art zine Sad Sex and contributor to the prolific output of Collective Stench, Benjamin's art delves headfirst into complicated scenarios that are emotionally fraught and sexually feral. Moderated by Caroline Paquita, author of Womanimalistic and founder of Pegacorn Press, Intimate Anxiety is a conversation about the power and truth that lies within impropriety.
So come visit Jacq and all our cartoonists at tables 13-14 this weekend at CAKE! 3656 N Halsted, Chicago, IL 60613
The fastest hot-to-trot release of online Commentaries & Diversions:
• Review:Good Dog has it this week. Graham Chaffee's return to comics gets a starred review from Publishers Weekly. "Chaffees’s art is both lyrical and dramatic when it needs to be, mixing Craig Thompson and Gilbert Hernandez. As with White Fang and Black Beauty, Chaffee goes inside the psychology of animals without over sentimentalizing and shows why the human/pet relationship is so precious for both sides."
• Review: Diamond Scoop is all over Wake Up, Percy Gloom by Cathy Malkasian. "Malkasian fills the story with multiple levels, never once making any of them obvious. Her experience as an animator shines through as her pencil and panel construction holds an incredible sense of movement inside a graphic novel format.…More than a fable, Percy Gloom is part of story telling myth that can be traced back to campfires around a cave. This is an inspiring work that speaks to all levels of our existence."
• Review: Bob Temuka of the Tearoom of Despair checks out Peter Bagge's Other Stuff. "This book is excellent… the looser Bagge's stuff gets, the better. Other Stuff is funnier than [Everybody Is Stupid Except For Me], even if there is that same sociological satire, because it has Bagge people wigging the fuck out, and nuthin' is funnier than that.."
• Review: Shawn Starr of The Chemical Box reviews 3 New Stories by Dash Shaw. "3 New Stories is a comic which explores the juxtaposition and superimposition of images within the structure of text/drawing based comics (a.k.a. traditional comics) as a means of underlining the thematic nature of it's stories.…Shaw codes the pages of '3 New Stories' with layers of visual subtext that work as an interesting color palette and also through their existence as “images”, create additional layers of meaning to each page and the narrative as a whole."
• Review: Bill Boichel from Copacetic Comics enjoys New School by Dash Shaw. "This purposeful leveling of the high/low, fine/popular distinction in the arts has a specific aim in reinforcing the "message" encoded within the narrative. The basics of the story we are given in New School are about as old school as you can get, centering on two brothers, each sent by their father on a quest to a faraway land. The brothers, Daniel and Luke, are each given names with strong biblical associations. The latter, however, additionally references the modern mythology of Star Wars. This dual reference serves as a key opening the door to New School's narrative strategy."
• Review: IndieWire has a suggestion for you in regards to Micky Mouse Color Sundays by Floyd Gottfredson (edited by Groth and David Gerstein). Jerry Beck writes, "Leave it to Gerstein, with co-editor Gary Groth and the team at Fantagraphics, to reprint these rare strips with the greatest of care. The reproduction of the line art is superb, the coloring is vivid and faithful to the original newspaper printings … stop what you are doing and order this book today. 280 pages of absolute joy."
• Review: KC Carlson of Comics Worth Reading read and weeps (from laughter) in the latest Carl Barks collection, Donald Duck: The Old Castle's Secret. "I read it as a child. Yet I remember clearly every detail about it. Such is the power of Carl Barks’ work. His storytelling is designed to appeal to youngsters as well as folk who are as old as Scrooge.…I laughed so hard that I had to put the book down for a couple of minutes. Sharp-eyed readers should also pay attention to other jokes hidden in what Donald is reading in other stories throughout the book."
• Interview (audio): Associate Publisher Eric Reynolds and co-editor, Philip Nel, talk Crockett Johnson, Barnaby and Ruth Kruss on Inkstuds with Robin McConnell.
• Review:Comics Grinder makes some new meat with Beta Testing the Apocalypse by Tom Kacynski. "Kaczynski’s humor is, at times, acerbic, with an attitude…Read as a whole, the author’s vision comes through as heart-felt, witty, and maybe even, perhaps, genuinely concerned…Architecture is seen as a possible solution to the many ills of one struggling nation," writes Henry Chamberlain.
