In the spirit of "show don't tell" (and making my workday ever more complicated), I've decided to break the "Things to see" category (comprising artwork and other visual goodies from the Fantagraphics roster of artists) from our Daily OCD posts out into their own posts, with images. Links will take you to original sources where full/larger images can be seen. These posts may not be daily depending on what's out there — for now they may be somewhat irregular until I figure out a good rhythm. Enough of my yammerin'...
The acclaimed anthology continues with the concluding chapter of Paul Hornschemeier's third graphic novel "Life with Mr. Dangerous" (following his acclaimed books The Three Paradoxes and Mother Come Home), which has been running in MOME since the first issue. Meanwhile, Bottomless Belly Button creator Dash Shaw and MOME regular Tom Kaczynski collaborate on a mind-bending science-fiction story, "Resolution," where "reality" exists as a virtual world and people live through their avatars. Olivier Schrauwen delivers a surrealistic gem titled "Chromo Congo"; Derek Van Gieson delivers a horrific WWII story, "Devil Doll"; Renee French's "Almost Sound" returns, as does Ted Stearn's "The Moolah Tree" starring Fuzz & Pluck; plus new work from Kurt Wolfgang, Laura Park, Rick Froberg, Sara Edward-Corbett, and T. Edward Bak. Covers by Paul Hornschemeier.
Download an EXCLUSIVE 11-page PDF excerpt (3 MB) with a page from every artist in the issue.
• Review: "Charles Burns offers a glimpse of what might happen if EC Comics existed today with three tales of intrigue and absurdity in this softcover reissue... [of Skin Deep]. A master of the unearthly atmosphere — David Lynch has nothing on him — Burns unleashes tales of a man transplanted with a dog’s heart, a failing marriage with an alarming secret, and, best of all, an evangelist’s son’s encounter with God and his path to millions because of it. At once cautionary, creepy and curious, Burns is consistently one of comics’ deepest thinkers." – John Seven, Worcester Magazine
• Review: "The Troublemakers is the second in a series of graphic novels adapting movies starring or co-starring Rosalba 'Fritz' Martinez from the popular Love and Rockets series. An adaptation of a fictional movie starring a fictional character… I can totally dig that. ... Well, Hernandez has totally captured the look and feel of a B-movie with this one. You’d swear that Roger Corman, Russ Meyer or Samuel Z. Arkoff had a hand in it somewhere… only it’s a whole lot prettier because the guy is a hell of an artist. ... The characters are all very distinct and memorable and the story keeps you intrigued from page one to 120. It actually feels like you’re watching a movie while reading it. ... One can imagine a young Quentin Tarantino taking in a Saturday afternoon viewing of The Troublemakers and being quite inspired." – Chad Derdowski, Mania.com
• Review: "...[A] phallic-galactic odyssey of epic proportions...Prison Pit, the latest [Johnny] Ryan work published by Fantagraphics, is just that, an apologia for sidereal 'poor taste' able to shake the guts of the average reader of comics... Yes, he has hit the target with a homemade bomb and high destructive capacity. Ryan, bastard, you've nailed it." – Alita Comics blog (from mangled Google translation)
• Review: "Jordan Crane is a pretty incredible cartoonist, and this issue of his anthology series [Uptight] demonstrates that wonderfully, with two stories that are different enough that it's impressive that they came from the same creator, but both beautifully drawn and well-told." – Matthew J. Brady
A piping hot dish of Online Commentary & Diversions:
• Review: "...[T]his shaggy-haired collection of 15 years’ worth of artful zines and comics [Like a Dog]... reads at times like a history of psychological warfare. [Zak] Sally... tends toward richly dark, semiautobiographical, and tightly etched tales of tension and self-recrimination. Creepy dreams and images of anatomical self-analysis are recurring themes, along with the general sense of transience that marked Sally’s life while relentlessly touring with Low... At times the book... breaks out of that shell to address topics that are usually no lighter in tone though, as with his excellent retelling of Dostoyevski’s imprisonment, they benefit from the change in perspective. The art is equally claustrophobic when not downright disturbing. Revealing and witty, even when mired in darkness." – Publishers Weekly
