This is your official warning to bring your heavy duty bags and library book carts because here are our San Diego Comic Con graphic novel and comic debuts. Need a workout? Well, you're gonna get it by grasping our beautiful tomes to your chest as you happily leave, arms full from a fun time at Fantagraphics, booth #1718!
How to Be Happy is Eleanor Davis's first collection of graphic/literary short stories collectingthe best stories she's drawn for Mome, Nobrow, and Lucky Peach, as well in her own self-published comics. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's skills — sketchy drawing, polished pen-and-ink line work, and meticulously designed full-color painted panels — which are always in the service of a narrative that builds to a quietly devastating climax. In stores August, $24.99
An Age of License is Lucy Knisley's (French Milk, Relish) comics travel memoir recounting her charming (and romantic!) tour of Europe and Scandinavia. Featuring her hallmark mouth-watering drawings and descriptions of food, Knisley's experiences are colored by anxieties, introspective self-inquiries — about traveling alone in unfamiliar countries, and about her life — that many young adults will relate to. It's is an Eat, Pray, Love for the alternative comics fan. In Stores August, $19.99
Walt Disney's Uncle Scrooge and Donald Duck: The Son of the Sun (The Don Rosa Library Vol. 1)by Don Rosa -The Richest Duck in the World is back — and so are noisy nephew Donald, wunderkinder Huey, Dewey, and Louie, and rascally richnik Flintheart Glomgold! We’re proud to present our first complete, chronological book of Duck adventures by contemporary fan favorite Don Rosa, who drew a whopping two decades’ worth of ripping Scrooge and Donald yarns! It's at a price even Scrooge would consider a bargain! In stores September, $29.99.
Heroes of the Comics: Portraits of the Legends of Comic Books by Drew Friedman - Featuring approximately 75 full-color portraits and essays lovingly rendered and chosen by Drew Friedman. Heroes includes the full spectrum of American comics pioneers and legends of the ‘30s to the ‘50s: publishers, editors, and artists like Stan Lee, Harvey Kurtzman, Will Eisner, Al Jaffee, Jack Davis, Will Elder, Bill Gaines, and more. It’s a Hall of Fame of comic book history from the man Boing Boing calls "America’s greatest living portrait artist!" In stores August, $34.99
Hip Hop Family Tree Vol. 2 by Ed Piskor - Book 2 covers the early years of 1981-1983, when Hip Hop makes its big transition from the parks and rec rooms to downtown clubs and vinyl records. While many performers use flamboyant personas to stand out from the audience, a young group called RUN-DMC comes on the scene to take things back to the streets. This volume introduces superstars like NWA, The Beastie Boys, Doug E Fresh, KRS One, ICE T, and early Public Enemy, with cameos by Dolemite, LL Cool J, Notorious BIG, and New Kids on the Block(?!)!
In stores August, $27.99.
Hip Hop Family Tree Box Setby Ed Piskor - To celebrate the critical success of the first two volumes of Piskor's unprecedented history of Hip Hop, we are offering the two books in a mind-blowingly colorful slipcase, drawn and designed by the artist, featuring exclusive all-new cover art on each volume. Also included is the box set exclusive 24-page comic Hip Hop Family Tree #300, Piskor’s elegant reflection on the ‘90s confluence of hip hop and comics, told in a perfect parody/pastiche/homage to that era’s Image comics. In stores November, $59.99.
Jimby Jim Woodring - Jim is a mind-bending collection of all of Woodring's best non-Frank creative work — comics stories, prose stories, drawings, and paintings all centered around Woodring's cartoon alter ego. This fictional doppelganger has for 30 years inhabited Woodring's alternate universe where shifting, phantasmagoric landscapes, abrupt, hallucinatory visual revelations, and unexpected eruptions of uninhibited verbal self-flagellation are commonplace. Collected here for the first time, Jim is a bounty of Woodring's inspired artistry. In stores late July, $29.99.
Love and Rockets Library (Palomar & Luba Book 4): Luba and Her Family by Gilbert Hernandez - Beto's characters bid "Farewell, My Palomar" as they exit the Eden of the Central American town in Volume 10 of the Love and Rockets Library. When an earthquake levels Palomar, ever-resourceful Luba and her clan are on the move once again. In the U.S., the lives of Maria's daughters — mayor and matriarch Luba, body-builder Petra, and therapist/film star Fritz — and their families become more and more intertwined. In stores now, $18.99.
Cosplayers 2by Dash Shaw - The "Cosplayers" chronicle continues as Annie and Verti attend the 3-day anime convention "Tezukon." entering the competition as Princess Mononoke and the Devil May Cry Lady. During the convention they face off against a Street Fighter 2 Cammy, encounter two otaku boys who are obsessed with their youtube videos, and meet a manga scholar named Ben Baxter, who sleeps in a dumpster outside of the hotel and receives visions of the ending of Tezuka's unfinished "Phoenix" saga. "Cosplayers 2" is a sweet, funny, melancholic ode to the anime convention experience!
In stores now, $5.00.
Barnaby Vol. 2by Crockett Johnson; edited by Eric Reynolds and Philip Nel - The long-lost comic strip masterpiece by Crockett Johnson, legendary children’s book author (Harold and the Purple Crayon), designed by graphic novelist and Barnaby superfan Daniel Clowes. Vol. 2 collects the years 1944-1945 of the series, as five-year-old Barnaby Baxter and his cigar-chomping, bumbling con-artist Fairy Godfather J.J. O’Malley encounter leprechauns, gnomes, ghosts, ermine hunters, soap salesmen, and more! In stores now, $39.99.
Bomb Run and Other Stories (The EC Comics Library) by John Severin - Combining the taut emotional and psychological insights of Stephen Crane with the gritty verisimilitude of eyewitness reportage, Harvey Kurtzman and John Severin, with inker and friend Will Elder, produced 34 war stories in just under three years. Emotionally draining and dramatically eloquent, this book collects epic settings: the Roman empire; the Revolutionary War; the American-Indian Wars; the Alamo; the Civil War; World War I (in trenches and in air); World War II ; and the Korean War. In stores now, $29.99.
DKW: Ditko Kirby Woodby Sergio Ponchione - An exquisite tribute to three of the most acclaimed comic book artists of all time: Steve Ditko, Jack Kirby and Wallace Wood! Acclaimed Italian cartoonist Sergio Ponchione pays tribute to this "holy trinity" in this wildly imaginative one-shot comic, split into three chapters, with each chapter drawn in a pitch-perfect homage to one of his idols.
In stores now, $4.99.
Wandering Son 7by Shimura Takako - Takako's groundbreaking, critically acclaimed, and beloved Wandering Son continues to explore gender identity among its cast of middle school students in our 7th volume. Nitori-kun gets his first signs of acne. This may well be the end of the world - unless Anna-chan can help. Meanwhile, Nitori-kun and Chiba-san are scouted by the theater club, leading to friction with Takatsuki-san.
In stores August, $24.99.
Judgment Day and Other Stories (The EC Comics Library)illustrated by Joe Orlando - Judgment Day collects 23 of Joe Orlando’s best sci-fi comics, including Al Feldstein adaptations with classic O. Henry-style endings. With its blunt anti-racism message, the title story is one of EC’s most famous: after publisher Bill Gaines and Feldstein having fought the Comics Code to keep the story’s last panel (and thus its whole point) intact, “Judgment Day” became the last story in the last comic book EC published. Also included are outstanding Ray Bradbury adaptations and EC’s “Adam Link,” which was later adapted for The Outer Limits TV show featuring Leonard Nimoy. In stores now, $23.99.
Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1 by S. Clay Wilson; edited by Patrick Rosenkranz - The first of a three-volume biography and retrospective, Pirates is the definitive account of the boldest and most audacious of the legendary underground cartoonists. Combining first person accounts from his peers with S. Clay Wilson’s own words, this book stands as a revealing portrait of a rebel who hid his shyness behind brash behavior and bluster.Pirates in the Heartland shows us an artist who truly lived his dreams and his nightmares. In stores now, $34.99.
Twelve Gemsby Lane Milburn - The mysterious Dr. Z has enlisted three space heroes to search the galaxy for the fabled Twelve Gems of Power: the hulking alien-brawn Furz; the beautiful and deadly sabre-wielding Venus; and the soft-spoken canine technician, Dogstar. They meet many strange and storied characters on their journey, but none so strange or sinister as their dear benefactor himself. With a heavy dose of humor and wall-to-wall action, this sci-fi epic is one of the most action-packed and funny books of the year.
In stores now, $19.99
Walt Disney's Mickey Mouse Vol. 5: Outwits the Phantom Blot by Floyd Gottfredson - Our latest book finds Mickey battling "Mighty Whalehunter" Pegleg Pete on the high seas, meeting a powerful genie, and taking on Disney’s greatest villain — the vile Phantom Blot! Lovingly restored from Disney's original proof sheets, this volume also includes more than 30 pages of extras: including rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a most-wanted list of Disney scholars. In stores July, $34.99
witzendby Wallace Wood and various artists - When the formulaic constraints, censorious nature, and onerous lack of creators' rights in mainstream comics got to be too much for the brilliant cartoonist Wallace Wood in 1966, he struck out on his own with the self-publishedwitzend. It became a haven for Wood and his fellow professional cartoonist friends where they could produce the kind of personal work that they wanted to do, without regard to commercial demands — and with friends like Frank Frazetta, Al Williamson, Reed Crandall, Ralph Reese, Archie Goodwin, Angelo Torres, Steve Ditko, Harvey Kurtzman, Will Elder, Art Spiegelman, Don Martin, Vaughn Bodé, Jim Steranko, Jeff Jones, Howard Chaykin, Trina Robbins, Bernie Wrightson, and literally dozens more, it was bound to be a great ride! Now, Fantagraphics presents the complete run of witzendin this beautiful slipcased two-volume set with a special introduction by Bill Pearson and a history by Patrick Rosenkranz. In stores now, $125.00
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
264-page black & white 7.25" x 10.25" hardcover • $29.99 ISBN: 978-1-60699-749-9
"With crisp inks on heavy stock paper, Fantagraphics' BOMB RUN is a pleasure to hold and leaf through." –Spectrum Culturenbsp;
"All of these books are essential purchases for comics fans... These are the books that best show off how EC took genre stories seriously, striving to create comics that didn't treat readers as naive or ignorant." - Los Angeles Times
"Fantagraphics' current series of handsome hardcovers makes familiar material fresh by focusing on individual artists... it's never been easier to appreciate the contributions of these iconic inkslingers." - Chicago Tribune
240-page full-color 6.75" x 9.75" softcover • $28.99 ISBN: 978-1-60699-739-0
"...[T]he tales in this tome are sheer pre-Comics Code Authority horror, complete with stabbings, decapitations, mutilations and disintegrations. ...Ditko's talent jumps off the page and one of the benefits of reading the stories in chronological order is seeing his art evolve and improve." –Pedro Cabezuelo, Rue Morgue
"Strange Suspense offers page after lurid four-color page of Ditko's weird monsters, rubber-faced crooks, and abstracted landscapes... The book is a white-knuckle trip through Ditko's fevered imagination. [Grade] A-" –The A.V. Club
With Halloween looming, allow me to suggest thirteen frightening favorites from Fantagraphics Books. Spooky fun for everyone, in no particular order.
Daniel Clowes' modern masterpiece Ghost World eerily conveys the otherworldly cool of 1990s counterculture. Peculia, by Clowes colleague Richard Sala, collects the misadventures of the precocious protagonist of his EvilEye comic book serial. Northwest native Charles Burns' essential Big Baby anthology of contemporary horror comix includes classics like "Blood Club," "Teen Plague," and "Curse of the Molemen."
Mysterious Traveler collects proto-psychedelic horror from Steve Ditko's Charlton era. Similarly, Weird Horrors displays the late, great JoeKubert's pre-Code classics edited by Kubert scholar BillSchelly. WallyWood weighs in with Came the Dawn, featuring timeless tales from the "Vault of Horror," as well as mid-century socio-political nightmares like "The Guilty."
The 2013 Harvey Award Nominations list more than a few Fantagraphics' titles! Here's a peak at their covers and click on any to find out more information if for some reason they aren't already on your bookshelves!
Final ballots are due to the Harvey Awards by Monday, August 19, 2013. Full submission instructions can be found on the final ballot. Voting is open to anyone professionally involved in a creative capacity within the comics field. Final ballots are available at www.harveyawards.org. Those who prefer paper ballots may e-mail
The last thing you'll read before the San Diego PR Storm 2013:
• Review: The AV Club looks at Ulli Lust's Today is the Last Day of the Rest of Your Life. Noel Murray writes, "Today Is The Last Day Of The Rest Of Your Life takes the form of a post-apocalyptic horror story, wherein the heroine ekes out a meager existence by day and then fights off monsters by night.…Lust takes readers inside her experiences, letting them feel how high hopes can devolve into raw survival."
• Review: Ulli Lust's Today is the Last Day of the Rest of Your Life is reviewed in the New York Times by Douglas Wolk. "the book ripples with exuberance:…Lust’s pen-and-ink work (augmented by the pale green tint of European paperbacks) depicts the stretched and crimped features of the people from whom she bummed change, the architecture of St. Peter’s Basilica and the chaos of a Clash concert with equally manic panache, and her line is as seemingly unkempt but as deliberately molded as her younger self’s punk-rock shock of hair."
• Review:Booklist Online spends the day with Donald Duck: The Old Castle's Secret by Carl Barks. "The applause-worthy effort… Oodles of shorter pieces provide more evidence yet that this series is an essential addition to any serious (or just plain fun) comics collection" writes Ian Chipman.
• Review: The New York Journal of Books reads Donald Duck: The Old Castle's Secret by Carl Barks. "There is no tantrum like a Donald Duck tantrum…Every single page of this new collection of classic Donald Duck stories is filled with silliness and slapstick and adventure…Try not smiling at Carl Barks’ work. It’s impossible," says Mark Squirek.
• Interview: Zak Sally on The Comics Journal interviews on Peter Bagge and The Beat follows up. Bagge states, "I like the way [a pamphlet or floppy comic] feel. To me it's an ideal format, the traditional comic book format. It's the perfect amount of material to read in one sitting."
• Commentary:The Beatand Hannah Means-Shannon discuss the humor panel from HeroesCon 2013 featuringPeter Bagge(there promoting his new book, Other Stuff). When asked advice from a younger cartoonist Bagge replied, “If you’re goal is to be a starving artist, it’s an easy road ahead."
• Review:Dead Canary Comics look at Prison Pit series by Johnny Ryan. "It's so extremely excessive in its hilarity it draws stifled belly laughs from your gut on packed trains as parents and politicians glance witheringly at images of monsters shitting themselves, ghouls eviscerating ghouls... in an age when we've got more X Men titles than people on the planet it's refreshing to just have a comic book that's all about entertainment!"