• Review:The Austin Chronicle weighs The Adventure of Jodelle by Guy Peellaert. Shannon McCormick writes, "Christ, this thing is gorgeous…Like his American Pop Art idols and comrades, Peellaert’s work smashed distinctions between "high" and ‘low’ modes of art, drawing from the visual language of advertising, cinema, fashion, and youth culture, as well as classical and neo-classical sculpture and architecture."
• Review: Stuff I Read This Week and the Darling Dork revisit Maggie the Mechanicby Jaime Hernandez. "A large part of the fun of Love and Rockets is seeing how the Herndandezes grew and developed as creators, with experimentation giving way to clarity of vision…You can look at these characters and still recognize them perfectly well, only sans several decades of growth…there’s still plenty of greatness to be found here."
• Interview (audio): Gilbert Hernandez talks about kids' comics, Love and Rockets, plus D&Q's Marble Season on The Dinner Party.
• Plug (video): Staffer Jen Vaughn speaks very briefly on working for Fantagraphics and comics at TCAF on Comics Bulletin (I apologize for speaking in 3rd person)
12:15 – 1:15pm // Spotlight: Ulli Lust A talented Austrian cartoonist who makes her home in Berlin, Germany, Ulli Lust is well known across Europe for her cartooning. Her debut full-length graphic novel Today Is the Last Day of the Rest of Your Lifewon huge acclaim in 2011, including taking the prestigious Angouleme “Revelation” prize. Now this important work of memoir and reportage has made its way to English audiences, and Ulli Lust and Verlag Der Tagesspiegel journalist Lars von Torne as they explore this important and highly-anticipated TCAF debut. (Reference Library)
12:15 – 1:15pm // Spotlight: Gilbert Hernandez’s Marble Season Gilbert Hernandez is the co-creator of the acclaimed series Love & Rockets, which just celebrated its 30th anniversary. Gilbert is attending TCAF in support of his highly-anticipated, semiautobiographical new graphic novel, Marble Season. Marble Season tells the untold stories from the American comics legends’ youth, but also portrays the reality of life in a large family in suburban 1960s California. Pop-culture references—TV shows, comic books, and music—saturate this evocative story of a young family navigating cultural and neighborhood norms set against the golden age of the American dream and the silver age of comics. Gilbert will present from this new work, and participate in a moderated Q&A. (Forest Hill Ballroom)
1:30 – 2:30pm // Moebius, Past and Future Jean Giraud, also known as Moebius, was a legend in the comics industry – his lush, whimsical art and creative storytelling inspired a generation of cartoonists around the world to take the comics medium to new directions and new heights. Four cartoonists discuss Moebius’ life, work, and his role in inspiring the industry today – as well as their own books. With Frederik Peeters, Paul Pope, David B., Glyn Dillon. Moderated by Xavier Guilbert. (Forest Hill Ballroom)
2:45 – 3:45pm // Writing Life These four cartoonists tell the most personal kind of stories – stories from their own lives. This program explores what’s involved in memoir. How accurately can memory and representative artwork depict real life? And are there kinds of stories that cannot be told? Featuring Raina Telgemeier (Smile, Drama), Derf (My Friend Dahmer), Ulli Lust (Today Is the Last Day of the Rest of Your Life), and Lucy Knisley (Relish). Moderated by Robin Brenner. (Pilot Tavern)
4:00 – 5:00pm // Spotlight: Michael Kupperman Acclaimed American comics artist and humourist Michael Kupperman (Tales Designed to Thrizzle) discusses his life, work, and upcoming projects in this special TCAF Spotlight program. Perhaps certain special guests will drop by? (Pilot Tavern)
Sunday, May 12th
12:15 – 1:15pm // What’s Funny in the Funnies? Comics & Humour What makes a comic funny? We couldn’t tell you exactly, but what we do know is that these five panelists have made some damn funny comics, so they’ve likely got some insight. We’ll refund show admission if they don’t. Featuring Bill Amend (Foxtrot), Ivan Brunetti (HAW!), Danielle Corsetto (Girls with Slingshots), Lisa Hanawalt (My Dirty Dumb Eyes), and Michael Kupperman (Tales Designed to Thrizzle). (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