• Review: "The Cold Heat material from Jones, Santoro, and Vermilyea is... imaginative and, particularly with Vermilyea at the drawing table, sharply delineated, as is Vermilyea's delightfully sick solo material. Josh Simmons impresses with his blackly comic strips... Tim Hensley kills it as always with the concluding chapters in his Wally Gropius saga, featuring peerlessly communicated body language perhaps the greatest anti-climax in comics history. I think this is some of the tightest material we've seen yet from Sara Edward-Corbett... Lilli Carré is alarmingly good at depicting male lust. Nate Neal's not-so-instant-karma piece in Vol. 16 is explicit and haunting. Dash Shaw is a restless talent, albeit so restless he never seems to settle down even in the middle of any given strip." – Sean T. Collins on Mome Vols. 14, 15 & 16
• Review: Lene Taylor of the I Read Comics podcast wonders if the humor in Jason's Low Moon exists in an alternate world (beware of spoilers)
• Review: Google Translate creates poetry out of this Portuguese review of Like a Velvet Glove Cast in Iron by Daniel Clowes at O Recíproco Inverso: "The art that is what Daniel Clowes you do best: people ugly. All the characters are people from day to day, dark circles, old-fashioned clothes, hair loss... out the freaks that appear, like the girl in the form of potato or the dog itself without holes, op. You see, the Daniel Clowes does not draw badly, he draws very well what he wants to show. That is, ugly people. I will not give star ratings do not pro book, this is very scrotum. Just know that it's cool."
• Plug: "One hell of a messed-up book. ... Pim & Francie are Columbia's pet subjects — a pair of cute kids who are always stumbling into horrific nightmare scenarios. This isn't quite a collection of stories about them: it's a collection of Columbia's rough and finished materials concerning them that keeps veering toward storyhood, then jerking the steering wheel and plunging over the nearest cliff." — Douglas Wolk, Comics Alliance
• Plug: Chris Mautner of Robot 6 rediscovers Zero Zero by way of our 99 Cent Comics sale (issues are selling out fast): "Re-reading this stuff, it really startles me just how good and how ignored this series was and continues to be. I mean, the level of talent in these pages is staggering. Kim Deitch's Search for Smilin' Ed! Dave Cooper's Crumple! Richard Sala's The Chuckling Whatsit! Joe Sacco's Christmas with Karadsic! Not to mention Max Andersson, Skip Williamson, Mack White, Sam Henderson, Michael Kupperman, David Mazzuchelli and so many more. This really was the best anthology of the 90s, bar none."
• Preview: The Comics Reporter spills the beans on one of our 2010 releases: Drew Weing's Set to Sea
Blurbs, "Babe" and big bucks in this episode of Online Commentary & Diversions:
• Review: "The Red Monkey Double Happiness Book features two full-length stories, 'The Leaking Cello Case' and 'John Wesley Harding.' Both stories start off in the every day then morph into oddball mysteries that never go quite where you expect them to. As odd as some of the capers and misadventures get they are always conveyed with a kind of casual, deadpan poker face that manages to make them all the more believable. ... The art is a curious mix of cartoonish realism, and the city of Cape Town is vividly portrayed... Red Monkey Double Happiness Book is a thoroughly enjoyable and entertaining read for the mystery/crime comic fan looking for something a bit different than the harder noir stuff that seems to dominate these days." – Brian Lindenmuth, BSCreview
• Review: "...[T]he appearance this week in bookstores of Hans Rickheit’s comix masterpiece, The Squirrel Machine, is a genuine milestone in the... artistic business of reconciling one’s inside to one’s outside, so much so that I must confess that I am truly taken aback by Rickheit’s entire effort, in the best sense of the word. This carefully constructed tale... strikes me as being one of the few original works of art that I’ve seen published in North America over the last two decades, on a par with the better work of Dan Clowes or Charles Burns. ... This is not a tale for the squeamish nor is it a tale for the literal-minded; it is very much a bravura performance in the tradition of Surrealism, or Fantastic Art, or even Symbolism... In short, strongly recommended!" – Mahendra Singh
• Feature: Matthew J. Brady presents "12 Things I Learned from Supermen!" including "In these stories, disbelief must often not only be suspended, but strung up and mercilessly whipped, then drawn and quartered"
• $$$: Via The Beat, somebody sold a mint slabbed copy of Albedo #2 (1st appearance of Usagi Yojimbo) on eBay for $5100, making it possibly the most expensive Fantagraphics comic ever sold (corrections welcome); Stan Sakai comments on his LiveJournal