• Plug: Speaking of Johnny Ryan, show off how you don't fucking mess around with a PRISON PIT patch! Only $5 (plus shipping).
• Review: Brian Heater of BoingBoing looks at Leslie Stein's Eye of the Majestic Creature Vol. 2."It’s a sort of childlike forgiveness of life’s darker corners, which carries on into grown up stories…Stein's is a welcomingly unique take on the well-trod world of autobiographical comics, and once you've excepted her rhythms as your own, it can be a hard world to step away from."
• Review (audio): NPR's Pop Culture Happy Hour enjoy Dash Shaw's New School. Glen Weldon states, "Instead of a tidy narrative, [New School] is about art, about the art that's in the book itself…There's stuff going on at other levels, the intuitive, the leve of the unconscious, the subconscious I guess you could say.…This book is just fascinating."
• Review:Booklist Online reviews Goddamn This War by Jacques Tardi and Jean-Pierre Verney. "…six years of hopelessly indistinguishable trenches, explosions, corpses, mud, and maggots, all of it depicted via three panoramic panels per page rendered in smoky grays and foggy blues—with blood accents… The pages are strewn with images of dead bodies and midexplosion terrors, but the unforgettable centerpiece is two wordless pages of disfigured postwar faces"
• Review:About.com looks at Anders Nilsen's The End. Jeff Alford writes "these pages come from such a raw emotional place that they'll reverberate like an echo from a well....It's a message we've heard before, but its majestic delivery and the difficult path that led to this revelation make The End all the more exceptional."
• Review:Comic Pusher looks at Anders Nilsen's The End. "This isn't a non-fictional description of grief written after the fact, this is grief, unfiltered and complete…The best sequences are where Nilsen breaks away from the heartbreaking emotional literalism and opens out into almost abstract expressions of the nature of grief."
• Review: Johanna Draper Carlson of Comics Worth Readingunpacks Walt Disney's Mickey Mouse Color Sundaysby Floyd Gottfredson. "The lighter approach makes this book a better choice to share with your young ones. They should love the timeless highjinks of the mouse and his friends. And anyone can appreciate the skilled cartooning and astounding art, so well-done it almost seems to move on paper."
• Commentary: Heidi MacDonald of The Beat talks about Lorenzo Mattotti at BEA. "In Italy Mattotti is pretty much an all around art and design god, and he's known here for his New Yorker covers, and Fantagraphics has been putting out his recent work in Englias."
• Review:Wandering Son Vol. 4 by Shimura Takako gets reviewed by Read Comic Books. "…what continues to make Wandering Son a fantastic read is the frankness it presents developmental sexual identity…Few comics will challenge you like Wandering Son. It covers a topic not widely written about or discussed, and does so in a tactful, warm, embracing manner," concludes Nick Rowe.
• Review: The Smithsonian Asian Pacific American Center gives Wandering Son Vol. 4 a whirl. Terry Hong comments," ‘Fresh' is exactly the right word to describe this gentle gender-bender series…Creator Shimura Takako is a compassionate, empathetic storyteller without judgment or guile. Her young characters face their inescapable maturity as best as they can in a brave new world of ‘gender-fluid'."
• Review (audio):It Has Come to My Attention recorded a short 7-minute review of Barnaby Vol. 1 by Crockett Johnson. "Fantagraphics deserves a Nobel Prize in Literature for their efforts to reprint complete runs of classic American comic strips… There is rarely an attempt at more than 2-dimensions but that flatness provides a late art deco elegance to [Barnaby].…This strip is fun, funny, I'm so glad its back and Fantagraphics is giving it their usual top-notch presentation,"
• Review: Letterer Todd Klein looks at Pogo Vol. 2Through the Wild Blue Yonder by Walt Kelly. "…this strip is perhaps the opposite of 'Peanuts,' which went with a minimalist approach. 'Pogo' is maximalist! Both are great fun and often quite funny.…There’s really not a single thing to fault in this fine book"
• Review: Jack Davis' new collection 'Tain't the Meat reviewed on Sound on Sight. "It's entertaining in the juvenile delight it takes in grossing out readers. You also get to witness Davis' style as it improves with every story: his lines get sharper, there's more detail and contrast in the panels… It might also provide a good trip down memory lane for some, reminding them of late nights spent with smuggled comics contraband and a flashlight under the sheets. It's a good introduction as well to a genre that may today seem corny and hackneyed, but I'll be damned if it still ain't pretty creepy, bad puns an all," writes Chris Auman.
• Review: Broad Street Review gazes upon 50 Girls 50 by Al Williamson with love. Bob Levin pens, "Williamson's art could infuse aliens and monsters, no matter how hideous, with sympathetic personalities that reinforced Feldstein's feelings about brotherhood and tolerance.…His delicate line, intricately constructed panels and gossamer-like space-station cities and landscapes are fully on display in this book."
• Review:Comics Bulletin on Came the Dawn by Wallace Wood. "…the true delight and fascination of Came the Dawn will be seeing again Wood's sublime understanding, indeed his enrichment of, the comics language, from panel and page composition to the pacing, direction, of capturing and conveying of mood…Let's face it: No one draws an emaciated corpse - especially in zombie form - better than Wood," pens Eric Hoffman.
The tallest seedlings of Online Commentaries & Diversions:
• Review:ForeWord looks at Dash Shaw's New School. "Like its predecessors, New School is unlike everything else out there.…It’s a startling, yet aptly mundane vision of one man’s future, made all the more believable by Shaw’s expressive, cartoony drawings and generally solid scripting…ultimately, it’s an entertaining and thoughtful graphic novel," writes Bill Baker.
• Review:Paraphilia Magazine covers the two Malcolm McNeill books about his collaborations with William S. Burroughs. "Observed While Falling is an invaluable addition to the library of any Burroughs fan…Having shed light on a previously dark corner of the Burroughs legacy, will hopefully provide vital research material for critical analysis of this gravely neglected work produced during a largely overlooked period in his career," writes Edward S. Robinson. The Lost Art of Ah Pook enchants, "Mc Neill’s images – they’re more than mere illustrations – are rich, complex, and often very strange indeed. Disturbed and disturbing…Mc Neill’s large-form images are remarkable works of art…throughout the quality of Mc Neill’s draftsmanship is of a rare standard."
• Review:Comics Worth Reading recommends Pogo Vol. 1 and Vol. 2 by Walt Kelly. "These upscale volumes collecting the classic Pogo comic strip are archival quality, beautifully reproduced and a pleasure to look upon…Pogo is well-loved for a reason. The strips are beautifully drawn and keenly observent of human nature."
• Interview (audio):Janet Hamlin is interviewed by Anna Maria Tremonti on CBC Radio show, The Current, about working on Sketching Guantanamo and being at the courtroom trials. "What I'm working on that day is determined by whatever activity is in court…"
• Review (audio): Brian Heater is a guest on Bullseye with Jesse Thorn and brings up Peter Bagge's Other Stuff. Heater gabs, "…the iconic underground cartoonist of the 90s, anything depicted a slacker or the grunge era was probably by Bagge. Other Stuff has an overly cartoony look that is nicely juxtaposed by true-to-life stories…"
• Interview (video):Ed Piskor is interviewed by Jared Gardner during his Columbus Museum of Art Residency and speaks on his life through comics and Hip Hop Family Tree. "I grew up in just a hip hop environment, my house was the nucleus between three parks in town you could go to any given one and see some hip hop going on, rudimentary stuff …a few slabs of linoleum and a boombox," answered Piskor.
