500 Portraits collects for the first time over two decades of portrait work by the beloved and award-winning creator of Drinky Crow’s Maakies, Sock Monkey and Billy Hazelnuts. Tony Millionaire’s gorgeous fountain pen illustrations, which mingle naturalistic detail with strong doses of the fanciful and grotesque, include the famous (Bob Dylan), the infamous (Abu Ghraib soldier/model Lynndie England), the fictional (Yoda), the animal kingdom (a cockroach), and everything in between. Literary figures (Hemingway), literary characters (Don Quixote & Sancho Panza), Hollywood legends (Steven Spielberg), comics icons (Hergé) and historical figures (Hitler) also figure prominently.
Millionaire’s impeccable linework resembles that of Johnny Gruelle (creator of Raggedy Ann and Andy), whom he cites as one of his main sources of inspiration along with Ernest Shepard and "all those freaks from the '20s and '30s who did the newspaper strips."
Many of these 500 portraits were created for The Believer, the magazine founded by Dave Eggers that Millionaire has helped define visually with his signature portraits of interview subjects in every issue since the magazine started. But it also includes dozens if not hundreds of illustrations from various other publications, including The New York Times, The New Yorker, Ephemera Press Historical Maps, The Wall Street Journal, and others.
“I think Tony Millionaire can only do important things.” — Dave Eggers
Join our own Tony Millionaire at the third annual Feral House/Process Media Winter Solstice Celebration on Saturday, December 10th in Los Angeles!
Tony will be a guest among a whole host of amazing artists, authors, directors, and more. He'll be signing copies of his gorgeous new collection 500 Portraits, and according to his Twitter account, he'll be selling some original artwork, too! Just in time for the holiday shopping season!
So, make plans now to join Tony from 6:00 - 8:00 PM at the La Luz de Jesus Gallery [ 4633 Hollywood Blvd, Los Angeles ].
For the first time ever, Fantagraphics will be exhibiting at the Brooklyn Comics & Graphics Festival! Come visit us this Saturday, December 3rd from 12:00 - 9:00 PM for a wealth of debuts, artist appearances, and the great Gary Groth manning the table!
Gary will be joined by a truly all-star cast of artists for our first BCGF:
Where can you find all this awesome? Fantagraphics will be in the downstairs section at the Our Lady of Mt. Carmel Church [ 275 North 8th Street ], at tables 31 & 32:
And finally, make sure you don't miss our artists in these panels! These will all take place at Union Pool [ 484 Union Avenue # A ], and the panels are free and open to the public:
1:30 PM // JACK DAVIS Q+A
Legendary cartoonist Jack Davis made his mark producing horror and war stories for EC Comics, before finding his métier in satire as one of the original (and longest running) artists for MAD Magazine. As a prolific illustrator, Davis defined the caricatural style of the 1960s and 1970s—and beyond. In this rare public appearance, Davis will discuss his career with Fantagraphics co-publisher Gary Groth and illustrator Drew Friedman.
[ Jack Davis fans, please note: he will also be appearing on Friday, December 2nd at the opening of his exhibit at the Scott Eder Gallery! Don't miss it! ]
2:30 PM // GESTURAL AESTHETICS
As comics have evolved beyond their commercial roots toward more individualistic modes of expression, they have been infused with new influences from other fields of art including printmaking, collage and painting. Additionally, new printing technologies have permitted the reproduction of artwork that more closely shows the work of an artist’s hand. Austin English, Dunja Jankovic and Frank Santoro will discuss new aesthetics in comics with moderator Bill Kartalopoulos.
6:00 PM // THE LANGUAGE IN COMICS
The recent embrace of graphic novels by the publishing industry has led to misguided attempts to evaluate comics according to the standards and conventions of literary fiction. The writing in comics occupies a more peculiar place, with its own constraints and opportunities. John Porcellino, Gabrielle Bell, and David Sandlin will discuss the particular demands of writing within a visually-driven form in this conversation moderated by novelist Myla Goldberg.
So, get ready! And we'll see you in Brooklyn this Saturday!
