I am personally so over-the-moon-excited about this weekend's event, and frankly, you should be, too! We are thrilled to present artist & women's comix "herstorian" Trina Robbins at the Fantagraphics Bookstore & Gallery this Saturday, October 8!
The exhibit runs through April 15th at the Yeshiva University Museum in the Center for Jewish History [ 15 West 16th Street ] and features Fantagraphics artists Miss Lasko-Gross, Aline Kominsky-Crumb, Trina Robbins, and Diane Noomin, alongside a ton of other amazing female artists, like Vanessa Davis, Bernice Eisenstein, Sarah Glidden, Miriam Katin, Miriam Libicki, Corinne Pearlman, Sarah Lightman, Sarah Lazarovic, Racheli Rottner, Sharon Rudahl, Laurie Sandell, Ariel Schrag, Lauren Weinstein and Ilana Zeffren.
And on Monday, October 24th, you can join Miss Lasko-Gross and Ariel Schrag, Miriam Katin, and Lauren Weinstein for the panel "Close & Personal: Jewish Women Artists & their Graphic Diaries." Robin Cembalest, executive editor of ARTnews, will moderate. There will be a viewing at 6:00 PM, with the panel starting at 6:30 PM. Admission is free, with advance reservation, so get to it!
For over thirty years Nell Brinkley's beautiful girls pirouetted, waltzed, vamped and shimmied their way through the pages of William Randolph Hearst's newspapers, captivating the American public with their innocent sexuality. Accomplished cartoonist and women's comix "herstorian" Trina Robbins examines the work of this unjustly forgotten artist in The Brinkley Girls: The Best of Nell Brinkley's Cartoons from 1913 - 1940. Robbins will present the work of this remarkable illustrator with an exhibition, slide talk and book signing at Fantagraphics Bookstore & Gallery on Saturday, October 8 from 6:00 to 9:00 PM.
A brash Nell Brinkley arrived in New York in 1907 at the tender age of 22. Within a year, her work began to appear newspapers illustrating her high society gossip column. Her cartoon serials popularized the bobbed hairstyle and flapper fashions of the era, while reflecting period art nouveau and deco aesthetics. Such was her influence that the Ziegfeld Follies costumed their dancers as "Brinkley Girls." Pop music heralded her creations and a line of hair products carried her name. As the war years approached, her comic strip serials evolved from naive romantic themes like "Billy and Betty and Their Love Through the Ages" to presenting women in less traditional roles like "Heroines of Today." Championing the cause of better pay and conditions for workingwomen, Brinkley became an early archetype of the contemporary American woman.
Trina Robbins has long championed the work of women cartoonists. Her early underground work appeared in the groundbreaking Wimmen's Comix anthology. In 1969 she co-created the character Vampirella for Forrest Ackerman and later collaborated with Colleen Doran on a provocative Wonder Woman series. She has written several volumes on the role of women in comix including From Girls to Grrrlz: A History of Women's Comics from Teens to Zines. Robbins co-founded Friends of Lulu in 1994, a nonprofit organization promoting women's readership of comics and increasing profile in the comix profession. In addition to her appearance at Fantagraphics Bookstore, Robbins will be a guest at Geek Girl Con held at the Seattle Center October 8 and 9.
The "Brinkley Girls" exhibition includes a dozen Brinkley comics pages, as well as Brinkley-illustrated sheet music, hair accessories, photographs, and related ephemera. Robbins will discuss Nell Brinkley's fascinating career followed by an informal reception and book signing from 6:00 to 9:00 PM on Saturday, October 8 at Fantagraphics Bookstore & Gallery, 1201 S. Vale St., Seattle. Phone 206.658.0110.
This event coincides with the lively Georgetown Art Attack featuring visual and performing arts presentations throughout the historic neighborhood.
