|Lunch with Tony Millionaire|
|Written by Mike Baehr | Filed under video, Tony Millionaire||28 Dec 2009 10:40 AM|
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Category >> Tony Millionaire
When these Online Commentary & Diversions posts get long enough I get an error message in our blogging interface; this is one of those, so buckle in:
• List: Design Observer's recommended Holiday Books 2009 includes Abstract Comics: "...[T]his arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers."
• List: Jason's Low Moon and Michael Kupperman's Tales Designed to Thrizzle Vol. 1 get shout-outs from our esteemed colleagues on the Matador Records/Beggars Group staff in their annual staff/artist end-of-year best-of Matablog megapost
• List: Comics-and-More's Dave Ferraro's Favorite Comic Book Covers of 2009 include Luba by Gilbert Hernandez (designed by Jacob Covey), Uptight #3 by Jordan Crane, West Coast Blues by Tardi & Manchette (designed by Adam Grano), Abstract Comics (designed by Jacob Covey), and The Complete Peanuts 1973-1974 (designed by Seth)
• Review: "Giraffes In My Hair: A Rock ‘N’ Roll Life... is my favorite graphic novel of the year, and it is marinated in a life lived through real rock and roll delivered via stories as wide-open and lung-puncturing as a two minute Ramones rant. Artist Swain is an alternative comics’ veteran... with an attractively scruffy style; storyteller Paley has an author-blessed background in the margins of the freak milieu... This comic book adaptation of a real life shows the biggest bruises and the smallest scars, but cuts out all the heroic flab. Again, one of the best graphic novels of the year, as well as one of the best rock books too." – Chris Estey, KEXP
• Review: "The Playboy cartoons collected [in Gahan Wilson: Fifty Years of Playboy Cartoons] demonstrate above all Wilson's phenomenal range in subject, style, and inspiration. ... The menace in domestic relations, the evil that kids are capable of, the outright nastiness that man inflicts on man: it's all here, drawn in Wilson's inimitable comic style. ... And Fantagraphics has also served Wilson well. This collection is a wonder of book design, with die-cut boards, marvelous color reproduction, and a fantastic slipcase. The clear plastic panel on one side reveals the laminated back board of the books, each one a different headshot photo of Wilson himself, his face smashed against the plastic, a prisoner in his own collection. It's a perfect expression of all the inspired madness within." – Thomas DePietro, The Barnes & Noble Review
• Review: "The comics [in Abstract Comics] resemble IQ quizzes that test the ability to recognise patterns. But they are more difficult here — insanely difficult — as they replace simple geometric shapes with abstract comic lines, colours and collage. Solving them will no doubt provide tremendous pleasure but there are no answers given, of course." – Parka Blogs, who also have very nice photos and video of the book (also via the Abstract Comics Blog)
• Reviews: Érico Assis of Brazilian site Omelete has the rundown on the recently released Brazilian edition of The Complete Peanuts 1950-1952 (Vol. 1): "But of course, the interest here is the historical value. Maybe time to recover, at least you remember the pop culture, were much simpler. If you like to do time travel, at least with the brain, Complete Peanuts gives you several hours of escapism for a past environment of children, a bit silly. And perhaps so happy." Also: "If Tales Designed to Thrizzle does not please a dedicated fan of Monty Python, I like my stuffed parrot. ... With the collection, it's time to conquer the world. At least the world of smart people who recognize the genius of Monty Python." (slightly broken English from Google translation)
• Review: "In The Great Anti-War Cartoons, Craig Yoe has gathered an amazing assembly of peaceful protests that seeks to prove that the pen is truly mightier than the sword. ... All of it is thought-provoking and deserves a look. And where else will you see a collection like this? Art Spiegelman, Robert Crumb, Rube Goldberg, Honore Daumier… my god. Even if you don’t dig the message, you gotta dig the art. In the end, it’s obviously a book that’ll stick with me and would make a worthy addition to your collection. ... Grade: A" – Chad Derdowski, Mania
• Review: "War sucks, and [in The Great Anti-War Cartoons] Yoe has selected a wide range of cartoons that make the point with elegance and grim wit. ...[I]n terms of craft, vision, and passion, political cartoons simply don't get much better." – Noah Berlatsky, Chicago Reader
• Review: Noah Berlatsky is the 4th writer at The Hooded Utilitarian to take a crack at Ghost World in their critical roundtable: "I’ve never been able to quite wrap my head around what about the book so thoroughly irritates me."
