We had a flurry of exciting celebrity shoppers toward the end of the day:
Above, Fire & Water author Blake Bell meets the television & movie actress of the oddly similar name Lake Bell and the world does not implode, possibly due to Lake's boyfriend, comedian Nick Kroll, executing the perfect photobomb.
Here, Nick strikes a perfect mirror-image pose with one of two Drew Friedman books he picked up while Tom Spurgeon botches his photobomb.
• Review: "What elevates Werewolves of Montpellier into the top rank of Jason’s work is the way he manages to dovetail the story’s genre elements with the emotional narrative. ... Overall, this is a pitch-perfect, expertly-crafted story by an artist who is clearly working in his comfort zone. It’s remarkable to see a creator go to the same well so many times and yet continue to produce nuanced and powerful variations on the same themes." – Rob Clough, The Comics Journal
• Review: "What speaks to this reader ten years later is how emotionally satisfying on a primal, child-like level these highly complicated and ornately drawn stories [in Death & Candy #1] can be, how much easier they are to read now as opposed to then when it seemed Andersson was making some of the strangest comics on earth. He wasn't; he was making normal comics very strangely." – Tom Spurgeon, The Comics Reporter
• Review: "Instead of bringing to mind old black & white stories and advertisements, the color [Tales Designed to] Thrizzle now mines the endless well of cheap, awful color comics. The color scheme is so heavily into the CMYK scheme of old four-color comics, and employed so luridly, that the reader is once again forced to dig into each panel slowly. ... Kupperman can jab you with a quick joke like a fake ad or a cover for an old comic called 'Cowboy Oscar Wilde,' or he can wrestle you into submission with a shaggy dog joke. ... With... subtle changes, Kupperman has managed to keep the top humor periodical fresh." – Rob Clough, The Comics Journal
• Review: "This most recent compilation is the finest presentation of the Mr. Natural strips I’ve ever seen and is a must-buy for any Crumb fan whether they’ve been there since he first made his appearance in Zap or are coming on board with The Book of Genesis. Either way, this is not to be missed." – Joe Keatinge, Neon Monster
• Review: "Reading [Charles M. Schulz's] wonderful comics is enjoyable and comfortable, sort of like wearing a worn, favourite sweater. Fantagraphics Books has done a good job putting Schulz's cartoons together in a nice book. Whether you're watching Peppermint Patty skating and being coached by Snoopy, Snoopy dealing with a broken leg, or Lucy still pulling the football away from Charlie Brown at the last second The Complete Peanuts: 1975 to 1976 is a humourous, welcome reprieve from a stressful, often screwed up, world. Thanks Mr. Schulz!" – Glenn Perrett, Simcoe.com
• Review: "Like some Uncle Wiggly story gone mad — or perhaps Krazy Kat in disguise — Tony Millionaire’s mad cake batter boy goes on a frantic rampage to return a baby owl to its mother and embarks on an adventure that is in no way as linear as my sentence implies. Millionaire really does channel the cartoonists of the early 20th century, while still giving the work [Billy Hazelnuts and the Crazy Bird] a quality that’s somewhat reminiscent of ’70s underground comics — and it’s kid-friendly to boot! Good fun with good energy." – John Seven, Worcester Magazine
• Review: "I picked up Carol Tyler's You'll Never Know, Book One: A Good and Decent Man from the library on the strength of recommendations I have seen for it all over the web, and it didn't disappoint me... Tyler has a nice diary style that seems intimate and friendly but is also quite sophisticated. ... There aren't too many comics about middle-aged women, and it was nice to read about something other than youthful rebellion and angst for a change." – Brigid Alverson, Robot 6
• Review: "His wordless tale filled with an eerie landscape and creatures that are both familiar and horrifyingly alien evokes dread and mystery. Equal parts parable, fable and surreal (and perhaps at times unfathomable) vision, Weathercraft further cements Woodring's reputation as one of the true geniuses of comics." – Chris Mautner, Robot 6
• Review: "The pace of this tale [Billy Hazelnuts and the Crazy Bird] is relentless; once Millionaire pushes you down the hill you don’t stop for many miles, and you’ll hit many bumps along the way…it’s one of the most fun stories I’ve read in quite some time, full of humor and odd characters and vividly realized by Millionaire’s art... ...[I]f you like high-spirited and whimsical fun, I think this is as good an example of that as any you might come across." – Johnny Bacardi, Popdose
• Plugs: "The two new Fantagraphics releases are both highly recommended, envelope-pushing works of art — the wordless Weathercraftfollows Manhog through Jim Woodring's psychedelic and symbolically substancial alternate universe... while Wally Gropius is a clever, absurd, funny and offputting work that evokes 1950s teenage humor comics with a twist (make that a bunch of twists actually). ... Wally Gropius is a book you'll come back to often, in hopes of getting it more and more each time. ...Weathercraft is a haunting, beautiful and epic story..." – 211 Bernard (Librairie Drawn & Quarterly)