Make a habit of visiting Fantagraphics Bookstore & Gallery this fall as we approach five years of presenting comix culture to the masses. It just keeps getting better:
On Saturday, September 3 between noon and 3:00 PM, we host a sneak preview of "Hooked on Comix 3." Fimmakers David P. Moore and Audry Mandelbaum will be present for a continuous screening of the latest installment of their insightful documentary series on alternative comix. This one features the lovely Dame Darcy and always entertaining Tony Millionaire. Can't wait.
On Saturday, September 10 we open Drawing Power, an amazing exhibition of cartoon advertising curated by Warren Bernard. On Saturday, September 24 Bernard will present a slide talk followed by a book signing from 6:00 to 8:00 PM. He'll be joined by visual artist and cartoonist Tom Neely presenting his latest "painted novel" The Wolf.
On Saturday, October 1 we'll host a special preview of the topical graphic novel Oil and Water with journalist writer Steve Duin from 6:00 to 8:00 PM.
The following Saturday, October 8 we welcome comix legend Trina Robbins for an exhibition and slide talk on Nell Brinkley from her phenomenal book Brinkley Girls, who will be in town as an guest at the Geek Girl Con.
Don't miss a minute of the action. Visit Fantagraphics Bookstore daily. If you don't live here, with local housing prices remaining soft and the Seattle job market improving, now's a good time to move. See ya'll soon.
• Review: "...[L]ike the best coming-of-age stories — comics or otherwise —Wandering Son is meticulously accurate in its details, but universal in its emotions. Gay or not, readers shouldn’t find it too difficult to identify with kids who feel like their bodies and their friends are equally culpable in the worst kind of betrayal, preventing them from realizing the potential they see in themselves." – Noel Murray, The A.V. Club
• Review: "The tone of each book is very different, with the Gil Jordan collection favoring clever mysteries, narrow escapes, and broad comic relief, while the Sibyl-Anne book is subtler, dissecting the way miniature societies work, together and in opposition. Both are excellent, though, showing off the strengths of the Eurocomics tradition, with its sprawling narratives spread across small panels, mixing cartoony characters and elaborate backgrounds." – Noel Murray, The A.V. Club
• Review: "Reminiscent of the classic Michael Winner-helmed and Charles Bronson-starred The Mechanic, Tardi's follow up to his acclaimed adaptation of a Manchette crime novel West Coast Blues, Like a Sniper Lining Up His Shot... delivers a superior sequential thriller. Violent, sexy, and littered with enough shocks to excite the most hardened crime fiction fan, Tardi once again produces one of the finest examples of the genre." – Rick Klaw, The SF Site: Nexus Graphica
• Review: "McKean has long been established as a master of multimedia imagery and Celluloid represents possibly his finest work. The clarity and seamlessness with which he combines photography with drawings and paintings makes every scene entirely convincing. It’s this hyper-reality that encourages us to submit to the dream-logic of the story." – Gavin Lees, Graphic Eye
• Review: "[Celluloid] is a story of sexual growth and empowerment. ...McKean's artwork gains greater dimensionality as his central character grows more assertive.... The pace of the story is left up to the reader, but McKean has created such lush visuals that many will want to linger and examine the intricacies of the imagery presented....Many of the pages are so well crafted in their surrealistic imagery that they could easily hang beside Picasso. McKean has boldly stepped away from the confines of mainstream comic books with this endeavor, and the result is a masterpiece of eroticism that relies heavily on intellect and emotion, rather than just mere arousal or titillation." – Michael Hicks, Graphic Novel Reporter
• Review: "If Siamese Dream-era Smashing Pumpkins exploded inside a Victorian tea shop, it would look something like [Meat Cake]... The humour is perverse, like an alt-universe Kate Bush who grew up reading penny dreadfuls instead of Brontë, the drawings are obsessively crammed with fever-dream detail, and the author has the advantage of being able to make publicity appearances dressed as her own characters, which is not something most cartoonists should attempt." – Grant Buist, The Name of This Cartoon is Brunswick
• Profile: Rosalie Higson of The Australian talks to Robert Crumb in anticipation of his visit to Sydney next month for the GRAPHIC festival: "There's a unique timing and way of telling a story with comic panels, different to writing novels or a film script. And there are seasons in the life of any artist. Crumb has dropped all his ongoing characters. 'I'm sick of them all. I'm very critical of my own work, when I look back on it I'm not especially proud, I wasn't really serious enough about it. I'm not sure what it all means for posterity, I have no idea. You can be the world's most favourite artist, and be totally forgotten a few years later,' he says."
