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		<title>FLOG! Entries tagged 'William S Burroughs'</title>
		<description>FLOG! Entries tagged 'William S Burroughs'</description>
		<link>http://www.fantagraphics.com</link>
		<lastBuildDate>Sat, 18 May 2013 15:23:08 +0100</lastBuildDate>
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			<title>Daily OCD 3/26/13</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Daily-OCD-3-26-13.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;The tallest seedlings of Online Commentaries &amp;amp; Diversions: &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;/newschool&quot;&gt;&lt;img src=&quot;components/com_virtuemart/shop_image/product/75f25328b81901e98bd5d111aa95cdc6.jpg&quot; alt=&quot;Dash Shaw&quot; width=&quot;157&quot; height=&quot;204&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;https://www.forewordreviews.com/reviews/new-school/&quot;&gt;ForeWord&lt;/a&gt;  looks at Dash Shaw&amp;#39;s &lt;a href=&quot;browse-shop/new-school-2.html&quot;&gt;New School&lt;/a&gt;. &amp;quot;Like its predecessors, New School is unlike everything else out there.&amp;hellip;It&amp;rsquo;s a startling, yet aptly mundane vision of one man&amp;rsquo;s future, made all  the more believable by Shaw&amp;rsquo;s expressive, cartoony drawings and  generally solid scripting&amp;hellip;ultimately, it&amp;rsquo;s an  entertaining and thoughtful graphic novel,&amp;quot; writes Bill Baker. &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;browse-shop/the-lost-art-of-ah-pook-is-here-images-from-the-graphic-novel.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_losart.jpg&quot; alt=&quot;The Lost Art of Ah Pook&quot; width=&quot;145&quot; height=&quot;113&quot; /&gt;&lt;/a&gt;  &lt;a href=&quot;index.php?keyword=observed+while+falling&amp;amp;search_type=titles&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_obswhi.jpg&quot; alt=&quot;Observed While Falling&quot; width=&quot;122&quot; height=&quot;186&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&amp;bull; Review: &lt;a href=&quot;http://www.paraphiliamagazine.com/periodical/malcolm-mcneill-the-lost-art-of-ah-pook-is-here-observed-while-falling/&quot;&gt;Paraphilia Magazine&lt;/a&gt;  covers the two Malcolm McNeill books about his collaborations with William S. Burroughs. &amp;quot;&lt;a href=&quot;index.php?keyword=observed+while+falling&amp;amp;search_type=titles&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;Observed While Falling&lt;/a&gt;  is an invaluable addition to the library of any Burroughs fan&amp;hellip;Having shed light on a previously dark corner of the Burroughs legacy,  will hopefully provide vital research material for critical analysis of  this gravely neglected work produced during a largely overlooked period  in his career,&amp;quot; writes Edward S. Robinson. &lt;a href=&quot;browse-shop/the-lost-art-of-ah-pook-is-here-images-from-the-graphic-novel.html&quot;&gt;The Lost Art of Ah Pook&lt;/a&gt;  enchants, &amp;quot;Mc Neill&amp;rsquo;s images &amp;ndash; they&amp;rsquo;re more than mere illustrations &amp;ndash; are rich,  complex, and often very strange indeed. Disturbed and disturbing&amp;hellip;Mc Neill&amp;rsquo;s large-form images are remarkable works of art&amp;hellip;throughout the quality of Mc Neill&amp;rsquo;s draftsmanship is of a rare standard.&amp;quot; &amp;nbsp;&amp;nbsp;&lt;a href=&quot;pogo1&quot;&gt;&lt;img src=&quot;components/com_virtuemart/shop_image/product/683cafa26a81a9e4e29def03098a3f32.jpg&quot; alt=&quot;Pogo Vol. 1&quot; width=&quot;145&quot; height=&quot;119&quot; /&gt;&lt;/a&gt;  &lt;a href=&quot;browse-shop/pogo-vol.-2-of-the-complete-syndicated-comic-strips-bona-fide-balderdash.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_cpog2.jpg&quot; alt=&quot;Pogo Vol. 2&quot; width=&quot;145&quot; height=&quot;120&quot; /&gt;&lt;/a&gt;  &lt;br /&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://comicsworthreading.com/2013/03/24/pogo-volumes-1-and-2-recommended/&quot;&gt;Comics Worth Reading&lt;/a&gt;  recommends &lt;a href=&quot;browse-shop/pogo-vol.-1-of-the-complete-syndicated-comic-strips-through-the-wild-blue-wonder-pre-order-9.html&quot;&gt;Pogo Vol. 1&lt;/a&gt;  and &lt;a href=&quot;browse-shop/pogo-vol.-2-of-the-complete-syndicated-comic-strips-bona-fide-balderdash.html&quot;&gt;Vol. 2&lt;/a&gt;  by Walt Kelly. &amp;quot;These upscale volumes collecting the classic Pogo comic strip are archival quality, beautifully reproduced and a pleasure to look upon&amp;hellip;Pogo is well-loved for a reason. The strips are beautifully drawn and keenly observent of human nature.&amp;quot; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;/sketchingguantanamo&quot;&gt;&lt;img src=&quot;images/stories/news/sketching-guantanamo-solic.jpg&quot; alt=&quot;Sketching Guantanamo&quot; width=&quot;198&quot; height=&quot;138&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&amp;bull; Interview (audio): Janet Hamlin is interviewed by Anna Maria Tremonti on CBC Radio show, &lt;a href=&quot;http://www.cbc.ca/thecurrent/episode/2013/03/26/sketching-guantanamo-janet-hamlin/#igImgId_66000&quot;&gt;The Current&lt;/a&gt;, about working on &lt;a href=&quot;/sketchingguantanamo&quot;&gt;Sketching Guantanamo&lt;/a&gt;  and being at the courtroom trials. &amp;quot;What I&amp;#39;m working on that day is determined by whatever activity is in court&amp;hellip;&amp;quot; &amp;nbsp;&lt;a href=&quot;/baggestuff&quot;&gt;&lt;img src=&quot;images/flog/covers/2013/bookcover_pbstuf.jpg&quot; alt=&quot;Peter Bagge&amp;#39;s Other Stuff&quot; width=&quot;137&quot; height=&quot;194&quot; /&gt;&lt;/a&gt;  &lt;br /&gt;&amp;nbsp;&amp;bull; Review (audio): Brian Heater is a guest on &lt;a href=&quot;http://www.maximumfun.org/bullseye/bullseye-jesse-thorn-nbc%E2%80%99s-must-see-tv-warren-littlefield-former-nbc-executive&quot;&gt;Bullseye with Jesse Thorn&lt;/a&gt;  and brings up Peter Bagge&amp;#39;s &lt;a href=&quot;/baggestuff&quot;&gt;Other Stuff&lt;/a&gt;. Heater gabs, &amp;quot;&amp;hellip;the iconic underground cartoonist of the 90s, anything depicted a slacker or the grunge era was probably by Bagge. Other Stuff has an overly cartoony look that is nicely juxtaposed by true-to-life stories&amp;hellip;&amp;quot;&amp;nbsp;&lt;a href=&quot;/hiphopfamilytree&quot;&gt;&lt;img src=&quot;images/flog/covers/2013/thumbs/hhft2.jpg&quot; alt=&quot;Hip Hop Family Tree&quot; width=&quot;145&quot; height=&quot;223&quot; /&gt;&lt;/a&gt; &amp;nbsp;&amp;bull; Interview (video): Ed Piskor is interviewed by Jared Gardner during his &lt;a href=&quot;http://www.youtube.com/watch?v=Npp-04ci0uI&amp;amp;feature=youtu.be&quot;&gt;Columbus Museum of Art Residency&lt;/a&gt; and speaks on his life through comics and &lt;a href=&quot;/hiphopfamilytree&quot;&gt;Hip Hop Family Tree&lt;/a&gt;. &amp;quot;I grew up in just a hip hop environment, my house was the nucleus between three parks in town you could go to any given one and see some hip hop going on, rudimentary stuff &amp;hellip;a few slabs of linoleum and a boombox,&amp;quot; answered Piskor.