12:15 – 1:15pm // Queer Comics 2013 You don’t have to be queer to make or read queer comics. Social, civil, and sexual issues, serious or satirical, make queer comics works that deal with the joys and problems of life that affect all of us. The creators on this panel make books that transcend gender identities to appeal to everyone. Featuring Justin Hall, Erika Moen, Gilbert Hernandez, Jaime Hernandez, Chip Kidd, and moderator Zan Christiensen (Northwest Press). (Pilot Tavern)
2:45 – 3:45pm // Spotlight: Dash Shaw Acclaimed cartoonist and animator Dash Shaw discusses his new and upcoming graphic novels, New School and 3 New Stories, in this multimedia presentation. (Reference Library)
2:45 – 3:45pm // Spotlight: David B. TCAF presents a conversation with acclaimed French cartoonist David B. (Best of Enemies) on his life, work, and the French comics industry. Moderated by Sean Rogers. (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
4:00 – 5:00pm // Spotlight: Ivan Brunetti Renowned cartoonist Ivan Brunetti (HAW!) is also Assistant Professor in the Art and Design Department of Columbia College Chicago, teaching courses on drawing, design, illustration, cartooning, and graphic novels. On this special TCAF Spotlight panel, Brunetti will talk about his own cartooning career, and the importance of comics in education, as outlined in his new book Aesthetics from Yale University Press. (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
4:00 – 5:00pm // Live Drawing… 2! Four creators enter, one creator leaves! Come watch four artists draw for their lives – and for your entertainment. Winners will feast on the souls of the losers (vegetarian option available). Featuring Phil McAndrew, Lucy Knisley, Jim Rugg, and Scott C.! (Pilot Tavern)
So, stop by Tables 142 & 143 and give all your money to our PR/Marketing duo of Jacq & Jen! We're on the first floor by the stairs, so you can't escape us.
The Toronto Reference Library is located at 789 Yonge Street. The closest major intersection is Yonge & Bloor. The closest subway station is Yonge/Bloor Station. See you at TCAF!
Holy comicsolly! Here's photos from the Stumptown Comics Fest in Portland, OR. Dash Shaw was in attendance with New School, which flew off the table. WHY THE WAIT on pictures? We forgot our own con rules. To remain human you must 5-2-1-I: At least 5 hours of sleep, 2 meals a day, 1 shower and Ibuprofen at night. Four hours of sleep one night wrecked this gal and boy, did she pay for it.
Lots of our Fantastaff came to the show since it was so close! Me, Designer Emory Liu, PR Director Jacq Cohen, Dash and Office Manager Steph Rivers.
Patrick Rosenkranz held some long, lovely conversations with fans of comics history and his book Rebel Visions. Patrick also led a Spain Rodriguez tribute panel, if you can ever take a class by him bring a recorder!
Dash talks to fans, cartoonists and the awesome Ming Doyle (who is both).
Portland is awesome because there are cartoonists everywhere. And by everywhere I mean at bars or restaurants. We ran in to Greg Means, Alec Longstreth and Claire Sanders at the Red Flag on the way to the Top Shelf party.
Having the warehouse van proved useful driving home slightly drinky cartoonists. James Kochalka, Rachel Foss and Dash Shaw hold court in the back.
ACCESSORIES. We saw quite a bit. Ed Luce rocked some additional tags.
Dash signed the Stumptown sketch poster HIS WAY.
Patrick Yurick had the best NEW comics-related tattoo. It even has the Wattersonesque dropped panel borders for that comic beat.
Speaking of PANELS: Dash tickled the audience with this animation and comic panel. He's got comedic timing DOWN.
Here I am looking goofy alongside some of the smarter people in comics on a submissions panel: Allison Baker of MonkeyBrain Comics, Jamie S. Rich (talking about old Oni days), Bob Schreck and Sina Grace of Image and Skybound. Panel photo by Glenn Peters.
Our Kristy Valenti, Patrick Rosenkranz and Tom Spurgeon gave a beautiful Spain Rodriguez tribute panel. Photo by someone who still rocks a flash.
INTERN POWER. We had several interns tabling with their own comics. Low-res intern Kevin Uehlein and Ben Horak on the edges of a beautiful comics table, Beth Hetland and Pat Barrett in the middle. Ben's shy so all you get is his sideburns.
Intern Nomi Kane and her comic spread. The Back of Ben Horak.
The tantric release of Online Commentaries & Release:
• Review:The LA Times and Noel Murray interviews Gilbert Hernandez about Julio's Day, Marble Season (from D&Q), plus the future books Love and Rockets: New Stories #6 and Maria M. LA Times: Gilbert says " ‘Julio’s Day’ is very simple. I mean, there’s a lot of heavy stuff going on, but I wanted it to read like a very simple, direct story."