• Interview:At Print magazine's Imprint blog, Michael Dooley chats with Trina Robbins. Dooley: "Trina's 2009 The Brinkley Girls: The Best of Nell Brinkley's Cartoons from 1913-1940 is a stunning collection as well as a detailed pictorial chronicle of the evolution of fashion and style, from Nouveau to Deco." Robbins: "I love clothes. I love lipstick. I love glamor. And obviously, so have many other women, if you look at the large readership of artists like Nell Brinkley and Brenda Starr's Dale Messick. And in the case of younger readers, at all the girls who loved Katy Keene. There probably are still some women who might want to see me, if not guillotined, then at least sent off to a gulag for promoting such work."
Fantagraphics is puttin' the "comics" back in Comic-Con as we head to San Diego this week with a slew of scintillating signings, almost two-dozen dynamite debuts, and a collection of comics sure to please any comics fan... and fill those enormous free tote bags they give away at the door.
Friday, July 22nd: • 10:30-11:30 Comics Arts Conference Session #5: Critical Approaches to Comics: An Introduction to Theories and Methods— Matthew J. Smith and Randy Duncan with panelist, Andrei Molotiu. [Room 26AB] • 1:00-2:00 Comics Arts Conference Session #6: Wordless Comicswith Andrei Molotiu. [Room 26AB] • 12:00-1:00 CBLDF Master Session 3: Jaime Hernandez [Room 30CDE] • 1:00-2:00 Publishing Queer: Producing LGBT Comics and Graphic Novels with moderator Justin Hall [Room 9] • 1:00-2:30 The Golden Age of the Fanzine moderated by Bill Schelly. [Room 24ABC] • 10:30-11:30 Cartoon Network Comedy: Regular Show/The Problem Solverz and More! The Problem Solverz talent includes Ben Jones, John Pham, and Jon Vermilyea. [Room 6A]
Comic-Con keeps rolling out their 2011 programming schedule — today they've posted Saturday's lineup and it features our can't-miss 35th Anniversary panel which will include a couple of announcements that will knock your socks off. Here's what Fanta fans will want to catch:
10:00-11:30 50 Years of Comic Fandom: The Founders— It's hard to believe but it's been fifty years (more or less) since that peculiar institution called Comic Book Fandom was born. Meet some of those who were there at the inception, including Jean Bails, Paul Levitz, Dick and Pat Lupoff, Richard Kyle, Bill Schelly, Roy Thomas, and Maggie Thompson along with moderator Mark Evanier, as they discuss how fandom came to be and just what it was. Room 24ABC
11:30-12:30 Bill Blackbeard: The Man Who Saved Comics— In the 1960s, while writing a history of the American comic strip, Bill Blackbeard learned that most of the nation's libraries were discarding their newspaper archives in favor of microfilm, destroying countless pages of comics in the process. Over the course of the next three decades, Blackbeard and his volunteers at the San Francisco Academy of Comic Art amassed a collection of more than 2.5 million comics, including virtually every comic strip ever syndicated in U.S. newspapers. When he passed away earlier this year, Blackbeard had contributed to more than 200 comic strip collections, including the beloved Smithsonian Collection of Newspaper Comics, and his work had inspired generations of cartoonists, historians and fans. Cartoon Art Museum curator Andrew Farago, publishers Gary Groth and Dean Mullaney, editor and herstorian Trina Robbins, and Jenny Robb, curator/assistant professor from Ohio State University's Billy Ireland Cartoon Library & Museum celebrate Blackbeard's life and legacy. Room 24ABC
