The tantric release of Online Commentaries & Release:
• Review:The LA Times and Noel Murray interviews Gilbert Hernandez about Julio's Day, Marble Season (from D&Q), plus the future books Love and Rockets: New Stories #6 and Maria M. LA Times: Gilbert says " ‘Julio’s Day’ is very simple. I mean, there’s a lot of heavy stuff going on, but I wanted it to read like a very simple, direct story."
• Interview:comiXology interviews Gilbert Hernandez about his most recent comic Julio's Day on their podcast.
• Review: Tom Spurgeon looks at Gilbert Hernandez's latest work, Julio's Day, on the Comics Reporter. "I found Julio's Day moving at times, again for reasons I'm not really certain I can fully articulate. The idea that we may be known as much for the choices of those around us and things that happen in proximity to ourselves as much as if not more than by the choices we make is either the ultimate comfort or the first back-of-throat rumblings of an existential howl."
• Plug:Publishers Weekly lists Julio's Day as a pick of the week: "A marvelous and tightly scripted epic whose last page is a heart-stopper."
Review: Charles Hatfield of The Comics Journal flips through Julio's Dayby Gilbert Hernandez. "When it comes to Beto, the lightning keeps striking, and if it doesn’t strike exactly the same place twice, it does testify to the same divided genius…It is the great lost Beto comic, belatedly given new form and new life.
• Review:Grovel's Andy Shaw reads Julio's Dayby Gilbert Hernandez. "Just buy it now. This is Gilbert Hernandez at his finest, distilling a lifetime into a single volume of pleasure and pain.Julio’s Day is a literary classic, and another incredible piece of work from a true master of comics."
• Plug:Largehearted Boy plugs Julio's Day. "Gilbert compresses the history of the 20th century as well as the life of a man into a riveting, masterful story," writes Benn Ray.
• Review:The A.V. Club looks at The Adventures of Jodelle by Guy Peellaert. "The essays-which at 80 pages take up more of the book than Jodelle-are this volume's real selling point... Peellaert foregrounded the eroticism of advertising, and exposed how pulp imagery affects the public's understanding of everything from politics to gender. And he did it without resorting to polemics. The Adventures Of Jodelle book-both the comic strip and the supplemental material-is a delight both visually and intellectually," writes Noel Murray.
• Plug:Largehearted Boy plugs The Adventures of Jodelle by Guy Peellaert. "Think of Barbarella animated in that Yellow Submarine style and you get the idea of what Jodelle's adventures look like. This is comics as art."
• Plug: Angel House Press is celebrated National Poetry Month with a focus on visual poetry, inspired by latest collection of it The Last Vispo, edited by Nico Vassilakis and Crag Hill. Check here for a month of visual poetry.
• Review: Heroes Complex at the LA Times looks at 50 Girls 50 by Al Williamson. Noel Murray writes, "These pieces are classic EC: punchy, knowing and ironic in the best sense of the word, in that they force readers to examine their own expectations. The best stories in '50 Girls 50 have readers rooting for heels, or celebrating war, all while framing the situation in such a way that readers question their responses." In reference to the whole EC Comics Library line, Murray writes, "All of these books are essential purchases for comics fans, but for those on a budget who are looking to prioritize…These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant."
• Review:Fangoria reviews the next two EC books. Rick Trembles enjoys 'Tain't the Meat by Jack Davis. "Jack Davis’ dark comedic touch is all over this collection, diffusing the ghastly nature of the stories somewhat, an aspect to his work that was obviously lost on his opponents." Meanwhile with Al Willliamson's 50 Girls 50, Trembles writes "here we’re dazzled by romanticized sci-fi heroics and delicate line-work of the ilk of FLASH GORDON’S original artist Alex Raymond, Williamson’s main inspiration. Dinosaurs, spaceships, and outlandish otherworldly creatures populate the flora of faraway worlds, accompanied by buxom, exotically garbed beauties."
• Review: Nick Gazin sets his VICE sights on 'Tain't the Meat by Jack Davis. "Even though he wasn't a perfectionist, Jack Davis's laziness is better than most people's best work. When Davis does invest himself in a drawing it's just a mind bender. This is a must have for anyone who loves horror, EC, Jack Davis, any of that stuff."
• Review: Comics Bulletin looks at 3 New Stories from Dash Shaw. "This is a short, floppy-sized comic, but it's incredibly rich in complexity and depth. Shaw delivers an amazing collection of stories here."
• Interview:DigBoston and Clay Fernald talk to Dash Shaw about 3 New Stories, New School, Bottomless Belly Button and more. Shaw says, "Words and pictures are very different. They don't sit comfortably next to each other. Some cartoonists try to bring them closer together. Ware is like that. I like that space between things. I want the differences between things to be activated."
• Plug: Largehearted Boy hosts Atomic Books look at new comics included 3 New Stories. "Dash Shaw is a modern comics master. He experiments with everything from structure to narrative to color. If you're unfamiliar with his work, he's sort of like Gary Panter illustrating a Chris Ware story, or, in this case, 3 stories of dystopian societies," writes Benn Ray from Atomic Books.
• Review:Nerds of a Feather enjoys Tom Kaczynski's Beta Testing the Apocalypse. Beta Philippe Duhart states "The thin lines, sharp angles, and rigid geometry…brings a clarity and simplicity that expertly balances the abstractness of the themes at the heart of Beta Testing the Apocalypse…One doesn’t need to have read iek to grasp Beta Testing’s themes and criticisms. One only needs to have only gone apartment hunting."
• Interview:Comics Bulletin and Keith Silve interview James Romberger and Marguerite Van Cook on 7 Miles A Second. Van Cook remembers, "David was a poet of the soul, there was always a tension between beauty and the vileness of what society did to anyone who was not of the mainstream. I once asked him what he did with the money he got from hustling when he was so young and he told me he would take a bus to the country and walk around. We thought it was so ironic that selling one's body and selling art had many of the same qualities. We laughed rather darkly, about how the body and art are commodified and priced so arbitrarily."