• Review:ConSequential reviewed The Hypo by Noah Van Sciver recently. "Van Sciver’s depiction is sufficiently sympathetic as to make the reader really root for him as he struggles against rival suitors, Mary’s family and his own anxious temperament. …the fact that it’s endearing, engaging and an all-round good read should make it your kind of thing as well," writes Lucy Boyes.
• Plug:Our Man in Boston profiles David Wojnarowicz and 7 Miles a Second. "Artists James Romberger and Marguerite Van Cook vividly depict David Wojnarowicz’s life and struggles in a much improved edition…" says Robert Birnbaum.
• Review:Grovel reads Beta Testing the Apocalypse by Tom Kaczynski. "Anyone that likes the exploration of ideas, particularly the relationship between humanity, geography, architecture and technology, might get a kick out of reading something different, especially presented in such an unusual form," writes Andy Shaw.
•Review:MetroPulse checks out the EC Library Comics from Wallace Wood and Harvey Kurtzman. "EC had no fear of getting political, long before comics 'grew up.'…Fantagraphics’ EC Comics Library is a must-own for anyone who considers themselves a serious comics fan."Corpse on the Imjin! is "Thoroughly researched and meticulously detailed, Kurtzman’s stories are grim stuff in an era when most Americans believed their country could do no wrong… Grade-school boys reading these dark tales at the time must have had their minds completely blown." Meanwhile, Wally Wood's Came the Dawn! "The tales here are mostly crowd-pleasers with the sort of twist endings that would later become a Twilight Zone trademark."
• Review:Everything is an Afterthought by Kevin Avery is examined in Caught by the River. Andy Childs says, "it becomes apparent that when the history of rock’n'roll is ever written as it should be then he, Nelson, will take his place as a pivotal and hugely influential figure…Kevin Avery does a masterly job in re-constructing Paul Nelson’s reputation and after the enthusiastic critique in the first half of the book the examples of his work in the second half do not disappoint at all."
The most intricate house sigil of Online Commentaries & Diversions:
• Review:The LA Times enjoys their reading of7 Miles a Secondby David Wojnarowicz, James Romberger and Marguerite Van Cook. "Part of the power of Wojnarowicz’s work is that he dealt with such concepts accessibly; he didn’t have time to waste. It was the source of his restless imagination, his willingness to experiment with unexpected forms," writes David L. Ulin.
• Plug:NY1 (New York 1) and Don Kois talk about 7 Miles a SecondDavid Wojnarowicz, James Romberger and Marguerite Van Cook. "…this graphic novel is an amazing document of the gaudy, dangerous world of clients and johns and artists and thugs downtown in the 1980s."
• Interview: Nick Hanover of Comics Bulletin interviews Tom Kaczynski on Beta Testing the Apocalypse. Kacyznski writes, "All these stories started to feel like they were linked and eventually things like the noise stories and the themes of sound started to kind of inject themselves into the rest of the material…I'm interested in utopias, and utopian societies. And a lot of what Communism is is essentially an attempted utopia that failed. "
• Review:Art Rocker and Wee Claire look at Delphine by Richard Sala. "Delphine is arguably Richard Sala's darkest tale to date and a brilliant gateway for those new to his whimsical storytelling style…There are comparisons to Snow White dotted throughout the story but Sala's indie-goth execution tinged with a 70s horror atmosphere make for a much more interesting tale."
• Review:The Toronto Star reads and reviews our books like Heads or Tails by Lilli Carré. "Carré’s work, fittingly titled Heads or Tails, probes choice, ambivalence and fate; in her stories, there’s a flip side to everything, rendered in full and brilliant colour,"says Laura Kane.
• Review: Noah Bertlatsky on the Hooded Utilitarian looks at the art of Lilli Carré comics from Heads or Tails through the gendered lens of Bart Beaty. "If art is both hyperbolic masculine swagger and small-scale feminized detail, though, for Carré the form that mediates between the two is something that looks a lot like comics."
• Interview (partial): Dan Nadel of The Comics Journal posts part of the interview of Jacqes Tardi by Kim Thompson from TCJ 302.
• Plug: "It's astonishing to me that The Comics Journal will have outlasted Wizard, Hero Illustrated and CBG, but I'm happy for that fact," says former TCJ editor, Tom Spurgeon. TCJ 302 was co-edited by Kristy Valenti and Mike Dean.
• Review:Mort Meskin gets the full hello-how-are-ya when his collections are reviewed, edited by Steven Brower. "Out of the Shadows was such an enjoyable find that when it ended we were hungry for more of Meskin’s work." So Scoop turns to From Shadow to Light, "Meskin is so skilled in portraying body language that he doesn’t need a face to tell us know exactly what someone is thinking…a thorough and very detailed look at a man’s life, his family and the work he valued."
• Plug:Kotaku and Evan Narcisse get teary-eyed over Peanuts Every Sunday by Charles M. Schulz. "The daily black-and-white comics were great but the full-color Sunday strips gave Schulz a big, beautiful canvas to let his expert pacing and amazing linework breathe in a rainbow of color…it's really the entire mix of characters …and their mix of adult prickliness and childlike naiveté that made Charles Schulz's iconic comics strips so timeless."
• Interview:MTV Geek interviews Charles Forsman about The End of the Fucking Worldand life. Forsman answersEddie Wright's question, "I do love sparse cartooning. Like Schulz which I think comes through in mine a bit. I've heard people descibe this stuff as "Peanuts" all grown-up and violent."
• Review:Nerds of a Feather look at Ed Piskor's Hip Hop Family Tree, to be printed later this year. Philippe Duhart gives it a rare 10 out of 10, "…those familiar with the genre can attest, it's difficult to separate the music from other elements of the "culture" -- b-boying, graffiti, lingo, style. Piskor demonstrates an affectionate respect for the interrelations between these phenomenon, telling a story of a culture, rather than a musical genre."
• Review: Anime News Network reviews and givest The Heart of Thomas by Moto Hagio an 'A-'. Rebecca Silverman writes, "The Heart of Thomas may be the grandmother of the boys' love genre, but it would be shortsighted to simply classify it as such…Heartfelt and dreamlike, it is a window into the lives of those affected by the sudden death of one of their own."
• Review:The Toronto Star reads and reviews our books like The Cartoon Utopia by Ron Regé, Jr. The Cartoon Utopia "is visionary, but also unmistakably influenced by ’70s psychedelia… the thrilling, one-of-a-kind art will stretch your imagination and, at the very least, make you believe in the power of comics to explore the impossible," writes Laura Kane.
• Review:The Toronto Star reads and reviews our books like Came the Dawn by Wallace Wood and Corpse on the Imjin! by Harvey Kurtzman. Laura Kane writes, "In dark shadows, bold lines and intense close-ups, [Wallace Wood] perfectly illustrates the stories — which ran the gamut from B-horror to confronting social issues such as racism, anti-Semitism and sexism." As for Corpse on the Imjin!, "In these violent, blood-spattered pages, [Kurtzman] lays bare the devastation of war."
• Review/Commentary: Eddie Campbell on The Comics Journal compares and contrasts recent reviews of the EC Comics being reprinted at Fantagraphics and how critics struggle and feel the need to analyze comics at literature. Distilling the article to a mere quote is abhorrent so we tried but please read it. "If comics are any kind of art at all, it’s the art of ordinary people. With regard to Kurtzman’s war comics, don’t forget that the artists on those books were nearer to the real thing than you and I will ever be."
• Review: Elliot Bay Books reviews No Straight Lines, edited by Justin Hall. Dave Wheeler writes, "Impossible to be even close to a complete collection of the genre, No Straight Lines instead seeks to trace the parallel trajectories toward visibility for both comics and LGBTQ identities…these are the stories of real people, or they are people transfigured by folklore."
• Plug: Greg Akers of the Memphis Flyer enjoyed reading Love and Rockets: New Stories #4 by Jaime Hernandez and Gilbert Hernandez. "Jaime breaks me every time. The conclusion to "The Love Bunglers" is an all-time great. Tears in my eyes, destroyed emotionally."
• Plug: Joost Swarte sings the blues at Angouleme, thanks to Paul Karasik.
• Review:SequArt looks at Black Hole by Charles Burns. Faith Brody Patane point out "…it’s a story that’s meant to be devoured with intent to possibly make you have freaky nightmares. Black Hole is one of those stories that lingers long after you read it…This group of teens is far from Riverdale and far more desperate."
The gnarliest gnome of Online Commentaries and Diversions:
• Review: Zack Davisson of Comics Bulletin reads the weighty Castle Waiting Vol 1 (softcover) by Linda Medley. "It is whimsical, unexpected, packed with a deep knowledge of folklore and fairytales, irreverent, interesting and a whole lot of other adjectives that add up to something great… I would rank it up there with Bone in terms of just being a sheer delight to read…I'm a 40-year old guy, and I don't really see gender issues coming into play here -- Castle Waiting is just a great comic, with interesting characters and an addictive story for everyone who likes charm and wit and fantasy."
• Review: Richard Sala's latest fairy tale of woe Delphine gets a starred review from Publishers Weekly. "…Sala’s era-conflating fairy tale is coated in the kind of atmosphere the artist is known for: a creepy, gnarled darkness that evokes German Expressionism, Universal horror films of the 1930s, and secrets hiding in dank old mansions and haunted forests."
• Review: The Hidden by Richard Sala is reviewed by Leroy Douresseaux on I Reads You."This graphic novel is essentially a parable about ethical-free, morality-light, cutting-edge science. Why do anything? Why play God? The answer to both questions is 'because we can.' 'Damn the consequences' is The Hidden’s unspoken refrain."
• Plug: Chris Mautner of Robot 6 writes the list for the 6 Most Criminially Ignored Books of 2012. Carol Tyler's You'll Never Know Book 3: Soldier's Heart lands on the list. "While Tyler’s discursive, homey storytelling style might not appeal to everyone, she proves in these pages she is a cartoonist capable of producing sequences of exquisite beauty and deep emotional heft. It’s a book — and a series — that deserves more attention than it’s gotten so far."
• Plug: Paul Gravatt releases his Best of 2012 list and for Best Autobiography/Biography..."in the end what floored me, in its level of craft and care, complexity and clarity, was the third and final book of Carol Tyler’s You’ll Never Know."
• Review: The Complete Syndicated Pogo Vol. 2 "Bona Fide Balderdash" gets reviewed by the Chicago Tribune. Michael Robbins trills on about Walt Kelly, "As brilliant as Kelly's political satire is, it's only one reason 'Pogo' might be the greatest comic strip of all time (its only rivals are 'Krazy Kat' and 'Peanuts,' both of which Fantagraphics has also been reprinting in gorgeously designed editions)."
• Review:Bookgasm doubles their pleasure by reading TWO of our EC books. JT Lindroos starts with Corpse on the Imjin! by Harvey Kurtzman. "The ability of Kurtzman to have conflicting viewpoints to the myriad stories and situations within this volume is what makes it so rich." Lindroos continues onto Came the Dawn by Wallace Wood, "His line is much more precise and realistic than anything in the Kurtzman volume, but he has a flair for a dynamic layout and positioning of characters that pulls the art to the kind of pulpy mayhem for which EC is best known."
• Plug: Chris Mautner of Robot 6 writes the list for the 6 Most Criminially Ignored Books of 2012. Malcom McNeill'sThe Lost Art of Ah Pook is on there. "Ten or 20 years ago the release of an long-lost and unfinished comic by [William Burroughs] would generate a lot more heat than the release of this work…did. Perhaps now that comics have garnered more respect from the outside world, this sort of thing impresses us a lot less…Still, there’s some amazing, hallucinatory imagery here (and in McNeill’s companion memoir, Observed While Falling), to marvel at and make you wish the project had reached some better form of completion."
• Interview: Tom Kaczynski of Beta Testing the Apocalypse is interviewed on Rumpus by Greg Hunter and answers deep questions like "throughout the book we see instances of an object or system standing in for an even larger system—worlds upon worlds of simulacra. Do you believe in any sort of binary between authentic and inauthentic modes of experience?"
• Interview (audio): Ross Reynolds of KUOW interviews Jaime Hernandez on the secret to 30 Years of Love and Rockets. Did you know BLUE FOOD was a title in the running for L&R? Jaime mentions the influence of the punk movement and DIY culture on their work.
• Review:Comic Book Daily reads the masterful Carl Barks stories in Walt Disney's Uncle Scrooge: Only a Poor Old Man. Anthony Falcone states "I would like to see more companies take Fantagraphics’ approach to the reproduction and presentation of material.…These are true 'all-ages' stories that can be enjoyed by adults and with your children at story time."
• Plug: Kuriousity plugged Moto Hagio's The Heart of Thomas as it "is probably the best example of the earliest of boys’ love works. It helped define the genres of shoujo and boys’ love as we know them today, and I couldn’t wish for anything more substantial as a starting point," writes Lissa Pattillo.
• Plug:Spacehawk by Basil Wolverton gets the hi-how-are-ya? from the D&Q Bookstore. Jade says "This is one cool book folks, with intense colors, funny looking characters, and very weird plots…Even the end papers are extraordinary!"
• Plug: Holy hot suit, did you see Lorenzo Mattotti's NEW YORKER cover? Damn. If you like that, check out his most recent graphic novel The Crackle of the Frost (written by Jorge Zentner) or 2011's Stigmata (written by Claudio Piersanti).
• Plug: Maria Popova's Brain Pickings features animation and comics pages from Lilli Carré's Heads or Tails which is "a sublime collection of Carré’s short story comics from the past five years, was published last November and is an absolute treat."
• Plug: All About Jazz looks at Kevin Avery's Everything is an Afterthought: The Life and Writings of Paul Nelson. "Avery's account of Nelson's life reveals an almost claustrophobic existence of the writer in general…Paul Nelson may have only been equaled by Greil Marcus for sheer love of music and music writing. He went entirely too gently into that good night, leaving the majority of us in the shadows…" writes C. Michael Bailey.
• Plug: Harriet Staff of the Poetry Foundation reads The Last Vispo edited by Nico Vassilakis and Craig Hill. "… the anthology highlights the way the digital and computerized tools of visual poetry are transforming not only visual poetry, but how we experience all poetry," notes Staff and Alison Watkins.
• Plug: TV superstar Lena Dunham's ideal bookshelf on Vulture includes Daniel Clowes' Ghost World.
• Plug: Buzzfeed cracks open Sean T Collins' David Bowie sketchbook and out jumps some of your favorite artists: Tom Kaczynski, Michael Kupperman, Jaime Hernandez, Gilbert Hernandez, Gary Panter, Charles Burns and Johnny Ryan. GO LOOK!
