The exhibition features 3 generations of cartoonists from the city that gave birth and momentum to the alternative comix movement. More than 250 artworks and artifacts are on display, with a comix reading lounge, a continuous screening of David Moore's seminal Hooked on Comix documentary, and cartooning demonstrations by Friends of the Nib and Bureau of Drawers. All Bumbershoot visual art shows are free on Friday, and hizzoner the mayor will tour the exhibitions in the afternoon.
Bumbershoot, Seattle's annual Labor Day weekend arts festival, looks promising this year. In addition to the comix exhibition, there's the daily Flatstock poster show, a special preview of the anxiously-awaited Jesse Bernstein documentary I Am Secretly an Important Man on Saturday, a concert by Hole, featuring the lovely and talented Courtney Love on Sunday, and the equally lovely and talented Tony Millionaire on Monday. Hope to see you there.
This weekend is Seattle's BUMBERSHOOT festival ("bumbershoot" is old-timey for "umbrella" -- get it? it rains a lot here!), one of the biggest cultural events of the year in the great Pacific Northwest, and Fantagraphics will have a presence at the show in a few different ways, most notably a massive art exhibit curated by our own Larry Reid. Here's the skinny on all FBI goings-on:
NORTHWEST COMIX: A 30-YEAR SURVEY OF SEATTLE ALTERNATIVE CARTOONISTS Curated by Larry Reid in Association with Fantagraphics Books
Venue: Northwest Rooms
Open free to the public September 4-6 with admission to Bumbershoot 2010
This retrospective examines the Northwest's legacy as the birthplace of alternative comics (aka comix). Beginning with the work of Lynda Barry circa 1980, and running through today, the emphasis is on the role of comix in Seattle's youth movement of the '90s that went on to influence global popular culture. Curated by Larry Reid in conjunction with Fantagraphics Books, this exhibit features original artwork on display together with demonstrations by Friends of the Nib and Bureau of Drawers, as well as screenings of Hooked on Comix. Artists include Lynda Barry, Charles Burns, Peter Bagge, Jim Woodring, Ellen Forney, Patrick Moriarity, Mark Zingarelli, Roberta Gregory, Megan Kelso, Jim Blanchard, David Lasky, Justin Hampton, Ted Jouflas, and others.
AN EVENING WITH TONY MILLIONAIRE
Venue: Leo K. Theatre
Monday, September 6, 2010 • 5:30 pm- 6:30 pm
Tony Millionaire is the multiple award-winning creator of the self-syndicated comic strip, Maakies, which appears in weekly newspapers across the country. Maakies has been adapted to the small screen in 1998 for Saturday Night Live and in 2008 as The Drinky Crow Show for Cartoon Network's Adult Swim. Moderated by Eric Reynolds of Fantagraphics Books.
LISTEN WHITEY: A HISTORY OF BLACK POWER RECORDINGS Hosted by Pat Thomas
Venue: Words & Ideas Stage
Saturday September 4, 2010 • 3:45PM - 4:45PM
Pat Thomas' forthcoming Fantagraphics book, Listen Whitey: The Sounds of Black Power 1965-1975, chronicles his huge collection of rare and out-of-print Black Power poetry, speeches, interviews, jazz, soul, rock, and pop recordings. He will be speaking about this exhaustive collection and providing unique insight into the historical movement, while playing tons of music and recordings.
Also, if you live in Seattle, you might want to get in on this contest asap to win a few thousand dollars worth of killer swag, including a bunch of Fantagraphics books!
Tony Millionaire's been plugging his Maakies t-shirts available from I Love Waterloo, so we will too! There's a bunch of designs (that last one is my favorite), plus limited-edition signed posters. Do some weekend shopping!
• Review: "What to say about Catalog 439? It's a crazy-arse thing, full of richly illustrated intricate drawings of smartly dressed men torturing each other with ridiculous devices. [...] What you get with this book then is not just a fascinating glimpse into a little known corner of American social history, but the template for many of the ad pages from the silver and bronze age comics that so many of us comic collectors love. I really enjoyed it and, although it isn't about comics, I would recommend it to anyone with an interest in the history of comic book advertising." – Dom Sutton, London Loves Comics
• Review: "At this point, I don’t know what else there is to say about Jamie Hernandez or Love and Rockets. I suspect that one day he’s going to make a truly terrible comic, if only because he must feel at least a little bit bad about showing nearly every other creator up so often. ...Penny Century is yet another masterpiece from a guy who turns them out seemingly like clockwork. If you haven’t read it, you need to. ...Jamie Hernandez’s exploration of life continues as an unimpeachable standard for comic book mastery." – Michael C. Lorah, Newsarama
• Review: "[Artichoke Tales] is far and away the best comic I've ever read from Megan Kelso, succeeding on almost every level. Her clear-line style gives an airy ease to her often detail-heavy drawings of nature and the people who inhabit it; similarly, her complex exercise in fantasy worldbuilding — and I don't mean detailed maps with funny names, I mean real worldbuilding, constructing cultural and religious and economic structures rooted in environment and history and exerting macro and micro influence across the lives of all the characters involved — is subsumed into an absorbing, briskly moving house-divided family soap opera. [...] I dug this book to a degree that surprised me and look forward to returning to it. It's a rich vein of alt-fantasy being tapped here." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Kelso's simple line and rounded forms belie the seriousness of the story. [...] Ultimately, Artichoke Tales is not so much a story about conflict as a story about the people reacting to the conflict, doing their best to live lives of integrity in a land of constant unrest. Although good intentions are often thwarted, it ends on a note of hope." – Brigid Alverson, Graphic Novel Reporter
• Plug: "I picked [A Drunken Dream and Other Stories] up at San Diego and it's one of those 'seminal' manga works that actually lives up to its hype. If you like Tatsumi, this is a good bet." Lydia Park, Ask Yavin IV (Funny, we don't remember seeing her at San Diego... That's a joke because she's a cartoon character.)