• Interview (video): Back in January, Carol Tyler spoke to University of Southern California Provost's Professor Henry Jenkins and students as part of the USC Visions and Voices series. Mike Lynch was good enough to blog about it as soon as USC put up on the internet. She speaks about personal life and drawing comics, including the You'll Never Know series.
• Plug:Manga Bookshelf lists its first quarter favorites of 2013 and include Moto Hagio's newest book. "The Heart of Thomas was my most eagerly anticipated manga of the year, and while its January release date set the bar perhaps unfairly high for the year to come, I can’t bring myself to be sad about that."
• Review:Comics Worth Reading pulls out the Castle Waiting Vol. 2: Definitive Edition by Linda Medley. Johanna Draper Carlson writes "…it’s engrossing and beautifully drawn. I was surprised, reading the whole thing at once, how much of what figures in the final chapters was mentioned very early on. It gave me new appreciation for Medley’s long-term storytelling."
• Review:Calgary Public Library's Teen Blog speaks out on Castle Waiting Vol. 1 and 2 by Linda Medley. Adrienne writes, "Castle Waiting is a great comic book that takes elements from fairytales such as 'Sleeping Beauty' and combines them with a good dose of humour and plots about bearded ladies, two-headed girls, pregnancy and hidden libraries..I highly recommend her"
• Review: Strange Journal reviews Castle Waiting. "I’ve really fallen for it, it’s what they’d call a triple threat in show business: It can sing, dance AND act…In the tradition of Jeff Smith’s Bone and the better parts of Dave Sim’s Cerebus, Medley has conjured an amazing and beautiful world and filled it with flawed, interesting folks eking out their existence in a castle on the edge of the world," states Adam Blodgett.
• Review: Delphine by Richard Sala is reviewed on Comics Bulletin. Jason Sacks "We're used to fairy tales telling the story of a journey by a girl from innocence to the real world. Delphine inverts the gender of those classic tales, but uses those familiar tropes to tell a familiar story. Richard Sala treads a world of metaphor and allusion, a world that feels as familiar as Grimm's Fairy Tales and as mysterious as our own heart."
• Review: Nick Gazin sets his VICE sights on Out of the Shadows by Mort Meskin (edited by Steven Brower). "Shadows everywhere. The stories are just a lot of old timey chatter where people call each other chum and stuff but the compositions and choices that Mort Meskin made are pretty sophisticated."
• Interview:The Comics Journal posts an article titled Crockett Johnson and the Invention of Barnaby. Philip Nel writes about it all including the creation of fairy godfather, Mr. O'Malley's favorite catchphrase. Barnaby is coming so soon, we'll all cry "Cushlamochree!"
• Review: iFanboy hypes up Impossible Tales: The Steve Ditko Archives Vol. 4 (by Steve Ditko and edited by Blake Bell) coming out this May. Josh Christie states: "Steve Ditko is one of those guys you could picture on the Mount Rushmore of comics creators…Like so many of the great comics from the 1950s, the drug-fueled, macabre scenes look more like something out of an alternate dimension rather than from the states’ apple pie and bubblegum past."
• Review:Arkham Comics reviews Messages in a Bottle by B. Krigstein (edited by Greg Sadowski). A rough translation states, "Messages in a Bottle is a magicalbook,atimeless andstunningclarity:a lesson incomics aswe do notmeet every day."
• Review:Noah Van Sciver's The Hypo is reviewed on We Read Comics "Sciver absolutely nails it…We see Lincoln's plain spoken style, his humbleness, his self-doubt, and his honesty here with so much fucking economy and elegance."
• Interview:Noah Van Sciver appears on Comic Impact to talk about The Hypo and his newest comics project.
• Plug:The End of the Fucking World (Spoiler alert!) on The Chemical Box. "Similar to Derf’s analysis of Jeffery Dahmer in 'My Friend Dahmer', you can see James (along with Dahmer) struggling with their basic instincts."
• Plug:The Beat waxes on about Julia Gfrörer and Black is the Color. Zainab Akhtar writes, "Gfrorer’s work is consistently excellent, featuring themes of myth, folk lore, mysticism and spirituality, coupled with her fine-lined, evocative art."
• Plug: Demencha calls Ed Piskor a Hip Hop Archeologist and more in reference to Hip Hop Famiy Tree. "His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers," writes J.P. McNamara.
• Review: In an oddly religious review, Mirrors of Christ looks at Eye of the Majestic Creature by Leslie Stein. "Sadly in this story the lyre (guitar) did not participate in the worship of God but in the desire of the flesh."
• Review:Orgasm reviews Sexytime edited by Jacques Boyreau. "…if you want an oversized coffee-book that your guests might enjoying flipping through the pages as you bring refreshments, Sexytime is for you. And hey, it might even get you laid."
• Review:Josh Simmons' story from The Furry Trap, 'Mark of the Bat' is reviewed on Vorptalizer. Seat T. Collins comments, " 'Mark of the Bat' picks and picks and picks at our dovetailed drive for cruelty and need to feel superior to others until the fingernail tears off. It leaves a mark."
• Plug:Comics Workbook enjoys reading The Portable Frank digitally thanks to comiXology.Leah writes, "Woodring’s way of transitioning images between panels (in, ya know, a pretty trippy way) lends itself really well to the panel by panel viewing of the digital reader."
• Plug: Tucker Stone mentions the new issue of The Comics Journal on the Comics Journal, not trying to get to incestuous. "The new issue of the Journal is pretty good; the Tardi interview is great."
• Plug:Textures of Ether looks at Abstract Comics. "Do Abstract Comics artists need to be aware of comics history?…Molotiu’s articles explore the theory behind Abstract Comics and are always interesting to read. They would make a welcome addition to any future AC anthology."
