|Ooh, new Usagi Yojimbo t-shirts|
|Written by Mike Baehr | Filed under Usagi Yojimbo, Stan Sakai, fashion, events||19 Nov 2009 11:51 AM|
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Category >> Usagi Yojimbo
Blurbs, "Babe" and big bucks in this episode of Online Commentary & Diversions:
• Review: "The Red Monkey Double Happiness Book features two full-length stories, 'The Leaking Cello Case' and 'John Wesley Harding.' Both stories start off in the every day then morph into oddball mysteries that never go quite where you expect them to. As odd as some of the capers and misadventures get they are always conveyed with a kind of casual, deadpan poker face that manages to make them all the more believable. ... The art is a curious mix of cartoonish realism, and the city of Cape Town is vividly portrayed... Red Monkey Double Happiness Book is a thoroughly enjoyable and entertaining read for the mystery/crime comic fan looking for something a bit different than the harder noir stuff that seems to dominate these days." – Brian Lindenmuth, BSCreview
• Review: "...[T]he appearance this week in bookstores of Hans Rickheit’s comix masterpiece, The Squirrel Machine, is a genuine milestone in the... artistic business of reconciling one’s inside to one’s outside, so much so that I must confess that I am truly taken aback by Rickheit’s entire effort, in the best sense of the word. This carefully constructed tale... strikes me as being one of the few original works of art that I’ve seen published in North America over the last two decades, on a par with the better work of Dan Clowes or Charles Burns. ... This is not a tale for the squeamish nor is it a tale for the literal-minded; it is very much a bravura performance in the tradition of Surrealism, or Fantastic Art, or even Symbolism... In short, strongly recommended!" – Mahendra Singh
• Feature: Matthew J. Brady presents "12 Things I Learned from Supermen!" including "In these stories, disbelief must often not only be suspended, but strung up and mercilessly whipped, then drawn and quartered"
• $$$: Via The Beat, somebody sold a mint slabbed copy of Albedo #2 (1st appearance of Usagi Yojimbo) on eBay for $5100, making it possibly the most expensive Fantagraphics comic ever sold (corrections welcome); Stan Sakai comments on his LiveJournal
Another dose of Online Commentary & Diversions:
• Review: "I’ve just finished the fourth Usagi Yojimbo trade and the fifth is sitting next to me... If you’re like me, throw away your preconceptions about anthropomorphic comics and get on board. As a fan of samurai fiction (to the point of having a Seven Samurai tattoo) and comics, I can’t recommend Stan Sakai’s beautifully drawn, note-perfect reinvention of the genre highly enough." - Kevin Church
• Review: "I Killed Adolf Hitler is a fun, silly and slightly creepy comic, a love story wrapped around a time travel paradox, dressed up with gun fighting. In short, it's a perfect comic book..." - Michael C. Lorah, Newsarama
• Review: "Sometimes the single panel of a political cartoon just isn’t a big enough space for a cartoonist to work with, especially if said cartoonist is interested in providing a detailed, nuanced discussion or honest-to-God reporting on a topic. That’s the sort of political cartooning Peter Bagge has been engaging in for Reason magazine, and a decade’s worth of examples are now available in trade-paperback collection Everybody Is Stupid Except for Me... Bagge is libertarian (as is Reason), and it shows, but one need not agree with his politics to enjoy his work here, perhaps because as a political cartoonist, Bagge’s a cartoonist first and political second." - J. Caleb Mozzocco, Las Vegas Weekly
• Plug: The Metabunker's Matthias Wivel calls your attention to From Wonderland with Love: Danish Comics in the Third Millennium: "it’s a damn fine collection of comics."
