• List: On her Pop Candy blog, USA Today's Whitney Matheson gives The Brinkley Girls the #10 spot on her Top 10 comics/graphic novels of 2009, saying "this beautiful book introduced me to a new heroine: Nell Brinkley, an early 20th century newspaper cartoonist. Her drawings of flappers and glamour gals are sexy, strong and ahead of their time. I can't believe I hadn't seen her work before, but I'm so thrilled to know it now." Matheson also lavishes praise on Lilli Carré, who "continued making must-see work" and lands at #69 on Matheson's Top 100 People list, and whose book from Little Otsu lands at the #2 spot on the comics Top 10.
• Review: "The Wolverton Bible... is -- no pun intended -- a revelation. Though his serious work is a bit stiffer and more restrained than the Wolverton art you might be used to, it's more powerful. ... What sets [the drawings in] The Wolveton Bible apart from Crumb's Genesis... is that they come from a true believer. ...Wolverton's drawings have an intensity and sincerity that reveal something connecting him to those stories in a way Crumb just can't duplicate." – Will Pfeifer, "Books of the Year"
• Review: "...[Supermen! is] magical, memorable [and] just plain wonky... The stories range from action-packed to barely-sensible, but they all have a crazed energy you just can't fake. ... They read like the sort of stories imaginative kids would think up -- which might be why they appealed so much to kids in the first place." – Will Pfeifer, "Books of the Year"
• Review:The Hooded Utilitarian's critical roundtable on Ghost World continues with Richard Cook: "The most appealing aspect of Ghost World was the main characters, Enid and Rebecca. And much of their appeal is due to how effectively Daniel Clowes panders to a specific demographic that I belong to: geeks."
• Plug:The Beat's Heidi MacDonald, picking up on Tony Millionaire's Billy Hazelnuts and the Crazy Birdsneak peek, comments "In all the talk about comics for kids recently, we’re probably very bad for not mentioning Millionaire’s non-child-averse work more prominently. His work is not for the faint-hearted, but children generally prefer tales that are not faint-hearted." Right on.
• Plug: "Portable Grindhouse: The Lost Art of the VHS Box... is a fetishized art object/coffee table-style compendium of great VHS jackets, ranging from the campy to the sleazy to the so-bad-it's-good. Highly recommended as a gift idea for the B-movie lover on your holiday shopping list." – Audrey Hendrickson, The SunBreak
• Interview:Walrus Comix, who say "Not only is [The Pain — When Will It End?] the funniest comic strip ever, but, well, that’s it: it’s the funniest comic strip ever," talk to the strip's creator, Tim Kreider, who says, among many things, "I don’t know why you’d want to be a cartoonist if you didn’t enjoy drawing funny, cool things. If I had to draw an entire graphic novel of people sitting around talking I think I’d hang myself." (Via Journalista)
• Things to buy: Folks in Portland this weekend can purchase handmade arts-n-crafts from Andrice Arp and a bunch of other Portland artists at the Creative Creatures Bazaar at Cosmic Monkey Comics, reports Andrice on her blog
• List: The Village Voice 's R.C. Baker names 2009's Best Comics and Graphic Novels. Among the choices: "A lucid nightmare, Al Columbia's dazzlingly well-drawn Pim & Francie features vignettes of its young protagonists menaced by creepy relatives or starring in exceedingly grim fairy tales. These inky visions seem unearthed from the deepest vaults of Uncle Walt's id. ... Anything but Victorian, Nell Brinkley (1886–1944) celebrated the Roaring '20s with sinuous lines and colors as lurid as William Randolph Hearst's presses could muster. Author Trina Robbins notes, in the lavishly oversize The Brinkley Girls, that the illustrator 'closely resembled the girls she drew.' But Brinkley, with her thrilling fantasias of pirate abductions and aviatrix romances, remains an inspiration beyond flapper flamboyance to any young lady seeking to break into the boys' club of high-end illustration."
• List: Greek site Comicdom is halfway through counting down the top 100 comics of the '00s. On the list so far: Tales Designed to Thrizzle Vol. 1 by Michael Kupperman at #99 ("Following at a discreet distance from the legacy of Monty Python, Michael Kupperman should be considered a genius by any man who has laughed with the group of Britons"), Billy Hazelnuts by Tony Millionaire at #67 ("In the surrealist vein of Krazy Kat and the otherworldly, oneiric atmosphere of Little Nemo... misanthropy and almond sweetness"), Safe Area Gorazde by Joe Sacco at #60 ("The shock was, however, not an end in itself, since what actually manages to come across is the sense of pain and loss that each of the interviewees had experienced"), and Fred the Clown by Roger Langridge at #53 ("Ingenious comics by an equally intelligent designer who not only knows the history of the instrument and understand what makes it work"). [Quotes cobbled from autotranslation.]
• Review: "There have been a lot of great comic book releases this year, but none has the beauty and melancholy resonance of Fantagraphics' Prince Valiant: Volume 1-1937-1938. ... As for Hal Foster, Fantagraphics has given this artist his due and helped place him in his proper context as a great American artist and master of the comics form." – Mark Rhodes, Omnicomic
• Review: "Employing a storytelling dynamic not unlike that of Serling’s science fiction classic, Thomas Ott’s The Number 73304-23-4153-6-96-8 is itself a visit... to a dimension not of sound, but of sight and mind that at once both rewards and confuses. ... Ott’s hyper-meticulous attention to how detail relates to used space and negative space is at once both unsettling and captivating, utilizing a form of technical, pen-like cross-hatching for essentially every line that can only be described as Robert Crumb on Adderall. ... The Number is a universally literate work of fiction that is a quick first read with potential for longer lasting examination." – C.R. Stemple, Pads & Panels
• Review: "The Unclothed Man in the 35th Century A.D. is a fascinating first animated work [third, actually — ed.] from one of today's most original and unusual artists. Shaw adapts well from the comics page to the cinematic form. ... Almost as well as his comics, this film expresses Shaw's ongoing desire to look at the world from a slightly askew perspective, to express his fascination with the complexity of people's inner universes. ...[T]he film... [is] a probing, emotional examination of what it means to make art and to forge meaningful human interactions..." – Ed Howard, Only the Cinema
• Plug: In an interview with IFC found by our own Janice Headley, musician Chuck Prophet names Ghost World as a favorite movie: "A coming-of-age teen flick movie that pivots around Skip James’ 'Devil Got My Woman' can do no wrong with me. And shouldn’t with anyone else."
