Late nite link blogging for your Online Commentary & Diversions:
• Review: "You wanna talk about a gateway comic? How 'bout handing this sucker [Ganges #3] to anyone who's ever had trouble falling asleep? The whole thing is dedicated to nothing more or less than reproducing the mental and physical sensations of insomnia. Ironically it's Huizenga's most action-driven comic this side of Fight or Run or the video-game bits in Ganges #2. ... Combine it with one of the most effective uses yet of the Ignatz series' two-tone color palette--here a cool small-hours blue--and the experience is almost tactile, as though you're physically tunneling through the mysteries of your own mind." – Sean T. Collins [ed. note: I swear I'll have the issue up for presale on the website next week]
• Review: "No one is safe in Al Columbia’s world. Not the kittens (they get decapitated) nor the children (they get baked into pies) nor the bunnies (they carry scythes). Correspondingly, no one is innocent. Grandmothers are evil, grandfathers are greedy, and trees grow baby heads instead of apples and oranges. What a wonderful world it is. That’s not an entirely ironic evaluation of Pim & Francie, a collection of sketches, strips, stills and other valuable ephemera from the mind of Columbia (creator of the 1990s cult classic Biologic Show). The twisted narratives and characters are presented so deftly — with such humor and visual panache — that their wrongness becomes right; and thus is the singular charm of Al Columbia." – Molly Young, We Love You So
• Review/Profile: "Earlier this year, Fantagraphics gave readers the opportunity to encounter [Harvey] Kurtzman’s creative energy in complete form by reissuing a boxed collection of Humbug, his short-lived but monumental periodical that began publication in summer of 1957. It’s Humbug that functions as the spiritual father for magazines such as National Lampoon, Spy and The Onion, among many others, but there’s something invigorating about it because of its vantage point in the supposedly stodgy and bland 1950s. Coming out of that decade, Humbug really did break new ground." – John Mitchell, North Adams Transcript
• Review: "Even though Woodstock casts a large shadow on the cover of Fantagraphics’ The Complete Peanuts 1973-1974, it’s Peppermint Patty who should get star billing. Not to take anything away from Snoopy’s yellow-feathered avian sidekick – who does make several appearances through the hardcover tome – it’s just that Patty eventually gets the brunt of character development attention, while Woodstock exists as the perfect foil for Snoopy. ... Also of note is Schulz’s repeated use of standard gags (Lucy pulling the football from Charlie) along with a few new ones, including the consoling 'Poor, sweet baby.' Because of his tendency to keep running gags contained within a year’s span, it makes a trade collection work better than with most comic strips." – Christopher Irving, Graphic NYC
• Review: "What quickly becomes clear is that the graphic novel is a particularly apt form for inhabiting unconventional characters, and very few do this as well as The Squirrel Machine. Wielded skilfully, images are as expressive as words, and occasionally more so. Rickheit's drawings convey the boys' tortured feelings of persecution, elation and curiosity — as well as their uncouth creative urges — in a succinct and often gruesome way. Rickheit's frames vary from the cluttered to the stark, and his ability to pack detail into four square inches is rivalled only by his ingenious use of white space. ...The Squirrel Machine convinces anew that a picture is worth a thousand words." – Molly Young, Intelligent Life
• Interview: For Marvel.com, Sean T. Collins talks to Strange Tales contributor Tony Millionaire: "Just as you called, I was reading an old collection of THOR... It's funny: 'I say thee nay'? I didn't realize that was such a popular phrase."
Cripes, September is over already? Here's your Online Commentary & Diversions:
• Review: "The Red Monkey Double Happiness Book makes for pleasant midday reading, maybe perched somewhere outdoors in the sun with a glass of ginger ale at your side. Read it in a lazy mood, identify with the slacker characters, and speculate on whether you could solve demented mysteries as well as they could. (Answer: probably not.)" – Molly Young, We Love You So
• Plug: "Man, if that Crumb book weren't coming out [Prison Pit: Book 1] would easily be my main pick for the week. Johnny Ryan does straight on fantasy/action, with no tongue in cheek, but without forsaking a single ounce of blood or guts. In fact, this may be even more gory and gruesome than his humor stuff... but those with strong stomachs will thrill to Ryan's grotesque and truly imaginative fight fest." – Chris Mautner, Robot 6
Washingtonians, don't forget Tony Millionaire is in Puyallup tonight (we can only hope he goes to the Puyallup Fair in that getup) and Seattle tomorrow night with Chris Onstad. (Details here.) Here they are at Powell's Books in Portland OR on Wednesday. Photo courtesy Tugboat Press.
The first issue of Marvel's new 3 part anthology mini-series, STRANGE TALES, is in comic shops this week. It features my long-delayed "Incorrigible Hulk" story, which has been broken up into 3 parts, with one part in each issue. My original cover will also serve as the cover of ST #2 (see above).
This mini-series also features many indy comics superstars,all of whom get to interpret one or more of Marvel's well known characters in their own style. Each issue is also 48 pages long and only $3.99. Quite a deal!
Paul Buckley is Art Director at Penguin Books, a publisher known for iconic design (and Art Directors), and he recently started a Flickr page featuring a small sampling of his work. Buckley is also the guy who managed to spearhead all those amazing classics-of-literature-covered-by-cartoonists. It may seem obvious-- Chris Ware doing the cover art to Candide, Jason doing Dharma Bums, Charles Burns on The Jungle, and so many more-- but getting all that through the marketing teams and other red tape at an enormous publishing house isn't just brilliant, it's tenacious.
Looks like the hits just keep coming with the biggest no-brainer of all (Tony Millionaire covering Moby Dick) plus Ho Che Anderson, Jeffrey Brown, etc.
Perhaps our next online poll ought to ask for suggestions on future Penguin Classics. My vote: Bil Keane doing Jonathan Swift's "A Modest Proposal."
UPDATE: I have to learn not to make these sloppy blog posts. I've made a lengthy note in the comments on why, as a book designer, I consider this feat noteworthy.
More importantly, Paul Buckley has pointed out that Helen Yentus was his partner on the original round of these covers. One of the great things Yentus pulls off is making novel covers that read as complete images, a perfect hybrid of typography and image. So it makes sense she would be involved here.
Your daily dose of Online Commentary & Diversions:
• Profile: The Oklahoma Gazette dedicates a cover feature (pictured above) to native son Boody Rogers, talking to Yoe, Nadel and Spiegelman about his work. Of our collection of his comics they say "Boody: The Bizarre Comics of Boody Rogers reprints 13 of Boody Rogers' comic-book stories between 1948 and 1950. Although they have fallen into the public domain, publisher Fantagraphics has restored the color and images to its typical standards of quality ... not to mention standards of unapologetic weirdness."
• Review: "...Terr'ble Thompson is... playful fun... [Gene] Deitch’s upbeat mangling of the English language and silly twists will keep readers of many ages entertained." - Michael C. Lorah, Newsarama
"And I pursued, best I can, to get the record I just made to look as beautiful as possible. Tony Millionaire has delivered this very beautiful and intriguing illustration. You know, the hand and hand-ink thing has a refinement you can't get with a computer. It's got the touch of a masterful artist." — Elvis Costello, talking to Newsweek
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