• Review: Nick Gazin checks out Cruisin' with the Hound by Spain Rodriguez on VICE. "Spain's comics always feel lively and real and there's this sense that he was probably too cool to be making comics but somehow he was. You can tell he was for real because he put the most energy into drawing motorcycles and cars and his people always look kinda like they're secondary to their machines. Great book from a great artist and story teller."
• Plug: Musical notation in Peanuts is analyzed on the Hooded Utilitarian. "In this sense, Schulz again collapses into Charlie Brown — locked out of high art virtuosity and romantic opportunities, disappointed in art as in love.…Schulz has, perhaps, found a way to invert Lichtenstein," writes Noah Berlatsky.
• Plug (video): Al Jaffee and Robert Grossman are interviewed on the Imperium about the Harvey Kurtzman retrospective at the Society of Illustrators. Jaffee states, "His concepts were, to us at the time, revolutionary because he was breaking the third or the fourth wall, whatever you want to call it."
* Other People's Publications ** Yeah, You Know Me.
This Saturday, May 4th, we're thrilled to present a signing with acclaimed artist Dash Shaw for his latest Fantagraphics titles 3 New Stories and his ambitious hardcover graphic novel New School.
We'll also have this new mini-comic available, New Jobs, published by Tom Kaczynski’s mighty imprint Uncivilized Books. This limited edition mini measures a mere 1/2 page, but packs in as much emotional resonance as the brick-sized Bottomless Belly Button.
A couple living in Bed-Stuy are going to have a child. To support the child, they need to get new jobs. It's a story any of us could relate to. My heart especially went out to the panel with a stack of stark bills piled on a table.
Dash will be signing with us from 6:00 to 9:00 PM, and will discuss his work and screen short animations, including Seraph, which premiered at the recent Sundance Film Festival. Hurry out here and get your copies of his new work while they last, especially this limited edition mini!
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.
Our artists will be partaking in programming throughout the weekend, so check out their panels!
Saturday, April 27th
12:00-12:45 pm // Meathaus Reunion: Becky Cloonan, Brandon Graham, Farel Dalrymple and Dash Shaw: A reflective spotlight on Meathaus luminaries, Becky Cloonan, Brandon Graham, Farel Dalrymple and Dash Shaw whose work has appeared in various Meathaus anthologies since 2002. These artists have each maintained their own strong modern stylistic identity receiving both critical and commercial acclaim. Marc Arsenault (Alternative Comics) will introduce the panel with a look at the SVA art groups and graduates that led to the creation of the Meathaus comics collective. (Room B114)
1:00-1:45 pm // Angels and Demons: The Mythology of S. Clay Wilson: Mythology may be the key to understanding the work of highly influential underground cartoonist S. Clay Wilson, from the self-mythology that Wilson invented and polished over the years as a dashing and dangerous figure, to his personal inner landscape where his archetypal characters dwell when they arena gracing the pages of Zap Comix, Thrilling Murder, or Insect Fear, to the body of language and lore passed down from his hillbilly ancestors. With Patrick Rosenkranz. (Room B117)
2:00-2:45 pm // Two-Faced Artist Lives Double Life in Single Body!: The joys and perils of straddling the worlds of fine art and comics with cartoonists Jon McNaught, Julia Gfrörer, and Daniel Duford, moderated by Chloe Eudaly. Join us for a conversation with our panel of artists, each of whom are experienced in the realms of fine art and comics. We'll explore how they came to work in two seemingly disparate mediums, how their work in each converges with, diverges from, and influences the other, and the the sometimes arbitrary or artificial distinction between the two. (Room B117)
5:00-5:45 pm // Dylan Williams Tribute Panel: Share some time with the friends and colleagues of comics' best friend as we all recount our favorite stories about the late Sparkplug publisher's life and celebrate his philosophy and work as an artist, scholar and publisher. Time permitting, we will also attempt to make sense of his passion for unsettling any and everyone who dared point a camera at him at festivals like this one. Panelists include: T Edward Bak, Julia Gfrörer, Tim Goodyear, David Lasky, Tom Neely; moderated by Milo George. (Room B114)
Sunday, April 28th
1:00-1:45 pm // Submissions Do's and Don'ts: Jen Vaughn (Fantagraphics), Jamie Rich (formerly Oni Press), Bob Schreck (Legendary Comics), Allison Baker (Monkeybrains Comics), and Sina Grace (Image/Skybound) will share their experiences slogging through the submissions pile, everything from finding a diamond in the rough to bartering with the mailman to stop delivering submissions. Your questions? Answered! Your comics published? We'll see. (Room B114)
2:00-2:45 pm // Dash Shaw's New School: Dash Shaw is a cartoonist and animator whose graphic novel New School debuts at Stumptown from Fantagraphics Books. In this spotlight presentation, he will screen and discuss his animations, including his Sigur Ros video and Sundance short Seraph, and show slides of the process behind creating New School as well as some of his other comics. Moderated by Fantagraphics' Jen Vaughn. (Room B111)
4:00-4:45 pm // DIY Publishing: For many micropublishers, making good books is easy; it's the marketing and the selling that's hard. Panelists Tom Kaczynski (Uncivilized Books), Zack Soto (Study Group), Chloe Eudaly (Reading Frenzy), Jason Leivian (Floating World Comics), Keenan Keller (Drippy Bone), and moderator Milo George will look at different printing processes and their costs and compare notes on production/distribution issues including pricing and sustainability. (Room B111)
5:00-5:45 pm // Spain Tribute Panel: Spain Rodriguez, legendary underground cartoonist, tore his way into hearts of readers like the beloved motorcycles that grace the pages of his comics. Patrick Rosenkranz, Jen Vaughn, Eric Reynolds, and Charles Brownstein take you though the wild days of Spain's work from his groundbreaking ZAP anthology contributions to adapting the life of Che Guevara. Get acquainted with this revolutionary cartoonist and his award-winning work. (Room B117)
So, stop by the Fantagraphics Booth this weekend at Stumptown, Booth Q1 right down the aisle when you first walk in!
