|The all-new Maakies.com and... what's this?|
|Written by Mike Baehr | Filed under Tony Millionaire, Maakies||12 Sep 2010 6:58 PM|
Search / Login
Sign up for our email newsletters for updates on new releases, events, special deals and more.
Category >> Tony Millionaire
Online Commentary & Diversions returns from the U.S. holiday:
• List: About.com: Manga places Moto Hagio's A Drunken Dream and Other Stories at #19 on their list of "50 Essential Manga for Libraries": "Collected for the first time in a gorgeous hardcover edition, A Drunken Dream offers a rare glimpse into the work of one of Japan's most distinctive and influential creators in shojo manga, and heck, manga, period. Worth recommending to both older teen and adult readers alike."
• Review: "Hagio draws these stories as if a full symphonic score were playing in the background. Her delicate, razor-thin pen line expertly captures her characters’ wide-eyed, open-mouthed anguish effectively. [...] I, certainly, am very glad that Fantagraphics made the effort (and judging by the exceptional production values it was a tremendous effort) to get this book out there ...because... beyond Hagio’s historical significance, [A] Drunken Dream [and Other Stories] is a book that deserves attention." – Chris Mautner, Robot 6
• Review: "Ever since it was announced in March (was it really that long ago?), I’d been looking forward to reading [A Drunken Dream and Other Stories] by legendary Moto Hagio. [...] It would be a real shame if Fantagraphics didn’t get any supportive business from this collection and demand for more. [...] I’m looking forward to reading more, and adding to the crying list!" – Sunday Comics Debt (who also provides the following two links)
• Review: "BUY. THIS. BOOK. No, seriously, buy it now. [...] I don’t think there is a single thing wrong with this book; Hagio-sensei touches on each of the topics she chooses to use with such perfection and …delicacy? that you can’t help but be amazed at how she does it. [...] I can’t wait for the next volume of manga Fantagraphics chooses to put out! They did a beyond amazing job with [A Drunken Dream and Other Stories]." – Kelakagandy's Ramblings
• Plug: "This week... everything fades in the presence of a newly-released collection of short manga from shojo pioneer Moto Hagio, A Drunken Dream and Other Stories. [...] Simply put, this book is gorgeous. [...] This is a release I’ve been eagerly anticipating since its announcement. Visit your local bookstore to find out why." – Melinda Beasi, Manga Bookshelf
• Review: "'Greatest Generation' hoopla will never seem the same after You’ll Never Know: Collateral Damage, book two in Carol Tyler’s sprightly but relentlessly honest 'graphic memoir'... [T]his is the story of not just a family but a generation, or two or three. And all are told with a saving dash of humor. Tyler’s form, a mix of scrapbook, diary, and cartoon panels, is likewise messy and eccentric, but it pays off in layered textures and viewpoints. Two famous precedents, Art Spiegelman’s Maus and Marjane Satrapi’s Persepolis, seem almost one-dimensional by comparison." – Eric Scigliano, Seattle Met
• Review: "While there aren’t necessarily many surprises in the story, Set to Sea is more about the savoring of a series of vivid moments (both for the lead character and the reader) than any sort of narrative complexity. With each page acting as a single panel, the true joy of reading Set to Sea is luxuriating in Weing’s intense crosshatching and detail. [...] Indeed, in a book whose visuals have such a powerful impact, Weing’s decision not to overwrite (and especially not to over-narrate) was his wisest. With nearly 70 of the book’s pages appearing as silent, the result was a book that understood and maximized its charms." – Rob Clough, The Comics Journal
• Interview: Nicola D'Agostino presents the original English text of the Drew Weing interview which ran at Comicsblog.it so you don't have to struggle through the mangled autotranslation: "So one day in 2005, I drew a panel with a guy sleeping. The only thing I knew about him was that he was a big fellow. I spent more than a year adding to it bit by bit, just improvising panels as I went. I started Set to Sea with no idea that it would be set in the past, or even set on the sea, so to speak!"
