Wilfred Santiago's graphic biography 21: The Story of Roberto Clemente has been named a finalist for the CASEY Award for Best Baseball Book by Spitball: The Literary Baseball Magazine! 21 is, as near as I can tell, the first comic to be nominated in the 29-year history of the award, and the trophy is a genuine Louisville Slugger — how cool is that? Congratulations and good luck Wilfred!
40 YEARS AGO… October 13, 1971 Game 4- Pittsburgh Pirates vs. Baltimore Orioles, was the first World Series game held at night ever. Roberto Clemente batted three hits in a Pirates' 4–3 comeback victory! ♥
Above, the triumphant moment of Roberto Clemente's 3000th career base hit, which took place 39 years ago today, as depicted in 21: The Story of Roberto Clemente by Wilfred Santiago. Celebrate the milestone anniversary by curling up with a copy of the book! (Thanks to the ever-vigilant Janice for catching the anniversary!)
Natalia Hernandez, more adorable than three Zooey Deschanels, next to one of her daddy's comics.
Speaking of whom... Partying like it's 1982 (San Diego Comic-Con premiere of Love and Rockets #1, if you'll recall).
It's always sad to see older cartoonists who have become so jaded they can't muster up any enthusiasm when meeting their fans.
Mark Kalesniko, happy to be finally off the FREEWAY (notice clever integration of book title into caption). Also visible, right to left, paying customer, Conrad Groth, Mike Baehr, Eric Buckler, Gilbert Hernandez.
"Well, hello there, do you come here often?" Frank Stack hits on Joyce Farmer by (almost literally) showing her his etchings.
• Review: "...21’s eloquence is visual, and it is a very real eloquence. The character of Roberto Clemente is nearly hugged to death in this particular portrayal: he’s virtuous and charming and earnest and respectful to elders, and thus kind of dull. But the world around him is alive, and Santiago’s expressive (and occasionally, bracingly expressionistic) approach to portraying Clemente’s wild athletic genius ensures that it remains thrillingly present. Santiago’s art is impressively mutable and subtle, with the early scenes in Carolina in particular and the off-field action in general drawn with a clean, evocative realism and the baseball action shading towards the comics-y abstract.... [A] fitting and vital tribute." – David Roth, Los Angeles Review of Books
• Review: "If you're onboard for the third installment of something so purposefully vile as Prison Pit, you know what you're getting into. You're not going to be shocked by violence and gore, but you're still going to have a great time... We get a collection of creatures and monsters beating the shit out of each other in the most juvenile way possible, but Johnny Ryan does such a handsome job of designing these creatures to be as ugly and awful as possible. It's an ugliness that you see in the margins of your seventh-grade notebook when you were drawing pictures of horrible things because this was the only thing that could excite you during social studies or whatever, and it's exciting to look at because you never know what you're going to see next." – Geoffrey Lapid, Death-Ray Ozone
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