The best cover band made of dogs of Online Commentaries & Diversions:
• Review: Unshelved reads Delphine by Richard Sala. Shivering with delicious fear, Gene Ambaum says "I’m a huge fan of Sala’s graphic novels, like Cat Burglar Black. And the dust jacket-less cover, with its graphics and the inset color image of a girl walking through a dark forest, looked exquisite."
• Review: Rob Clough of High-Low looks at Beta Testing the Apocalypse by Tom Kaczynski. "His stories address aspects of modern civilization and the ways in which they break down.…Kaczynski really has his finger on the collective neuroses of the new millennium. A recurring theme in this book is how Kaczynski taps into how various of our senses have been warped through modern living."
• Review: Rob Clough runs a review from 2007 on his site, High-Low, on Peanuts 1967-68 and 1969-70 by Charles Schulz. "In terms of the visuals, Schulz is years into his mature style. He's exactly what I mean when I talk about an artist needing to find the ideal style with which to express themselves with clarity. For Schulz, though his line is spare, it's full of life and liveliness."
The newest office of Online Commentaries & Diversions:
• Review: Glen Weldon from NPR Books pontificates on the wondrous LGBT-centric graphic novels and reviewed Moto Hagio's The Heart of Thomas "…whenever the emotions roiling just under her narrative's surface threaten to overtake her characters, Hagio's otherwise exacting and detailed art goes expressively feathery at the edges, like a ghost vanishing softly into the ether."
• Review:Fantasy Book Review reviews The Heart of Thomas by Moto Hagio. "This is not an uplifting tale until at the end, but it is a very well drawn period manga that gives glimpses of what boys that age would have felt being in such an enclosed place. There is a sense of Oscar Wilde about the whole school, but that depends on your impression of the piece," writes Sandra Scholes.
• Review: Glen Weldon from NPR Books pontificates on the wondrous LGBT-centric graphic novels and reviewed Wandering Son Vol. 1 by Shimura Takako. "Takako presents their stories with admirable sensitivity and restraint.…"
• Review: Glen Weldon from NPR Books pontificates on the wondrous LGBT-centric graphic novels and reviewed No Straight Lines edited by Justin Hall. "From Stonewall and the AIDS crisis to the terrifying specter of domesticity, this clear-eyed, unsentimental collection demonstrates the extent to which, for LGBT people, the personal and the political have always bled together."
• Review:Comics Bulletin looks at The Cartoon Utopia by Ron Regé Jr. "With this book, Ron Regé has emerged as comics' answer to Walt Whitman.…Thankfully, Regé's overarching concept -- that a vivid and transcendent comic book experience is within our grasp, if we're willing -- is not a hard one to understand at all." says R.J. Ryan.
• Review:Grovel and Andy Shaw look at The Cavalier Mr. Thompson by Rich Tommaso. "The story is wonderfully told. It has the feel of a classic movie, something from a bygone era…complete with the usual cast of chancers, crooks and have-a-go heroes.…It’s a thoroughly enjoyable book, with a stunning backdrop and a deeply believable and interesting cast."
• Plug:Alan Wood asks R. Crumb about Bill Griffith. Crumb stated, "He's about the only guy in America who's doing a readable, interesting daily comic strip for daily newspapers. He' s the only one left, as far as I know. I don't know of any others."
• Review: Dutch magazine Knack Focus recently ran a review of George Herriman 's work. Kim Thompson read it, translated it in his synapse-heavy polyglottal mind and said this: "Here's a nice five-star review (in Dutch) of the gorgeous new French edition of KRAZY KAT, created from the Fantagraphics edition. The article is mostly a pocket summary of KRAZY, although it does point out that Herriman's unique approach to language have made the strip virtually untranslatable (forcing European readers to fall back on the English language versions)... until, at least for francophones, now."
The fullest mailbox of Online Commentaries & Diversions:
• Interview: Alex Dueben interviews Richard Sala about Delphine on CBR . "The main story, which is depicted with ruled borders, was always linear. But I allowed myself more room with the main character's inner life. All of that -- the memories, dreams, fantasies, wishful thinking -- all of that is depicted in panels with soft, cloud-like, non-ruled borders. And so I was able to add to the character's inner life -- his thoughts and fears and confusion -- as I went along." And,edit to the article, we also have The Hidden and The Grave Robber's Daughter available at comiXology.
• Interview:Wilfred Santiago is interviewed by Christopher Borelli about Bull on Parade for the Chicago Tribune and Michael Jordan's 50th birthday. "[Santiago] said a graphic novel seemed like a perfect medium for exploiting athleticism, then added: 'But also, Jordan, as a figure, never seemed that interested in satisfying people. Which is interesting to me.'"
• Plug: Tom Spurgeon on the Comics Reporter talks about TCJ 302, edited by Gary Groth, Kristy Valenti and Michael Dean. "There's an amazing Roy Crane section in there that's as good as you can imagine practical advice from a practical-minded comics craft master being. The Sendak is hilarious and sad." Spurgeon gives a review for TCJ 301 as well. "Publishing Groth's big interviews in print like this is an effective use of one of comics' most versatile thinkers and aiming a very good and only intermittent writer like Kreider at something as odd yet Journal-appropriate as the entirety of Cerebus seems to me fine editorial planning."
• Review:Page 45 reviews 7 Miles a Second by David Wajnarowicz, James Romberger and Marguerite Van Cook. "Romberger painfully captures the frailty of forms and tenderness of touch, but equally the delirium of David’s mad fucking visions and dreams. Marguerite Van Cook’s colours are virtually toxic…This is not a beautiful book; it’s an ugly book, a brilliant book, a Last Will & Testament which I hope you will hear," writes Stephen L. Holland.
• Interview: James Romberger interviews Tom Kaczynski about Beta Testing the Apocalypseon the Hooded Utilitarian. Kaczynski made a list, we love those: "Overall I can cite 3 primary ways I use color in the book. 1. Color as a naturalistic element (as lighting, depth, etc.) 2. Color as pure design element. 3. Color as information."