• Review: "...[T]he Billy Hazelnuts books are safe for children, while still being unique and complex enough for adults. Here Millionaire combines a gung-ho adventure spirit with a tempered yet still present darkness — two strains that have been the keys to so much of the greatest children’s literature. [...] Tony Millionaire is a genius and the Billy Hazelnuts books may be his best work. Imagine if Beatrix Potter had dropped acid with the 60s underground comix crowd or if A.A. Milne had collaborated with Franz Kafka. If you love fun, hilarious, and plain weird stories, then Billy Hazelnuts is for you." – Lincoln Michel, The Faster Times
• Profile/Preview: A gallery of images from the book accompanies this article: "See the work of Dan DeCarlo in the book The Pin-Up Art of Dan DeCarlo, published by Fantagraphics, which plunges into an alternate universe where Betty, Veronica, Sabrina grew up and live out situations that summed up the lewd sexual desire of men in the time before the sexual revolution of the twentieth century." – Ambrosia (translated from Portuguese)
• Interview: At his Cats Without Dogs blog, Jason presents a brief Q&A he recently did with the Spanish newspaper El Periodico de Catalunya: "I can hear the voice of a woman, from somewhere above me. 'Don't cry,' her voice says. 'One day you will see Neal Adams at a comic book convention in America.'"
• Feature: USA Today Pop Candy's Whitney Matheson spotlights Jim Woodring and his giant pen project: "I can't wait to see the pen and the drawings! (Also, can we start a campaign to get a live demonstration in New York?)"
Periodic clips & strips -- click for improved/additional viewing and possible artist commentary at the sources:
Visitors to the "Counterculture Comix" exhibition at Bumbershoot in Seattle this weekend will get a preview of the latest installment of Hooked on Comix. Director David P. Moore will attend all three days of the festival and screen clips from the new volume, featuring Fantagraphics favorites Dame Darcy and Tony Millionaire [seen below together at Comic-Con - Ed.], who will be at Bumbershoot on Monday.
The show features continuous screenings of classic early volumes of Hooked on Comix. The exhibition celebrates Seattle's legacy of alternative comix awesomeness. It's free on Friday, and the holiday weekend includes giants of pop music (Bob Dylan, Courtney Love, Neko Case, Mary J. Blige, Weezer, etc.), as well as contemporary film, lit, visual arts, and more.
After whetting your comix appetite at the Bumbershoot exhibition, drop by our store to stock up on reading material and the last viewing of Dame Darcy's delightful show of original artwork. Open Friday and Saturday until 8:00 PM, Sunday 11:30 to 5:00 PM. The store will be closed on Monday for Labor Day. Mark your calendars for the Carol Tyler event the following Saturday, September 11.
Comics connoisseurs can view "Counterculture Comix: A 30-Year Survey of Seattle Alternative Cartoonists" for free this Friday, September 3 from
The exhibition features 3 generations of cartoonists from the city that gave birth and momentum to the alternative comix movement. More than 250 artworks and artifacts are on display, with a comix reading lounge, a continuous screening of David Moore's seminal Hooked on Comix documentary, and cartooning demonstrations by Friends of the Nib and Bureau of Drawers. All Bumbershoot visual art shows are free on Friday, and hizzoner the mayor will tour the exhibitions in the afternoon.
Bumbershoot, Seattle's annual Labor Day weekend arts festival, looks promising this year. In addition to the comix exhibition, there's the daily Flatstock poster show, a special preview of the anxiously-awaited Jesse Bernstein documentary I Am Secretly an Important Man on Saturday, a concert by Hole, featuring the lovely and talented Courtney Love on Sunday, and the equally lovely and talented Tony Millionaire on Monday. Hope to see you there.
This weekend is Seattle's BUMBERSHOOT festival ("bumbershoot" is old-timey for "umbrella" -- get it? it rains a lot here!), one of the biggest cultural events of the year in the great Pacific Northwest, and Fantagraphics will have a presence at the show in a few different ways, most notably a massive art exhibit curated by our own Larry Reid. Here's the skinny on all FBI goings-on:
NORTHWEST COMIX: A 30-YEAR SURVEY OF SEATTLE ALTERNATIVE CARTOONISTS
Venue: Northwest Rooms
Open free to the public September 4-6 with admission to Bumbershoot 2010
This retrospective examines the Northwest's legacy as the birthplace of alternative comics (aka comix). Beginning with the work of Lynda Barry circa 1980, and running through today, the emphasis is on the role of comix in Seattle's youth movement of the '90s that went on to influence global popular culture. Curated by Larry Reid in conjunction with Fantagraphics Books, this exhibit features original artwork on display together with demonstrations by Friends of the Nib and Bureau of Drawers, as well as screenings of Hooked on Comix. Artists include Lynda Barry, Charles Burns, Peter Bagge, Jim Woodring, Ellen Forney, Patrick Moriarity, Mark Zingarelli, Roberta Gregory, Megan Kelso, Jim Blanchard, David Lasky, Justin Hampton, Ted Jouflas, and others.
