|Fantagraphics at APE 2010!|
|Written by Mike Baehr | Filed under Tony Millionaire, Megan Kelso, events||11 Oct 2010 10:50 AM|
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Category >> Tony Millionaire
Join us at the Alternative Press Expo at the Concourse exhibit hall in San Francisco this weekend! You can find us at tables 113-116 (a different location than the past couple of years, for you APE vets out there). Myself and our Ambassador of Awesomeness Janice Headley will be staffing the table. Our signing and panel schedule is as follows:
12:00 - 1:00PM Spotlight on Megan Kelso, moderated by Marc Weidenbaum
1:00 - 3:00PM Megan Kelso booth signing
3:00 - 5:00PM Tony Millionaire booth signing
5:00 - 6:00PM Spotlight on Tony Millionaire, moderated by Renée French
1:00 - 3:00PM Tony Millionaire booth signing
2:00 - 3:00PM Art of Storytelling panel with Megan Kelso
3:00 - 5:00PM Megan Kelso booth signing
We'll be debuting Tony's new Maakies collection Little Maakies on the Prairie, and we'll have pre-release copies of Adele Blanc-Sec Vol. 1 by Jacques Tardi, Dave Cooper's Bent, and Mome Vol. 20. We'll have plenty of Dan Clowes books you can buy and take over to the D&Q table to get signed, too. Hope to see you there!
120-page black & white 12" x 5" hardcover • $19.99
Ships in: November 2010 (subject to change) — Pre-Order Now
Collecting 2 years of strips 2007-2009. More booze-soaked buffoonery, lyrical passages, violence, sentimentality, and poop jokes with Drinky Crow & Uncle Gabby. Lowbrow yuks and elegant cartooning from comics' true drunken master.
"Tony Millionaire’s Maakies does not appear on the comics pages of daily newspapers, but lurks darkly instead in our nation’s alternative weeklies...
"Uncle Gabby, a monkey, and Drinky Crow, an alcoholic crow, are characters of pure, ginned-up id, engaging in high jinks that range from the boobish to the bizarre: making 'booze cream' from the milk of drunken cows in one panel, going to prison to have time to read Swinburne in the next. The humor is often so lowbrow as to be subterranean. If Gasoline Alley is preoccupied with life's slow unfolding, Maakies is fascinated by its swift, violent ends. It is difficult to count the times Gabby or Crow have been mutilated, shot in the head, eaten, burned in hell.
"And yet Millionaire, raised by an art-teacher by the sea, can draw the living spit out of a ship or a giant squid. It is just as likely that Maakies will feature one character vomiting into another’s mouth as it will a wordless, befuddling, beautiful parade of intricately rendered church spires and tall buildings. It sways this way between the very low and the very high; the only applicable adverb here is drunkenly, for as the name might suggest, there is a lot of boozing in Drinky Crow's life. This may offend (or may be the least of the offenses), but I would bet if you counted Crow's tipples against the number of highballs the Lockhorns had consumed, it'd come out even. And in his surrealist impulse and draftsman’s brio, Millionaire is the closest thing we have to George Herriman of Krazy Kat."
— John Hodgman, The New York Times
Download an EXCLUSIVE 12-page PDF excerpt (<1 MB).
Video & Photo Slideshow Preview (view in new window):
Bonus Savings: To celebrate the release of this newest volume, for a limited time, all available previous Maakies volumes are 20% off! Complete your collection!
Periodic clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• Jason presents two cover illustrations: one for a biography of Henrik Ibsen, the other for a 1989 issue of a Norwegian fanzine (oh yeah, and the cover for his next Fanta collection What I Did is in there too)
"Greetings, stranger of the future. If you are reading this, it means the written word has survived, that the world of tomorrow still exists, and that for some reason my ramblings are still considered worth reading. My name is Mark Twain, and I write these words to you in the good old days of August 2010."
