• Review: "Whether you want to take a stroll down mammary lane with grandpa or are searching for new pomo tattoo ideas, this omnibus look at the various gagsters that brought their pens and inks to the pages of Humorama's various digests from 1938 until the sexual revolution will give you a window into your sexual soul that you didn't know existed and will finally gives rest to the lie that sex was invented in the 60s.... Whether gag panels or slice of life renderings, this is a loving look back at all the dead trees that wound up hidden in the back of sock drawers of the greatest generation as some of the greatest fantasies of all time got them through several wars. Fun stuff in delightful overdrive." – Chris Spector, Midwest Record
• Review: "I love Santiago’s style and his depiction of Clemente’s childhood in Puerto Rico ... Santiago really captures the feeling of listening to a ball game on a hot summer day, and his story is rich and complex, if flawed. I’m glad I read ." – Brigid Alverson, Robot 6
• Plug: "If you tend to think of Mickey Mouse as nothing more than a bland corporate spokesman, prepare to be both fascinated and delighted by the incredible comic strip adventures of the 30’s by Floyd Gottfredson, collected for the first time in Mickey Mouse: Race To Death Valley, the first volume of hopefully the entire run. Get it! Now!" – Ken Plume, FRED
• Plug:The Beat's Torsten Adair looks forward to Jack Jackson's American History: Los Tejanos & Lost Cause, coming early next year: "Remember all that fuss about R. Crumb’s Genesis? Jack Jackson was doing that sort of thing back in the 1990s. Doing it so well, that the Texas Historical Association awarded him a lifetime fellowship. He produced one of the first underground comics in 1964, and co-founded Rip Off Press. He deserves more attention and recognition from comics fans and historians, and I hope this book does that."
Apologies for the long delay since the last roundup. I enjoy bringing you these posts but lately it's been hard to squeeze them in. I may need to figure out a new approach or something. Anyway, on with the show:
• Hey, a new comic from Jonathan Bennett! Spin commissioned a 2-page strip from Jonathan as part of their commemoration of the 20th anniversary of Nirvana's Nevermind and posted it on Facebook (Via Spurge)
• Review: "Originally appearing from 1958 to 1960, these insouciant, stylish, and thrilling dramas should appeal to readers of all ages. If they don't hook a whole new batch of bande dessinée fans, France needs to take back the Statue of Liberty in a huff.... Both stories zip by with nary a dull patch. Confections lacking in gravitas, they nevertheless own the supreme virtues of lightness and panache. Tillieux's art is always easy on the eye.... If Spielberg is looking for a second franchise after Tintin, he couldn't go wrong with Gil Jordan." – Paul Di Filippo, The Barnes & Noble Review
• Review: "Thanks to well known translator Matt Thorn, this volume is a very smooth read. I don’t often comment on such things, but Thorn took great care in interpreting and presenting this book, and it pays off in a very pleasing flow of text. The art is also quite lovely, very simplistic, and flows well from panel to panel. The color pages in the beginning have a beautiful, water color look to them. Fantagraphics has put out a gorgeous hardcover book with Wandering Son." – Kristin Bomba, ComicAttack.net
• Review: "Fantagraphics’ The Pin-Up Art of Humorama collects hundreds of racy cartoons from the once-ubiquitous tasteless humor mag.... The Fantagraphics edition, edited by Alex Chun and Jacob Covey, 'remasters' these toons with a two-color treatment that really captures the graphic feel of the mouldering pulps that still grace the ends of yard-sale tables in cities across America. It must be said that none of these are very funny, but they’re often quite beautiful and nostalgic." – Cory Doctorow, Boing Boing
• Review: "Every once in a while, a book comes along that is simply spectacular. This collection of [Mickey Mouse] comic strips by Floyd Gottfredson is a perfect example of how to present, analyze and reconstruct subject matter that is viewed differently today. The series editors (David Gerstein and Gary Groth) pull no punches in discussing why Mickey was carrying a gun or the use of slang that is noticeably offensive by today's standards. This is a wonderful vehicle for presenting historically accurate art. Other companies should take notice.... This is a stunning work. The historical presentation is flawless, as is the artwork." – George Taylor, Imaginerding