The most returned sweater of Online Commentaries & Diversions:
• Interview: Tom Spurgeon of the Comics Reporter interviews cartoonist Carol Tyler about her You'll Never Know series about her father, WWII and family bonds. He starts of the interview right, "You've lived with these books for a very long time. How did it feel to get some closure on this work?". Click here for the answers and more.
• Review:Comics Bulletin looks at You'll Never Know Book 3: Soldier's Heart by Carol Tyler. Jason Sacks states "You'll Never Know is a breathtaking graphic novel because Carol Tyler is honest enough to know that stories are seldom as tidy nor as dysfunctional as they seem on TV…It's a tremendously real story straight from the heart, told by a master cartoonist."
• Plug:Comic Book Resources and Brian Cronin investigate the legend around the FBI examining Pogo comic strips searching for hidden messages.
• Plug: Geekosystem has suggestions for our 20% sale like Pogo by Walt Kelly. "Are you a Calvin and Hobbes fan, dear reader?…If you are a fan, we’d point you towards one of the strip’s inspirations, Walt Kelly’s classic Pogo cartoons. By turns razor-edged political satire and old-fashioned slapstick comedy gold, these strips are being given their due."
• Review:Reality Studio looks and relooks at Observed While Falling and The Lost Art of Ah Pook Is Here by Malcolm McNeill on his collaboration with William S. Burroughs. Jan Herman writes "Observed While Falling brings a fresh analytical eye to the familiar Burroughsian fixations — synchronicity and doppelgangers, control systems, the word as virus, the number 23 — that dominate this memoir, while still offering a straightforward chronicle of the author’s relationship with le maître. Luckily for us, McNeill is an artist who can write. Really write.…the hard work, the exhilaration and, ultimately, the frustration of a project that failed to achieve its original goal — is largely treated with brilliant introspection and loving grace."
• Review:Forbidden Planet International continues their Best of 2012 lists. Douglas Noble places Chris Wright's Blacklung on the list. "Unforgettable, and Wright's beautiful, scratchy art is a treat, like EC Segar working with Yuichi Yokoyama designs."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. On Walt Disney's Mickey Mouse: House of Seven Haunts by Floyd Gottfredson, Chris Sims writes, "They're one of the few things that I get excited about to the point of giddiness, and House of the Seven Haunts! was the best volume yet…It's one wild adventure after another, and they're all done with an incredible skill that still holds up almost 80 years later."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. The Furry Trap by Josh Simmons makes the list "The faux-Batman comic, which details the Bat's horrifically misanthropic ways, might be a reason to check out the contents of this hardcover collection of Simmons stories, but the entire volume is full of troubling tales worth your attention…The unexpected happens, consistently, and that's about the only thing you can be sure of," states Tim Callahan.
• Plug:NO releases its Best Comics of 2012 list and Sean Collins breathtakingly writes about The Furry Trap, "Josh Simmons shits in your heart, again and again in ways that grow exponentially more refined and chilling as the book progresses. A perfect statement of rancid intent."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. Designer Dylan Todd writes on Barack Hussein Obama by Steven Weissman. "There's something vaguely Peanuts-esque at work here, with a cast of recognizable characters… all with their own quirks and personalities, all delivering punchlines while the specter of death and soul-crushing doubt hangs over their heads. It's funny, but like any good comedy, it's tied up in uncomfortable and relatable truths…It's surreal, nonsensical, and a little depressing -- so, huh, maybe it's an accurate portrayal of political life in the 21st century after all."
• Review: Timothy Callahan of Comic Book Resources looks back on 2012 and Steven Weissman's Barack Hussein Obama is #20 on his Best Of list. "It's just such a fragmented work of narrative, but Weissman plays with repetition and transformation in a near-musical way, and that ends up mattering most…This comic is difficult to discuss without sounding ridiculous, but I can't stop thinking about its unsettling strangeness."
• Review:Paste Magazine's guest writers Nathan Bulmer and Kevin Huizenga pick out some of our books as the Best of 2012 including Steven Weissman's Barack Hussein Obama, Jason's Athos in America, and Chris Wright's Blacklung. Bulmer looks at Weissman, "I have so many feelings about this book. This, to me, is the most gorgeous book of the year and is one that I will be returning to often."
• Plug: Geekosystem has suggestions for our 20% sale like Athos in America by Jason. "Fact: New Jason books are weird, funny, and always bring something new and unexpected to the table. Conjecture: This book probably deserves a place on your shelf…"
• Review: KC Carlson of Comics Worth Reading dives not into a vault of money but Carl Barks' books. While reading Uncle Scrooge: "Only a Poor Old Man"she can't help but write,"One way or another, all of these stories are classics (if not masterpieces) of early comic book storytelling. And not just for kids." When flipping to Donald Duck: "A Christmas for Shacktown" Carlson notes,"It’s probably one of the least sentimental Christmas stories around (and thus a favorite of many fans). It features an early example of Scrooge’s lack of charity, counterbalanced by his steadfast work ethic…I can’t say enough about how much I love these new Fantagraphics collections of this 'should always be in print' Carl Barks material."
• Review: Andrew Wheeler over at Anticks Musings enjoys Peanuts Vol. 17: 1983-1984 by THE Charles M. Schulz. Wheeler states, "they're reliably funny and occasionally moving. The deep sadness that used to manifest in Charlie Brown now comes up, less rawly, . . . For work done by the same one man, day after day, more than thirty years after he started that project, that's not just impressive, it's amazing."
• Review (video): Jon Longhi in episode 2 of Having a Book Moment features Spacehawk by Basil Wolverton "who was an amazing underground cartoonist with exp, surrealist view of reality that created some of the I think, most unique comics ever invented. . ."
• Review:Robot 6 enjoys SpacehawkbyBasil Wolverton. Chris Mautner writes "Wolverton’s Spacehawk has a vitality — at times it practically throbs with life — that the more static Stardust simply does not have. Spacehawk not only the best reprint project of the year, it’s the best reprint project of the past several years. It’s a revelation."
• Review:Comics Alliance announced their Best Comics of 2012. Basil Wolverton's Spacehawk "remind[s] you of some kind of Buck Rogers Technicolor serial as designed by Robert Crumb…Spacehawk is the freakishly charming sideshow to the more popular main event, but everyone who's seen its wonders would find themselves bored with what the guy in the big hat in the center ring is babbling on about," writes Tim Callahan
• Review:Comics Bulletin and Jason Sacks give Spacehawk by Basil Wolverton a rating of 4.5 outta 5 stars. "This book is really fucking exhilarating and awesome and eye-popping, and you have to add it to your bookshelf if you loved I Shall Destroy All the Civilized Planets…Spacehawk is lunatic, manic genius."
• Review:Delphine by Richard Sala gets BoingBoinged. Mark Frauenfelder writes, "I've long admired the gothy work of cartoonist Richard Sala. He delicately balances the line between horror and humor as few can. His latest graphic novel, Delphine, is his darkest effort to date."
• Review: Comic Book Resources counts down the Top 100 Comics of 2012 and includes The Hypo by Noah Van Sciver at #54. Brian Cronin states "Van Sciver spotlights a fascinating time in Lincoln's life where he barely resembles the man who would one day become one of the most famous presidents in U.S. history…The artwork is strong, as is the research." Cronin's own Top 10 Comics of 2012 listed Van Sciver at #2.