AN EVENING WITH TONY MILLIONAIRE
Venue: Leo K. Theatre
Monday, September 6, 2010 • 5:30 pm- 6:30 pm
Tony Millionaire is the multiple award-winning creator of the self-syndicated comic strip, Maakies, which appears in weekly newspapers across the country. Maakies has been adapted to the small screen in 1998 for Saturday Night Live and in 2008 as The Drinky Crow Show for Cartoon Network's Adult Swim. Moderated by Eric Reynolds of Fantagraphics Books.
LISTEN WHITEY: A HISTORY OF BLACK POWER RECORDINGS
Venue: Words & Ideas Stage
Saturday September 4, 2010 • 3:45PM - 4:45PM
Pat Thomas' forthcoming Fantagraphics book, Listen Whitey: The Sounds of Black Power 1965-1975, chronicles his huge collection of rare and out-of-print Black Power poetry, speeches, interviews, jazz, soul, rock, and pop recordings. He will be speaking about this exhaustive collection and providing unique insight into the historical movement, while playing tons of music and recordings.
Also, if you live in Seattle, you might want to get in on this contest asap to win a few thousand dollars worth of killer swag, including a bunch of Fantagraphics books!
Periodic clips & strips — click for improved/additional viewing at the sources:
Online Commentary & Diversions:
• Review: "What to say about Catalog 439? It's a crazy-arse thing, full of richly illustrated intricate drawings of smartly dressed men torturing each other with ridiculous devices. [...] What you get with this book then is not just a fascinating glimpse into a little known corner of American social history, but the template for many of the ad pages from the silver and bronze age comics that so many of us comic collectors love. I really enjoyed it and, although it isn't about comics, I would recommend it to anyone with an interest in the history of comic book advertising." – Dom Sutton, London Loves Comics
• Review: "At this point, I don’t know what else there is to say about Jamie Hernandez or Love and Rockets. I suspect that one day he’s going to make a truly terrible comic, if only because he must feel at least a little bit bad about showing nearly every other creator up so often. ...Penny Century is yet another masterpiece from a guy who turns them out seemingly like clockwork. If you haven’t read it, you need to. ...Jamie Hernandez’s exploration of life continues as an unimpeachable standard for comic book mastery." – Michael C. Lorah, Newsarama
• Review: "[Artichoke Tales] is far and away the best comic I've ever read from Megan Kelso, succeeding on almost every level. Her clear-line style gives an airy ease to her often detail-heavy drawings of nature and the people who inhabit it; similarly, her complex exercise in fantasy worldbuilding — and I don't mean detailed maps with funny names, I mean real worldbuilding, constructing cultural and religious and economic structures rooted in environment and history and exerting macro and micro influence across the lives of all the characters involved — is subsumed into an absorbing, briskly moving house-divided family soap opera. [...] I dug this book to a degree that surprised me and look forward to returning to it. It's a rich vein of alt-fantasy being tapped here." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Kelso's simple line and rounded forms belie the seriousness of the story. [...] Ultimately, Artichoke Tales is not so much a story about conflict as a story about the people reacting to the conflict, doing their best to live lives of integrity in a land of constant unrest. Although good intentions are often thwarted, it ends on a note of hope." – Brigid Alverson, Graphic Novel Reporter
• Plug: "I picked [A Drunken Dream and Other Stories] up at San Diego and it's one of those 'seminal' manga works that actually lives up to its hype. If you like Tatsumi, this is a good bet." Lydia Park, Ask Yavin IV (Funny, we don't remember seeing her at San Diego... That's a joke because she's a cartoon character.)
• Plug: "This is amazing news — one of my favourite cartoonists finally receives his due. I was starting to think that he had slipped through the cracks of cartoon history. ...[Rand Holmes] was a fantastic draftsman, surprisingly old-school, and his meticulous inking something that I could only ever hope to dream to aspire to." – Rod Filbrandt
• Interview: "Newsarama: Billy Hazlenuts is like a children’s fable gone wrong, reminiscent in way of the old, dark Grimm Brothers tales with a modern, high-octane approach. Is that what you’re going for? Tony Millionaire: Take a closer look at those Grimm's Fairy tales, or even better, Hans Christian Anderson, and you'll tell me my stories are chocolate milk sopped on toast compared to that stuff."
• Commentary: Robot 6's "Quote of the Day" comes from our very own Gary Groth