• Review: "[In Celluloid], McKean is attempting to subvert hardened notions of both comics and pornography. It's a book that gets the blood racing just as it raises questions that just won't go away about the nature of art, porn, and the male gaze.... By painting an erotic sequence with a surrealist's brush, McKean reveals the raw sexual current that underscores all pornography." – Peter Bebergal, Bookslut
• Review: "An unapologetically hard-core hardcover, Celluloid follows a young woman’s sexual epiphany... and feels almost like a silent, erotic Alice’s Adventures in Wonderland, with the White Rabbit and the rabbit-hole replaced by an ancient movie camera and a doorway to…somewhere else. By itself, typically, McKean’s technical mastery (beginning with pen and ink and finishing with photography) steals the breath away; ditto his visual motifs — involving fruit, say, or eyes. A bravura performance, Celluloid (which ends, by the way, with signal wit) constitutes an astounding fusion of the Dionysiac and the Apolline, in Nietzschean terms, and less invites reading than demands rereading." – Bryan A. Hollerbach, PLAYBACK:stl
• Review: "In the oneiric power of his work as a writer/artist, Jim Woodring enjoys few rivals in contemporary comics... Within the first ten pages of Congress of the Animals, calamity literally descends on poor Frank in the form of a wood-boxed croquet set. In the next ten, our bucktoothed, bobtail boyo suffers both a labor dispute and a credit crisis, and thereafter, in the U.S. in 2011, it should come as no surprise that things fast go from bad to worse; just for starters, Frank has to enter the working world. Ameliorating all of his tribulations, at least from readers’ vantage, are his creator’s nonpareil pen and undulant line — a quivery visual seduction courtesy of Higgins. Moreover, by the finale, Frank’s [spoiler redacted – Ed.] — so the little guy ain’t doin’ too bad, y’know?" – Bryan A. Hollerbach, PLAYBACK:stl
• Review: "LikeWeathercraft, this new work [Congress of the Animals] is completely silent, showcasing Woodring's amazing talent to convey a story without a word, with seemingly little effort. It's just an eye-popping visual feast of amazing illustrations in this crazy world where Woodring can put whatever he wants on the page, to a stunning end result." – Dave Ferraro, Comics-and-More (via the SPX Tumblr)
• Review: "How wrong I was to underestimate the powerful storytelling medium of the emerging graphic novel platform, especially when masterfully rendered by an author and artist as remarkably talented as Santiago. I expected an exciting visual presentation, and was not disappointed, as Santiago’s heavy-lined, representational graphic style was, in turn whimsical, arresting, quirky, and most of all, emotional. But I wasn’t prepared for the wonderfully passionate portrayal of the human side of Clemente’s legendary journey from Puerto Rico into baseball immortality.... Captivating, revealing, and dramatic, 21 accomplished through art, creative use of informed imagination, and pure passion, far more than I thought possible from a graphic novel. I believe I now have a more complete picture of Roberto Clemente, but not of his statistics, or even his style of play, or of his place in baseball history. I have a truer sense of his heart." – Mark W. Schraf, Spitball
Gracie: Charlie Brown! He's the one who thinks, "Life is going bad... I'm an awful person... Nothing good ever happens to me..." Dad: Would you be friends with him? Gracie: I would. I love him. My love for him goes to the ceiling of a skyscraper. But nothing good ever happens to him ever. Once he won a race -- that's probably the only thing he's ever won. And the prize was 5 free haircuts... Dad: Ha! Gracie: He's only got a twist of hair in front. And he's like, "Five free hair cuts? I don't have much hair to cut! And even if I did... my dad is a barber!" Dad: Poor Charlie Brown. Gracie: Yeah, nothing good ever happens to him. He's always getting teased for his perfectly round head.
• Interview:The Comics Reporter's Tom Spurgeon talks with Stan Sakai: "Usagi was first published 27 years ago, and that time I just concentrated on the next story. It was around maybe... I would say with book four, The Dragon Bellow Conspiracy. That was the first major storyline. It took maybe 10 issues or something, I'm not exactly sure. Maybe eight issues.... Before then, I was thinking, 'Usagi's going to be canceled any month.' [laughter] 'I can't spend too much time devoting myself to a long storyline.' But once I did that and got over that hurdle, that's when I realized that hey, this could go on for a long time."
• List:The Hooded Utilitarian begins revealing the top 10 results in their International Best Comics Poll, with Walt Kelly's Pogo coming in at #8
• Plug: "A trip to the comics shop yesterday netted me a copy of Drew Weing’s Set to Sea. It’s pure indulgence, because I have already read the story online, but Fantagraphics’ small, almost jewel-like presentation is really beautiful. Weing tells his story one panel at a time, and each panel could be framed as a work of art in itself, so having it in a book, without the clutter of the web, is a worthy investment." – Brigid Alverson, Robot 6
• Scene:Comic Book Resources' Marlan Harris gives a recap of our 35th Anniversary panel at Comic-Con — unfortunately it contains several factual errors, some of which I have endeavored to correct in the comments thread
It's the World Series of special editions! For the upcoming San Diego Comic-Con, artist Wilfred Santiago has designed a very special custom version of 21: The Story of Roberto Clemente. This exquisite edition boasts so many special features, and it's limited to THREE copies. That's it. No more. And it's ONLY available at the Fantagraphics Booth #1718 at Comic-Con!
Wilfred Santiago will be signing at the Fantagraphics Booth #1718 from noon until 1:00 PM on Friday, July 22nd and Saturday, July 23rd. Don't miss your chance to meet this great artist, and check out this glorious piece of art!
Fantagraphics is puttin' the "comics" back in Comic-Con as we head to San Diego this week with a slew of scintillating signings, almost two-dozen dynamite debuts, and a collection of comics sure to please any comics fan... and fill those enormous free tote bags they give away at the door.
Friday, July 22nd: • 10:30-11:30 Comics Arts Conference Session #5: Critical Approaches to Comics: An Introduction to Theories and Methods— Matthew J. Smith and Randy Duncan with panelist, Andrei Molotiu. [Room 26AB] • 1:00-2:00 Comics Arts Conference Session #6: Wordless Comicswith Andrei Molotiu. [Room 26AB] • 12:00-1:00 CBLDF Master Session 3: Jaime Hernandez [Room 30CDE] • 1:00-2:00 Publishing Queer: Producing LGBT Comics and Graphic Novels with moderator Justin Hall [Room 9] • 1:00-2:30 The Golden Age of the Fanzine moderated by Bill Schelly. [Room 24ABC] • 10:30-11:30 Cartoon Network Comedy: Regular Show/The Problem Solverz and More! The Problem Solverz talent includes Ben Jones, John Pham, and Jon Vermilyea. [Room 6A]
• Review: "...Wilfred Santiago... has done something very extraordinary and that's create a graphic novel that will eventually stand the test of time. If there was ever a novel that every Latino/Latina (baseball fan or not), comic book fan, family or anyone who volunteers/works in nonprofit must own in their library, it's 21: The Story of Roberto Clemente. Am I exaggerating? No, being the comic book nerd that I am, I haven't been this moved from a novel since I read Frank Miller's Batman: The Dark Knight Returns.... While Roberto Clemente was a fantastic baseball player, it was his humanity in this graphic novel that shone brightly. And I thank Wilfred Santiago for creating his masterpiece and Fantagraphics for publishing it. Thank you! Thank you! Thank you!" – Cesar Diaz, Latino Sports
• Review: "[Megan Kelso's] interest in open-ended narrative is apparent and, while occasionally frustrating, important, and her gouache work in the title story [in Queen of the Black Black] is lovely and subtle..." – Hillary Brown, Paste
• Scene:The New Yorker's Vanna Le reports from Lou Reed's reading of The Raven at the Strand bookstore in NYC last week: "Mattotti's illustrations, which were projected in a slide show, saturated the room with a kind of terror and despair. There was also something about the sound and sudden fits of fury in Reed's voice that seemed to mirror Poe's tormented vision." From the accompanying slideshow of images of the book: "Lorenzo Mattotti skillfully brings out the terror and elegance of Reed and Poe’s joint masterwork…. The book is an aesthetically stunning treat — but it isn’t only for the coffee table. Mattotti’s artwork is as enigmatic and suspenseful as the poetry itself."
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