&lt;p&gt;&lt;a href=&quot;/thehypo&quot;&gt;&lt;img src=&quot;images/flog/34983/TheHypoSMALL.jpg&quot; alt=&quot;The Hypo&quot; width=&quot;142&quot; height=&quot;183&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://www.consequential.net/2013/sad-comics-reviewed-the-hypo-the-melancholic-young-lincoln/&quot;&gt;ConSequential&lt;/a&gt;  reviewed &lt;a href=&quot;/thehypo&quot;&gt;The Hypo&lt;/a&gt;  by Noah Van Sciver recently. &amp;quot;Van Sciver&amp;rsquo;s depiction is sufficiently sympathetic as to make the reader  really root for him as he struggles against rival suitors, Mary&amp;rsquo;s  family and his own anxious temperament. &amp;hellip;the fact that it&amp;rsquo;s endearing, engaging and an all-round good read should make it your kind of thing as well,&amp;quot; writes Lucy Boyes.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;/7milesasecond&quot;&gt;&lt;img src=&quot;images/flog/covers/2013/thumbs/bookcover_7mas.jpg&quot; alt=&quot;7 Miles a Second&quot; width=&quot;145&quot; height=&quot;196&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Plug: &lt;a href=&quot;http://ourmaninboston.wordpress.com/2013/03/25/fire-in-the-belly/&quot;&gt;Our Man in Boston&lt;/a&gt;   profiles David Wojnarowicz and &lt;a href=&quot;/7milesasecond&quot;&gt;7 Miles a Second&lt;/a&gt;. &amp;quot;Artists James Romberger and Marguerite Van Cook vividly depict David  Wojnarowicz&amp;rsquo;s life and struggles in a much improved edition&amp;hellip;&amp;quot; says Robert Birnbaum. &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;browse-shop/eye-of-the-majestic-creature-5.html&quot;&gt;&lt;img src=&quot;images/flog/34983/lesliestein.jpg&quot; alt=&quot;Eye of the Majestic Creature&quot; width=&quot;139&quot; height=&quot;206&quot; /&gt;&lt;/a&gt;  &lt;a href=&quot;/betatesting&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_betapo.jpg&quot; alt=&quot;Beta Testing the Apocalypse&quot; width=&quot;145&quot; height=&quot;203&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Plug: &lt;a href=&quot;browse-shop/eye-of-the-majestic-creature-5.html&quot;&gt;Eye of the Majestic Creature&lt;/a&gt;&amp;#39;s Leslie Stein is interview about her band and answers a few questions about her comics too on&lt;a href=&quot;http://www.audiofemme.com/interview-prince-ruperts-drops/&quot;&gt; Audiofemme&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://www.grovel.org.uk/beta-testing-the-apocalypse/&quot;&gt;Grovel&lt;/a&gt;  reads Beta Testing the Apocalypse by Tom Kaczynski. &amp;quot;Anyone that likes the exploration of ideas, particularly the  relationship between humanity, geography, architecture and technology,  might get a kick out of reading something different, especially  presented in such an unusual form,&amp;quot; writes Andy Shaw.&amp;nbsp; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;corpseontheimjin&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_corimj.jpg&quot; alt=&quot;Corpse on the Imjin!&quot; width=&quot;145&quot; height=&quot;206&quot; /&gt;&lt;/a&gt; &lt;a href=&quot;/camethedawn&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/ec_wood_camethedawn_cover.jpg&quot; alt=&quot;Came the Dawn&quot; width=&quot;145&quot; height=&quot;206&quot; /&gt;&lt;/a&gt; &amp;nbsp; &lt;/p&gt;&lt;p&gt;&amp;bull;Review: &lt;a href=&quot;http://m.metropulse.com/news/2013/mar/20/spa-fon-fantagraphics-does-world-favor-and-publish/&quot;&gt;MetroPulse&lt;/a&gt;  checks out the EC Library Comics from Wallace Wood and Harvey Kurtzman. &amp;quot;EC had no fear of getting political, long before comics &amp;#39;grew up.&amp;#39;&amp;hellip;Fantagraphics&amp;rsquo; EC Comics Library is a must-own for anyone who considers themselves a serious comics fan.&amp;quot; &lt;a href=&quot;/corpseontheimjin&quot;&gt;Corpse on the Imjin!&lt;/a&gt;  is &amp;quot;Thoroughly researched and meticulously detailed, Kurtzman&amp;rsquo;s stories  are grim stuff in an era when most Americans believed their country  could do no wrong&amp;hellip; Grade-school boys reading these dark tales at the time must  have had their minds completely blown.&amp;quot; Meanwhile, Wally Wood&amp;#39;s &lt;a href=&quot;/camethedawn&quot;&gt;Came the Dawn!&lt;/a&gt;  &amp;quot;The tales here are mostly crowd-pleasers with the sort of twist endings that would later become a Twilight Zone trademark.&amp;quot; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;browse-shop/everything-is-an-afterthought-the-life-and-writings-of-paul-nelson-pre-order-5.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2011/thumbs/bookcover_eveaft.jpg&quot; alt=&quot;Everything is Afterthought: The Life and Writings of Paul Nelson&quot; width=&quot;145&quot; height=&quot;207&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;browse-shop/everything-is-an-afterthought-the-life-and-writings-of-paul-nelson-pre-order-5.html&quot;&gt;Everything is an Afterthought&lt;/a&gt;  by Kevin Avery is examined in &lt;a href=&quot;http://www.caughtbytheriver.net/2013/03/the-music-book-reader-bulletin-10/#more-23469&quot;&gt;Caught by the River&lt;/a&gt;. Andy Childs says, &amp;quot;it becomes apparent that when the history of rock&amp;rsquo;n&amp;#39;roll is ever written  as it should be then he, Nelson, will take his place as a pivotal and  hugely influential figure&amp;hellip;Kevin Avery does a masterly job in re-constructing Paul Nelson&amp;rsquo;s  reputation and after the enthusiastic critique in the first half of the  book the examples of his work in the second half do not disappoint at  all.&amp;quot; &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;a href=&quot;/adele2&quot;&gt;&lt;img src=&quot;components/com_virtuemart/shop_image/product/47604289f77eaaa50e225842440b7135.jpg&quot; alt=&quot;Adele Blanc-Sec&quot; width=&quot;145&quot; height=&quot;194&quot; /&gt;&lt;/a&gt;  &lt;a href=&quot;index.php?keyword=bill+everett&amp;amp;search_type=titles&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;&lt;img src=&quot;components/com_virtuemart/show_image_in_imgtag.php?filename=821ea66ed0cbcaba76b7bb8dd94a4336.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; alt=&quot;Amazing Mysteries&quot; width=&quot;145&quot; height=&quot;207&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Review: Nick Gazin of &lt;a href=&quot;www.vice.com/read/nick-gazins-comic-book-love-in-84&quot;&gt;Vice&lt;/a&gt;  features two of our books in his recent &lt;a href=&quot;www.vice.com/read/nick-gazins-comic-book-love-in-84&quot;&gt;Comic-Book Love-In&lt;/a&gt;. Spoiler warning on the Jacques Tardi&amp;#39;s &lt;a href=&quot;adele2&quot; target=&quot;_blank&quot;&gt;The Extraordinary Adventures of Ad&amp;egrave;le Blanc-Sec Vol. 2&lt;/a&gt;,&amp;nbsp; though.&amp;quot;She scowls through her adventures&amp;hellip;The drawings are very pretty, though.&amp;quot; He continues on with &lt;a href=&quot;index.php?keyword=bill+everett&amp;amp;search_type=titles&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;Amazing Mysteries: The Bill Everett Archives Vol. 1&lt;/a&gt;, edited by Blake Bell.&amp;quot;These are some crudely-drawn-but-often-pretty comics from the late 30s.&amp;quot;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
			<author>TheJenVaughn</author>
		<category>William S Burroughs</category>
 <category>Walt Kelly</category>
 <category>Wally Wood</category>
 <category>Peter Bagge</category>
 <category>Paul Nelson</category>
 <category>Noah Van Sciver</category>
 <category>Leslie Stein</category>
 <category>Kevin Avery</category>
 <category>Janet Hamlin</category>
 <category>James Romberger</category>
 <category>Harvey Kurtzman</category>
 <category>Ed Piskor</category>
 <category>EC Comics</category>
 <category>David Wojnarowicz</category>
 <category>Dash Shaw</category>
 <category>Daily OCD</category>
 <category>Blake Bell</category>
 <category>Bill Everett</category>
		</item>
		<item>