• A prose story from Michael Kupperman: "From the Newly Discovered Second Autobiography of Mark Twain"
• Richard Sala presents a whole bunch of production, concept, and storyboard art from his animated serial "Invisible Hands" from MTV's Liquid Television, in 4 installments (so far) here here here and here, with commentary
Today's Online Commentary & Diversions:
• Review: "This mammoth collection [What Is All This?] presents five decades of Dixon: sex, frustration, and attempts at deeper communication, mostly missed. The 62 stories evoke neuroses, delusion, banality, and everyday absurdities in deceptively simple sentences... There are echoes of Ernest Hemingway and prefigurings of Raymond Carver's lower-middle-class minimalism infusing tales of scrappers and scrapers... Usually sublime, sometimes sloppy, and occasionally bewildering, these stories are a testament to an impressive career spent too much under the radar." – Publishers Weekly (Starred Review) [Temporary link]
• Review: "With its mix of sci-fi, romance, tragedy and comedy, A Drunken Dream is a memorable manga journey that shouldn't be missed or dismissed. [...] Drawing from deeply-felt personal experiences, Hagio draws stories for every person who has felt like an outsider, who has regretted past actions that can never be erased, or who has longed to be accepted for being who they are, not what people want them to be. These ideas sound so simple — but when touched by Hagio's pen, this is punch-in-the-gut powerful. [...] ★★★★1/2" – Deb Aoki, About.com: Manga
• Review: "While they may not be standard children’s books, they are fun and entertaining and full of stuff kids would like, without being obscene or intended for mature audiences. They are the kind of books you would want your kid reading if your kid wasn’t a total dork. [...] You get the feeling of reading old fairy tales, where the Prince wasn’t always charming, the villains would erect down right disturbing and evil plots against the characters and the story, or just the world in general was presented as a harsh reminder of reality. [...] Tony [Millionaire]... really lets his imagination run with his latest book, Billy Hazelnuts and the Crazy Bird. [...] With or without children, you can feel good about reading this book." – Brian Jones, Flash Flood Media
• Review: "Artichoke Tales is by any definition a remarkable book — the first graphic novel by Megan Kelso, who has so far worked largely in the short story form, and a book that displays at every page Kelso’s unique voice as a graphic storyteller and the care and attention she lavished on this project over the past several years. [...] This is a beautiful book, at times a heartbreaking book. One feels the precision and thought behind every word, every line, all of it edited down and arranged to a spareness that is paradoxically lush and textured." – Jared Gardner, Guttergeek
• Coming Attractions: "Why aren’t there more sports comics? More to the point why aren’t there more absolutely wonderful looking sports comics like Fantagraphics 2011 release 21: The Story of Roberto Clemente by Wilfred Santiago?" – Richard Cowdry, The Forbidden Planet International Blog Log
• Plug: "[Rip M.D.] seems to be a comic more geared to a juvenile public, but should be pretty cool because there are a lot of monsters, really violent werewolves, zombies, and best of all, vampires that do not sparkle!" – Submundo Mamão (translated from Portuguese)
• Interview: Guttersnipe's Shawn Conner talks to Patrick Rosenkranz about his new book The Artist Himself: A Rand Holmes Retrospective: "One thing’s for sure with Rand; there are a lot of good cartoonists who are not very interesting people. But he was both, an interesting person and a great cartoonist. That’s what interested me in the story."
• Profile: "Some artists seem to have had greatness as their destination as surely as if a tracking device had been implanted in their genes. Some veer toward it capriciously like a demon had seized the wheel. They start with a talent — to which they feed — in bites and gulps — their times; and, once expressed, the result is… YOWL! One of these was the underground cartoonist Greg Irons, the subject of Patrick Rosenkranz’s overlooked — and fascinating — retrospective You Call This Art?!!" – Bob Levin, The Comics Journal
A lot of catching up to do with this batch of clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• A couple of things Bill Griffith has recently shared on Facebook: the rejected first draft of the home screen for the Zippy Comix iPhone app, and a "lost" Wacky Packages design that Bill says is "almost sacrilegious"Hans Rickheit's Ectopiary page 41 & 42, plus a poster for The Bad Seed
We've uploaded over 100 photos from the 2010 Bumbershoot festival to our Flickr page, including views of the entire Counterculture Comix exhibit, Jim Woodring's appearance in the "MeTube" program, and Tony Millionaire's unforgettable talk. You can view the photos a few different ways, including a slideshow; even though it's a bit of a pain to navigate I recommend browsing the photos manually, choosing "view all sizes" for each and selecting to view the exhibit photos at original size for the greatest detail. Below, just a few highlights:
Online Commentary & Diversions returns from the U.S. holiday:
• List: About.com: Manga places Moto Hagio's A Drunken Dream and Other Stories at #19 on their list of "50 Essential Manga for Libraries": "Collected for the first time in a gorgeous hardcover edition, A Drunken Dream offers a rare glimpse into the work of one of Japan's most distinctive and influential creators in shojo manga, and heck, manga, period. Worth recommending to both older teen and adult readers alike."