12:30-1:30 Fantagraphics 35th Anniversary— Fantagraphics Books was founded in 1976 with the launch of their first publication, The Comics Journal. Since then, they've grown to become one of the world's foremost publishers of literary comix and comic strips. Publishers Gary Groth and Kim Thompson offer a multimedia presentation highlighting their favorite works from the past 35 years, as well as previewing some of their upcoming favorites. Expect a major announcement or two, as well! Room 24ABC
1:00-2:00 Spotlight on Anders Nilsen— Comic-Con special guest Anders Nilsen debuts his magnum opus, the 800+-page Big Questions, which he began self-publishing over 10 years ago and which quickly placed Nilsen at the forefront of alternative cartoonists. He is part of the Chicago comics collective The Holy Consumption with Jeffrey Brown, John Hankiewicz, and Paul Horsnchemeier and was recently featured in the Museum of Contemporary Art in Chicago. Join him as he presents a slideshow of his work from his haunting postmodern fable. Room 4
2:30-3:30 The Art of the Graphic Novel—Andrew Farago (curator, Cartoon Art Museum) talks with graphic novelists Chester Brown (Paying for It), Seymour Chwast (Dante's Divine Comedy), Eric Drooker (Blood Song), Joyce Farmer (Special Exits, A Memoir), Joëlle Jones (Troublemaker), Jason Shiga (Empire State: A Love Story (Or Not)), and Craig Thompson (Habibi) about their work in the genre that has elevated comics to mainstream bookstores all over the world. Room 24ABC
This fascinating-looking exhibit which originated at the Cartoon Art Museum in San Francisco last summer is now traveling to Toronto. From the announcement:
Graphic Details is a groundbreaking touring exhibition, providing the first in-depth look at a unique and prolific niche of graphic storytelling — Jewish women's autobiographical comics. While the influential role of Jews in cartooning has long been acknowledged, the role of Jewish women in shaping the medium is largely unexplored. This exhibition of original drawings, full comic books and graphic novels, presents the powerful work of eighteen Canadian and international artists whose intimate, confessional work has influenced the world of comics over the last four decades, creating an entirely new genre.
Featuring work from artists: Vanessa Davis, Bernice Eisenstein, Sarah Glidden, Miriam Katin, Aline Kominsky-Crumb, Miss Lasko-Gross, Sarah Lazarovic, Miriam Libicki, Sarah Lightman, Diane Noomin, Corinne Pearlman, Trina Robbins, Racheli Rotner, Sharon Rudahl, Laurie Sandell, Ariel Schrag, Lauren Weinstein, Ilana Zeffren
Graphic Details: Confessional Comics by Jewish Women Originated by Michael Kaminer and Sarah Lightman February 17th to April 17th, 2011 Opening Reception Thursday February 17th, 7:30PM-10PM (Artists in attendance) @ Koffler Gallery Off-Site at the Gladstone Hotel, 1214 Queen St W Free to Attend
More info here; there's a great lineup of related events here.
This looks like an excellent and well-due survey of a robust but underacknowledged area of comics: "Graphic Details: Confessional Comics by Jewish Women" opens at San Francisco's Cartoon Art Museum on October 1, featuring work by Vanessa Davis, Bernice Eisenstein, Sarah Glidden, Miriam Katin, Aline Kominsky-Crumb, Miss Lasko-Gross, Miriam Libicki, Corinne Pearlman, Sarah Lightman, Sarah Lazarovic, Diane Noomin, Trina Robbins (above), Racheli Rottner, Sharon Rudahl, Laurie Sandell, Ariel Schrag, Lauren Weinstein, and Ilana Zeffren.
From the announcement: "The Forward, the leading independent Jewish weekly newspaper and web site, is media sponsor, and will publish the show’s catalog as an eight-page newspaper broadsheet. The catalog will include the last story written by Harvey Pekar, the legendary writer and pioneer and autobiographical comics. Pekar had been collaborating with artist Tara Seibel on the essay for 'Graphic Details' at the time of his death."
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