• Interview: At Comics Comics, Dan Nadel presents audio of the panel with Gary Panter & Peter Saul at the Brooklyn Comics & Graphics Festival last weekend
Tiny Showcase has their "10 Beasts!" print set on sale for the holidays (along with most of their many other prints). At half price, it's a steal for ten pieces from ten great artists.* It should be noted that unlike most of the TS prints, these are letterpressed and done so in many colors.
Heck, if you don't mind breaking up the set you can give a print out to ten lucky pals for the holidays or, if you're one of those "prepared" people, you could always have ten gifts on hand for those birthday announcements that pop up on your Facebook page, right?
Artists who made new work for this set include Souther Salazar, S. britt, Jesse LeDoux, Saelee Oh, Josh Cochran, Meg Hunt, Kenneth Lavallee, Keith Shore, Tony Millionaire and Jordan Crane.
*Note: I curated it but I do not have any monetary interest in this collection.
We don't have any new books or comics in comic shops this week, but I noticed that Gilbert Hernandez's The Naked Cosmos DVD/minicomic from Bright Red Rocket is back in print and available from comic shops starting tomorrow!
Also, as of yesterday The Drinky Crow Show, the animated series based on Tony Millionaire's Maakies, is available as part of Adult Swim's made-to-order Custom DVD system. The "builder" Flash interface doesn't seem to want to work on my computer, so I can't verify whether all the episodes are available, but they're promising to roll out the entire Adult Swim library "in time for the holiday" — hopefully this will include Michael Kupperman's Snake 'n' Bacon pilot too.
Late nite link blogging for your Online Commentary & Diversions:
• Review: "You wanna talk about a gateway comic? How 'bout handing this sucker [Ganges #3] to anyone who's ever had trouble falling asleep? The whole thing is dedicated to nothing more or less than reproducing the mental and physical sensations of insomnia. Ironically it's Huizenga's most action-driven comic this side of Fight or Run or the video-game bits in Ganges #2. ... Combine it with one of the most effective uses yet of the Ignatz series' two-tone color palette--here a cool small-hours blue--and the experience is almost tactile, as though you're physically tunneling through the mysteries of your own mind." – Sean T. Collins [ed. note: I swear I'll have the issue up for presale on the website next week]
• Review: "No one is safe in Al Columbia’s world. Not the kittens (they get decapitated) nor the children (they get baked into pies) nor the bunnies (they carry scythes). Correspondingly, no one is innocent. Grandmothers are evil, grandfathers are greedy, and trees grow baby heads instead of apples and oranges. What a wonderful world it is. That’s not an entirely ironic evaluation of Pim & Francie, a collection of sketches, strips, stills and other valuable ephemera from the mind of Columbia (creator of the 1990s cult classic Biologic Show). The twisted narratives and characters are presented so deftly — with such humor and visual panache — that their wrongness becomes right; and thus is the singular charm of Al Columbia." – Molly Young, We Love You So
• Review/Profile: "Earlier this year, Fantagraphics gave readers the opportunity to encounter [Harvey] Kurtzman’s creative energy in complete form by reissuing a boxed collection of Humbug, his short-lived but monumental periodical that began publication in summer of 1957. It’s Humbug that functions as the spiritual father for magazines such as National Lampoon, Spy and The Onion, among many others, but there’s something invigorating about it because of its vantage point in the supposedly stodgy and bland 1950s. Coming out of that decade, Humbug really did break new ground." – John Mitchell, North Adams Transcript
• Review: "Even though Woodstock casts a large shadow on the cover of Fantagraphics’ The Complete Peanuts 1973-1974, it’s Peppermint Patty who should get star billing. Not to take anything away from Snoopy’s yellow-feathered avian sidekick – who does make several appearances through the hardcover tome – it’s just that Patty eventually gets the brunt of character development attention, while Woodstock exists as the perfect foil for Snoopy. ... Also of note is Schulz’s repeated use of standard gags (Lucy pulling the football from Charlie) along with a few new ones, including the consoling 'Poor, sweet baby.' Because of his tendency to keep running gags contained within a year’s span, it makes a trade collection work better than with most comic strips." – Christopher Irving, Graphic NYC
• Review: "What quickly becomes clear is that the graphic novel is a particularly apt form for inhabiting unconventional characters, and very few do this as well as The Squirrel Machine. Wielded skilfully, images are as expressive as words, and occasionally more so. Rickheit's drawings convey the boys' tortured feelings of persecution, elation and curiosity — as well as their uncouth creative urges — in a succinct and often gruesome way. Rickheit's frames vary from the cluttered to the stark, and his ability to pack detail into four square inches is rivalled only by his ingenious use of white space. ...The Squirrel Machine convinces anew that a picture is worth a thousand words." – Molly Young, Intelligent Life
• Interview: For Marvel.com, Sean T. Collins talks to Strange Tales contributor Tony Millionaire: "Just as you called, I was reading an old collection of THOR... It's funny: 'I say thee nay'? I didn't realize that was such a popular phrase."