Today the floodgates of Online Commentary & Diversions have opened:
• Review: "The way he turns narratives into advertisements, ends stories with some wacko randomly barging through a window, and abruptly drops gags only to pick them up and drop them again suggests that [Michael] Kupperman takes his cues from the surreality of the small screen — especially Monty Python's Flying Circus and its animated heirs on the Cartoon Network... Tales Designed to Thrizzle [Vol. 1] is a monument not only to silliness, but to craft... [T]he surreality of Monty Python becomes the surreality of Un Chien Andalou or Kafka. Not that Kupperman needs to reference film or literature. Why should he, when he can turn TV into art?" - Noah Berlatsky, Chicago Reader
• Review: "Michael Kupperman has defeated me once again!... I am fated to be Salieri to Kupperman’s Mozart, Twain to his Einstein... I give up: as the first Tales [Designed to Thrizzle] book, bringing together issues #1-4, makes abundantly clear, Kupperman is brilliantly funny and maddeningly brilliant... Damn you, Michael Kupperman. Give us more, or leave us alone in ignorance of how much better the world would be if you ran it." - Jared Gardner, Guttergeek
• Review: "Dry and absurd as ever, Norwegian cartoonist Jason returns with an anthology [Low Moon] featuring more of the verbally-spare cartoon animals that populate his surreal and depthful extended gag strips... There’s no other cartoonist who matches Jason’s somber deadpan and this serves as a great introduction to his work." - John Mitchell, Worcester Magazine
• Review: "[Willie & Joe: The WWII Years is a] terrific two-volume collection of the legendary Bill Mauldin's 'GI Joe' cartoons from 'the last good war'... Fantagraphics gives us a comprehensive collection of the cartoons that fellow enlisted man Mauldin created during the war, both for civilians and fellow soldiers alike... [T]his compendium is both a great time capsule, and a fitting tribute to an American original." - Mark London Williams, The SF Site: Nexus Graphica
• Review: "[Paul] Hornschemeier uses simple line art and varied color palettes for conveying emotional and narrative detail [in Mother, Come Home], capturing graphically with a sort of exquisite beauty the symbolic fantasies of Thomas and the grief-induced psychosis of his father." - Martha Cornog, Library Journal
• Review: "Fletcher Hanks was an early, forgotten great of comics: He drew from 1939-1941, and his work [in You Shall Die by Your Own Evil Creation!] is vivid, funny and incredibly surreal... Hanks' work evokes a childlike energy that makes it seem as if he drew as much for himself as he did for the rest of the world. That creative spirit never goes out of style." - Whitney Matheson, USA Today Pop Candy
• Interview: Comic Book Resources' Kiel Phegley talks to Michael Kupperman who talks about his latest projects, including Marvex the Super Robot, and says of Tales Designed to Thrizzle Vol. 1, "If I hadn't done it, I would want it badly. It's really the first time I feel I've succeeded in the 'book as object' category. It's very sexy."
• Interview: "You’ll Never Know delves deep into the recesses of human memory and what we choose to share with each other, laying bare the connections and experiences that define who we are—whether we choose to make them known or not." - John Hogan, introducing his Q&A with C. Tyler for Graphic Novel Reporter. Carol, on future installments: "Part of my brain can clearly see the plot unfolding, but I cannot adequately explain due to the intuitive components attached to the emotion involved... But basically, the five main characters will go through some pretty rough stuff in terms of facing and dealing with their issues on the way to finding their better selves. All I can say is stay tuned and I hope nobody is disappointed."
Updates of Online Commentary & Diversions may be oddly timed for the rest of the week as we're eyeball deep in MoCCA preparations.
• Review: "[Harvey] Kurtzman and company aimed high for a more sophisticated humor mag than the competition... Fantagraphics’ package for it is bar none — handsome, sturdy and restored with great care... I was most interested in the behind-the-scenes story of Humbug and the creative process that went into it — not to mention doomed it — and the book’s introduction and exclusive interviews more than satisfy on that count." - Rod Lott, Bookgasm
• Review: "...[U]nparallel parodists Kurtzman and Elder ran rampant for themselves when they published these 11 exceptional issues of comic art anarchy. This two-volume hardcover box set has been reproduced from the original art and digitally restored to make everything look even better than when it first came out in 1957. This long-overdue definitive edition of Humbug is an essential slice of satire from the masters of the genre." - Jeffrey Morgan, Detroit Metro Times
• Review: "Everybody Is Stupid Except For Me [is] a compilation of the notorious Seattle libertarian [Peter Bagge]’s politically (and sexually) charged comics for Reason magazine... It’s great. So colourful (always my favourite part of Pete’s comics) and acerbic and smart-ass, but with a heart and purpose behind the bickering and keenly observes caricatures... It’s too early to say now, but right now I’m thinking it’s perhaps my favourite stuff of his, full stop..." - Everett True
• Review: "Connective Tissue... make[s] for an engaging read... While Darla sounds like she could be a handful, she is a good and sympathetic protagonist, making her a modern-day Alice in a 21st century Wonderland." - Jason Borelli, Beyond Race Magazine
• Preview: Spotlighting comics shipping this week, The Comics Reporter says of Uptight #3: "The previous issue of this series from the great Jordan Crane was super, super strong." Likewise, Chris Mautner at Robot 6: "The latest issue in Jordan Crane’s very good series about ghosts and melancholy comes to town. I feel we should be doing all we can to ensure Crane keeps making comics, don’t you?" And Matthew Brady says: "I missed the second issue of this series, but the first one was great... Check it out if you see it on the shelves."