• Metacommentary: TCJ.com's Shaenon Garrity comments on the (TCJ-hosted) Hooded Utilitarian's critical roundtable on Ghost World: "...the other reason I like Ghost World: like it or hate it, you can talk about it endlessly."
'Atsa good Online Commentary & Diversions:
• List: On her Pop Candy blog, USA Today's Whitney Matheson gives The Brinkley Girls the #10 spot on her Top 10 comics/graphic novels of 2009, saying "this beautiful book introduced me to a new heroine: Nell Brinkley, an early 20th century newspaper cartoonist. Her drawings of flappers and glamour gals are sexy, strong and ahead of their time. I can't believe I hadn't seen her work before, but I'm so thrilled to know it now." Matheson also lavishes praise on Lilli Carré, who "continued making must-see work" and lands at #69 on Matheson's Top 100 People list, and whose book from Little Otsu lands at the #2 spot on the comics Top 10.
• Review: "The Wolverton Bible... is -- no pun intended -- a revelation. Though his serious work is a bit stiffer and more restrained than the Wolverton art you might be used to, it's more powerful. ... What sets [the drawings in] The Wolveton Bible apart from Crumb's Genesis... is that they come from a true believer. ...Wolverton's drawings have an intensity and sincerity that reveal something connecting him to those stories in a way Crumb just can't duplicate." – Will Pfeifer, "Books of the Year"
• Review: "...[Supermen! is] magical, memorable [and] just plain wonky... The stories range from action-packed to barely-sensible, but they all have a crazed energy you just can't fake. ... They read like the sort of stories imaginative kids would think up -- which might be why they appealed so much to kids in the first place." – Will Pfeifer, "Books of the Year"
• Review: The Hooded Utilitarian's critical roundtable on Ghost World continues with Richard Cook: "The most appealing aspect of Ghost World was the main characters, Enid and Rebecca. And much of their appeal is due to how effectively Daniel Clowes panders to a specific demographic that I belong to: geeks."
• Plug: The Beat's Heidi MacDonald, picking up on Tony Millionaire's Billy Hazelnuts and the Crazy Bird sneak peek, comments "In all the talk about comics for kids recently, we’re probably very bad for not mentioning Millionaire’s non-child-averse work more prominently. His work is not for the faint-hearted, but children generally prefer tales that are not faint-hearted." Right on.
• Plug: "Portable Grindhouse: The Lost Art of the VHS Box... is a fetishized art object/coffee table-style compendium of great VHS jackets, ranging from the campy to the sleazy to the so-bad-it's-good. Highly recommended as a gift idea for the B-movie lover on your holiday shopping list." – Audrey Hendrickson, The SunBreak
• Interview: TCJ.com continues to post the intergenerational conversations from The Comics Journal #300 online; today's selection is David Mazzucchelli (Asterios Polyp) and Dash Shaw (Bottomless Belly Button)
• Interview: Walrus Comix, who say "Not only is [The Pain — When Will It End?] the funniest comic strip ever, but, well, that’s it: it’s the funniest comic strip ever," talk to the strip's creator, Tim Kreider, who says, among many things, "I don’t know why you’d want to be a cartoonist if you didn’t enjoy drawing funny, cool things. If I had to draw an entire graphic novel of people sitting around talking I think I’d hang myself." (Via Journalista)
• Things to buy: Folks in Portland this weekend can purchase handmade arts-n-crafts from Andrice Arp and a bunch of other Portland artists at the Creative Creatures Bazaar at Cosmic Monkey Comics, reports Andrice on her blog
Chock full o' Online Commentary & Diversions:
• List: The Village Voice 's R.C. Baker names 2009's Best Comics and Graphic Novels. Among the choices: "A lucid nightmare, Al Columbia's dazzlingly well-drawn Pim & Francie features vignettes of its young protagonists menaced by creepy relatives or starring in exceedingly grim fairy tales. These inky visions seem unearthed from the deepest vaults of Uncle Walt's id. ... Anything but Victorian, Nell Brinkley (1886–1944) celebrated the Roaring '20s with sinuous lines and colors as lurid as William Randolph Hearst's presses could muster. Author Trina Robbins notes, in the lavishly oversize The Brinkley Girls, that the illustrator 'closely resembled the girls she drew.' But Brinkley, with her thrilling fantasias of pirate abductions and aviatrix romances, remains an inspiration beyond flapper flamboyance to any young lady seeking to break into the boys' club of high-end illustration."