• Review: "Hagio draws these stories as if a full symphonic score were playing in the background. Her delicate, razor-thin pen line expertly captures her characters’ wide-eyed, open-mouthed anguish effectively. [...] I, certainly, am very glad that Fantagraphics made the effort (and judging by the exceptional production values it was a tremendous effort) to get this book out there ...because... beyond Hagio’s historical significance, [A] Drunken Dream [and Other Stories] is a book that deserves attention." – Chris Mautner, Robot 6
• Review: "Ever since it was announced in March (was it really that long ago?), I’d been looking forward to reading [A Drunken Dream and Other Stories] by legendary Moto Hagio. [...] It would be a real shame if Fantagraphics didn’t get any supportive business from this collection and demand for more. [...] I’m looking forward to reading more, and adding to the crying list!" – Sunday Comics Debt (who also provides the following two links)
• Review: "BUY. THIS. BOOK. No, seriously, buy it now. [...] I don’t think there is a single thing wrong with this book; Hagio-sensei touches on each of the topics she chooses to use with such perfection and …delicacy? that you can’t help but be amazed at how she does it. [...] I can’t wait for the next volume of manga Fantagraphics chooses to put out! They did a beyond amazing job with [A Drunken Dream and Other Stories]." – Kelakagandy's Ramblings
• Plug: "This week... everything fades in the presence of a newly-released collection of short manga from shojo pioneer Moto Hagio, A Drunken Dream and Other Stories. [...] Simply put, this book is gorgeous. [...] This is a release I’ve been eagerly anticipating since its announcement. Visit your local bookstore to find out why." – Melinda Beasi, Manga Bookshelf
• Review: "'Greatest Generation' hoopla will never seem the same after You’ll Never Know: Collateral Damage, book two in Carol Tyler’s sprightly but relentlessly honest 'graphic memoir'... [T]his is the story of not just a family but a generation, or two or three. And all are told with a saving dash of humor. Tyler’s form, a mix of scrapbook, diary, and cartoon panels, is likewise messy and eccentric, but it pays off in layered textures and viewpoints. Two famous precedents, Art Spiegelman’s Maus and Marjane Satrapi’s Persepolis, seem almost one-dimensional by comparison." – Eric Scigliano, Seattle Met
• Review: "While there aren’t necessarily many surprises in the story, Set to Sea is more about the savoring of a series of vivid moments (both for the lead character and the reader) than any sort of narrative complexity. With each page acting as a single panel, the true joy of reading Set to Sea is luxuriating in Weing’s intense crosshatching and detail. [...] Indeed, in a book whose visuals have such a powerful impact, Weing’s decision not to overwrite (and especially not to over-narrate) was his wisest. With nearly 70 of the book’s pages appearing as silent, the result was a book that understood and maximized its charms." – Rob Clough, The Comics Journal
• Interview: Nicola D'Agostino presents the original English text of the Drew Weing interview which ran at Comicsblog.it so you don't have to struggle through the mangled autotranslation: "So one day in 2005, I drew a panel with a guy sleeping. The only thing I knew about him was that he was a big fellow. I spent more than a year adding to it bit by bit, just improvising panels as I went. I started Set to Sea with no idea that it would be set in the past, or even set on the sea, so to speak!"
• Review: "...[T]he Billy Hazelnuts books are safe for children, while still being unique and complex enough for adults. Here Millionaire combines a gung-ho adventure spirit with a tempered yet still present darkness — two strains that have been the keys to so much of the greatest children’s literature. [...] Tony Millionaire is a genius and the Billy Hazelnuts books may be his best work. Imagine if Beatrix Potter had dropped acid with the 60s underground comix crowd or if A.A. Milne had collaborated with Franz Kafka. If you love fun, hilarious, and plain weird stories, then Billy Hazelnuts is for you." – Lincoln Michel, The Faster Times
• Profile/Preview: A gallery of images from the book accompanies this article: "See the work of Dan DeCarlo in the book The Pin-Up Art of Dan DeCarlo, published by Fantagraphics, which plunges into an alternate universe where Betty, Veronica, Sabrina grew up and live out situations that summed up the lewd sexual desire of men in the time before the sexual revolution of the twentieth century." – Ambrosia (translated from Portuguese)
• Interview: At his Cats Without Dogs blog, Jason presents a brief Q&A he recently did with the Spanish newspaper El Periodico de Catalunya: "I can hear the voice of a woman, from somewhere above me. 'Don't cry,' her voice says. 'One day you will see Neal Adams at a comic book convention in America.'"
• Feature: USA Today Pop Candy's Whitney Matheson spotlights Jim Woodring and his giant pen project: "I can't wait to see the pen and the drawings! (Also, can we start a campaign to get a live demonstration in New York?)"
Periodic clips & strips -- click for improved/additional viewing and possible artist commentary at the sources: