• Review: "Here’s the thing about Pogo. There’s never been anything like it. It’s utterly unique and individual in the same fashion that Peanuts, or Calvin and Hobbes or Little Nemo or any other of the great 20th century comic strips are.... It’s a much weirder strip than I think most people give it credit for and that is certainly something worth both recognizing and admiring." – Chris Mautner, Robot 6
• Review: "I highly recommend anyone who has an interest in LGBT issues to pick up Wandering Son, regardless of whether or not you read a lot of manga. It is, in many ways, distinctly Japanese, but its straightforward and honest deception of gender issues is rare in any medium, and it shines equally as a coming-of-age tale, especially for anyone who's ever felt they never quite fit in." – Anne Lee, Chic Pixel
• Review: "Prior to 1947, romance existed in comics but primarily as the humorous teenage variety for young readers, typified by the gang from Riverdale in Archie Comics. Simon and Kirby re-imagined the concept with mature stories aimed at adults, primarily women.... Fantagraphics recently collected many of these stories in the handsome hardcover Young Romance: The Best of Simon & Kirby's Romance Comics. Within the true artistic mastery of Kirby becomes evident. The same man, well known at the time for his bombastic stories, delivers these subtle, very human tales of angst, betrayal, and of course love. The volume's essays place these tales within the proper historical context. The beautiful reproductions were completely restored and unlike some of the Marvel Kirby reprints, nothing was recolored." – Rick Klaw, The SF Site: Nexus Graphica
• Interview:Drew Friedman writes us: "I wanted to share. This is the new online issue of INK, SVA's Student run comics mag, featuring an interview with me, also an article about WFMU radio's connection to cartoonists. This is pretty impressive I think. Enjoy!"
• Interview:Robot 6's Tim O'Shea has a Q&A with Kevin Huizenga: "Seems to me like you’re doing something wrong as a writer if you’re not affected or surprised by your own work. But it’s not something to talk about. You’re not supposed to laugh at your own jokes. The author at his desk, deeply moved by his own work is a pretty funny image."
• Scene: "In the exhibition, titled, 'Modern Cartoonist: The Art of Daniel Clowes,' we find the artist revealing the weird underbelly of America through quick and methodical strokes of a pen. Furrowed brows, sneers, and nervous beads of sweat accompany many of Clowes' odes to anxiety, causing us to acknowledge the strange and desperately sad state of his characters, who are striving to fit in." – Kathleen Massara, The Huffington Post
What happens when you have to miss a couple of days of the comics internet is that it takes you almost the whole rest of the week to get fully caught up on Online Commentary & Diversions:
• List:Library Journal's Martha Cornog gives a nice shout-out to Carl Barks and recommends Oil and Water by Steve Duin & Shannon Wheeler as one of "30 Graphic Novels for Earth Day 2012": "Wheeler’s atmospheric, ink-washed greys capture eccentric residents from crabbers to a pelican-rescue team, and Duin’s script catches the ironic resiliency of people exploited by the very industry that feeds them.... Valuable for high schoolers and adults as a glimpse into the crisis, and for general sensitization to environmental issues."
• Review: "When I brought Pogo home from the bookstore on a Sunday afternoon, I called my daughters over, and we lay on the floor in the living room and read it together. I read it aloud, because half of the fun of Pogo is hearing the fantastic dialogue penned by Kelly, and my daughters loved it. I’m sure there were things that went over their heads — jokes that rely on experiences they haven’t had, references to past events, wordplay that’s a little too sophisticated. But the beauty of the strip is that does work on so many levels. There’s slapstick humor, cute little talking animals, and keen observations on the human condition — the last made easier to swallow perhaps because the characters aren’t people, as human as they may be." – Jonathan Liu, Wired – GeekDad
• Review: "[Jason] populates his tales with brightly clad cats and dogs and ducks, but their misbehavior is unmistakably human.... [Athos in America] is... consummately worth reading for its three gems: the lovely title story, the self-portrait 'A Cat From Heaven' and the wonderful 'Tom Waits on the Moon,' in which Jason carefully maps the crossed paths of four lonely people." – Sam Thielman, Newsday
• Review: "Despair threatens to overwhelm the creator’s usual tales of longing [in Athos in America]. In 'A Cat From Heaven,' his characteristic unrequited love story gives way to a somewhat depressing look at a self-absorbed cartoonist named Jason’s bitter relationship. Mercifully, the rest of the collection is a little more playful, from a couple noir parodies to the highlight, 'Tom Waits on the Moon,' in which four solipsistic stories converge in a tragic act." – Mike Sebastian, Campus Circle
• Review: "The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics is a wonderful book collecting the best stories of the beginnings of a favorite comic book genre — and I can’t emphasize this enough — it’s put together by people who know what they’re doing. Plus, it’s designed to fit on your bookshelf right next to your MAD Archives volumes. I can’t believe that you haven’t already picked this up! Are you unsane?!?" – K.C. Carlson, Comics Worth Reading
• Review: "If [Wandering Son] Vol. 1 was a masterclass in people not wanting to accept the status quo within their own minds, Vol. 2 shows the uncertainty of the waiting world. The way that Nitori and Takatsuki fumble forward with no plan is painful and endearing. They know the two of them are better together but there’s the problem of dealing with classmates, family and teachers. It’s not easy and well done to Takako for not short-circuiting the process. It’s not easy writing characters in distress but it’s wonderful to read it. If you can recognise the character’s pain and sympathise despite your differences, it proves you’re human and so is the author.... So much of what we read is a kind of literary false economy. We put in so much and get so little out of it. Wandering Son asks so little of you and you get so much out of it.... It is a wonderful, sweet, heartbreaking window into being different, young, unsure, afraid and human." – Eeeper's Choice
• Review: "[The Man Who Grew His Beard]’s a big batch of critic-friendly comic strips, comics which resemble curios excavated from some none-too-defined European past and more often than not have all the daring shallow-space visual syntax of a Garfield strip. They’re less stories than contraptions that wear their artifice and structure on their sleeve, like those medieval homunculi which transparently show their cogs and mechanisms while making their programmed movements." – Rich Baez, It's Like When a Cowboy Becomes a Butterfly
• Review: "Action! Mystery! Thrills!... beautifully resurrects all the Golden Age favorites, from superheroes to killer robots to cowboys and occult Nazis. This time capsule collection of cover art spans from 1933-45... An index in the back gives the fascinating stories behind the covers, while the full-page, color reproductions reveal them for what they are: works of art." – Mike Sebastian, Campus Circle
• Review: "Primarily known for his ghoulish comic strips in Playboy and The New Yorker, Gahan Wilson showed his tender side (kind of) with Nuts. Originally a series of one-page vignettes running in National Lampoon, Nuts is presented here in its entirety as a classic warts-and-all reminiscence of childhood, from sick days to family gatherings, the joys of candy to the terrors of the dark basement." – Mike Sebastian, Campus Circle
• Review: "R. Crumb hit it big in the ‘60s alternative Comix scene with his creation of Fritz the Cat (originally conceived as an adolescent). The feline protagonist remained Crumb’s avatar for lambasting American culture until a lackluster film adaptation prompted some divine retribution from his creator. The Life and Death of Fritz the Cat collects all of Fritz’s essential stories." – Mike Sebastian, Campus Circle
• Awards:GalleyCat reports that Author Kathryn Kuitenbrouwer, contributor to Significant Objects, has won the $1,000 Sidney Prize, which rewards "the author of the best new American story," and has a link to an excerpt from the winning story
• Opinions:Robert Crumb's got 'em! In the third installment of the "Crumb On Others" series, he lets you know exactly what he thinks of a bunch of prominent personalities, from Hitler to Ghandi (in whose homeland Crumb can be seen above) and from Kurtzman to Van Gogh
• Interview: When The Comics Journal posted the Q&A with Bill Griffith conducted by Gary Panter, I called it the must-read of the day, and it still stands as your must-read of the week: "I’ve only taken LSD twice in my life. Once on the beach in Martha’s Vineyard in 1967, which was pleasant, but not ego-shattering or anything. And once in New York after I’d started doing comics. All I remember about the second time was, I got hemorrhoids."
• Interview: Who better to talk to Matthias Wivel, editor of our Scandinavian comics anthology Kolor Klimax, than Steffen Maarup, editor of our Danish comics anthology From Wonderland with Love? A taste: "Putting together a good anthology is similar to making a good mixtape. Whatever the individual merits of a piece, it won’t do to include it if it doesn’t somehow work for the anthology as a whole. There has to be a consistent idea or tone to the book, which doesn’t mean that there can’t be dissonance — there’s some of that in Kolor Klimax, and I think for the better — but the individual parts still have to generate something greater than their sum. It’s incredibly difficult to achieve, but also a lot of fun." Read more at The Metabunker
• Review: "Besides a particularly gleeful dark humour, this collection of short stories by Norweigan artist Jason [Athos in America] is tied together by a certain obsession with Hollywood genres: science-fiction and crime are the main targets, and Jason infuses them with both a slightly tweaked pathos and a taste for melancholy macabre. His drawing style is sparse and uncluttered, but that works something like keeping an even tone during a dry remark: his punchlines and gut-punches are that much sharper for having played it cool. All of these stories have an underlying sadness — something that seems to stem from the bleak futility of all our existence — but the best has to be 'Tom Waits on the Moon,' four seemingly unconnected vignettes that ruminate on various relationship troubles before tying up in [a] surprising and funny end. That’s not to discount any of these, though: this is just fantastic stuff for sad bastards and the people who love them." – David Berry, National Post
• Review: "I’m going to go out on a limb and assume anyone reading a review of comics is aware enough of Walt Kelly’s landmark Pogo series that they don’t need much in the way of description, but suffice to say that any strip artist worth their salt has taken serious cues from Kelly’s rich dialogue, playful illustration and at-times fierce politics. This first edition, which features for the first time full-colour Sunday strips, definitely leans towards the sweeter side, but there’s simply no denying Kelly’s mastery: he evokes full characters with nothing but a few choice words, and the sprightliness of his visual style is all fun here, laying the groundwork for what would become profoundly subversive later. The included essays, as is usually the case for Fantagraphics reissues, absolutely nail the context and import of the strip, too. I just don’t think you can say you love comics and not have this around." – David Berry, National Post
• Review: "[Action! Mystery! Thrills! Comic Book Covers of the Golden Age] is a fucking mind blower for me since it's just full-size reproductions of cover art of the most important comic book issues you never saw, printed on glossy paper with information about what makes them so special on the back.... The brain of the casual art looker or person who thinks comics are a genre and not a medium will look at this stuff and try to make it ironic or perverse. To appreciate the work in this book you have to turn off those parts of your cynicism and open whatever part of yourself receives beauty. America's golden-age comic books are some of the greatest art our country has produced." – Nick Gazin, VICE
• Review: "Nearly every cover in this collection [Action! Mystery! Thrills! Comic Book Covers of the Golden Age 1933-45] sizzles like a good slice of breakfast bacon. Pop art and the peculiar modernist aesthetic that defined postwar American culture really started here, with the liberation of comics from the funny pages and their metamorphosis into this most dynamic and demented of mediums. As a result, every deli and newsstand in America became its own peculiar gallery exhibit, a nexus of transient mass culture. This magical and immersive communion is now a thing of the past, but flipping through the gory, scary, and often beautiful pages of this discerning and honest anthology is an intoxicating experience." – Publishers Weekly
• Review: "If you think you've seen all the best early comic covers, this'll make you think again.... I have a bias here myself...I helped Greg put parts of this together, with rare and fun covers from my own collection. Here you find the really cool and offbeat stuff... And Greg writes a concise bio of every cover and cover artist, putting each in perspective. I can't wait to show this to my Golden Age collecting buddies, it's a must-have book. You have my word on it." – Bud Plant
• Review: "...[N]o publisher has done more to preserve the Great American Newspaper Strip than the Seattle-based Fantagraphics, which has undertaken an audacious program of reprints in the last decade.... The most recent addition to the Fantagraphics line is the most anticipated: Walt Kelly’s unassailable funny-animal strip about Pogo the possum and his cadre of friends and antagonists in the Okefenokee Swamp. ...[I]f the company can pull off a complete edition of Kelly’s masterpiece — especially a full series as lovely as the first volume promises — ...it will be a publishing masterpiece of its own." – Matthew Everett, MetroPulse
• Review: "Is Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 the coolest book ever published? Yes, it is. Just out from the stellar Seattle publisher Fantagraphics, Listen, Whitey! is a gorgeously designed and smartly written coffee table book... Author Pat Thomas has done major archeological work to unearth albums from the era; for people like me who love classic record designs from the 1960s and ’70s, it’s heaven.... The book is a joy to leaf through.... Black music, art, and culture has been assimilated, and it’s made America a better, stronger place. Listen, Whitey! is an archival project, not a modern one. To which I, a white guy, can only say: Right on!" – Mark Judge, The Daily Caller
• Review: "The page in [The Cabbie Vol. 1] where the cabbie brings his father’s sewage covered remains home and puts them in what’s left of the coffin and then puts the coffin on top of his mother’s recently deceased body tells you everything you need to know. Unless you’re a Prince Valiant dude, this is the best reprint of the year. Impregnable would be the best word, EXCELLENT! will have to do." – Tucker Stone, Savage Critics
• Review: "Prince Valiant Vol. 4: 1943-1944 is not only a great book, I think it could also serve well as a good jumping-on point for those curious about the strip. By this point Foster has gotten a strong grip on his characters and the format of the strip, and with a new storyline beginning so early on in this volume you don’t have to worry about being lost. And while this volume doesn’t end at a conclusion for the last storyline (running a whopping 20 months in all, as it turns out, only the first 7 months are present here), there’s so much meat here that you’ll be eager for Prince Valiant Vol. 5 so you can find out how it ends. I, for one, can’t wait." – Greg McElhatton, Read About Comics
• Review: "Are you a fan of Ghost World? You might not have noticed that Seattle-based Fantagraphics has reduced the price of their Ghost World: Special Edition to a bargain-priced $25.... The Special Edition is packed with goodies sure to thrill the Ghost World geek.... It’s a great item to add to your Ghost World collection — or to get it started." – Gillian Gaar, Examiner.com
• List: Gustavo Guimaraes of Brazilian culture & entertainment site Ambrosia names "The best comics published in the U.S. in 2011 - Alternative and classic," including Congress of the Animals by Jim Woodring (all quotes translated from Portuguese)...
"The world created by Woodring is unique, beautiful and scary. His stories can be incomprehensible at times, but always intriguing and charming."
"Sala's characters look like something out of old horror and mystery movies, and his plots possess a rare levity for narratives of the genre. The colorful art makes the his twisted drawings even more attractive."