October, when kingdoms rise, and kingdoms fall, but Online Commentary & Diversions goes on and on:
• Review: "If the world of alt-comics feels appealing but intimidatingly vast (what doesn’t these days), MOME is the perfect place to start. ... The volume is thick, slick and printed in what looks like Technicolor. An anthology is only as good as the sensibilities of those who compile it, of course, so it’s worth noting that a subscription of MOME equals four issues per year of work culled from the depths by an outfit that not only has keen vision in such matters, but also a stake in finding the very best. What’s not to trust?" – Molly Young, We Love You So
• Review: "...[Locas II,] the latest collected chunk of the (mis)adventures of locas Maggie and Hopey (and the occasional 'loco,' like Ray, the consort of sexy Frogmouth -- does it seem like a good soap opera yet? -- and their sprawling, recurring cast of compelling, sometimes hard-to-figure supporting characters) all brought me squarely back to Los Angeles. In the 80s. ... But returning to L&R, even sporadically, isn't simply an exercise in nostalgia. ...[W]hat's ultimately compelling about the L&R saga is the way the characters change over the years. ... So it's not just a [madeleine] cookie from our past, but something still fairly warm from the oven." – Mark London Williams, The SF Site: Nexus Graphica
• Review: "There is such a relentlessly fervid, even crazed, sheen to all [Fletcher Hanks's] work, that you can't look away. ... Hanks seemed nearly demon-driven in these stories of constant fighting, killing, betrayal and revenge. The panels are often cramped, and the color schemes are nearly incandescent, and you're not sure whether to liken the rawness of it all -- elastic, rubber-boned physiognomies included -- to listening to a record by Fear, circa 1980, or watching a half-dressed man shouting on the corner." – Mark London Williams, The SF Site: Nexus Graphica (same link as above)
• Review: "Tardi's intricate, cartoony, and beautiful art perfectly expresses Forest's ideas and words. The humorous You Are There masterfully satirizes French society and politics unlike any comic before or since." – Rick Klaw, The SF Site: Nexus Graphica
• Plug: "It always amazes me how [Kevin] Huizenga can take everyday moments, like, in [Ganges #3], trying to get to sleep, and turn them into extravagant, elaborate displays of cartooning genius." – Chris Mautner, Robot 6
• Interview: At Comic Book Galaxy, Alan David Doane poses 5 questions to our favorite Associate Publisher, Eric Reynolds
• Profile: "Comics creator Hans Rickheit's new graphic novel, The Squirrel Machine, is a stylish and surreal tale of brothers dabbling in the forbidden unknown. ... He lives in Philadelphia, but his work pulls from the style and antiquity of 19th Century New England. 'The objects, places, and people from that time period in New England grabbed my imagination," Rickheit says. 'I find them visually more interesting than modern trappings, modern buildings. And they're more fun to draw, because they're just so ornate.'" – John Seven, Worcester Magazine
• Review: "For my money, [Joe] Daly is hilarious, with an ear for great dialog, a nice feel for the way characters and convertibles glide across the landscape of the comic page, and a zest for uniquely convoluted plots [in The Red Monkey Double Happiness Book]."- Steve Duin, The Oregonian
• Review: "Previous assemblages of [Prince] Valiant being out of print, Fantagraphics, a leader in the field, has stepped forward with gloriously restored art reproduced in generous dimensions and abetted by the essays of experts. This initial volume... demonstrates just why Valiant continues to burn so brightly... Simultaneously nostalgic and eternal, Hal Foster's populist masterwork deserves this accessible enshrinement." - Paul DiFilippo, The Barnes & Noble Review
• Review: "I dont think I’ve ever read anything like Low Moon by Jason and I mean that in a good way... Low Moon has a brilliant almost tightrope deadpan mix of sad and funny... Jason is capable of stories with heart like no other; particularly stories with an aura of heartrending and heartbreak. Low Moon might be the second most melancholy book that I’ve read over the past year... Low Moon by Jason continues to push the medium forward and confound readers expectations with brilliant stories that defy categorization." - Brian Lindenmuth, BSCreview
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