			<title>Daily OCD 12/19/12</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Daily-OCD-12-19-12.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;The last peanut of a day of Online Commentaries &amp;amp; Diversions aka the news you missed while present shopping, latke eating and flying:&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;browse-shop/the-lost-art-of-ah-pook-is-here-images-from-the-graphic-novel.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_losart.jpg&quot; alt=&quot;The Lost Art of Ah Pook is Here&quot; width=&quot;145&quot; height=&quot;113&quot; /&gt;&lt;/a&gt;  &lt;a href=&quot;browse-shop/observed-while-falling-bill-burroughs-ah-pook-and-me.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_obswhi.jpg&quot; alt=&quot;Observed While Falling&quot; width=&quot;101&quot; height=&quot;154&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://www.tcj.com/reviews/observed-while-falling-bill-burroughs-ah-pook-and-me-the-lost-art-of-ah-pook-is-here-images-from-the-graphic-novel/&quot;&gt;The Comics Journal&lt;/a&gt;  and Rucker crack the two books focusing on Malcom McNeill and William S. Burrough&amp;#39;s artistic collaboration, &lt;a href=&quot;browse-shop/observed-while-falling-bill-burroughs-ah-pook-and-me.html&quot;&gt;Observed While Falling&lt;/a&gt;  (the memoir) and &lt;a href=&quot;browse-shop/the-lost-art-of-ah-pook-is-here-images-from-the-graphic-novel.html&quot;&gt;The Lost Art of Ah Pook is Here&lt;/a&gt;. (the art book) &amp;quot;The art is awesome, the memoir is engaging. . .Ah Pook is in a characteristic style of Burroughs&amp;rsquo;s middle  period.&amp;nbsp; He mixes a true-adventure story with bitter anti-establishment  scenarios, gay sexual fantasies, science-fictional visualizations of  chimerical mutants, and apocalyptic visions of a biological plague. . .The results are staggering&amp;mdash;the best pictures of dicks that I&amp;rsquo;ve ever seen. . . .&amp;quot;&lt;/p&gt;&lt;p&gt;On the memoir &amp;quot;One of the pleasures of McNeill&amp;rsquo;s memoir, &lt;a href=&quot;browse-shop/observed-while-falling-bill-burroughs-ah-pook-and-me.html&quot;&gt;Observed While Falling&lt;/a&gt;, is reading about hear about his conversations with Burroughs.&amp;nbsp; Old Bill laid down some tasty aphorisms. . . Ah Pook is a word/image virus.&amp;nbsp; Study these new books and enjoy the disease.&amp;quot;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;a href=&quot;index.php?keyword=love+and+rockets+library+&amp;amp;search_type=titles&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;&lt;img src=&quot;components/com_virtuemart/show_image_in_imgtag.php?filename=83a7031061002d3192b43d0751209d21.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; alt=&quot;Love and Rockets Library box set&quot; width=&quot;145&quot; height=&quot;157&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&amp;bull; Interview: Jaime and Gilbert Hernandez of &lt;a href=&quot;index.php?keyword=love+and+rockets+library+&amp;amp;search_type=titles&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;Love and Rockets&lt;/a&gt;  are interviewed by Tim Hodler, Dan Nadel and Frank Santoro on &lt;a href=&quot;http://www.tcj.com/the-gilbert-and-jaime-hernandez-interview/&quot;&gt;The Comics Journal&lt;/a&gt;. Jaime talks about becoming more popular cartoonists, &amp;quot;So Gilbert and I kind of set up our own ground where we go. We go, you love Raw? Raw&amp;rsquo;s East Coast? Love and Rockets is West Coast. And they go, &amp;#39;So West Coast is primitive and old-fashioned?&amp;#39; Fine. It&amp;rsquo;s not art school.&amp;quot; &lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Review: &lt;a href=&quot;http://www.comicsalliance.com/2012/12/18/holiday-gift-guide-deluxe-edition-comics-omnibus-art-book-2012/#ixzz2FWYgbeaD&quot;&gt;Comics Alliance&lt;/a&gt; features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On &lt;a href=&quot;index.php?keyword=love+and+rockets+library+&amp;amp;search_type=titles&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;the Love and Rockets Library Collection&lt;/a&gt;, by Gilbert and Jaime Hernandez Andy Khouri states, &amp;nbsp;&amp;ldquo;This indie comics mainstay has been going for nearly 30 years, making Love and Rockets as intimidating to some new readers as even the densest superhero mythologies. Luckily, Fantagraphics has made the Los Bros Hernandez saga about a massive cast of startlingly lifelike characters digestible in the form of affordable reprint volumes published in chronological order.&amp;quot;&lt;/p&gt;      &lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Plug: Ode to &lt;a href=&quot;index.php?keyword=love+and+rockets+library+&amp;amp;search_type=titles&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;Love and Rockets&lt;/a&gt;  and Sonic Youth by a fan on &lt;a href=&quot;http://www.buzzfeed.com/perpetua/12-parodies-of-sonic-youths-goo-album-cover&quot;&gt;Buzzfeed&lt;/a&gt;.&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;a href=&quot;/corpseontheimjin&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_corimj.jpg&quot; alt=&quot;Corpse on the Imjin!&quot; width=&quot;145&quot; height=&quot;206&quot; /&gt;&lt;/a&gt; &lt;/p&gt;    &lt;p&gt;&amp;bull; Review: Douglas Wolk reviews Harvey Kurtzman&amp;rsquo;s EC stories in &lt;a href=&quot;/corpseontheimjin&quot;&gt;Corpse on the Imjin!&lt;/a&gt;  for the &lt;a href=&quot;http://www.nytimes.com/2012/12/16/books/review/marbles-by-ellen-forney-and-more.html?_r=0&quot;&gt;New York Times.&lt;/a&gt; &amp;quot;Kurtzman&amp;rsquo;s writing could be bombastic &amp;mdash; nearly all of these stories&amp;rsquo;  titles end in exclamation points &amp;mdash; but, as the United States became  mired in the Korean War, his reeling disgust at the horrors of war (and  his thick, slashing brush strokes) made for shockingly bold rhetoric.&amp;quot;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;a href=&quot;browse-shop/mark-twain-s-autobiography-1910-2010-pre-order.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2011/thumbs/bookcover_mtwain.jpg&quot; alt=&quot;Mark Twain&amp;#39;s Autobiography 1910-2010&quot; width=&quot;126&quot; height=&quot;172&quot; /&gt;&lt;/a&gt;&amp;nbsp; &lt;a href=&quot;browse-shop/tales-designed-to-thrizzle-vol.-1-2.html&quot;&gt;&lt;img src=&quot;components/com_virtuemart/show_image_in_imgtag.php?filename=49442537a82f07c6a5dc0a881a9580f0.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; alt=&quot;Tales Designed the Thrizzle Vol. 1&quot; width=&quot;125&quot; height=&quot;173&quot; /&gt;&lt;/a&gt;&amp;nbsp; &lt;img src=&quot;images/flog/covers/2012/thumbs/thrizzlevol2.jpg&quot; alt=&quot;Tales Designed the Thrizzle Vol. 2&quot; width=&quot;122&quot; height=&quot;173&quot; /&gt; &lt;/p&gt;&lt;p&gt;&amp;bull;Review: &lt;a href=&quot;http://www.theatlantic.com/entertainment/archive/2012/12/the-best-book-i-read-this-year/266141/#slide17&quot;&gt;The Atlantic&lt;/a&gt; lists &lt;a href=&quot;browse-shop/mark-twain-s-autobiography-1910-2010-pre-order.html&quot;&gt;Mark Twain&amp;#39;s Autobiography 1910-2010&lt;/a&gt;  by Michael Kupperman as one of The Best Books I Read This Year. Chris Heller says &amp;quot;Kupperman&amp;rsquo;s brilliance isn&amp;rsquo;t just in his humor, though. Mark Twain&amp;rsquo;s Autobiography  is meant to be read in small doses, no more than half a dozen pages at a  time. Trust me: You don&amp;rsquo;t want to gorge on a book that&amp;rsquo;s this weirdly  amusing. But after a peek into Kupperman&amp;rsquo;s hysterically twisted mind,  you&amp;rsquo;ll keep wanting to go back for more.&amp;quot;&lt;/p&gt;&lt;p&gt;&amp;bull; Plug: &lt;a href=&quot;http://liquidtelevision.com/2012/12/14/michael-kupperman-guy-we-like/&quot;&gt;Liquid Television&lt;/a&gt;  spotlights Michael Kupperman, &lt;a href=&quot;browse-shop/mark-twain-s-autobiography-1910-2010-pre-order.html&quot;&gt;Mark Twain&amp;#39;s Autobiography 1910-2010&lt;/a&gt;  and &lt;a href=&quot;browse-shop/tales-designed-to-thrizzle-vol.-1-2.html&quot;&gt;Tales Designed to Thrizzle Vols. 1&lt;/a&gt;  &lt;a href=&quot;browse-shop/tales-designed-to-thrizzle-vol.-1-2.html&quot;&gt;and 2&lt;/a&gt; .&amp;quot;You  may recognize him (or not) from some of his comedy writing for legit   platforms (SNL, Huff Post, etc). He does a comic called&amp;nbsp;Tales Designed to Thrizzle that&amp;rsquo;s pretty good.&amp;quot; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;/thehypo&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_hypo.jpg&quot; alt=&quot;The Hypo&quot; width=&quot;145&quot; height=&quot;186&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://blogs.westword.com/showandtell/2012/12/noah_van_scivers_the_hypo_tops.php&quot;&gt;The Denver Westword&lt;/a&gt;  is proud of their hometown hero, Noah Van Sciver, and his critical acclaim for &lt;a href=&quot;/thehypo&quot;&gt;The Hypo&lt;/a&gt;. Read on! &lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Review: &lt;a href=&quot;http://www.comicsbulletin.com/columns/5259/top-ten-graphic-novels-of-2012/&quot;&gt;Comics Bulletin&lt;/a&gt;  releases its 2012 Best Graphic Novel List and &lt;a href=&quot;/thehypo&quot;&gt;The Hypo&lt;/a&gt;  by Noah Van Sciver makes it. &amp;quot;Van Sciver&amp;#39;s toolkit includes the pens and pins of  pathos and pain, self-doubt and angst, as much as it contains  determination and fortitude. The Lincoln of The Hypo transcends his time, place, and even (or maybe especially) his name. . . It stands as a true example of the capabilities of this medium to deliver stories in a truly visceral manner,&amp;quot; writes Daniel Elkin. &lt;/p&gt;     &lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://www.unshelved.com/bookclub/2012-12-14#9781606996195&quot;&gt;Unshelved&lt;/a&gt;  comics review &lt;a href=&quot;/thehypo&quot;&gt;The Hypo&lt;/a&gt;  by Noah Van Sciver. Gene Ambaum writes,&amp;quot;The mood of Lincoln&amp;rsquo;s life in Springfield, Illinois, is well-expressed  via the rough-hewn, cross-hatched skies, floorboards, and backgrounds.&amp;quot;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;/spacehawk&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_spaceh.jpg&quot; alt=&quot;Spacehawk&quot; width=&quot;145&quot; height=&quot;202&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Review: Tim Callahan has nothing but love for &lt;a href=&quot;/spacehawk&quot;&gt;Spacehawk&lt;/a&gt;  by Basil Wolverton on &lt;a href=&quot;http://www.comicbookresources.com/?page=article&amp;amp;id=42542&quot;&gt;Comic Book Resources&lt;/a&gt;. He states, &amp;quot;Wolverton&amp;#39;s world is a weird and ugly and  beautifully innocently horrible charmingly delightful one, and it has  more in common with the absurd genre riffs from something like Pendleton  Ward&amp;#39;s Adventure Time or Jesse Moynihan&amp;#39;s Forming or Tom Gauld&amp;#39;s Goliath than it does the bland superhero melodrama of &amp;#39;Marvel Mystery  Comics&amp;#39;.&amp;quot;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;browse-shop/walt-disney-s-uncle-scrooge-only-a-poor-old-man-june-2012-u.s.-canada-only-5.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/9781606995358_unclescrooge.jpg&quot; alt=&quot;Walt Disney&amp;#39;s Uncle Scrooge: &quot; width=&quot;137&quot; height=&quot;179&quot; /&gt;&lt;/a&gt;  &lt;a href=&quot;browse-shop/walt-disney-s-donald-duck-a-christmas-for-shacktown-u.s.-canada-only.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_wddd02.jpg&quot; alt=&quot;Walt Disney&amp;#39;s Donald Duck: &quot; width=&quot;130&quot; height=&quot;180&quot; /&gt;&lt;/a&gt;  &lt;a href=&quot;/daltokyo&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_daltok.jpg&quot; alt=&quot;Dal Tokyo&quot; width=&quot;145&quot; height=&quot;53&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://www.comicsbulletin.com/columns/5252/top-ten-comic-book-reissues-of-2012/&quot;&gt;Comics Bulletin&lt;/a&gt;&amp;#39;s Favorite Reprints Books of 2012 include Gary Panter&amp;#39;s &lt;a href=&quot;/daltokyo&quot;&gt;Dal Tokyo&lt;/a&gt;  and our Carl Barks reprints. In reference to Carl Barks&amp;#39; &lt;a href=&quot;browse-shop/walt-disney-s-uncle-scrooge-only-a-poor-old-man-june-2012-u.s.-canada-only-5.html&quot;&gt;Uncle Scrooge&lt;/a&gt;  and &lt;a href=&quot;browse-shop/walt-disney-s-donald-duck-a-christmas-for-shacktown-u.s.-canada-only.html&quot;&gt;Donald Duck&lt;/a&gt;, &amp;quot;I would not hesitate to say that Fantagraphics&amp;rsquo;  reprints of Barks&amp;rsquo; Duck comics may very well be the best collection  series that any comic company is doing today! . . Each story is funny, smart and just plain fun and Fantagraphics treat each and every panel on the page with care and detail,&amp;quot; states Nick Boisson. Jason Sacks writes &amp;quot;[&lt;a href=&quot;/daltokyo&quot;&gt;Dal Tokyo&lt;/a&gt;  is] a freaking  godsend from the reprint editors at  Fantagraphics because it unearthed  an amazing, surreal, brilliant lost  classic that&amp;#39;s like an artifact  from some amazing parallel dimension.. . Readers  are asked to bring our perceptions to these  pages, to bring our  intelligence and passion and appreciation for  abstraction and love for  everything that feels different and yet the  same as everyday life.&amp;quot;  &lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://blog.schoollibraryjournal.com/goodcomicsforkids/2012/12/12/review-donald-duck-a-christmas-for-shacktown/&quot;&gt;School Library Journal&lt;/a&gt;  files &lt;a href=&quot;browse-shop/walt-disney-s-donald-duck-a-christmas-for-shacktown-u.s.-canada-only.html&quot;&gt;Walt Disney&amp;#39;s Donald Duck: A Christmas for Shacktown&lt;/a&gt;  by Carl Barks in the Dewey (Huey and Louey) decimal of their hearts. J. Caleb Mozzocco says &amp;quot;[It] features another 200 pages of master cartooning from &amp;#39;The Good Duck  Artist&amp;#39; in a nicely produced bookshelf- or backpack-ready hardcover  edition. . .&amp;nbsp; the Barks books are great comics for kids and adult fans of the medium.&amp;quot; &lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Review: &lt;a href=&quot;browse-shop/walt-disney-s-uncle-scrooge-only-a-poor-old-man-june-2012-u.s.-canada-only-5.html&quot;&gt;Uncle Scrooge: Only a Poor Old Man&lt;/a&gt;  makes the Best of or Our Favorite Books of 2012 list on the &lt;a href=&quot;http://www.villagevoice.com/2012-12-19/books/our-favorite-books-of-2012/&quot;&gt;Village Voice&lt;/a&gt;. Alan Scherstuhl states, &amp;ldquo;Sprightly, inventive, wise, and more exciting than 60-year-old-duck tales should be, Barks&amp;#39;s work already stands at the top of any list of history&amp;#39;s greatest comics. It should also rank high among stories, period.&amp;rdquo;&lt;/p&gt;      &lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Plug: &lt;a href=&quot;http://everydayislikewednesday.blogspot.com/2012/12/wow-i-never-realized-how-many-of-those.html&quot;&gt;J. Caleb Mozzocco&lt;/a&gt;   reveals the many coats of &lt;a href=&quot;browse-shop/walt-disney-s-uncle-scrooge-only-a-poor-old-man-june-2012-u.s.-canada-only-5.html&quot;&gt;Uncle Scrooge&lt;/a&gt;  (SO FAR). Find a cut that works and get it in every color, right?&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;a href=&quot;/sexytime&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_sextim.jpg&quot; alt=&quot;Sexytime&quot; width=&quot;145&quot; height=&quot;192&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;  &lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://brooklynbased.net/email/2012/12/books-for-giving-and-reading/&quot;&gt;Brooklyn Based&lt;/a&gt;  thinks &lt;a href=&quot;/sexytime&quot;&gt;Sexytime&lt;/a&gt;  edited by Jacques Boyreau is for you and suggests books for reading and giving. &amp;quot;This book is a journey into the aesthetic of porn,&amp;quot; states Jon Reiss.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;/headsortails&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_heatai.jpg&quot; alt=&quot;Heads Or Tails&quot; width=&quot;145&quot; height=&quot;186&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Interview: Alex Dueben interviews Lilli Carr&amp;eacute; on &lt;a href=&quot;http://www.comicbookresources.com/?page=article&amp;amp;id=42545&quot;&gt;Comic Book Resources&lt;/a&gt;  about comics and animation. &amp;quot;I loved designing and arranging the [&lt;a href=&quot;/headsortails&quot;&gt;Heads or Tails&lt;/a&gt;]. Figuring  out which pieces to include and the best order for them took quite a  while, since I wanted each story to speak to the one before and after  it, and to have a good flow despite the shift in styles. It was like  making a high-stakes mix tape.&amp;quot;&lt;/p&gt;  &lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://www.thetranscript.com/ci_22190394/elegance-storytelling?source=rss_viewed&quot;&gt;North Adams Transcript&lt;/a&gt;  and John Seven look at &lt;a href=&quot;/headsortails&quot;&gt;Heads or Tails&lt;/a&gt;  by Lilli Carr&amp;eacute;. &amp;quot;The multi-faceted Lilli Carre -- author, illustrator, animator --  presents stories that are as gentle as they are cryptic, in which the  darkness of her themes meld perfectly with the sweetness of her style. .&amp;nbsp;.Carre&amp;rsquo;s short work is collected and celebrated,  revealing a creator of power, easily on the level with lauded types like  Chris Ware.&amp;quot;&lt;/p&gt;&lt;a href=&quot;/furrytrap&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_furtra.jpg&quot; alt=&quot;The Furry Trap&quot; width=&quot;145&quot; height=&quot;176&quot; /&gt;&lt;/a&gt; &lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Review: &lt;a href=&quot;http://hoodedutilitarian.com/2012/12/freedom/&quot;&gt;Hooded Utilitarian&lt;/a&gt; makes it through Josh Simmons&amp;#39; &lt;a href=&quot;/furrytrap&quot;&gt;The Furry Trap&lt;/a&gt;  (probably with all the lights on in the house). James Romberger writes it is &amp;ldquo;packed cover to cover with shudders that cannot be anticipated, that grow worse as they progressively become less clearly defined. The last narrative is the most frightening because it is a straightforwardly articulated bit of cinematography on paper that, as with the most effective of suspenseful creations, gains in impact from what is never shown, the reader&amp;rsquo;s mind having already been prepared by the foregoing tales to expect the worst.&amp;rdquo;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;a href=&quot;browse-shop/the-complete-peanuts-1985-1986-vol.-18-north-america-only.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_cpea18.jpg&quot; alt=&quot;The Complete Peanuts 1985-1986&quot; width=&quot;145&quot; height=&quot;111&quot; /&gt;&lt;/a&gt;  &lt;a href=&quot;index.php?keyword=peanuts+box&amp;amp;search_type=titles&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_pb1718.jpg&quot; alt=&quot;Peanuts box sets&quot; width=&quot;145&quot; height=&quot;134&quot; /&gt;&lt;/a&gt;  &lt;a href=&quot;browse-shop/charlie-brown-s-christmas-stocking.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_cbxmas.jpg&quot; alt=&quot;Charlie Brown&amp;#39;s Christmas Stocking&quot; width=&quot;145&quot; height=&quot;147&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Review: Lettering master &lt;a href=&quot;http://kleinletters.com/Blog/?p=22176&quot;&gt;Todd Klein&lt;/a&gt;  on &lt;a href=&quot;browse-shop/the-complete-peanuts-1985-1986-vol.-18-north-america-only.html&quot;&gt;the Complete Peanuts Vol. 18 1985-1986&lt;/a&gt; . &amp;quot;Thirty-five years into his fifty year run on this strip, Charles Schulz continues to keep me smiling and laughing. . .Highly recommended.&amp;quot;&lt;/p&gt;    &lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Review: &lt;a href=&quot;http://www.comicsalliance.com/2012/12/18/holiday-gift-guide-deluxe-edition-comics-omnibus-art-book-2012/#ixzz2FWaOUl2A&quot;&gt;Comics Alliance&lt;/a&gt;  features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On &lt;a href=&quot;index.php?keyword=peanuts+box&amp;amp;search_type=titles&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;The Complete Peanuts Collection box sets&lt;/a&gt;  by Charles M Schulz. Andy Khouri writes, &amp;ldquo;Reprinted in chronological order with the highest production values, any one of these books would make an auspicious addition to any bookshelf.&amp;rdquo;&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Review: &lt;a href=&quot;http://blog.schoollibraryjournal.com/goodcomicsforkids/2012/12/17/review-charlie-browns-christmas-stocking/&quot;&gt;School Library Journal&lt;/a&gt;  looks at &lt;a href=&quot;browse-shop/charlie-brown-s-christmas-stocking.html&quot;&gt;Charlie Brown&amp;rsquo;s Christmas Stocking&lt;/a&gt;  by Charles M. Schulz. J. Caleb Mozzocco says, &amp;quot;Schulz&amp;rsquo;s Peanuts has always been unique in its ability to speak to  audiences of adults and children simultaneously. . . Nice then to have a comic  that can speak to kids, adults and the little kids the adults used to be  all at the same time&amp;mdash;even if only for a quick 40 pages or so.&amp;quot; &lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;browse-shop/pogo-vol.-2-of-the-complete-syndicated-comic-strips-bona-fide-balderdash.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_cpog2.jpg&quot; alt=&quot;Pogo Vol. 2 &quot; width=&quot;145&quot; height=&quot;120&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Review: &lt;a href=&quot;http://www.heroesonline.com/blog/2012/12/17/staff-picks-pogo-complete-syndicated-strips-hc-vol-02-balderdash-december-19-2012/&quot;&gt;HeroesOnline&lt;/a&gt;  looks at &lt;a href=&quot;browse-shop/pogo-vol.-2-of-the-complete-syndicated-comic-strips-bona-fide-balderdash.html&quot;&gt;The Complete Syndicated Pogo Vol. 2 &amp;quot;Bona Fide Balderdash&amp;quot;&lt;/a&gt; by Walt Kelly. &amp;ldquo;Pogo certainly belongs on any informed list of the top 5 newspaper comic strips of all time. &amp;nbsp;The artwork is stunning, the pacing is fast, the characters simply come alive on the page;&amp;nbsp;the plot-lines are crazy and&amp;nbsp;labyrinthine and above all hilarious . . . Fantagraphics does the Kelly&amp;nbsp;oeuvre&amp;nbsp;proud with beautiful production values and insightful introductory material,&amp;rdquo; states Andy Mansell. &lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;a href=&quot;/dungeonquest3&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_dunqu3.jpg&quot; alt=&quot;Dungeon Quest 3&quot; width=&quot;145&quot; height=&quot;199&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;    &lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Review: &lt;a href=&quot;/dungeonquest3&quot;&gt;Dungeon Quest 3&lt;/a&gt;  by Joe Daly is the Best of Year 2012 on the Forbidden Planet International site.&amp;nbsp; Clark Burscough writes, &amp;ldquo;Deceptively simple looking artwork contains hidden depths, and the mythology that Joe Daly is building up around these characters and their world is starting to get properly out there.. . And on top of that &amp;ndash; it&amp;rsquo;s laugh out loud funny. I can&amp;rsquo;t go into precisely why, because it&amp;rsquo;s also laugh out loud filthy. Something for everyone in these books.&amp;rdquo;&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;browse-shop/7-miles-a-second.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2013/thumbs/bookcover_7mas.jpg&quot; alt=&quot;7 Miles a Second&quot; width=&quot;145&quot; height=&quot;196&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Interview: &lt;a href=&quot;http://www.comicbookresources.com/?page=article&amp;amp;id=42722&quot;&gt;Comic Book Resources&lt;/a&gt;  and Alex Dueben interview James Romberger on his collaboration of &lt;a href=&quot;browse-shop/7-miles-a-second.html&quot;&gt;7 Miles a Second&lt;/a&gt; (and Post York). On his love of New York-centric books, &amp;ldquo;It is strange that I&amp;#39;ll get used to an aspect of the landscape, but so often, I will come out to find it gone and replaced with something completely different. Still, I also love that shifting quality and the multiculturalism of the city; it is my primary subject,&amp;rdquo; says Romberger.&lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;a href=&quot;browse-shop/listen-whitey-the-sights-and-sounds-of-black-power-1965-1975-feb.-2012-3.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/listenwhitey_patthomas_web.jpg&quot; alt=&quot;Listen, Whitey!&quot; width=&quot;145&quot; height=&quot;145&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Review: &lt;a href=&quot;browse-shop/listen-whitey-the-sights-and-sounds-of-black-power-1965-1975-feb.-2012-3.html&quot;&gt;Listen, Whitey!&lt;/a&gt;  on &lt;a href=&quot;http://www.npr.org/blogs/bestmusic2012/2012/12/13/167183661/now-thats-what-i-call-a-compilation?live=1&quot;&gt;NPR Music&lt;/a&gt;  for its MUSIC compilation. Matt Sullivan, assistant to author Pat Thomas, talks to Michaelangeo Matos about the project to accompany the book. &amp;quot;There&amp;#39;s no way that Sony or EMI were going to [automatically] say yes  to the Bob Dylan or John &amp;amp; Yoko tracks, because they get those  requests all day. Years ago, Pat went to Bob Dylan&amp;#39;s office and got  those guys to approve it. The same thing with Yoko. . .&amp;quot; &lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&lt;img src=&quot;images/flog/34983/pretty.jpg&quot; alt=&quot;Pretty in Ink&quot; width=&quot;151&quot; height=&quot;202&quot; /&gt; &lt;/p&gt;  &lt;p&gt;&amp;bull; Plug: Speaking of 2013, Johanna Draper Carlson of &lt;a href=&quot;http://comicsworthreading.com/2012/12/08/trina-robbins-to-write-ultimate-history-of-women-in-comics/&quot;&gt;Comics Worth Reading&lt;/a&gt;  can&amp;#39;t wait for Pretty in Ink: American Women Cartoonists by Trina Robbins to come out!&amp;nbsp; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;/blacklung&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_blackl.jpg&quot; alt=&quot;Blacklung&quot; width=&quot;145&quot; height=&quot;192&quot; /&gt;&lt;/a&gt; &lt;a href=&quot;browse-shop/jack-jackson-s-american-history-los-tejanos-lost-cause-feb.-2012.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_jjah01.jpg&quot; alt=&quot;Los Tejanos and Lost Cause&quot; width=&quot;145&quot; height=&quot;200&quot; /&gt;&lt;/a&gt;   &lt;/p&gt;&lt;p&gt;&amp;bull; Review (reprint): &lt;a href=&quot;http://www.publishersweekly.com/pw/by-topic/industry-news/comics/article/55108-comics-reviews-december.html&quot;&gt;Publishers Weekly&lt;/a&gt;  reissues their prime reviews on &lt;a href=&quot;/blacklung&quot;&gt;Blacklung&lt;/a&gt;, &lt;a href=&quot;/headsortails&quot;&gt;Heads or Tails&lt;/a&gt;, and &lt;a href=&quot;browse-shop/jack-jackson-s-american-history-los-tejanos-lost-cause-feb.-2012.html&quot;&gt;Los Tejanos and Lost Cause&lt;/a&gt; .&amp;nbsp; &lt;/p&gt;&lt;p&gt;&amp;bull; Plug: Nick Gazin of &lt;a href=&quot;http://www.vice.com/read/nick-gazins-comic-book-love-in-77&quot;&gt;VICE&lt;/a&gt;  posts pictures a friend sent of the Spain Rodriguez tribute murals made this month in Brooklyn. &lt;/p&gt;&lt;p class=&quot;MsoNormal&quot;&gt;&amp;bull; Plug: Why doesn&amp;rsquo;t Richard Sala take on the Caped Crusader? A question posed by Michael May on &lt;a href=&quot;http://robot6.comicbookresources.com/2012/12/why-has-richard-sala-never-drawn-a-batman-comic/&quot;&gt;CBR&lt;/a&gt;.&lt;/p&gt;    &lt;p&gt;&amp;bull; Plug: Johnny Ryan&amp;#39;s &lt;a href=&quot;/prisonpit&quot;&gt;Prison Pit&lt;/a&gt;  shirts and vinyl figurines are on sale at &lt;a href=&quot;https://store.monsterworship.com/&quot;&gt;Monster Worship&lt;/a&gt;  for the truly tainted souls. &lt;/p&gt;&lt;p&gt;&amp;bull; Plug: Justin Hall (editor of &lt;a href=&quot;/nostraightlines&quot;&gt;No Straight Lines&lt;/a&gt;) has a new comic in the &lt;a href=&quot;http://www.sfweekly.com/microsites/comics2012/&quot;&gt;comics edition of SF Weekly&lt;/a&gt;. Enjoy! &lt;/p&gt;</description>
			<author>TheJenVaughn</author>
		<category>William S Burroughs</category>
 <category>Walt Kelly</category>
 <category>Trina Robbins</category>
 <category>Richard Sala</category>
 <category>Peanuts</category>
 <category>Pat Thomas</category>
 <category>Noah Van Sciver</category>
 <category>Michael Kupperman</category>
 <category>Malcolm McNeill</category>
 <category>Love and Rockets</category>
 <category>Lilli Carré</category>
 <category>Justin Hall</category>
 <category>Josh Simmons</category>
 <category>Johnny Ryan</category>
 <category>Joe Daly</category>
 <category>James Romberger</category>
 <category>Jaime Hernandez</category>
 <category>Jacques Boyreau</category>
 <category>Jack Jackson</category>
 <category>Harvey Kurtzman</category>
 <category>Gilbert Hernandez</category>
 <category>Gary Panter</category>
 <category>EC Comics</category>
 <category>Disney</category>
 <category>Daily OCD</category>
 <category>Crockett Johnson</category>
 <category>Chris Wright</category>
 <category>Charles M Schulz</category>
 <category>Carl Barks</category>
 <category>Basil Wolverton</category>
		</item>
		<item>