"Walt Kelly was a complete artist, his drawings were graceful, his stories were simple and fun while at the same time provoking the reader with hints of metalanguage and political content. His writing was faceted with the sensibility of a great satirist."
"A masterpiece of old adventure comics continues today thanks largely to Foster's fantastic realistic art. Landscapes and epic battles are played to perfection by the author, turning the limited space of each panel into a window to a world where historical characters live with mythological beings. Careful printing in oversize hardcover as well as meticulous reproduction of the beautiful original colors make this collection from Fantagraphics a model for classic comics publishing."
"Even if you already have all of Carl Barks' comics of you will want to buy this book. It is the first time that these comics are being reissued with the original colors, digitally restored. This deluxe edition, with hard covers and high-quality paper, includes articles on all the comics collected in the volume."
• Review: "To say that it has been worth the wait is wild understatement. Pogo Through the Wild Blue Wonder is beautifully produced — no surprise to anyone familiar with the work of Fantagraphics Books in Seattle — and a joy to read. It comes as a genuine gift to anyone who loved Pogo and, it is to be hoped, as an introduction for younger readers to what many people believe was the best comic strip ever drawn in this country." – Jonathan Yardley, The Washington Post
• Review: "Wilson's genuine bravery, as this strip makes clear, is not that he set himself up as a rival to Charles Schulz but rather the directness with which Nuts confronts genuinely painful and baffling topics like sickness, mental illness, and death. When dealing with master artists, any ranking becomes absurd because each creator is memorable by the individual mark he or she leaves. So let’s leave Peanuts comparisons aside and say that Nuts is one of the major American comic strips and we’re lucky to have the complete run in this handsome, compact volume." – Jeet Heer, The Comics Journal
• Review: "Jacques Tardi’s interpretation of Jean-Patrick Manchette’s book [Like a Sniper Lining Up His Shot] is an intense and shocking thriller.... Dark, brutal and uterly compelling, classic thriller fans should lap this up. Put a few hours aside before picking it up though, because you won’t want to put it down and it’s a feast worth savouring." – Grovel
• Review: "I gave Roy Crane’s Captain Easy, Solder Of Fortune: The Complete Sunday Newspaper Strips Volume 1 1933-1935 a good thumbing many, many times before picking it up. The artwork was too simple, the stories silly. One day in my local comic shop with nothing new to read I picked it up. What I failed to comprehend as I stood in the comic shop flipping pages in this book is that Crane chose the elements of his strip carefully, especially those I dismissed it for. Simple character design, bright colours, fictional locations and action with a sense of humour. After finishing the volume I applaud his choices." – Scott VanderPloeg, Comic Book Daily
• Interview (Audio):The Comics Journal presents a recording of the Jack Davis interview conducted by Gary Groth and Drew Friedman at last month's Brooklyn Comics & Graphics Festival (posted here after a slight delay due to technical audio issues)
• Interview:Culture Brats has "Seven Questions in Heaven" with Esther Pearl Watson: "Even though now I have a huge collection of mini-comics, I try not to look at other comic artists as influences. They draw too nice, or have their thing down. Comic storytelling styles can be as individual as fingerprints. We spend years creating our own narrative language. Instead I look at naive drawing and self-taught artists to de-skill."
• Conflict of Interest: Our own Larry Reid names Love and Rockets: New Stories #4 one of his favorite comics of 2011 in a guest column at Graphic Eye: "The conclusion of Jaime’s poignant 'Love Bunglers' story alone made this book essential reading in 2011. Almost unfathomably, Love & Rockets keeps getting better with age."
• List:Publishers Weekly announces the results of their 2011 Comics World Critics Poll, with these titles garnering 2 votes each...
"Love and Rockets: New Stories Vol. 4, Gilbert Hernandez and Jaime Hernandez: Jaime Hernandez tops his 30 years of peerless storytelling with the conclusion to 'The Love Bunglers' in which two characters we’ve watched stumble through life make a final lurch — that may bring happiness or doom. Heartbreaking yet without a trace of manipulation." – Heidi MacDonald
"The Man Who Grew His Beard, Olivier Schrauwen: This graphic novel is exceptionally inventive, with each story being so very different from the one before." – Glen Downey
...and the following books receiving an Honorable Mention with one vote each:
• Review: "As [Wandering Son] volume 2 closes, the idyllic childhood Shuichi and Nitori have shared thus far, surrounded by exceptionally supportive family and friends, is showing signs of being breached by thoughtless outsiders.... In the insightful, not-to-be-skipped final essay, 'Transgendered in Japan,' translator (and manga scholar) Matt Thorn writes, 'Shuichi and Yoshino are coming of age, not in an idealized fantasy world, but in a contemporary Japan that poses unique challenges to children such as these.' Indeed, to quote a popular film, 'reality bites,' but in creator Shimura Takako's sensitive world, Shuichi and Nitori have better than a fighting chance at becoming strong, confident adults." – Terry Hong, BookDragon (Smithsonian Asian Pacific American Program)
• Review: "In spite of its depressive mood (you know, with it being about the end of the world and such), The Hidden exemplifies the effectiveness of Sala's application of a 'less is more' visual style to broad, complex stories.... I can't recommend Sala's books enough, and The Hidden is one of his best works to date. Be sure to pick up a copy if you're looking for something more than global plagues and cannibalistic zombies in your world-ending entertainment." – Tim Mitchell, Titans Terrors & Toys
• List/Plugs: Andy Mansell of Heroes Aren't Hard to Find names a handful of "creme de la creme," "must-have" classic comic strip collections from 2011: "Do yourself a favor – next time you are in the store take a few moments and pick up a copy of Lost in the Andes or Pogo, either Mickey Mouse collection, ...[and] flip through it. Read a few strips.... These are rich, beautiful books and they deserve to be read by everyone."
• Plug:The A.V. Club's Oliver Sava provides a guide to "What makes a good all-ages comic," saying "Animation-inspired art remains the most popular choice for an all-ages series... Carl Barks’ work with Disney’s duck characters is the pinnacle of this school: Barks’ experience as a Disney animator honed his talent for creating sprawling environments and distinct characters that are instantly charming and incredibly rich. Fantagraphics just published its first hardcover collection of Barks’ classic stories, Donald Duck: Lost In The Andes, a beautiful package collecting some of Barks’ most memorable duck tales."
"...[T]his dark, disjointed story about an assortment of misfit suburban characters plagued by bad luck and their own poor choices is a compelling, bitterly funny read... Despite its obvious influences King never feels like a pale imitation, especially in the second volume, where the ante is upped considerably, both on an aesthetic and narrative level."
"Color Engineering author Yuichi Yokoyama got all the attention this year, but to my eyes Schrauwen is just as innovative and wholly original a cartoonist as Yokoyama. The main difference between the two is that where Yokoyama is focused on expressing motion, machinery and discovery, Schrauwen prefers to explore differences in perception, especially between reality and that of the imagination.... Incredibly inventive and at times darkly funny, Beard is the work of a master cartoonist worth more attention."
• List: Carol Borden of The Cultural Gutter names The Hidden by Richard Sala as one of "10 Comics I Liked in 2011": "The world is ending in madness and blood, as a bearded man flees to the countryside. But what does he know about the end and why is it mostly nubile young women who are being killed? Another tale of mayhem, mystery and mad science from Richard Sala."
• Review: "This volume [of Wandering Son] is absolutely wonderful. It has an overall very gentle feel to it, but it’s punctuated by moments of cruelty and sadness.... It’s a rare thing to get such simple realism in a manga, and Takako handles it exquisitely.... This series can be really harsh at times, but there are some great heartwarming moments, as well. That’s what makes it great." – Kristin Bomba, ComicAttack.net
The first Online Commentary & Diversions post of the year might very well end up being the longest:
• List: Humorist and television personality John Hodgman, asked to name his 5 favorite comics in an open Q&A session on his Tumblr blog, says "Love and Rockets: I don’t like to choose between brothers, but Jaime Hernandez is one of the greatest drawers of human faces and human want on the planet."
• List:Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks is #39 on The A.V. Club 's list of "most anticipated entertainments of 2012": "Only a Poor Old Man will bring Scrooge McDuck, possibly Barks’ greatest creation, into the spotlight. The bespectacled miser will dive around in his money bin and burrow through it like a gopher, and his timeless adventures will get the treatment they deserve."
• List: Tucker Stone, whose Best of 2011 previously appeared at comiXology, presents a slightly modified list for Flavorwire's "10 of the Year's Most Buzzed-About Comic Releases":
"Last year’s Love and Rockets was a huge deal, but this year’s installment is arguably even better.... Comics has yet to provide Love and Rockets with anything approximating 'competition,' but it doesn’t appear that the Hernandez brothers have any reason to be concerned about that quite yet. They’re still way better at this than everybody else on the planet."
"The big thing this year was watching all the great young cartoonists of the early 2000s carving out their places in the pantheon. Huizenga’s a perfect example — he’s been regularly turning out excellent comics for years now, and yet Ganges #4 still reads like a revelation.... It’s a fascinating experience reading these comics, and they’re gorgeous to boot."
"The continuing adventures of Johnny Ryan’s most violent fantasies run amuck, [Prison Pit] is rapidly becoming the comic that I look forward to the way a fat kid looks forward to syrup-encrusted cake. There’s no getting around the hoary old cliche — 'these aren’t for everybody' — so God help you if you can’t figure out a way to enjoy these books."
• List: The prolific Sean T. Collins, after having contributed to CBR's Top 100, runs down his personal 20 Best Comics of 2011 on his Attentiondeficitdisorderly blog AND at Robot 6, withGanges #4 by Kevin Huizenga at #15...
"Huizenga wrings a second great book out of his everyman character’s insomnia. It’s quite simple how, really: He makes comics about things you’d never thought comics could be about, by doing things you never thought comics could do to show you them. Best of all, there’s still the sense that his best work is ahead of him, waiting like dawn in the distance."
"...[T]he payoff... feels like a weight has been lifted from Woodring’s strange world, while the route he takes to get there is illustrated so beautifully it’s almost superhuman. It’s the happy ending he’s spent most of his career earning."
"Religious fundamentalism... has worn a thousand faces in a millennia-long carnevale procession of war and weirdness, and David B. paints portraits of three of its masks with bloody brilliance. Focusing on long-forgotten heresies and treating the most outlandish legends about them as fact, B.’s high-contrast linework sets them all alight with their own incandescent madness."
"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!' In a year suffused with comics funneling pitch-black darkness through a combination of sex and horror, none were blacker, sexier, or more horrific than this gender-bending exploitation flick from Beto's 'Fritz-verse.'"
"...[L]et's add to the chorus praising Jaime's 'The Love Bunglers' as one of the greatest comics of all time, the point to which one of the greatest comics series of all time has been hurtling toward for thirty years.... You can count the number of cartoonists able to wed style to substance, form to function, this seamlessly on one hand with fingers to spare. A masterpiece."
"The hype and acclaim surrounding Xaime Hernandez’s conclusion to his 'Love Bunglers' saga has been overwhelming, and every ounce of it is deserved. This is simply a phenomenal achievement in comics. A moving, thoughtful story of missed opportunities, loss and eventual reconciliation that provides in many ways a fitting conclusion to all of Xaime’s 'Locas' stories. I’d be hard pressed to think of a better comic that came out this year."
"More than the new Carl Barks collection, more than the return of Pogo, the resurrected, re-appreciated comic strip I found myself falling in love the most with this year was Gottfredson’s plunky, adventure-loving mouse, a scrappier version of Disney’s iconic creation. More to the point, I was completely taken with the stunning packaging and background information Fantagraphics and the books editor put together for this series. It’s new benchmark for reprint projects."
"Three volumes into this grand guginol series and it continues to surprise and delight, this time introducing a new character and suggesting via an end sequence that Ryan has been reading a lot of Fort Thunder comics."
"Incredibly inventive, Schrauwen, like Yokoyama, seems intent on pushing the comics medium into new and interesting directions. But where Yokoyama is concerned mainly with motion and exploration, Schrauwen is concerned mainly with perception and the interior world of the mind. This is great, mind-blowing work."
• List: Also on Robot 6's roundup of best-of lists from its writers, Tim O'Shea ranks Pogo Vol. 1 at #9: "Damn if this was not worth the wait... Volume 1 of the complete syndicated daily strips of Pogo would be enough to put this book on my list. But the fact that Fantagraphics has a foreword by Jimmy Breslin; an introduction by Steve Thompson; a piece on the Pogo Sunday Funnies by Mark Evanier; and Swamp Talk (R.H. Harvey annotations on the strips) is just icing on the cake."
• List: David McKean's Celluloid gets a "See Also" shout-out on Cyriaque Lamar's list of The Best Science Fiction and Fantasy Comics of 2011 at io9: "A decidedly adult erotica graphic novel with no dialogue, this is the famed Sandman cover artist going at page after page of a sexy hallucination, whipped up by a magic porno movie projector. Dreamscapes with boners."
"After 'Browntown' in last year’s installment of New Stories, there was a worry that Jaime might have peaked — how on earth was he going to top that story? The achingly beautiful conclusion to 'The Love Bunglers' in this volume was the answer. Pulling together strands from Maggie’s entire 30-year history in two pages was nothing short of stunning, with his art as cooly confident as ever, making it a real emotional sucker punch. Gilbert’s work developing Fritz’s movie back-catalogue is a real mind-bender, too, weaving inter- and meta-textual strands together that lets his characters say so much, while saying so little. It is terrifying how talented these guys are."
"Forget Pogo and Carl Barks — we already knew they were classics — the real reprint revelation of 2011 was good ole' Mickey Mouse.... To read these strips is to rediscover a love for Mickey and marvel at Gottfredson's amazing grasp of storytelling and humour, as well as his flawless artwork. Naturally, with Fantagraphics overseeing the reprints, the design, packaging and presentation is gorgeous — a real worthy successor to their Peanuts series."
• Plug: "I’m a little mortified to admit that Walt Disney's Donald Duck: Lost in the Andes is my first exposure to Carl Barks (after decades of being interested in finally seeing why he’s so revered as a comic creator), but it definitely won’t be my last. Fantagraphics’ first volume of Barks material is a great place to start; a mixture of epic quests, short stories, and gag strips that are all impressively funny and awesome." – Greg McElhatton, Robot 6
• List: On his Domino Books blog, Austin English explains why Joyce Farmer's Special Exits is his favorite comic of 2011: "Farmer's cartooning allows for her characters to act out their illness and struggles in front of the reader. Farmer's drawing of her aging father is something to behold — it's not Farmer saying 'here is what my sick father went through.' Instead we see a drawing age and wither in front of us, and speak to us with both intelligence and dementia. I’ve never seen anything in comics done with such skill — let alone see a graphic novel (often the territory of poorly conceived topical heart wrenchers) speak about tragedy with so much depth and clarity."
• List: Comics writer Vito Delsante declares Love and Rockets: New Stories #4 the Best Single Issue of 2011 on his Best of 2011 blog post: "The Hernandez Brothers, since New Stories 3, have really created the most important mythology in comics since Stan and Jack (and Steve).... Jaime Hernandez should win every single award in comics in 2012."
• List: We rank 4 entries on Renee Lott's Top 10 Comics of 2011 at her Blogwithfeet
• Review: "I've been digging the new Fantagraphics release Jason Conquers America which commemorates ten years of the venerable publisher's relationship with the Norewegian artist.... My favorite story in the collection revolves around a crow who naps in a bed in a field and wakes up obliviously in an entirely new life. (Telling any more would spoil the revelation.) In 23 short wordless panels, Jason creates a powerful and compelling commentary that proves how powerfully expressive comics can be." – Stray Riffs
• Review: "A new comic from the top humorist in comics is always welcome. This issue [of Tales Designed to Thrizzle] is the usual combination of dada and surprisingly tightly-wrapped narrative gags surrounding the sort of cultural detritus mined by Drew Friedman & Mark Newgarden.... 'Quincy, M.E.'... is one of Kupperman's best strips because he keeps adding new layers of plot to an already-ridiculous story.... I still miss the sheer density of detail in Kupperman's older work that made reading it almost exhausting, but the avalanche of ideas remains intact, as does his ability to elicit laughs." – Rob Clough, High-Low
• Review: "...Prison Pit... [is] a marriage of pro wrestling, manga, bromance and filth.... Johnny Ryan has an almost Kirbyesque level of character design, but with obviously more genitalia, and it can at times be a joy just to see what is going to come on the next page.... Johnny Ryan is a cartoonist at the top of his game right now and he may just be the closest thing the comic world has to marmite." – Taylor Pithers, The Weekly Crisis
• Interview:The Comics Reporter's Tom Spurgeon talks with Todd DePastino, biographer of Bill Mauldin and editor of our Willie & Joe books. Spurgeon says Willie & Joe: Back Home is "one of my three favorite comics-related books from 2011, and, I think, one of the year's best." From DePastino: "When I look at these cartoons, I think of literary critic Dominic LaCapra's claim that some books are good to think about and a very few are good to think with. Mauldin's postwar cartoons are good to think with. They not only provide a window to the times, like, say, good photographs or reporting might, but they also raise fundamental questions and issues that are with us still."
• Review: "These comics are beautiful. Each single-panel comic is blown up to a full page, so that Mauldin’s artistry can truly (and easily) be admired without squinting. The sentiments expressed are astonishing and bravely progressive for the time.... I’d never thought or heard about the poor reception combat vets received after WWII. (I mistakenly thought that only happened to our soldiers after the Vietnam War.) I wish I knew what they experienced. I’ll settle for giving [Willie & Joe: Back Home] to the next WWII vet I meet and hope that it sparks a conversation." – Gene Ambaum, The Unshelved Book Club
• List:Love and Rockets: New Stories #4 is ComicsAlliance's Best Comic of 2011, with Jason Michelitch saying "The final 15 pages of 'The Love Bunglers' isn't just the end of a great new issue of a Bros. Hernanadez comic book. It isn't just the sixth part of a fantastic serialized graphic novel that's run since last year. It is the culmination of nearly thirty years worth of nuance, gesture, shading, pacing and dialogue — of angst, mania, fear, friendship, anger, and love. It is the finale to an epic of human scale feeling and drama. It is heart-stopping."
• List: Matthew Price of The Oklahoman names Love and Rockets: New Stories #4 the Best Graphic Novel of 2011: "The Brothers Hernandez are some of the best cartoonists in comics' history, and Jamie Hernandez has one of the high points of his career in Vol. 4 of 'New Stories.'... Gilbert's visceral tale satirizes a societal obsession with vampires by showing their messy, unforgiving side."
• List:The A.V. Club's Noel Murray names The Best Comics of 2011: Graphic Novels & Art Comics in several subcategories. In Original Graphic Novels Mark Kalesniko's Freeway comes in at #4...
"Kalesniko’s animation-influenced style makes Freeway a fluid read, as he emphasizes motion, in striking compositions that guide the eye across the page smoothly. The plot moves just as freely, as Kalesniko renders both the exterior and interior spaces of his protagonist with a mix of loving care and impassioned disgust."
"Farmer jumps between matter-of-fact details and amusing anecdotes about the grind of end-of-life care, while turning the book into a celebration of two people: her father, a cheerful man so determined not to complain that he let serious health problems slide for months; and her stepmother, a steadfast woman whose pragmatism warred with her vanity. The book depicts old age as a wild, lurching ride: from medical crises to euphoric nostalgia to an eerie calm as the end draws near."
"Anyone who’s alive in the world should be moved by this story’s depiction of life as a series of accidents, miscommunications, and embarrassments, which sometimes work out okay regardless. 'The Love Bunglers' is rich with hidden meanings, complicated ideas and superior artistry."