• Profile: My Adventure Is Your Advantage spotlights the design work of our very own Art Director Jacob Covey, calling him "the bees knees of design" and presenting previously unseen previews of the forthcoming Abstract Comics anthology
• Profile: "[Dash] Shaw's online and bound comics inhabit surreal spaces both cerebral and emotional, leaping from zombie love stories to futuristic set pieces without resorting to predictability... It's probably safe to say he has arrived." - Wired
• Interview: Publishers Weekly's Heidi MacDonald asks our own Eric Reynolds for his thoughts about Book Expo America and its value for comics publishers like us; The Comics Reporter's Tom Spurgeon comments on the interview; meanwhile, The Daily Cross Hatch's Brian Heater gets a few words from Eric on the show floor
• Interview: Newsarama's Michael C. Lorah talks to Stan Sakai about the 25th anniversary of Usagi Yojimbo and gets a little bit of scoop about our forthcoming Usagi Yojimbo: Special Edition deluxe set
In our news section, we're pleased to bring you the lowdown on our books and comics slated for release in August, 2009, as will be seen in the pages of Previews. It's a big month! The list includes:
• The Complete Peanuts 1973-1974 by Charles M. Schulz
We also put up our actual Previews spread as a print-quality PDF file, just for fun. Jason Miles designed it and it'll clobber your eyeballs like a roundhouse from Capt. Easy himself. Click on through for the full dirt.
Brooklyn Book Fest 2014
Join us at the Brooklyn Book Fest, September 21, 2014, in Brooklyn, NY. Click here for details!
2020 Club, 21, Abstract Comics, adam grano, Adventures in Slumberland, Aidan Koch, AJ Fosik, Al Columbia, Al Feldstein, Al Floogleman, Al Jaffee, Al Williamson, Alex Chun, Alex Toth, Alexander Theroux, Aline Kominsky-Crumb, Amazing Heroes, An Age of License, Anders Nilsen, Andrei Molotiu, Andrice Arp, animation, arbitrary cuteness, Archer Prewitt, Arf, Ariel Bordeaux, Arnold Roth, art, Art Chantry, Art Clokey, art shows, artists, audio, awards, B Krigstein, Barnaby, Barry Windsor-Smith, Basil Wolverton, Beasts, behind the scene, Ben Catmull, Ben Jones, Ben Schwartz, best american comics criticism, Best of 2009, Best of 2010, Best of 2011, Best of 2012, Bill Everett, Bill Griffith, Bill Mauldin, Bill Schelly, Bill Ward, Bill Wenzel, Bill Willingham, Blab, Blake Bell, Blazing Combat, Bob Fingerman, Bob Levin, Bob Staake, Boody Rogers, Brian Kane, Brian Ralph, Bumbershoot, Burne Hogarth, Camille Rose Garcia, Captain Easy, Carl Barks, Carl Richter, Carol Swain, Carol Tyler, Catalog No 439, Cathy Malkasian, CCI, Charles Burns, Charles Forsman, Charles M Schulz, Charles Rodrigues, Charles Schneider, Chip Kidd, Chris Ware, Chris Wright, Chuck Forsman, classics, Colleen Coover, comic strips, comics industry, comics journal, Coming Attractions, comiXology, Conor OKeefe, Conor Stechschulte, contests, Crag Hill, Craig Yoe, Critters, Crockett Johnson, Daily OCD, Dame Darcy, Dan DeCarlo, Dan Nadel, Daniel Clowes, Danny Bland, Dash Shaw, Dave Cooper, Dave McKean, David B, David Collier, David Greenberger, David Lasky, David Levine, david sandlin, David Wojnarowicz, Debbie Drechsler, Denis The Menace, Dennis the Menace, Derek Van Gieson, Design, Destroy All Movies, Diaflogue, Diamond, Diane Noomin, Dick Briefer, digital comics, Disney, DJ Bryant, Don Flowers, Don Rosa, Down with OPP, Drawing Power, Drew Friedman, Drew Weing, Drinky Crow Show, Ebay, EC Comics, EC Segar, Ed Luce, Ed Piskor, Editors Notes, Edward Gorey, Eisner, Eldon Dedini, Eleanor Davis, Ellen Forney, Emile Bravo, 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The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.