• Review: Julien of the D&Q Bookstore is excited to read Moto Hagio's The Heart of Thomas. "Like the other Magnificent 49ers (the legendary first wave of female comic artists), Hagio's work is fearlessly avant-garde and visually stunning. Over her fruitful and now slightly less under-translated career, she has set the bar for all manga artists to follow, up to this day, and not just shonen-ai or shoujo mangaka."
• Review:Publishers Weekly loves Tales Designed to Thrizzle Vol. 2 by Michael Kupperman. "Kupperman deploys a stunning arsenal of art styles to bring home the laughs, from stilted woodcut art to a kind of Tintin lite…Kupperman is pretty much his own genre of humor now."
• Interview: Gary Panter was interviewed by Nick Gazin on VICE on Dal Tokyo, creativity and other fun. Gazin describes the book, "…trying to follow the story like it was a traditional comic is hard it feels like we're seeing the inside of Panter's brain. We go where he wants to take us and the landscape reflects his current mood and interests. Not everybody can do whatever they feel like and make it as interesting as this book."
• Plug: Jeff Kinney from Diary of a Wimpy Kid reminisces about his father and their shared love of Carl Bark's duck comics at Disney Dads. Kinney says, "I consider [Carl Bark's comics] to be the best form of storytelling I’ve ever read. My father always made sure to leave the comics page open in the newspaper in the morning so we kids could read them. I think that without my father, I wouldn’t have ended up on the career path that I’m on.
• Review: Johanna Draper Carlson reviews Young Romance edited by Michel Gagné on Comics Worth Reading. "It’s neat to read these long-ago tales of girls acting out of jealousy or determining how to make the right love decision in such an easy-to-hold hardcover with restored coloring. I love seeing more of this forgotten period of comic history, particularly since it was so widely popular and yet so ignored these days," writes Carlson.
• Plug: Jim Hanley's Universe blog creates The Definitive Love & Rockets Reading Guide and Full Bibliography by Jeffrey O. Gustafson to whet your appetite for our Love and Rockets Companion and Reader. "Featuring mature, character based stories, the quality in art and story of the work of [Hernandez brothers] represent the high-water mark of independent, creator-owned comics, indeed comics period."
• Plug:Peter Bagge 'hates' on Beavis and Butthead in this month's MAD magazine, reported by Paste.
• Plug:Noah Van Sciver continues the funny at Denver Westword with the 10 biggest buzzkills at a concert. Read this and laugh or maybe recognize the horrible person that you are.
The most evolved finch of Online Commentaries & Diversions:
• Review:Tom Kaczynski'sBest Testing the Apocalypse is reviewed on Bookslut. Martyn Pedler states, "Science fiction is notoriously unreliable when it comes to predicting Saturn dreams, laser beams, and 21st century sex machines. It’s fantastic, however, at taking our present reality and making it strange again. Beta Testing The Apocalypse makes us Martians to better let us see what’s happening all around us. Read it and witness the disquieting Gernsback of Now."
• Review:Beta Testing The Apocalypse is reviewed by Comics Metropolis. "…a book with an elegant and agile format, immediate in its communicative ability, and extraordinarily dense in its content. An essential reading," writes Biri.
• Interview (audio): Michael Kupperman speaks to Julie Klausner on How Was Your Week.
• Review (audio): The Inkstuds roundtable talks about the Best Books of 2012. Joe McCulloch, Robin McConnell, Tom Spurgeon and Bill Kartalopoulos talk about Lilli Carré's Heads or Tails at the 2 hour, 2 minutes mark. All agreed there was a lot of work. And good work. "Lilli is very good at short stories," says Bill. " 'The Rainbow Movement' was a beautiful short story and exquisite."
• Review: In case you missed it, 7 Miles A Second was a Publishers Weekly Pick of the Week. "How do you draw grief"? David Wajnarowicz, James Romberger and Marguerite Van Cook know. "The author’s prose is poetic, arriving with a light touch while delivering a heavy, dark, and understandably angry message."
• Interview: Originally posted on The Comics Journal, then reposted on Boing Boing, Marc Sobel speaks to Ed Piskor at length. In regards to Hip Hop Family Tree, Piskor states, "I think the value that my book has and will have over time as I keep moving forward is that it really does stand a chance of being one of the most comprehensive histories of hip hop culture. There really isn’t one resource that includes all of this minutiae and stuff that I’m focusing on."
• Plug: The Poetry Foundation revisits The Last Vispo after reading another review. "We’re still reading and looking through our copy, enjoying the sheer abundance and diversity of work gathered together," writes Harriet Staff.
• Interview (audio):Gary Groth appears for a full hour on TELL ME SOMETHING I DON'T KNOW now on Boing Boing. Hold onto your comics, it's a great ride.
The thinly-veiled excuse to come over of Online Commentaries & Diversions:
• Review:The Comics Reporter reviewed Prince Valiant Vol. 6: 1947-1948by Hal Foster. Tom Spurgeon writes, "The comic in this attractively-packaged and produced edition gives off the handsome sheen of mass entertainment that knows its commercial value. Prince Valiant may be 75, but this material at least still has all its hair and a hell of a tan." Damn, did Tom Spurgeon pick an excellent image or what?
• Review:Rain Taxi looks at The Last Vispo edited by Crag Hill and Nico Vassilakis. Chris Funkhouser writes, "With each turn of a page in The Last Vispo Anthology, we experience yet another imaginative method uniting thought and expression through visual representation.…The Last Vispo Anthology contains an abundance of wordless, asemic writing that by definition demands a type of integral participation, far beyond interpretation, by the reader."
• Review:Tales Designed to Thrizzle Vol. 2 by Michael Kupperman is reviewed by Richard Pachter in the Miami Herald. "Humor and profundity collide and embrace once again, as his straight-faced retro art illuminates the never-ending, laugh-out-loud absurdity."