• Feature: At New Orleans-based website Gambit, Alex Woodward looks at Oil and Water — "As the book gets deeper south and deeper into the complexities and relationships of oil to the Gulf and its people, the stories get murky and collide, mimicking an ebb-and-flow that at first is much like oil and water, then gradually homogenizes. The Portlanders come to grips with their own misconceptions, and the characters that were once miles away from their lives become embedded into their own." — and talks to the book's creators (writer Steve Duin, artist Shannon Wheeler and editor Mike Rosen)
• Review: "...Mark Twain's Autobiography 1910-2010... is mainly an excuse to insert Twain, Zelig-like, into every decade between 1910 and today. Of course he made a lot of money in the 1920s and lost it all in the 1930s. Of course he and Albert Einstein were repeatedly struck in the head by a hammer-wielding monkey. And of course he sleeps with Mamie Eisenhower ('this lady was one hot dish.') It's all told in Kupperman's Marx Brothers-style absurdist deadpan voice, and if you like Tales Designed to Thrizzle, then you'll love this book. It's packed with laugh-out-loud moments..." – Paul Constant, The Stranger
• Review: "Gahan Wilson's Nuts features kids talking the way adults really talk... The kids in Nuts are vain, covetous, not so very bright, and they stagger around, reeling, from one unpleasant surprise to the next. They get their hair cut ('Sometimes I wonder if it's just that he's a lousy barber...') they look at some gory magazines, ('We're just not ready for that shit') and they attend funerals of uncles ('My God—I never saw them acting this way before! They've all fallen apart!'). Weirdly, by giving his kids the vocabularies of adults, he really captures the neuroses of childhood. We begin life as we live it now: Dazed, angry, and bitter at our own fundamental lack of control." – Paul Constant, The Stranger
• Review: "Fantagraphics has a nice introduction giving a brief biography of Kelly, and describing many of the struggles he had with Pogo and syndication. There is also a fantastic notes section at the end, which points out historical trivia as well as giving the context for some of the strips.... It’s possible that the appeal of Pogo may be lost on folks who are so used to everything that it influenced, be it talking animal comedies or political satires. Doesn’t matter to me, though. This strip is funny, well-drawn, and features a huge mass of likeable characters doing entertaining things. Put it together with Fantagraphics’ excellent presentation, and you have a definite must-buy." – Sean Gaffney, Manga Bookshelf
• Review: "Greg Sadowski and Fantagraphics’ Setting the Standard is perhaps the best book on Alex Toth that has been published thus far... Sadowski takes a straightforward, comprehensive approach and so Setting the Standard can rest comfortably on the bookshelf next to Fantagraphics’ other excellent recent collections of essential comics such as Hal Foster’s Prince Valiant, Roy Crane’s Captain Easy and Buz Sawyer and Carl Barks’ Disney epics.... There are... many passages of thoughtful comics storytelling. The romance work is often brilliantly articulated and visualized... Toth’s handling of horror and suspense is intuitive, sometimes harrowing and exhibits his more radical inventions.... In Sadowski’s book, Toth’s work speaks for itself and the artist likewise. The book’s assemblage and design are very well done to make a package which is pulpy but tasteful, not cheap nor overly slick, not high/low cute or old-boy sentimental. It provides a complete and important body of work by a great cartoonist." – James Romberger (contributor to the final Mome), The Hooded Utilitarian
Rolling Stone presents 10 of Tony Millionaire's best drawings of musicians from 500 Portraits and, what's more, the magazine's Matthew Perpetua got Tony to talk about each one — both the musicians themselves and the experience of drawing them. Check it out unless you hate wonderfulness.
I always was very fond of the mini-comics format -- take two to four 8 1/2 x 11 sheets, fold them once, staple, and voilà! You have an adorable little 5 1/2 x 8 1/2 comic book for mere pennies. But I could never really figure out what to do with this old-school, low-tech format.
For this catalog season, we have created 21 "FBI•MINI" booklets (most in this format, although there are a few oddities), as premiums for customers who order books directly from us. They are available free with the purchase of their "matching" book or books -- or for those customers who've already bought those books but are desperate to get the FBI•MINI, free with the purchase of $50 worth of any other Fantagraphics mail-order merchandise.
If any of these catch your interest (and if you're reading this blog surely at least one of them will) you can click right on any of them to a more detailed listing on our website -- or just click right here and all 21 will pop up for you to peruse.
Steven Weissman is taking the week off, but we have Mark Kalesniko's Veterans Day comic (more about which here) to take up the slack, our weekly Kupperman, and links to other strips from around the web: