|Teaser: Final cover design for '21'|
|Written by Eric Reynolds | Filed under Wilfred Santiago, 21||2 Dec 2010 1:18 PM|
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Category >> Wilfred Santiago
Periodic clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• Jason presents two cover illustrations: one for a biography of Henrik Ibsen, the other for a 1989 issue of a Norwegian fanzine (oh yeah, and the cover for his next Fanta collection What I Did is in there too)
"Greetings, stranger of the future. If you are reading this, it means the written word has survived, that the world of tomorrow still exists, and that for some reason my ramblings are still considered worth reading. My name is Mark Twain, and I write these words to you in the good old days of August 2010."
• A prose story from Michael Kupperman: "From the Newly Discovered Second Autobiography of Mark Twain"
• Richard Sala presents a whole bunch of production, concept, and storyboard art from his animated serial "Invisible Hands" from MTV's Liquid Television, in 4 installments (so far) here here here and here, with commentary
Today's Online Commentary & Diversions:
• Review: "This mammoth collection [What Is All This?] presents five decades of Dixon: sex, frustration, and attempts at deeper communication, mostly missed. The 62 stories evoke neuroses, delusion, banality, and everyday absurdities in deceptively simple sentences... There are echoes of Ernest Hemingway and prefigurings of Raymond Carver's lower-middle-class minimalism infusing tales of scrappers and scrapers... Usually sublime, sometimes sloppy, and occasionally bewildering, these stories are a testament to an impressive career spent too much under the radar." – Publishers Weekly (Starred Review) [Temporary link]
• Review: "With its mix of sci-fi, romance, tragedy and comedy, A Drunken Dream is a memorable manga journey that shouldn't be missed or dismissed. [...] Drawing from deeply-felt personal experiences, Hagio draws stories for every person who has felt like an outsider, who has regretted past actions that can never be erased, or who has longed to be accepted for being who they are, not what people want them to be. These ideas sound so simple — but when touched by Hagio's pen, this is punch-in-the-gut powerful. [...] ★★★★1/2" – Deb Aoki, About.com: Manga
• Review: "While they may not be standard children’s books, they are fun and entertaining and full of stuff kids would like, without being obscene or intended for mature audiences. They are the kind of books you would want your kid reading if your kid wasn’t a total dork. [...] You get the feeling of reading old fairy tales, where the Prince wasn’t always charming, the villains would erect down right disturbing and evil plots against the characters and the story, or just the world in general was presented as a harsh reminder of reality. [...] Tony [Millionaire]... really lets his imagination run with his latest book, Billy Hazelnuts and the Crazy Bird. [...] With or without children, you can feel good about reading this book." – Brian Jones, Flash Flood Media
• Review: "Artichoke Tales is by any definition a remarkable book — the first graphic novel by Megan Kelso, who has so far worked largely in the short story form, and a book that displays at every page Kelso’s unique voice as a graphic storyteller and the care and attention she lavished on this project over the past several years. [...] This is a beautiful book, at times a heartbreaking book. One feels the precision and thought behind every word, every line, all of it edited down and arranged to a spareness that is paradoxically lush and textured." – Jared Gardner, Guttergeek
• Coming Attractions: "Why aren’t there more sports comics? More to the point why aren’t there more absolutely wonderful looking sports comics like Fantagraphics 2011 release 21: The Story of Roberto Clemente by Wilfred Santiago?" – Richard Cowdry, The Forbidden Planet International Blog Log
• Plug: "[Rip M.D.] seems to be a comic more geared to a juvenile public, but should be pretty cool because there are a lot of monsters, really violent werewolves, zombies, and best of all, vampires that do not sparkle!" – Submundo Mamão (translated from Portuguese)
• Interview: Guttersnipe's Shawn Conner talks to Patrick Rosenkranz about his new book The Artist Himself: A Rand Holmes Retrospective: "One thing’s for sure with Rand; there are a lot of good cartoonists who are not very interesting people. But he was both, an interesting person and a great cartoonist. That’s what interested me in the story."
• Profile: "Some artists seem to have had greatness as their destination as surely as if a tracking device had been implanted in their genes. Some veer toward it capriciously like a demon had seized the wheel. They start with a talent — to which they feed — in bites and gulps — their times; and, once expressed, the result is… YOWL! One of these was the underground cartoonist Greg Irons, the subject of Patrick Rosenkranz’s overlooked — and fascinating — retrospective You Call This Art?!!" – Bob Levin, The Comics Journal
Today is Roberto Clemente Day, honoring Latin America's greatest baseball player of All-Time, and one of the game's great humanitarians. Clemente was a 12-time All-Star and Hall of Famer who died in a plane crash on Dec. 31, 1972, while attempting to deliver supplies to earthquake victims in Nicaragua.
This is a great opportunity for us to re-announce one of our most eagerly-awaited projects of the last few years: Wilfred Santiago's forthcoming graphic novel, 21: The Story of Roberto Clemente. Wilfred has been working on this book for several years now, and it's been delayed more than once because the project kept growing bigger and bigger. We're pleased to announce that Wilfred has completed the 200-page book and the book will be released in April, 2011, in time for the 2011 baseball season. Spring always brings a slew of new and interesting baseball books, and we expect 21 to lead next year's pack.
The biographical 21: The Story of Roberto Clemente is a human drama of courage, faith and dignity, inspired by the life of baseball star Roberto Clemente. No other baseball player dominated the 1960s like Roberto Clemente and no other Latin American player achieved his numbers. Born in 1924 in Puerto Rico, Clemente excelled in track and field and loved baseball. By the age of 17 he was playing in the PR Winter league. Spotted by the big-league scouts because of his hitting, fielding, and throwing abilities, he joined the Pittsburgh Pirates in 1954. A fierce competitor, within two seasons he was hitting above .300 consistently. He played like a man possessed, fielding superbly, unleashing his rifle arm, and hitting in clutch situations. Despite his aesthetic brilliance, he faced prejudice throughout his career and was given his due only after his unexpected and tragic death in a 1972 plane crash.
Although baseball was his obsession, Clemente never lost sight of his dreams and his greater responsibilities outside the game. This sense of urgency is what came to define him beyond that of a grand athlete. His eventual success and accompanying celebrity gave him the opportunity to engage his conscience in public life. He died when his plane went down in the Caribbean Sea on a relief mission to earthquake-torn Nicaragua that he personally directed.
21 chronicles Clemente's life from his early days growing up in rural Puerto Rico, the highlights of his career (including the 1960 World Series where he helped the Pirates win its first victory in 33 years, and his 3000th hit in 1972 during the last official at-bat of his life) as well as his private life and public mission off the field.
After his death, Major League Baseball declared September 18 to be "Roberto Clemente Day," and in 1999, Pittsburgh's Sixth Street Bridge was renamed the Roberto Clemente Bridge in honor of the greatest Latino ballplayer in history. Wilfred Santiago captures the grit of Clemente's rise from his impoverished Puerto Rican childhood, to the majesty of his performance on the field, to his fundamental decency as a human being in a drawing style that combines realistic attention to detail and expressive cartooning.
Wilfred Santiago was born in Ponce, Puerto Rico. He now lives in Chicago.
21: The Story of Roberto Clemente by Wilfred Santiago
COMICS & GRAPHIC NOVELS / Nonfiction
Periodic clips & strips, just under the wire (for the Pacific time zone anyway) — click for improved/additional viewing at the sources:
• Lilli Carré presents a still from an animated loop drawing in progress; also, she announces that her short film Head Garden is part of a film program at Chicago's Lincoln Hall tomorrow/tonight (Sept. 1)
• More AMC Pacer studies by Mark Kalesniko for Freeway
Today's Online Commentary & Diversions:
• Review: "From the opening panel until the final words, Tardi's adaptation of Manchette's crime novel [West Coast Blues] sizzles with a dazzling graphic intensity... Much like the 1950s American crime novels they emulate, Tardi and Manchette offer a impressive display of destructive violence, wanton love, and disregard for life. Showcasing Tardi's singular artistic talents, the brilliant West Coast Blues emerges as one of the best crime graphic novels ever produced." - Rick Klaw, The SF Site: Nexus Graphica
• Review: "[West Coast Blues] is slyly funny without being jokey; thrilling without ever seeming manipulative; cool, distant and ironic in its narrative voice; immediate in its depiction of violence. What do Tardi's illustrations add? Mostly a crowded sense of daily life, an ironic, sense-sharpening departure from the dark, shadowy atmospherics that sometimes nudge noir toward mere style." - Peter Rozovsky, Detectives Beyond Borders
• Review: "If you were a Martian trying to figure out America in the second half of the 20th century, you could do worse than to start by reading Jules Feiffer’s Village Voice cartoons [collected in Explainers]." - Sarah Boslaugh, PopMatters
Every day in July we're spotlighting books from our month-long Hidden Gems Sale, wherein we're featuring some of our under-the-radar backlist titles and encouraging you to try them by offering them at a nice discount of 25% off!
The subject of today's spotlight, Wilfred Santiago, is poised to make a major splash in 2009 with 21, his comics biography of baseball legend Roberto Clemente.
The Age of Anxiety has never been better depicted in comics form than in In My Darkest Hour, a modernist, mainstream graphic novel that explores the inner life of its protagonist, Omar Guerrero, a 28 year-old Latin American transient, who confronts his pervasive feelings of inadequacy, anger, guilt, and escalating alienation. The first full-length graphic novel from Pop Life collaborator Wilfred Santiago, in a lovely two-color format.
128-page two-color 7" x 9" softcover
I really enjoyed this CBR feature on Wilfred Santiago's forthcoming graphic novel, 21 (which is still many months away), a biography of baseball legend Roberto Clemente. I'm a big baseball nerd, and was already looking forward to this book, but after reading this feature I'm even more sold. Santiago's clear grasp of Clemente's place not only in baseball history but also the Civil Rights movement and Puerto Rican history is palpable, and is sure to make for an engaging, important read. And the images I've seen, including those in this piece, are dazzling.