• Review: The Miami Herald and Richard Pachter look at Beta Testing the Apocalypse by Tom Kaczynski. "He combines socioeconomic fact, fantasy and farce in this seriously paranoid criticism of modernity, and the result is a disturbing but hilarious tale of identity loss and consumerism run amok."
• Review:The Morton Report and Bill Baker interview Tom Kaczynski about Beta Testing the Apocalypse. Kaczynski says, "J.G. Ballard was big influence, especially on the first four stories in the book. I was reading all of his books at the time I worked on them and his world view contaminated everything I was doing."
• Review:The Comics Journal and Sean T. Collins review Johnny Ryan's Prison Pit Book 4. It "made even a seasoned hand at the rough stuff like me emit weary moans of repulsion and disgust with seemingly each new pustule-encrusted beast that appeared…To spend a prolonged period of time in Prison Pit is to open your mental orifice to Ryan’s razor-studded art-cock"
• Plug: University of Texas (El Paso) is fundraising for "The Hernandez Brothers Collection of Hispanic Comics and Cartoon Art at the University of Texas at El Paso (UTEP), which is named after Jaime, Gilbert and Mario Hernandez and has as its mission the preservation and sharing of comics materials from or featuring Hispanics/Latino/as/Chicana/os" as posted on the Comics Reporter. There is a Jaime special edition art print available so act now!
• Review: Martin Wisse profiles Joost Swarte in video form. A must.
Read more here: http://www.miamiherald.com/2013/02/03/3210819/zombies-teen-angst-and-more-in.html#storylink=cpy#storylink=cpy"
•Read more here: http://www.miamiherald.com/2013/02/03/3210819/zombies-teen-angst-and-more-in.html#storylink=cpy#storylink=cp
The most intricate house sigil of Online Commentaries & Diversions:
• Review:The LA Times enjoys their reading of7 Miles a Secondby David Wojnarowicz, James Romberger and Marguerite Van Cook. "Part of the power of Wojnarowicz’s work is that he dealt with such concepts accessibly; he didn’t have time to waste. It was the source of his restless imagination, his willingness to experiment with unexpected forms," writes David L. Ulin.
• Plug:NY1 (New York 1) and Don Kois talk about 7 Miles a SecondDavid Wojnarowicz, James Romberger and Marguerite Van Cook. "…this graphic novel is an amazing document of the gaudy, dangerous world of clients and johns and artists and thugs downtown in the 1980s."
• Interview: Nick Hanover of Comics Bulletin interviews Tom Kaczynski on Beta Testing the Apocalypse. Kacyznski writes, "All these stories started to feel like they were linked and eventually things like the noise stories and the themes of sound started to kind of inject themselves into the rest of the material…I'm interested in utopias, and utopian societies. And a lot of what Communism is is essentially an attempted utopia that failed. "
• Review:Art Rocker and Wee Claire look at Delphine by Richard Sala. "Delphine is arguably Richard Sala's darkest tale to date and a brilliant gateway for those new to his whimsical storytelling style…There are comparisons to Snow White dotted throughout the story but Sala's indie-goth execution tinged with a 70s horror atmosphere make for a much more interesting tale."
• Review:The Toronto Star reads and reviews our books like Heads or Tails by Lilli Carré. "Carré’s work, fittingly titled Heads or Tails, probes choice, ambivalence and fate; in her stories, there’s a flip side to everything, rendered in full and brilliant colour,"says Laura Kane.
• Review: Noah Bertlatsky on the Hooded Utilitarian looks at the art of Lilli Carré comics from Heads or Tails through the gendered lens of Bart Beaty. "If art is both hyperbolic masculine swagger and small-scale feminized detail, though, for Carré the form that mediates between the two is something that looks a lot like comics."
• Interview (partial): Dan Nadel of The Comics Journal posts part of the interview of Jacqes Tardi by Kim Thompson from TCJ 302.
• Plug: "It's astonishing to me that The Comics Journal will have outlasted Wizard, Hero Illustrated and CBG, but I'm happy for that fact," says former TCJ editor, Tom Spurgeon. TCJ 302 was co-edited by Kristy Valenti and Mike Dean.
• Review:Mort Meskin gets the full hello-how-are-ya when his collections are reviewed, edited by Steven Brower. "Out of the Shadows was such an enjoyable find that when it ended we were hungry for more of Meskin’s work." So Scoop turns to From Shadow to Light, "Meskin is so skilled in portraying body language that he doesn’t need a face to tell us know exactly what someone is thinking…a thorough and very detailed look at a man’s life, his family and the work he valued."
• Plug:Kotaku and Evan Narcisse get teary-eyed over Peanuts Every Sunday by Charles M. Schulz. "The daily black-and-white comics were great but the full-color Sunday strips gave Schulz a big, beautiful canvas to let his expert pacing and amazing linework breathe in a rainbow of color…it's really the entire mix of characters …and their mix of adult prickliness and childlike naiveté that made Charles Schulz's iconic comics strips so timeless."
• Interview:MTV Geek interviews Charles Forsman about The End of the Fucking Worldand life. Forsman answersEddie Wright's question, "I do love sparse cartooning. Like Schulz which I think comes through in mine a bit. I've heard people descibe this stuff as "Peanuts" all grown-up and violent."
• Review:Nerds of a Feather look at Ed Piskor's Hip Hop Family Tree, to be printed later this year. Philippe Duhart gives it a rare 10 out of 10, "…those familiar with the genre can attest, it's difficult to separate the music from other elements of the "culture" -- b-boying, graffiti, lingo, style. Piskor demonstrates an affectionate respect for the interrelations between these phenomenon, telling a story of a culture, rather than a musical genre."
• Review: Anime News Network reviews and givest The Heart of Thomas by Moto Hagio an 'A-'. Rebecca Silverman writes, "The Heart of Thomas may be the grandmother of the boys' love genre, but it would be shortsighted to simply classify it as such…Heartfelt and dreamlike, it is a window into the lives of those affected by the sudden death of one of their own."