			<title>Daily OCD 11/16/12</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Daily-OCD-11-16-12.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;&amp;nbsp;The first bit of frost of Online Commentaries &amp;amp; Diversions:&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;browse-shop/the-lost-art-of-ah-pook-is-here-images-from-the-graphic-novel.html&quot;&gt;&lt;img src=&quot;images/flog/34983/Ahpook.jpg&quot; alt=&quot;The Lost Art of Ah Pook&quot; width=&quot;145&quot; height=&quot;113&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Review (video): &lt;a href=&quot;http://www.youtube.com/watch?v=46pO6jdsXOo&amp;amp;feature=youtu.be&quot;&gt;Last Gasp&lt;/a&gt;&amp;#39;s John Longhi reviews &lt;a href=&quot;browse-shop/the-lost-art-of-ah-pook-is-here-images-from-the-graphic-novel.html&quot;&gt;The Lost Art of Ah Pook&lt;/a&gt;  by Malcom McNeill, a story originally created with William Burroughs. Longhi says, &amp;quot;I can see why Burroughs wanted to work with McNeill because he&amp;#39;s one of the few guys who could capture the crazy wacked out details of his story writing. . . [It contains] all the wonderful social discord that made his writing fantastic.&amp;quot; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;browse-shop/blacklung-3.html&quot;&gt;&lt;img src=&quot;images/flog/34983/blacklung.jpg&quot; alt=&quot;Blacklung&quot; width=&quot;145&quot; height=&quot;189&quot; /&gt;&lt;/a&gt;   &lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;browse-shop/blacklung-3.html&quot;&gt;Blacklung&lt;/a&gt;   by Chris Wright gets high marks on &lt;a href=&quot;http://www.pastemagazine.com/articles/2012/11/comic-book-graphic-novel-round-up-111412.html?utm_source=twitterfeed&amp;amp;utm_medium=twitter&quot;&gt;Paste Magazine&lt;/a&gt;. Sean Edgar says, &amp;quot;Blacklung is a weird, compelling creation, telling a harrowing  story of redemption and savagery through art that could  initially pass  as adorable before you get to the tongue necklaces. Highly recommended  for those with strong stomachs.&amp;quot;&amp;nbsp; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;/thehypo&quot;&gt;&lt;img src=&quot;images/flog/34983/TheHypoSMALL.jpg&quot; alt=&quot;The Hypo&quot; width=&quot;135&quot; height=&quot;173&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://reviews.libraryjournal.com/2012/11/best-of/best-books-2012-graphic-novels/&quot;&gt;School Library Journal&lt;/a&gt;  announces their BEST BOOKS OF 2012 and in the graphics novels section, Noah Van Sciver&amp;#39;s &lt;a href=&quot;/thehypo&quot;&gt;The Hypo&lt;/a&gt;  is listed. &amp;quot;Van Sciver makes Lincoln real by picturing one of the hardest times in  his younger life. . . Dickens-style squalor and melodrama plus Austen-style romance, all done  in gritty cross-hatching.&amp;quot; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;flanneryoconnor&quot;&gt;&lt;img src=&quot;images/flog/34983/flanneryoconnor.jpg&quot; alt=&quot;Flannery O&amp;#39;Connor&quot; width=&quot;145&quot; height=&quot;118&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Plug: &lt;a href=&quot;http://www.nytimes.com/2012/11/23/books/best-bathroom-books-of-2012.html&quot;&gt;The NY Times&lt;/a&gt;  listed Flannery O&amp;#39;Connor: The Cartoons at the top of the Best Bathroom Reads of 2012. Dwight Garner believes &amp;quot;the prints collected here are droll and strange.&amp;quot; Two of our favorite words to describe Fantagraphics-style creators such as Flannery O&amp;#39;Connor.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;mickey4&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_wdmm04.jpg&quot; alt=&quot;Mickey Mouse Volume 4: House of Seven Haunts&quot; width=&quot;150&quot; height=&quot;124&quot; /&gt;&lt;/a&gt;  &lt;img src=&quot;images/flog/covers/2012/bookcover_wddd02.jpg&quot; alt=&quot;Donald Duck: A Christmas for Shacktown&quot; width=&quot;127&quot; height=&quot;176&quot; /&gt; &lt;a href=&quot;index.php?keyword=peanuts&amp;amp;search_type=titles&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_cbxmas.jpg&quot; alt=&quot;Charlie Brown&amp;#39;s Christmas Stocking&quot; width=&quot;150&quot; height=&quot;152&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Plug: &lt;a href=&quot;http://www.asitecalledfred.com/2012/11/16/shopping-guide-2012-11-16/&quot;&gt;Ken Plume&lt;/a&gt;  mentions some of our books on his 2012 shopping guide: &amp;quot;Alongside the Peanuts collection, [&lt;a href=&quot;achristmasforshacktown&quot;&gt;Walt Disney&amp;#39;s Donald Duck: A Christmas for Shacktown&lt;/a&gt;  and&lt;a href=&quot;mickey4&quot;&gt; Mickey Mouse Vol. 4 &amp;quot;House of the Seven Haunts&amp;quot;&lt;/a&gt;] reinforce the assessment that no one is doing archival comic collections as well as Fantagraphics.&amp;quot; &lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://farm3.staticflickr.com/2719/4330473225_775cc073e6_q.jpg&quot; alt=&quot;Drew Friedman&quot; width=&quot;150&quot; height=&quot;150&quot; /&gt; &lt;/p&gt;&lt;p&gt;&amp;bull; Plug: Drew Friedman is &lt;a href=&quot;http://www.google.com/url?sa=t&amp;amp;rct=j&amp;amp;q=&amp;amp;esrc=s&amp;amp;source=web&amp;amp;cd=1&amp;amp;ved=0CDMQFjAA&amp;amp;url=http%3A%2F%2Fboingboing.net%2F2012%2F11%2F15%2Fjohn-severin-is-drew-friedman.html&amp;amp;ei=O5alUIK2NITTigKAiYG4CA&amp;amp;usg=AFQjCNFSAWjiQ3kxIg4QERiLBPnkA5pFVQ&amp;amp;sig2=Ik5oWP6xabDzqE-4RoDcAw&amp;amp;cad=rja&quot;&gt;Boing-Boing&lt;/a&gt;-ed thanks to his amazing drawings, this time of John Severin from MAD/EC/Cracked comics.&amp;nbsp; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;sibylanne1&quot;&gt;&lt;img src=&quot;components/com_virtuemart/shop_image/product/0e6cefc38145fc160e4576fc6e8b70bf.jpg&quot; alt=&quot;Sibyl-Anne Vs. Ratticus&quot; width=&quot;145&quot; height=&quot;192&quot; /&gt;&lt;/a&gt;  &lt;a href=&quot;giljordan1&quot;&gt;&lt;img src=&quot;images/flog/covers/2011/bookcover_giljo1.jpg&quot; alt=&quot;Gil Jordan: Murder by High Tide&quot; width=&quot;145&quot; height=&quot;192&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Plug: &lt;a href=&quot;http://cinemaandchocolate.blogspot.com/2012/11/on-raymond-macherot-1924-2008.html&quot;&gt;Black and White&lt;/a&gt;  adores Raymond Macherot&amp;#39;s &lt;a href=&quot;giljordan1&quot;&gt;Gil Jordan, Private Detective: Murder By High Tide&lt;/a&gt;  and &lt;a href=&quot;sibylanne1&quot;&gt;Sibyl-Anne Vs. Ratticus&lt;/a&gt; . Miguel saw the English and French versions, &amp;quot;And I fell in love. . . [Macherot&amp;#39;s] worlds are (usually) full of deceptively cute anthropomorphic animals, and in his best work, under that kids-friendly surface of pretty little animals there is real threat.&amp;quot;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;/godandscience&quot;&gt;&lt;img src=&quot;images/flog/34983/Godscience2.jpg&quot; alt=&quot;God and Science Spanish edition&quot; width=&quot;136&quot; height=&quot;216&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Review: Roughly translated from &lt;a href=&quot;http://edicioneslacupula.blogspot.com/2012/11/heroinas-de-barrio.html?spref=tw&quot;&gt;Ediciones La Cupula&lt;/a&gt;, Jaime Hernandez&amp;#39;s &lt;a href=&quot;/godandscience&quot;&gt;God and Science: Return of the Ti-Girls&lt;/a&gt;  is reviewed. &amp;quot;The excitement that overwhelms us after reading each of the installments of the saga of&amp;nbsp; [Ti-Girls] is directly proportional to its artistic excellence, his talent as a storyteller and human greatness that lives in his cartoons.&amp;quot;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;browse-shop/the-strange-case-of-edward-gorey-expanded-hardcover-edition.html&quot;&gt;&lt;img src=&quot;images/flog/covers/2010/bookcover_goreyh.jpg&quot; alt=&quot;The Strange Case of Edward Gorey&quot; width=&quot;108&quot; height=&quot;162&quot; /&gt;&lt;/a&gt; &amp;nbsp; &lt;a href=&quot;browse-shop/laura-warholic-or-the-sexual-intellectual-4.html&quot;&gt;&lt;img src=&quot;images/flog/34983/warholic.jpg&quot; alt=&quot;Laura Warholic&quot; width=&quot;109&quot; height=&quot;160&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://www.lanacion.com.ar/1491590-un-raro-caso-aparte&quot;&gt;Lanacion&lt;/a&gt;  reviews the writings and works of Alexander Theroux (&lt;a href=&quot;browse-shop/laura-warholic-or-the-sexual-intellectual-4.html&quot;&gt;Laura Warholic&lt;/a&gt;, &lt;a href=&quot;browse-shop/estonia-a-ramble-through-the-periphery-oct.