• Interview:comiXology interviews Gilbert Hernandez about his most recent comic Julio's Day on their podcast.
• Review: Tom Spurgeon looks at Gilbert Hernandez's latest work, Julio's Day, on the Comics Reporter. "I found Julio's Day moving at times, again for reasons I'm not really certain I can fully articulate. The idea that we may be known as much for the choices of those around us and things that happen in proximity to ourselves as much as if not more than by the choices we make is either the ultimate comfort or the first back-of-throat rumblings of an existential howl."
• Plug:Publishers Weekly lists Julio's Day as a pick of the week: "A marvelous and tightly scripted epic whose last page is a heart-stopper."
Review: Charles Hatfield of The Comics Journal flips through Julio's Dayby Gilbert Hernandez. "When it comes to Beto, the lightning keeps striking, and if it doesn’t strike exactly the same place twice, it does testify to the same divided genius…It is the great lost Beto comic, belatedly given new form and new life.
• Review:Grovel's Andy Shaw reads Julio's Dayby Gilbert Hernandez. "Just buy it now. This is Gilbert Hernandez at his finest, distilling a lifetime into a single volume of pleasure and pain.Julio’s Day is a literary classic, and another incredible piece of work from a true master of comics."
• Plug:Largehearted Boy plugs Julio's Day. "Gilbert compresses the history of the 20th century as well as the life of a man into a riveting, masterful story," writes Benn Ray.
• Review:The A.V. Club looks at The Adventures of Jodelle by Guy Peellaert. "The essays-which at 80 pages take up more of the book than Jodelle-are this volume's real selling point... Peellaert foregrounded the eroticism of advertising, and exposed how pulp imagery affects the public's understanding of everything from politics to gender. And he did it without resorting to polemics. The Adventures Of Jodelle book-both the comic strip and the supplemental material-is a delight both visually and intellectually," writes Noel Murray.
• Plug:Largehearted Boy plugs The Adventures of Jodelle by Guy Peellaert. "Think of Barbarella animated in that Yellow Submarine style and you get the idea of what Jodelle's adventures look like. This is comics as art."
• Plug: Angel House Press is celebrated National Poetry Month with a focus on visual poetry, inspired by latest collection of it The Last Vispo, edited by Nico Vassilakis and Crag Hill. Check here for a month of visual poetry.
• Review: Heroes Complex at the LA Times looks at 50 Girls 50 by Al Williamson. Noel Murray writes, "These pieces are classic EC: punchy, knowing and ironic in the best sense of the word, in that they force readers to examine their own expectations. The best stories in '50 Girls 50 have readers rooting for heels, or celebrating war, all while framing the situation in such a way that readers question their responses." In reference to the whole EC Comics Library line, Murray writes, "All of these books are essential purchases for comics fans, but for those on a budget who are looking to prioritize…These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant."
• Review:Fangoria reviews the next two EC books. Rick Trembles enjoys 'Tain't the Meat by Jack Davis. "Jack Davis’ dark comedic touch is all over this collection, diffusing the ghastly nature of the stories somewhat, an aspect to his work that was obviously lost on his opponents." Meanwhile with Al Willliamson's 50 Girls 50, Trembles writes "here we’re dazzled by romanticized sci-fi heroics and delicate line-work of the ilk of FLASH GORDON’S original artist Alex Raymond, Williamson’s main inspiration. Dinosaurs, spaceships, and outlandish otherworldly creatures populate the flora of faraway worlds, accompanied by buxom, exotically garbed beauties."
• Review: Nick Gazin sets his VICE sights on 'Tain't the Meat by Jack Davis. "Even though he wasn't a perfectionist, Jack Davis's laziness is better than most people's best work. When Davis does invest himself in a drawing it's just a mind bender. This is a must have for anyone who loves horror, EC, Jack Davis, any of that stuff."
• Review: Comics Bulletin looks at 3 New Stories from Dash Shaw. "This is a short, floppy-sized comic, but it's incredibly rich in complexity and depth. Shaw delivers an amazing collection of stories here."
• Interview:DigBoston and Clay Fernald talk to Dash Shaw about 3 New Stories, New School, Bottomless Belly Button and more. Shaw says, "Words and pictures are very different. They don't sit comfortably next to each other. Some cartoonists try to bring them closer together. Ware is like that. I like that space between things. I want the differences between things to be activated."
• Plug: Largehearted Boy hosts Atomic Books look at new comics included 3 New Stories. "Dash Shaw is a modern comics master. He experiments with everything from structure to narrative to color. If you're unfamiliar with his work, he's sort of like Gary Panter illustrating a Chris Ware story, or, in this case, 3 stories of dystopian societies," writes Benn Ray from Atomic Books.
• Review:Nerds of a Feather enjoys Tom Kaczynski's Beta Testing the Apocalypse. Beta Philippe Duhart states "The thin lines, sharp angles, and rigid geometry…brings a clarity and simplicity that expertly balances the abstractness of the themes at the heart of Beta Testing the Apocalypse…One doesn’t need to have read Žižek to grasp Beta Testing’s themes and criticisms. One only needs to have only gone apartment hunting."
• Interview:Comics Bulletin and Keith Silve interview James Romberger and Marguerite Van Cook on 7 Miles A Second. Van Cook remembers, "David was a poet of the soul, there was always a tension between beauty and the vileness of what society did to anyone who was not of the mainstream. I once asked him what he did with the money he got from hustling when he was so young and he told me he would take a bus to the country and walk around. We thought it was so ironic that selling one's body and selling art had many of the same qualities. We laughed rather darkly, about how the body and art are commodified and priced so arbitrarily."
• Interview (video): Back in January, Carol Tyler spoke to University of Southern California Provost's Professor Henry Jenkins and students as part of the USC Visions and Voices series. Mike Lynch was good enough to blog about it as soon as USC put up on the internet. She speaks about personal life and drawing comics, including the You'll Never Know series.
• Plug:Manga Bookshelf lists its first quarter favorites of 2013 and include Moto Hagio's newest book. "The Heart of Thomas was my most eagerly anticipated manga of the year, and while its January release date set the bar perhaps unfairly high for the year to come, I can’t bring myself to be sad about that."
• Review:Comics Worth Reading pulls out the Castle Waiting Vol. 2: Definitive Edition by Linda Medley. Johanna Draper Carlson writes "…it’s engrossing and beautifully drawn. I was surprised, reading the whole thing at once, how much of what figures in the final chapters was mentioned very early on. It gave me new appreciation for Medley’s long-term storytelling."
• Review:Calgary Public Library's Teen Blog speaks out on Castle Waiting Vol. 1 and 2 by Linda Medley. Adrienne writes, "Castle Waiting is a great comic book that takes elements from fairytales such as 'Sleeping Beauty' and combines them with a good dose of humour and plots about bearded ladies, two-headed girls, pregnancy and hidden libraries..I highly recommend her"
• Review: Strange Journal reviews Castle Waiting. "I’ve really fallen for it, it’s what they’d call a triple threat in show business: It can sing, dance AND act…In the tradition of Jeff Smith’s Bone and the better parts of Dave Sim’s Cerebus, Medley has conjured an amazing and beautiful world and filled it with flawed, interesting folks eking out their existence in a castle on the edge of the world," states Adam Blodgett.
• Review: Delphine by Richard Sala is reviewed on Comics Bulletin. Jason Sacks "We're used to fairy tales telling the story of a journey by a girl from innocence to the real world. Delphine inverts the gender of those classic tales, but uses those familiar tropes to tell a familiar story. Richard Sala treads a world of metaphor and allusion, a world that feels as familiar as Grimm's Fairy Tales and as mysterious as our own heart."
• Review: Nick Gazin sets his VICE sights on Out of the Shadows by Mort Meskin (edited by Steven Brower). "Shadows everywhere. The stories are just a lot of old timey chatter where people call each other chum and stuff but the compositions and choices that Mort Meskin made are pretty sophisticated."
• Interview:The Comics Journal posts an article titled Crockett Johnson and the Invention of Barnaby. Philip Nel writes about it all including the creation of fairy godfather, Mr. O'Malley's favorite catchphrase. Barnaby is coming so soon, we'll all cry "Cushlamochree!"
• Review: iFanboy hypes up Impossible Tales: The Steve Ditko Archives Vol. 4 (by Steve Ditko and edited by Blake Bell) coming out this May. Josh Christie states: "Steve Ditko is one of those guys you could picture on the Mount Rushmore of comics creators…Like so many of the great comics from the 1950s, the drug-fueled, macabre scenes look more like something out of an alternate dimension rather than from the states’ apple pie and bubblegum past."
• Review:Arkham Comics reviews Messages in a Bottle by B. Krigstein (edited by Greg Sadowski). A rough translation states, "Messages in a Bottle is a magicalbook,atimeless andstunningclarity:a lesson incomics aswe do notmeet every day."