• Review:The Toronto Star reads and reviews our books like The Cartoon Utopia by Ron Regé, Jr. The Cartoon Utopia "is visionary, but also unmistakably influenced by ’70s psychedelia… the thrilling, one-of-a-kind art will stretch your imagination and, at the very least, make you believe in the power of comics to explore the impossible," writes Laura Kane.
• Review:The Toronto Star reads and reviews our books like Came the Dawn by Wallace Wood and Corpse on the Imjin! by Harvey Kurtzman. Laura Kane writes, "In dark shadows, bold lines and intense close-ups, [Wallace Wood] perfectly illustrates the stories — which ran the gamut from B-horror to confronting social issues such as racism, anti-Semitism and sexism." As for Corpse on the Imjin!, "In these violent, blood-spattered pages, [Kurtzman] lays bare the devastation of war."
• Review/Commentary: Eddie Campbell on The Comics Journal compares and contrasts recent reviews of the EC Comics being reprinted at Fantagraphics and how critics struggle and feel the need to analyze comics at literature. Distilling the article to a mere quote is abhorrent so we tried but please read it. "If comics are any kind of art at all, it’s the art of ordinary people. With regard to Kurtzman’s war comics, don’t forget that the artists on those books were nearer to the real thing than you and I will ever be."
• Review: Elliot Bay Books reviews No Straight Lines, edited by Justin Hall. Dave Wheeler writes, "Impossible to be even close to a complete collection of the genre, No Straight Lines instead seeks to trace the parallel trajectories toward visibility for both comics and LGBTQ identities…these are the stories of real people, or they are people transfigured by folklore."
• Plug: Greg Akers of the Memphis Flyer enjoyed reading Love and Rockets: New Stories #4 by Jaime Hernandez and Gilbert Hernandez. "Jaime breaks me every time. The conclusion to "The Love Bunglers" is an all-time great. Tears in my eyes, destroyed emotionally."
• Plug: Joost Swarte sings the blues at Angouleme, thanks to Paul Karasik.
• Review:SequArt looks at Black Hole by Charles Burns. Faith Brody Patane point out "…it’s a story that’s meant to be devoured with intent to possibly make you have freaky nightmares. Black Hole is one of those stories that lingers long after you read it…This group of teens is far from Riverdale and far more desperate."
Well folks, it's our first batch of 2013 releases and a swell batch it is.
In the past month we've received the gorgeous new definitive edition of the '90s cult classic 7 Miles a Second; Tom Kaczyinski's acclaimed short story collection Beta Testing the Apocalypse; the mammoth new issue of The Comics Journal; a reprint of a Complete Crumb Comics volume loaded with Fritz the Cat classics (and a sweet deal on multiple volumes); Alexander Theroux's encyclopedic, entertaining rant The Grammar of Rock (with Crumb on the cover); true Tejas tales in Jack Jackson's American History: Los Tejanos & Lost Cause; an essential new volume of Hal Foster's Prince Valiant; and the new 2nd hardcover collection of Michael Kupperman's hilarious Tales Designed to Thrizzle!
Remember, our New Releases page always lists the 20 most recent arrivals, and our Upcoming Arrivals page has dozens of future releases available for pre-order.
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7 Miles a Second is the story of legendary artist David Wojnarowicz, written during the last years before his AIDS-related death in 1992. Artists James Romberger and Marguerite Van Cook unsentimentally depict Wojnarowicz's childhood of hustling on the streets of Manhattan, through his adulthood living with AIDS, and his anger at the indifference of government and health agencies. A primal scream of a graphic novel, 7 Miles a Second blends the stark reality of Lower East Side street life with a psychedelic delirium that artfully conveys Wojnarowicz's sense of rage, urgency, mortality and a refusal to be silent.
Originally published as a comic book in 1996 by DC's Vertigo Comics, 7 Miles a Second was an instant critical success and has become a cult classic amongst fans of literary and art comics, just as Wojnarowicz's influence and reputation have widened in the larger art world. This new edition finally presents the artwork as it was intended: oversized, and with Van Cook's elegant watercolors restored. It also includes several new pages created for this edition.
"Revolutionary.... a runaway, over-the-top circus... An excursion into areas few, if any, comics creators have tread." – Jim Steranko
"Seven Miles a Second veers between an almost unbearably gritty naturalism and the incendiary heat of surrealist hallucination." – The New Yorker
"A revelatory work of art." – Art in America
"A cult classic... both a celebration of the unlimited potential of the comic book form, and a perfect melding of inspiring, iconoclastic imaginations." – Jim Jarmusch
It would be easy to call Tom Kaczynski the J.G. Ballard of comics. Like Ballard, Kaczynski’s comics riff on dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments. Yet while Kaczynski shares many of Ballard’s obsessions, he processes them in unique ways. His visual storytelling adds an architectural dimension that the written word alone lacks.
Kaczynski takes abstract ideas — capitalism, communism, or utopianism — and makes them tangible. He depicts and meditates on the immense political and technological structures and spaces we inhabit that subtly affect and define the limits of who we are and the freedom we as Americans presume to enjoy. Society and the individual, in perpetual tension. Once you’ve read Kaczynski’s comics, it should come as no surprise to learn that he studied architecture before embarking on a career as a cartoonist.
Beta Testing includes approximately 10 short stories, most notably "The New," a brand new story created expressly for this book. It’s Kaczynski’s longest story to date. "The New" is set in an unnamed third-world megalopolis. It could be Dhaka, Lagos or Mumbai. The city creaks under the pressure of explosive growth. Whole districts are built in a week. The story follows an internationally renowned starchitect as he struggles to impose his vision on the metropolis. A vision threatened by the massive dispossessed slum-proletariat inhabiting the slums and favelas on the edges of the city. From the fetid ferment of garbage dumps and shanties emerges a new feral architecture.
The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.
This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.
Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.
Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.
Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.