• Review:Panel Patter lists the Favorite Graphic Novels of 2012 and Noah Van Sciver is #2 for The Hypo. Rob McMonigal writes "Given that Van Sciver specializes in characters who are at their wit's end and have horrible things going on in their lives, he's picture perfect in his presentation."
• Interview: Tom Spurgeon interviews editor and fan Marc Sobel on living life breathing Love and Rockets at the Comics Reporter. Sobel started writing, critiquing the Hernandez Brothers work, interviewing them that led to writing and co-editing The Love and Rockets Reader and The Love and Rockets Companion, coming out next year.Sobel pondered, "I decided to read Love & Rockets in its original format and blog about each issue as a way to teach myself about one of the medium's classics while still keeping active as a writer."
• Review:Comic Book Resources counts down the Top 100 Comics of 2012 and #35 is Love and Rockets: New Stories #5. "…the Bros turned in another installment of comics that are simultaneously agonizing to witness and darkly funny while they’re serving up stone-cold dramatic situations," writes Brian Warmoth
• Plug:Gilbert Hernandez receives some attention from Sean T. Collins at Carnival of Souls in regards to upcoming Julio's Day and D&Q's Marble Season. "A now-completed collection of work he serialized during Love & Rockets‘ second volume and a pseudoautobiography, these could send him in the direction of critical and audience reappraisal that the outré sex and violence of his recent comics have denied him."
• Interview (video): As part of the 30th Anniversary celebration, Vegas Seven posted a short interview with Gilbert and Jaime Hernandez conducted at Alternative Reality Comics in Las Vegas.
• Plug: Glyn Dillon writes the Best of the Year 2012 for Forbidden Planet International and shares the love for Jaime Hernandez's God and Science. "I'm not really a fan of the super hero genre, but he delivers it in such a fun way, it's hard to resist it's charm. It almost feels as though it's from an alternative universe, a universe where super hero comics are good."
• Review:The Chicago Tribune gets all fancy to read our EC Library Comics: Corpse on the Imjin by Harvey Kurtzman and Came the Dawn by Wallace Wood. "Kurtzman often evinces a grim humor in these war comics, they don't elicit laughs. His beautiful line-work — thick black strokes and quick black curves — captures the grit of battle and its aftermath: Corpses reach up from rubble, cones of fire erupt from gun barrels." Michael Robbins continues, "Wood's alternately claustrophobic and desolate brushwork lurches into life: spreading puddles and slanting rain, Rock Hudson jawlines and Jane Wyman curves, vertiginous angles, hallucinatory things with too many eyes."
•Plug:NO releases its Best Comics of 2012 list and Sean T Collins recommends Prison Pit 4 by Johnny Ryan. "Choose your monsters-transforming-and-pursuing-ultimate-murder poison: if you favour grossness, reality-breaking sci-fi and heavy manga inflections, go with Ryan."
• Plug:Michael Kupperman'sTales Designed to Thrizzle #8 is ranked 81 out of the Top 100 Comics of 2012 according to Comic Book Resources. "The latest 'Tales Designed to Thrizzle' very well might be the funniest edition of the annual comic yet! Kupperman's outrageously unpredictable sense of humor is on full force in this issue" states Brian Cronin. Cronin's own Top 10 Comics of 2012 listed Kupperman at #4.
• Review:Comic Attack bangs out the Best 15 All-Ages Titles of 2012. Hal Foster's Prince Valiant is on the list as Drew says "the detail and quality of the art alone along with the more literary form of narration provided the base and inspiration for dozens of artists and imitators after that, all these years still being just as entertaining as when first published, here from Fantagraphics never looking as good as collected before."
• Review: Nick Hanover of Comics Bulletin sits awhile with Tom Kaczynski's new book. Beta Testing the Apocalypse "is weird as all fuck and funny as all shit, a Singles Going Steady for the art comix crowd that merges Burroughs' cut-up commentary with Ballard's keen tech consumer insight and siliconic wit…is where we should be looking if we want to know what comes next, if we want to discern which hip priest had their ear closer to the ground."
• Interview:The Comics Journal's Tim Holder interviews Tom Kaczynski (cartoonist of Beta Testing the Apocalypse)on his comics and publishing endeavors.
• Plug: Jade at the D&Q Bookstore holds onto some serious love for Lilli Carré's Heads or Tails. "Her stories always incorporate some sense of magic realism, where bizarre occurrences are treated as if they were just another aspect of daily life. Equally impressive is Carré’s artistic versatility, always finding the appropriate style, palette and medium to tell her dreamy tales."
• Review:Cosmic Comix reviews The Crackle of the Frost by Mattotti and Zentner. "The story itself is amazing. It’s a story about loneliness, loss, and, most of all, fear…It’s a rare feat in which the words, although separate from the picture, are in perfect synch with it… If you are looking for a book that truly pushes the comics medium, then this is the book for you," writes David Lee.
•Review: Music magazine Ugly Things Issue 34 reviews Kevin Avery's book. Alan Bisbort writes "Everything is an Afterthought would, in another age, be considered 'essential reading' for anyone even remotely hip…these bokos remind us of how deeply some people cared for the music and its larger pop culture that many of us now take for granted."
• Plug: Geekosystem has suggestions for our 20% sale like Joe Sacco's book. "Safe Area Gorazde is a great introduction to his work and to the concept of comics journalism as a whole. This new special edition with notes from the author, updates on the characters, and a behind the scenes look at the creative process is must-own material.
• Plug: Geekosystem has suggestions for our 20% sale like I Shall Destroy All Civilized Planets by Fletcher Hanks. "Weirdness on the highest scale prevails in these collections…these delightfully strange relics deserve a place in the library of any comics art history completist or student of the medium."
• Plug: Filth and Fabulations looks at books for 2013 and The Astonishing Exploits of Lucien Brindavoine by Jacques Tardi is on there. "This book is perhaps a slightly less mature piece than some of Tardi's later self-authored work, but it is filled with a vibrancy and a dark humor that makes it a thing not to be missed, especially so for those who enjoy his amusing riffs on traditional genre pastiches, with a nice dose of violence and sarcasm thrown in". In addition to Goddamn this War! by Tardi and Jean-Pierre Verney. "It looks very promising, and seems to be more of a single narrative spanning the entirety of the war, rather than the looser vignette-style format of the earlier book."
The first rain-free (HA!) day of Online Commentaries & Diversions:
• Review:The Comics Journal looks at Ron Rege Jr.'s The Cartoon Utopia. Katie Haegel writes, "Almost impossible to categorize, the work in Cartoon Utopia is both fully realized in a formal sense and wonderfully idiosyncratic. Like, it’s really out there. . . to me the work is much stronger when it depicts magic in action, which Regé accomplishes by telling us stories about historical figures and their relationship to the natural world."
• Review:Robot 6 reviews The Cartoon Utopia by Ron Rege Jr. Chris Mautner writes "with Rege drawing science, new age spiritualism, the occult, astrology and Jungian archetypes to come up with a personal grand unification theory. There are no plots or characters in the book to speak of, instead Rege merely muses and illustrates his theories, which mainly have to on the interconnectedness of all living matter."
• Plugs: Best covers of the week by Andy Khouri on Comics Alliance. Ron Regé Jr'sThe Cartoon Utopia: "This cover really makes me smile, and maybe gives me a sense of four-color spiritual well-being. But cartoon utopia looks more outdoorsy than I expected."