• Review:Noah Van Sciver's The Hypo is reviewed on We Read Comics "Sciver absolutely nails it…We see Lincoln's plain spoken style, his humbleness, his self-doubt, and his honesty here with so much fucking economy and elegance."
• Interview:Noah Van Sciver appears on Comic Impact to talk about The Hypo and his newest comics project.
• Plug:The End of the Fucking World (Spoiler alert!) on The Chemical Box. "Similar to Derf’s analysis of Jeffery Dahmer in 'My Friend Dahmer', you can see James (along with Dahmer) struggling with their basic instincts."
• Plug:The Beat waxes on about Julia Gfrörer and Black is the Color. Zainab Akhtar writes, "Gfrorer’s work is consistently excellent, featuring themes of myth, folk lore, mysticism and spirituality, coupled with her fine-lined, evocative art."
• Plug: Demencha calls Ed Piskor a Hip Hop Archeologist and more in reference to Hip Hop Famiy Tree. "His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers," writes J.P. McNamara.
• Review: In an oddly religious review, Mirrors of Christ looks at Eye of the Majestic Creature by Leslie Stein. "Sadly in this story the lyre (guitar) did not participate in the worship of God but in the desire of the flesh."
• Review:Orgasm reviews Sexytime edited by Jacques Boyreau. "…if you want an oversized coffee-book that your guests might enjoying flipping through the pages as you bring refreshments, Sexytime is for you. And hey, it might even get you laid."
• Review:Josh Simmons' story from The Furry Trap, 'Mark of the Bat' is reviewed on Vorptalizer. Seat T. Collins comments, " 'Mark of the Bat' picks and picks and picks at our dovetailed drive for cruelty and need to feel superior to others until the fingernail tears off. It leaves a mark."
• Plug:Comics Workbook enjoys reading The Portable Frank digitally thanks to comiXology.Leah writes, "Woodring’s way of transitioning images between panels (in, ya know, a pretty trippy way) lends itself really well to the panel by panel viewing of the digital reader."
• Plug: Tucker Stone mentions the new issue of The Comics Journal on the Comics Journal, not trying to get to incestuous. "The new issue of the Journal is pretty good; the Tardi interview is great."
• Plug:Textures of Ether looks at Abstract Comics. "Do Abstract Comics artists need to be aware of comics history?…Molotiu’s articles explore the theory behind Abstract Comics and are always interesting to read. They would make a welcome addition to any future AC anthology."
• Review: Nick Gazin checks out Cruisin' with the Hound by Spain Rodriguez on VICE. "Spain's comics always feel lively and real and there's this sense that he was probably too cool to be making comics but somehow he was. You can tell he was for real because he put the most energy into drawing motorcycles and cars and his people always look kinda like they're secondary to their machines. Great book from a great artist and story teller."
• Plug: Musical notation in Peanuts is analyzed on the Hooded Utilitarian. "In this sense, Schulz again collapses into Charlie Brown — locked out of high art virtuosity and romantic opportunities, disappointed in art as in love.…Schulz has, perhaps, found a way to invert Lichtenstein," writes Noah Berlatsky.
• Plug (video): Al Jaffee and Robert Grossman are interviewed on the Imperium about the Harvey Kurtzman retrospective at the Society of Illustrators. Jaffee states, "His concepts were, to us at the time, revolutionary because he was breaking the third or the fourth wall, whatever you want to call it."
* Other People's Publications ** Yeah, You Know Me.
This Saturday, May 4th, we're thrilled to present a signing with acclaimed artist Dash Shaw for his latest Fantagraphics titles 3 New Stories and his ambitious hardcover graphic novel New School.
We'll also have this new mini-comic available, New Jobs, published by Tom Kaczynski’s mighty imprint Uncivilized Books. This limited edition mini measures a mere 1/2 page, but packs in as much emotional resonance as the brick-sized Bottomless Belly Button.
A couple living in Bed-Stuy are going to have a child. To support the child, they need to get new jobs. It's a story any of us could relate to. My heart especially went out to the panel with a stack of stark bills piled on a table.
Dash will be signing with us from 6:00 to 9:00 PM, and will discuss his work and screen short animations, including Seraph, which premiered at the recent Sundance Film Festival. Hurry out here and get your copies of his new work while they last, especially this limited edition mini!
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.
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