The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
Starring Fritz the Cat includes Crumb's classic original Fritz stories from 1965, including "Fritz Bugs Out" and "Fritz the Cat, Special Agent for the CIA," the first two "real" stories in the Fritz canon, as well as "Fritz the Cat, Ace Statesman," four pages of a previously unpublished Fritz story, and several Fritz illos never before printed in color. Plus: Crumb's first published work from Help! and Yell, including the "Harlem Sketchbook" and the "Bulgarian Sketchbook," most never before reprinted; two dozen of his Topps trading cards, plus extremely rare promotional items, as well as many creeting cards done for American Greetings, several in full color; and many pages of strips from Crumb's 20-year-old sketchbooks. Plus more of Marty Pahls's ongoing Crumb biography, including the story of Crumb's first acid trip, with more rare photos of the young Crumb!
1989 Harvey Award Winner, Best Domestic Reprint Project
Buy Two, Get One Half Off! When ordering this volume, add any two other available volumes from The Complete Crumb Comicsseries and the third volume will be half price! See product page for more details.
National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killah), but he considers stupid rhymes, as well — nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more.
In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language — the power of words and the nature of syntax — in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener.
Jack Jackson loved American history and creating comics. He combined these into a single vocation and created a legacy of historical graphic novels that has never been equaled.
Jackson is credited with creating what many consider the first underground comic, God Nose, in 1964. He co-founded Rip-Off Press in 1969, and made some of the most scathing satirical comics about contemporary America ever seen. But, Jackson was a Texan, and in the 1970s he returned to his roots and began writing and drawing short historical comics about Texas history. He then went on to produce six graphic novels chronicling 19th century Western history focusing on his beloved Texas and the Plains Indians. Fantagraphics, which published Los Tejanos originally in 1981, is proud to bring his graphic histories back into print in a series of three volumes, each reprinting two of his long narratives.
The first volume features Los Tejanos, which Fantagraphics published as a solo book in 1981, and Lost Cause (1998) — chronicling Texas history before and after the Civil War.
Los Tejanos is the story of the Texas-Mexican conflict between 1835 and 1875 as seen through the eyes of tejano (literally Texan of Mexican, as distinct from anglo, heritage) Juan Seguín. It is through Seguín, a pivotal and tragic figure, that Jackson humanizes Texas’ fight for independence and provides a human scale for this vast and complex story.
Lost Cause documents the violent reaction to Reconstruction by Texans. As Jackson wrote, “Texas reaped a bitter harvest from the War Between the States. Part of this dark legacy was the great unrest that plagued the beaten but unbowed populace.” The tensions caused by Reconstruction are told through the Taylor-Sutton feud, which raged across South Texas, embracing two generations and causing untold grief, and the gunslinger John Wesley Hardin, who swept across Texas killing Carpetbaggers, Federal soldiers, and Indians.
Jackson’s work is as known for its rigorous research — he became as good an historian as he was a cartoonist — as well as its chiseled, raw-boned visual approach, reproducing the time and place with an uncanny verisimilitude.
This edition includes an essay by and interview with Jackson about the controversy Lost Cause generated, and an introduction by the novelist Ron Hansen.
Hal Foster's masterpiece of adventure enters its second decade as Valiant and Aleta journey to "The New World," a 16-month epic that allows Foster to draw some of his spectacular native Canadian backgrounds, and during which Aleta gives birth to Arn and acquires her Indian nurse, Tillicum. Most of the rest of the book is taken up with the action-packed five-month sequence "The Mad King," during which Val, back at Camelot, confronts the evil, fat little King Tourien of Cornwall.
This volume is rounded off with an essay by Foster scholar Brian M. Kane (The Prince Valiant Companion) discussing Foster's depiction of "Indians" as it relates to other interpretations of the times, accompanied by various graphic goodies including our most spectacular bonus feature yet — a double-sized fold-out page reproducing a strip hand-colored by Foster — plus a previously unpublished camping cartoon by Foster from circa 1915, some of Foster's Mountie paintings, Foster's own map of Val's voyage to/from the New World, and more rare photos and art.
As always, this volume is shot directly from Foster's personal collection of syndicate proofs, their glorious colors restored to create an unprecedentedly sumptuous reading experience.
Hot on the heels of his acclaimed Mark Twain’s Autobiography 1910-2010 comes Michael Kupperman’s second all-comics collection of surreal slapstick and crazy non-sequitur goofiness, all from the pages of his beloved comic book series Tales Designed to Thrizzle.
Tales Designed to Thrizzle Volume Two features two of Kupperman’s recurring duos: America’s favorite mustachioed physicist/writer double team of Twain and Einstein (solving new crimes and barreling through exciting new adventures), and the crime-fighting team of Snake and Bacon ("Sssssssssssss!") who make a special return just to star in Reservoir Dogs 2.
Elsewhere in this volume the crusty Quincy, M.E. makes his comic book debut, struggling through the fantastic landscapes of his own dreams in "Quinception" (in which St. Peter also gets his own comic book). And learn the true story of the first lunar landing, guest starring Woodward & Bernstein, Lt. Columbo and... Quincy again??... in "Moon 69."
Also: The Jungle Princess battles rhino traders... A story of Broadway theatrics in "All About Drainage"... Slightly cursed merchandise and other dubious products... Cockney grave robbers... Cowboy Oscar Wilde... McArf the Crime Dog takes a bite out of scum... The origin of The Hamanimal... A photocomic starring comedian Julie Klausner, "Voyage To Narnia"... Break out your crayons for the highly educational "Train & Bus Coloring Book"... The story of French national hero "The Scythe"... and "Murder, She Goat."
Plus! This volume contains a full issue's worth of never-before-published, brand new Thrizzle material featuring "Mandate the Magician," "Fart Boobs," "The Odd Couple of Draculas," "Skull Groin," "Gladiator & Snivolus," "Mr. Flopears," "Gordon Ramsay's Fairy Tale Toilet Kitchen Nightmares," "McGritte the Surrealist Crime Dog," a new Twain & Einstein adventure and ever so much more!