• Review: "This graphic memoir chronicles the author’s struggle with the aging of her father and stepmother. The subject matter isn’t pretty. Still, [Special Exits] is intriguing, well-written and thought-provoking." – Nick Smith, ICv2
• Review: "You have to be a real expert in Jason-character physiognomy to even be able to tell that the lonely expat main character in Werewolves of Montpellier is sometimes wearing a werewolf mask. After all, the guy's an anthropomorphized dog at the best of times. In the end, that ends up being the gag. You're not some uniquely unlovable monster, you're just a guy with problems, like anyone else..." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "I have always had a soft spot in my heart for the Peanuts comic strip. I grew up on the old paperback collections and it was always a great day when my mom bought me a new one. Now, thanks to Fantagraphics, the entire run of Peanuts is available to fans in their beautiful, year-by-year collections of Charles Schulz’ masterful and hilarious comic strip. This collection puts us into the years of 1975 - 1976 and includes all of the daily and Sunday strips for the period. ... Thank you Fantagraphics! Grade A" – Tim Janson, Mania
• Review: "The most recent issue is probably the strongest [Hate] Annual to date, 36 pages of concentrated hilarity, including the longest Buddy Bradley story in quite some time. Just as impressive are his one-page strips about scientists from DiscoverMagazine..." – Rob Clough, The Comics Journal
• Analysis: "For the first time, this hapless figure, this half-man, half-animal is a picture of heroism and nobility, his metamorphosis achieved not through cosmic dances or tops but by cruelties inflicted on him by that creature of many masks and tricks, Whim. Earlier in Weathercraft , an infernal creature plucked from the pig-man’s gullet sanctions enlightenment. He who once resembled the demons surrounding the decapitated Ravana becomes whole and fully clothed, now cognizant of his true nature." – Ng Suat Tong, The Hooded Utilitarian
• Interview: From last Friday, Chris Mautner's revealing conversation with Tim Hensley at Robot 6: "Sometimes it's infuriating to read about a bunch of attractive saccharine pupils in the suburbs. Maybe [Archie] could add a brain damaged character. Maybe Moose, but more likely he never learned to read — have they already done that? Somewhere off-panel there's a convalescent hospital with all the rejects in it. But I wasn't attempting a Dark Knight makeover where everyone has stubble and never prevaricates."
Online Commentary & Diversions returns after a slow news day yesterday:
• Review: "Hensley’s clean art, drawn in a 1960s cartoon style (and complete with bright color pallete) is a bizarre mish-mash of the best in ‘60s teen book cartooning with the absurdity of an episode of The Monkees and the severity of indy comics. ...Hensley’s biting humor [is] either as spontaneous on the final page…or so well timed and planned that you don’t see it coming. In all honesty, I had trouble figuring Wally [Gropius] out — I expected a nostalgic pastiche with an edge, but what I got was an unpredictable and sometimes unsettling reading experience, literally not knowing what to expect from page to page. And that’s where Hensley excels, with a narrative sleight of hand, his seemingly innocent characters hiding more base and sinister motivations, using classic cartooning techniques to conceal a darker underbelly." – Christopher Irving, Graphic NYC
• Review: "...[W]hat really defines Billy Hazelnuts [and the Crazy Bird] is a genuine sense of excitement on the part of the author, as though, like the daughters he’ll eventually read the book to, Millionaire seems eager to discover what sort of adventures await his hero on the next page. ... Billy Hazelnuts is dark and weird and funny and strangely warm — it’s a book you wish you could have discovered at a much younger age. Thankfully, it’s pretty fun as an adult, too." – Brian Heater, The Daily Cross Hatch
• Plugs: "This gorgeous softcover collection of Dame Darcy's Meat Cake comic series is a thick slice of delicious Victorian romantic, horror, humor with just a hint of Southern gothic. ... So beautifully drawn and entertaining, Werewolves of Montpellier should make members of Team Jacob consider changing their name to Team Jason." – Benn Ray (Atomic Books), Largehearted Boy
• Interview: At The Comics Journal, Marc Librescu continues his talk with Gahan Wilson: "A lot of the reasons that [today’s] horror movies are so not entertaining or not much fun, and leave you with a very yuck taste, is that they’re brutal. And I think they’re brutal because the people who are making them are brutalized, basically, putting it right smack down there on the table. And they’re kind of a little fuggy, and that’s not good for an artist."
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