...and Kevin Huizenga's Ganges #4 in the #2 spot...
"The fourth issue of Kevin Huizenga’s Gangescontinues the artist’s increasingly masterful hybrid of direct storytelling and experimental abstraction... The story suits Huizenga’s style, because he can both document the familiar minutiae of daily life and the sense of unreality that takes hold whenever someone is up half the night. Huizenga works in visual motifs of endlessly branching possibilities and spiraling shapes, showing how becoming 'lost in thought' can be terrifying."
"...Lost in the Andes encourages both fannish and intellectual approaches to the material. There are scholarly analyses and bibliographies, but also more than 200 pages of some of the best-written comics ever published, full of square eggs, rubber bricks, golden Christmas trees, and races around the world."
"The early Pogos aren’t as topical as what would come later, when Kelly would become a hero to the counterculture for taking on McCarthyism and promoting ecology. Mostly, these strips establish the world of the Okefenokee Swamp and the animals who dwell there, with Pogo the possum standing as the calm center of a cast that includes the dim Albert Alligator, the not-as-bright-as-he-thinks Howland Owl and the misanthropic, hilariously humorless Porkypine."
"The cartoons in Willie & Joe: Back Home capture Mauldin at a low ebb personally, but ferociously inspired professionally. Over the objections of his editors, Mauldin drew cartoons about estranged wives, limited employment opportunities, heartless fatcats, and an America more petty, materialistic, and xenophobic than the one they’d left behind... Today they’re a blistering reminder that life after WWII wasn’t all suburban bliss and baby boom."
"The highlight of the volumes are the strips themselves which are a lot of fun and show an adventurous side to Mickey that may come as a surprise to those who only know the modern Mickey. It’s also fun watching Gottfredson develop as an artist and storyteller as the strips progress. In addition to the comics there are essays examining the stories, the creators involved (the comics were often inked and scripted by others), and the characters themselves. This series is a long overdue look at one of comics legendary creators and their work."
"...[T]his book is so great and contains all the things you would want from a career retrospective from Jack Davis. Jack Davis is one of America's great illustrators whose career started in the late 1930s and continues to this day. That's fucking insane to think about.... Like I said, this book delivers the goods in a big way. It's 13 inches tall so you can really sink your eyeballs' teeth into the images."
"This issue of Tales Designed to Thrizzle starts out with stories based around the idea that bathtubs are evil or haunted, possibly based on childhood fears of getting sucked down the drain or something. Doesn't matter, it's hilarious even if it's based in absurdity. After that there are comics with funny dialogue about Quincy and St. Peter and Reservior Dogs II that all keep referencing back to the previous comics and have a dreamy feel, but if your dreams were hilarious.... A bunch of stuff is thrown your way in this issue and when it's over you think, 'I liked that. I feel satisfied. Mmm-MM!'"
• Review: "[Wandering Son] has a very well-thought, carefully paced narrative that allows us to explore what goes on inside each character’s head and to watch them develop as people. It’s much more a quiet slice of life affair than it is an over-the-top comedy and/or drama, which might be something you’d expect from a manga featuring cross-dressing... [T]his hardcover book... represents a sophisticated side of literary manga. Translated with rare skill and sensitivity by veteran translator and comics scholar Matt Thorn, much of the story’s original flavour remains intact. Shimura Takako’s gender-bending story has a very quiet, introspective touch to it, and her artwork – with its clean lines, minimal backgrounds and sparse dialogue – beautifully reflects this." – Sean A. Noordin, The Star (Malaysia)
• Review: "Fantagraphics here in the states once again has begun to unearth [Tardi's] body of work into the North American light, the first volume of The Extraordinary Adventures of Adèle Blanc-Sec being another fine edition produced in the best quality possible.... Does it sound a little crazy, imaginative, and probably addicting to read? Yes, yes it is. Which is why you need to read this series." – Drew McCabe, Comic Attack
• Plug: "You can’t start the new year without the end of times. Sala’s new book [The Hidden] features his recognizable palette and quirky, gothic font in an adult tale... The post-apocalyptic tale starts with a man waking up to find that everything has gone wrong; sorta a Rip Van Screwed. Great for those who enjoy zombie movies and dystopian books like 1984 or The Hunger Games." – Jen Vaughn, CCS Schulz Library Blog
This is the last week to view the sensational exhibition "Playing Possum: The Pogo Art of Walt Kelly" at Fantagraphics Bookstore & Gallery. The critical and popular response to this show has been nothing short of phenomenal. The exhibition will be on view through next Wednesday, January 4. We'll be open every day 11:30 to 8:00 PM except Sunday, January 1, when we'll be closed for New Years Day.
Kelly's historic strips are being offered for sale at remarkably affordable prices. Several of these wonderful works remain available. If you can't make it to the space, feel free to call Fantagraphics curator Larry Reid at the bookstore at 206.658.0110 for more information. (Download the price list in PDF format.)