• Review:Page 45 enjoys the gentle pages of The Cartoon Utopia. Stephen L. Holland states, "Regé is back with a spiritual manifesto and ode to creativity: a singular, secular vision delivered with all the fervour of a religious sermon. It’s a call not to arms but to peace and perception unshackled from the conditioning of ages, exhorting all to see new possibilities, infinite possibilities, so enabling one’s full potential to be realised in both senses of the word."
• Review:Barack Hussein Obamaby Steven Weissman is reviewed on Bookslut. Martyn Pedler says, "His Obama begins as a kind of smug, stoner everyman: telling 'your momma' jokes, discussing old movies with visiting dignitaries . . . Weissman’s pages -- drawn in ballpoint into a moleskin notebook -- use a four-panel gag structure that makes the book immediately addictive."
• Review:Publishers Weekly takes on Barack Hussein Obama by Steven Weissman.". . . readers will likely have to be content with being one part giddy and three parts puzzled. . . Perhaps that’s Weissman’s point: that the farce of contemporary politics has the capacity to make one simultaneously giddy, confused, and disenchanted."
• Interview (audio): Speaking of Steven Weissman, Obama and the elections, he is interviewed on KPFK 90.7 FM's show Beneath the Surface.
• Review: Cartoonist Lilli Carré finds herself Boing-Boing-ed. Brian Heater describes Heads or Tails collection, "These strips, which originally in the pages of places like The Believer and Mome, find the artist dipping her toes into new pools, the sort of freedom afforded by the low commitments of the short story form, often to truly wonderful effect."
• Interview: Eddie Wright of MTV Geek interviews Johnny Ryan about Prison Pit 4 and why us humans love it so much. "Well, I think it connects to comic fans because it's the stripped down essence of what popular superhero comics are, which is men beating the living shit out of each other. People love it."
• Review:Reglar Wiglar spit takes while reading Johnny Ryan's Prison Pit 4. Chris Auman says, "This is Ryan’s depraved ID unleashed in its purest form: blood, guts, genitalia and fecal matter abound—actually they don’t abound so much as they’re sprayed all over absolutely everything in a fantastical sci-fi orgy of digustedness."
• Plugs: Best covers of the week by Andy Khouri on Comics Alliance. continues with Wallace Wood's Came the Dawn: "And while we're talking smart use of interior art, here's another superb example. This collection is all about the mastery of Wally Wood, so the cover presents a taste of his work in an uncluttered and respectful way, while also establishing a trade dress for Fantagraphics' new EC artists line." Chris Wright's Blacklung: "I see a lot of Joann Sfar in this densely demonic and stylishly constructed cover, and that's enough to convince me to investigate the work of newcomer Chris Wright." Spacehawk mini-comic by Basil Wolverton: "Basil Wolverton may be best known for his grotesque caricatures in MAD Magazine, but he worked in a lot of genres. Spacehawk was evidently one of his early works, and if this gorgeously lurid cover is anything to go by it was a delightfully daffy sci-fi pulp."
• Review:Booklist Online carves out a place in their hearts for Wallace Wood's Came the Dawn. Ray Olson writes, "This volume presenting all his horror and crime stories chronologically shows him refining what is at first a crude though powerful sense of mise-en-scène into one that is assured, highly detailed, and lightly caricatural."
• Review:AV Club reviewed all our new books Came the Dawn by Wallace Wood and Corpse on the Imjin by Harvey Kurtzman. Noel Murray writes, "in writer/artist-driven volumes, printed in black and white, with additional essays and archival material . . . [and] both immediately reveal the value in the artist-driven approach. . . Feldstein’s stories were like the comic-book equivalent to some of the seediest B-movies, and Wood’s art fit Feldstein’s text, with lots of deep shadows and wrinkles reflecting a complicated world." On Basil WolvertonSpacehawk, "As with Kurtzman’s war comics, it’s remarkable to see art so twisted applied to such vivid pulp tales—almost as though Wolverton was trying his hardest to be Alex Raymond, but couldn’t help turning out images to rival Salvador Dalí." Gary Panter's "Dal Tokyo would evolve, strip-by-strip, into a distinctly Panter-esque swirl of science fiction and pure abstraction, in keeping with the artist’s one-of-a-kind sense of design, and his pursuit of comics that resemble music and poetry."
•Plug:Web Cast Beacon reviews all free Halloween Comics Fest freebies. They enjoy Tales from the Crypt and Spacehawk. YES, mail in those ad coupons, people.
• Interview:Jim Woodring is interviewed by Peter Bebergal on hippies, hallucinations and all the good stuff that goes into his latest work, Problematic, a skechbook. "I frequently saw things at night — silently jabbering heads at the foot of my bed, distorted animals and objects hanging in the air over me. Often I saw a huge staring eye that made me vomit with fear."
• Plug: On Boing-Boing, Mark Frauenfelder tips his digi-hat to Floyd Gottfredson: "Gottfredson's Mickey is a plucky, goodhearted imp, bursting with energy and impulsively eager for adventure. . . [Carl] Barks will always have a special place in my heart, but I've added Gottfredson to my short list of great American cartoonists."
• Review: Page 45 looks at The Lost Art of Ah Pookand Stephen L. Holland ponders "Malcom Mc Neill has taken the time to put this eye-frazzling book of art – some of it sequential – into context, for the work itself is very much lost. . . There are vast scenes of ancient ritual, carnal lust and very modern warfare transcending time just as they were always intended."
• Review:Booklist Online likes Walt Disney's Uncle Scrooge: Only a Poor Old Manby Carl Barks. Ian Chipman states, "from the bitter cold of the Klondike to the bottom of the Caribbean. . . Barks’ comics are an absolute treasure that have aged remarkably well, and are finally getting wide-scale publication to introduce them to a new generation of readers."
• Review: Gene Ambaum of Unshelved happily views covers from Action! Mystery! Thrills!, edited by Greg Sadowski. "Beautiful full-color reproductions of unblemished comic book covers show the amazing art and the breadth of genres on the newsstands before Fredric Wertham screwed everything up in the 1950s. . . The colors are bright, and the art is just plain fun."
• Review: Is That All There Is? by Joost Swarte gets reviewed on Bookgasm. JT Lindroos states, ". . . it’s impossible not to enjoy this ultimately all-too-brief volume for every single panel it presents. Swarte is consistently projecting an incisive and curious mind at work, perfectly tuned to his showstopping skills as an artist nonpareil."
• Review: Rod Lott of Bookgasm spends a long, loooong time checking out Sexytime. "[Editor Jacque Boyreau] has a knack for picking images; much like Supreme Court Justice Potter Stewart and hardcore porn, Boyreau knows it when he sees it. And luckily, he shares it, this time from the visual-presentation experts of Fantagraphics Books — a match made in poster-art heaven."
• Plug: Matt Bielby writes about The Complete Crumb Volume 1 by R. Crumb in Comic Heroes Magazine: "It's incredible stuff, much of it obviously for completists only, but even the most obscure volumes track a fascinating, and developing, world view."
• Interview: Charles Burns is interviewed on Cult Montreal by Emily Raine about The Hive, his creepy artwork and the Black Hole movie. "It’s not my intention to be creepy per se, or that’s not the reason I’m writing stories. I think they end up being whatever they are. Maybe I’m just a creepy guy, I don’t know."
• Interview (audio): One of our favorite creators, Ellen Forney, speaks to KUOW/NPR on bi-polar disorder, comics and her new work, Marbles.
• Plug:Jaime Hernandez will be at the Copenhagen Comics Fest in Copenhagen, Denmark in June of 2013. Mark them calendars!