...or rather, Jacob Covey's lovely cover design thereof. The area on the left will be faux cloth, while the right side will be uncoated paper — much like our Walt Disney's Mickey Mouse books. 500 Portraits should be available in about 3 months, give or take a couple weeks.
Russ informs us that punk legend Exene Cervenka of X fame dropped by Fantagraphics Bookstore on Monday evening with Phil Alvin of the Blasters to do some record and comix shopping. Visiting Seattle to perform at Neumos with X bandmate John Doe, Exene was reportedly pleased to find a copy of Talk to Her, a collection of interviews conducted by Krisitne McKenna. Exene is interviewed, along with counterculture celebrities like Lou Reed, Joey Ramone, Allen Ginsberg, Johnny Rotten, Joe Strummer, Chrissie Hynde, Joe Sacco, Elvis Costello, Walter Hopps, and Richard Hell, among others. The book includes portraits of interview subjects by Charles Burns, Daniel Clowes, Tony Millionaire and more. Pick one up. You won't be able to put it down.
At a point last month during the production process on Tony Millionaire's 500 Portraits, due this coming November, we were down to just a handful of illustrations we couldn't identify, so we sent some images to Andrew Leland at The Believer for his help identifying those that ran in the magazine. Designer Jacob Covey asked me to share this with you, saying "I believe it appropriately sums up our process." Click it to see it bigger.
Make a habit of visiting Fantagraphics Bookstore & Gallery this fall as we approach five years of presenting comix culture to the masses. It just keeps getting better:
On Saturday, September 3 between noon and 3:00 PM, we host a sneak preview of "Hooked on Comix 3." Fimmakers David P. Moore and Audry Mandelbaum will be present for a continuous screening of the latest installment of their insightful documentary series on alternative comix. This one features the lovely Dame Darcy and always entertaining Tony Millionaire. Can't wait.
On Saturday, September 10 we open Drawing Power, an amazing exhibition of cartoon advertising curated by Warren Bernard. On Saturday, September 24 Bernard will present a slide talk followed by a book signing from 6:00 to 8:00 PM. He'll be joined by visual artist and cartoonist Tom Neely presenting his latest "painted novel" The Wolf.
On Saturday, October 1 we'll host a special preview of the topical graphic novel Oil and Water with journalist writer Steve Duin from 6:00 to 8:00 PM.
The following Saturday, October 8 we welcome comix legend Trina Robbins for an exhibition and slide talk on Nell Brinkley from her phenomenal book Brinkley Girls, who will be in town as an guest at the Geek Girl Con.
Don't miss a minute of the action. Visit Fantagraphics Bookstore daily. If you don't live here, with local housing prices remaining soft and the Seattle job market improving, now's a good time to move. See ya'll soon.
• Profile: At GALO Magazine, Emily Crawford Misztal talks to Nate Neal and looks at his debut graphic novel The Sanctuary: "While the language and the ways of the characters in the book will be unfamiliar to readers, the motives that drive them are as old and familiar as the sun. Neal sees the ancient setting as a way to get at the core of what it means to be human—in any era. 'It is a chance for me to examine human behavior on a more universal level,' Neal said. 'Sex, power, revenge, the primal stuff, is underneath everything that we do. There’s more covering over what we do now. With the cavemen, I can strip everything away and get right down to it.'"
• Feature: Rob Lammle of mental_floss posts an entertaining list of "10 Peanuts Characters You've Probaby Forgotten" — devotees of our The Complete Peanuts series will be familiar with some of them, and some of them give hints as to what to expect in future volumes!
• Analysis: At Taking Its Time, Jeff Hayes writes on the use of Jacques Tardi's It Was the War of the Trenches in an academic setting, specifically the high school English classroom: "In using a text like It Was the War of the Trenches, democratic education is being practiced. It is not just because of how the book is constructed visually; we must look at it also as an artifact of importance in presenting how another culture views historical events-how those events may or may not have affected the lives of others we do not think of in the rush of war and the aftermaths that follow as we choose what is important in history and what is not."