• List: Greek site Comicdom is halfway through counting down the top 100 comics of the '00s. On the list so far: Tales Designed to Thrizzle Vol. 1 by Michael Kupperman at #99 ("Following at a discreet distance from the legacy of Monty Python, Michael Kupperman should be considered a genius by any man who has laughed with the group of Britons"), Billy Hazelnuts by Tony Millionaire at #67 ("In the surrealist vein of Krazy Kat and the otherworldly, oneiric atmosphere of Little Nemo... misanthropy and almond sweetness"), Safe Area Gorazde by Joe Sacco at #60 ("The shock was, however, not an end in itself, since what actually manages to come across is the sense of pain and loss that each of the interviewees had experienced"), and Fred the Clown by Roger Langridge at #53 ("Ingenious comics by an equally intelligent designer who not only knows the history of the instrument and understand what makes it work"). [Quotes cobbled from autotranslation.]
• Review: "There have been a lot of great comic book releases this year, but none has the beauty and melancholy resonance of Fantagraphics' Prince Valiant: Volume 1-1937-1938. ... As for Hal Foster, Fantagraphics has given this artist his due and helped place him in his proper context as a great American artist and master of the comics form." – Mark Rhodes, Omnicomic
• Review: "Employing a storytelling dynamic not unlike that of Serling’s science fiction classic, Thomas Ott’s The Number 73304-23-4153-6-96-8 is itself a visit... to a dimension not of sound, but of sight and mind that at once both rewards and confuses. ... Ott’s hyper-meticulous attention to how detail relates to used space and negative space is at once both unsettling and captivating, utilizing a form of technical, pen-like cross-hatching for essentially every line that can only be described as Robert Crumb on Adderall. ... The Number is a universally literate work of fiction that is a quick first read with potential for longer lasting examination." – C.R. Stemple, Pads & Panels
• Review: "The Unclothed Man in the 35th Century A.D. is a fascinating first animated work [third, actually — ed.] from one of today's most original and unusual artists. Shaw adapts well from the comics page to the cinematic form. ... Almost as well as his comics, this film expresses Shaw's ongoing desire to look at the world from a slightly askew perspective, to express his fascination with the complexity of people's inner universes. ...[T]he film... [is] a probing, emotional examination of what it means to make art and to forge meaningful human interactions..." – Ed Howard, Only the Cinema
• Plug: In an interview with IFC found by our own Janice Headley, musician Chuck Prophet names Ghost World as a favorite movie: "A coming-of-age teen flick movie that pivots around Skip James’ 'Devil Got My Woman' can do no wrong with me. And shouldn’t with anyone else."
• Interview: At Comics Comics, Dan Nadel presents audio of the panel with Gary Panter & Peter Saul at the Brooklyn Comics & Graphics Festival last weekend
• Things to see in the future: The Daily Cartoonist reports that the "Schulz’s Beethoven, Schroeder’s Muse" exhibit which ran at the Charles M. Schulz Museum & Research Center last year is moving to an online home a week from today — we'll try to bring you a link when it launches
• Things to see: A potpourri of Amazing Facts... and Beyond! with Leon Beyond by Kevin Huizenga (BTW we tend only to link to Kevin's AFAB...WLB strips since he's on our roster, but that's not to give short shrift to Dan Zettwoch, who routinely knocks these out of the park too)
Tiny Showcase has their "10 Beasts!" print set on sale for the holidays (along with most of their many other prints). At half price, it's a steal for ten pieces from ten great artists.* It should be noted that unlike most of the TS prints, these are letterpressed and done so in many colors.
Heck, if you don't mind breaking up the set you can give a print out to ten lucky pals for the holidays or, if you're one of those "prepared" people, you could always have ten gifts on hand for those birthday announcements that pop up on your Facebook page, right?
Artists who made new work for this set include Souther Salazar, S. britt, Jesse LeDoux, Saelee Oh, Josh Cochran, Meg Hunt, Kenneth Lavallee, Keith Shore, Tony Millionaire and Jordan Crane.
*Note: I curated it but I do not have any monetary interest in this collection.
We don't have any new books or comics in comic shops this week, but I noticed that Gilbert Hernandez's The Naked Cosmos DVD/minicomic from Bright Red Rocket is back in print and available from comic shops starting tomorrow!
Also, as of yesterday The Drinky Crow Show, the animated series based on Tony Millionaire's Maakies, is available as part of Adult Swim's made-to-order Custom DVD system. The "builder" Flash interface doesn't seem to want to work on my computer, so I can't verify whether all the episodes are available, but they're promising to roll out the entire Adult Swim library "in time for the holiday" — hopefully this will include Michael Kupperman's Snake 'n' Bacon pilot too.
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