• Plug: "This is amazing news — one of my favourite cartoonists finally receives his due. I was starting to think that he had slipped through the cracks of cartoon history. ...[Rand Holmes] was a fantastic draftsman, surprisingly old-school, and his meticulous inking something that I could only ever hope to dream to aspire to." – Rod Filbrandt
• Plug: "...[T]he second volume of [Johnny Ryan's] battle epic Prison Pit... is amazing, nasty, and Lovecraftian." – Ryan Sands, Same Hat!
• Interview: "Newsarama: Billy Hazlenuts is like a children’s fable gone wrong, reminiscent in way of the old, dark Grimm Brothers tales with a modern, high-octane approach. Is that what you’re going for? Tony Millionaire: Take a closer look at those Grimm's Fairy tales, or even better, Hans Christian Anderson, and you'll tell me my stories are chocolate milk sopped on toast compared to that stuff."
• Review: "Underground feminist comic artist Farmer’s account of how she looked after her aging parents [Special Exits] is a quiet wonder. ... Farmer renders everything in busy, densely packed black-and-white frames whose cluttered look mimics the dusty house, its surfaces thick with cat hair and memories. The story is stunning for its antisentimental realism, as well as for the glimpses of fantasy... that flicker by like ghosts." – Publishers Weekly (Starred Review)
• Review: "Billy Hazelnuts and the Crazy Bird is kind of horrifying, but hilarious nonetheless, and so lovingly detailed that one can’t help but enjoy reading it. ... It’s as crazy and weird as one would expect from a Millionaire story — and laugh-out-loud funny to boot. ... But it’s the humanity of his characters and their emotions that serve as our way into the story. ... The dense linework gives everything volume and weight, along with a leap-off-the-page energy. ... Millionaire’s narrative world is built on zany chaos, and a true storytelling wonder to behold. Yet, while it would be a scary and nightmarish place in which to live, it’s sure fun to spend some time there." – Matthew J. Brady, Indie Pulp
• Review: "Delving into the hidden world of secret societies of the Victorian Age in America, Charles Schneider blows the lid on the craziness... These revelations are culled from listings in DeMoulin Brothers Catalog No. 439... The actual catalog is a wishbook of possible DIY projects for the clever or crazy... As retail histories go, this is a vibrant one — if nothing else, it lets you know what foolishness your grandfather was up to when he looks back to the good old days and bemoans 'these kids today.' At least these kids today aren’t making a habit of using a Lifting And Spanking Machine on their friends." – John E. Mitchell, The North Adams Transcript
• Review: "Jack Cole was a brilliant artist and one of the most significant figures in American comics. ... In essence, these are single panel cartoons, beautifully composed and drawn as you would expect, accompanied by a gag or punchline. They are pleasing to look at and vaguely amusing, to be sure, but there is none of the surreal, chaotic, rollercoaster quality to be found in Cole’s comic book art. There is nothing too objectionable [in Classic Pin-up Art of Jack Cole] either, unless you regard cheesecake as commodification – which you’re perfectly entitled to do, of course." – P.P.O. Kane, The Compulsive Reader
• Interview:Comic Book Resources' Shaun Manning talks to Jason about his new graphic novel Werewolves of Montpellier: "Originally, I had thought the two werewolves would kill Igor, to make it more personal for Sven to go after them. But it just seemed so typical, it's what would have happened in any Hollywood film. It just didn't interest me. A conversation about looking at girls asses or the politeness of Frenchmen is more interesting."
• Interview:Caustic Cover Critic's Peter Lutjen talks to Bob Fingerman about book design: "My book Connective Tissue was my art, but the designer, Jacob Covey, completed it with his design and I was delighted. I really admire Jacob's work."
• Interview: At The Daily Cross Hatch, Brian Heater talks to Robert Pollard about his collage art: "It’s inspired by a recurring dream I used to have when I was in high school and college. In my dream was an unattended record store with racks and rows full of record sleeves by imaginary or dreamt rock bands. Needless to say, I was very disappointed when I awoke [and discovered] that it wasn’t real. Now it sort of is. At least slightly more real than the dream."
• Events:The Beat reports that Lilli Carré's short film "Head Garden" which you can watch here) is among the films selected for the first annual SPX Animation Showcase