-2011-4.html&quot;&gt;Estonia&lt;/a&gt;  and &lt;a href=&quot;browse-shop/the-strange-case-of-edward-gorey-expanded-hardcover-edition.html&quot;&gt;The Strange Case of Edward Gorey&lt;/a&gt;) and translated, barely, Matias Serra Bradford states, &amp;quot;If left as an untreated rarity, Alexander Theroux seems mysterious to the fantastic and impossible point of determining the trajectory of a particle and its position.&amp;quot;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;index.php?keyword=joe+sacco&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;&lt;img src=&quot;http://farm1.staticflickr.com/178/458205155_b0f3c3163c.jpg&quot; alt=&quot;Joe Sacco&quot; width=&quot;150&quot; height=&quot;204&quot; /&gt;&lt;/a&gt;  &lt;/p&gt;&lt;p&gt;&amp;bull; Review: &lt;a href=&quot;http://www.thesnipenews.com/features/joe-sacco-journalism/&quot;&gt;The Snipe News&lt;/a&gt;  looks at &lt;a href=&quot;index.php?keyword=joe+sacco&amp;amp;Search=Search&amp;amp;Itemid=62&amp;amp;option=com_virtuemart&amp;amp;page=shop.browse&quot;&gt;Joe Sacco&lt;/a&gt;&amp;#39;s Journalism collection. &amp;quot;the decade&amp;rsquo;s worth of stories. . . are  most notable not from any kind of torn-from-the-headlines  sensationalism but for the empathy the author brings to his subjects. . . . Sacco has a feel for displaced persons in general.&amp;quot;&lt;/p&gt;</description>
			<author>TheJenVaughn</author>
		<category>William S Burroughs</category>
 <category>Raymond Macherot</category>
 <category>Peanuts</category>
 <category>Noah Van Sciver</category>
 <category>Mickey Mouse</category>
 <category>Malcolm McNeill</category>
 <category>Love and Rockets</category>
 <category>Joe Sacco</category>
 <category>Jaime Hernandez</category>
 <category>Flannery OConnor</category>
 <category>Drew Friedman</category>
 <category>Disney</category>
 <category>Daily OCD</category>
 <category>Chris Wright</category>
 <category>Carl Barks</category>
 <category>Alexander Theroux</category>
		</item>
		<item>
			<title>Fantagraphics October 2012 arrivals recap</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Fantagraphics-October-2012-arrivals-recap.html&amp;amp;Itemid=113</link>
			<description>What&amp;#39;s new around our mail-order operation in the past month? Oh, just FOURTEEN new books. (Actually sixteen, but two of them snuck onto last month&amp;#39;s recap.) We&amp;#39;ve got Mickey Mouse! We&amp;#39;ve got Charlie Brown! We&amp;#39;ve got Cannibal F***face! Our eagerly-awaited first EC Comics Library volumes have arrived, along with 3 major books by cutting-edge talents, the final volume of a masterful memoir series, the start of a wonderful fantasy-adventure series from one of the greats, and some bold experimental books for those of you interested in the various ways literature and images can intersect. (Remember, our &lt;a href=&quot;newreleases&quot; target=&quot;_blank&quot;&gt;New Releases&lt;/a&gt;  page always lists the 20 most recent arrivals, and our &lt;a href=&quot;upcomingarrivals&quot; target=&quot;_blank&quot;&gt;Upcoming Arrivals&lt;/a&gt;  page has dozens of future releases available for pre-order.) Read on for all the details:&lt;br /&gt;   &lt;p&gt;&lt;a href=&quot;blacklung&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_blackl.jpg&quot; alt=&quot;Blacklung by Chris Wright&quot; title=&quot;Blacklung by Chris Wright&quot; width=&quot;450&quot; height=&quot;596&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;blacklung&quot;&gt;Blacklung&lt;/a&gt; &lt;br /&gt; by &lt;a href=&quot;chriswright&quot;&gt;Chris Wright&lt;/a&gt; &lt;/p&gt; &lt;p&gt;128-page black &amp;amp; white 9.25&amp;quot; x 12.25&amp;quot; hardcover &amp;bull; $24.99&lt;br /&gt; ISBN: 978-1-60699-587-7&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;blacklung&quot;&gt;See Previews / Order Now&lt;/a&gt;  &lt;/p&gt; &lt;p&gt;Chris Wright&amp;rsquo;s Blacklung  is unquestionably one of the most impressive graphic novel debuts in  recent years, a sweeping, magisterially conceived, visually startling  tale of violence, amorality, fortitude, and redemption, one part  Melville, one part Peckinpah. Blacklung is a story that lives  up to the term graphic novel, that could only exist in sequential  pictures &amp;mdash; densely textured, highly stylized, delicately and boldly  rendered drawings that is, taken together, wholly original.&lt;/p&gt; &lt;p&gt;In a  night of piratical treachery when an arrogant school teacher is  accidentally shanghaied aboard the frigate Hand, his fate becomes  inextricably fettered to that of a sardonic gangster. Dependent on one  another for survival in their strange and dangerous new home, the two  form an unlikely alliance as they alternately elude or confront the  thieves and cutthroats that bad luck has made their companions and  captors. After an act of terrible violence, the teacher is brought  before the ship&amp;rsquo;s captain and instructed to use his literary skills to  aid him in writing his memoirs. He is to serve as scribe for a man who,  in his remaining years, has made it his mission to commit as many acts  of evil as possible in order to ensure that he meet his dead wife in  hell. As the captain&amp;rsquo;s protected confidant, finding his only comfort in  the few books afforded him, the teacher bears witness to monstrous  brutality, relentless cruelty, strange wisdom, and a journey of  redemption through loss of faith.&lt;/p&gt; &lt;p&gt;Advance Praise:&lt;/p&gt; &lt;p&gt;&amp;ldquo;I could not have imagined how impressive a work Blacklung  would turn out to be. It&amp;rsquo;s a graphic novel, both in its vernacular term  and in a more literal sense, violent and horrible and poetic at the  same time &amp;ndash; the sort of thing McCarthy might write if he were more  interested in pirates than cowboys or Appalachians. Blacklung is a great  book; canonically great.&amp;rdquo; &amp;mdash;Chris Schweizer (Crogan&amp;rsquo;s Adventures)&lt;/p&gt; &lt;p&gt;&amp;ldquo;A  truly organic and interesting way to cartoon, the complete package of  verbal cadence and informative visual style.&amp;rdquo; &amp;ndash; Tom Spurgeon, The Comics Reporter&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;camethedawn&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/ec_wood_camethedawn_cover.jpg&quot; alt=&quot;Came the Dawn and Other Stories Illustrated by Wallace Wood (The EC Comics Library)&quot; title=&quot;Came the Dawn and Other Stories Illustrated by Wallace Wood (The EC Comics Library)&quot; width=&quot;450&quot; height=&quot;638&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;camethedawn&quot;&gt;Came the Dawn and Other Stories&lt;/a&gt;  (&lt;a href=&quot;eccomicslibrary&quot;&gt;The EC Comics Library&lt;/a&gt;)&lt;br /&gt; Illustrated by &lt;a href=&quot;wallacewood&quot;&gt;Wallace Wood&lt;/a&gt;; written by &lt;a href=&quot;alfeldstein&quot;&gt;Al Feldstein&lt;/a&gt;  et al.; edited by Gary Groth&lt;/p&gt; &lt;p&gt;208-page black &amp;amp; white 7.25&amp;quot; x 10.25&amp;quot; hardcover &amp;bull; $28.99&lt;br /&gt; ISBN: 978-1-60699-546-4&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;camethedawn&quot;&gt;See Previews / Order Now&lt;/a&gt;&lt;/p&gt;  BARGAIN COMBO: &lt;a href=&quot;browse-shop/corpse-on-the-imjin-came-the-dawn-the-ec-comics-library-gift-set.html&quot;&gt;Corpse on the Imjin! + Came the Dawn (The EC Comics Library) Gift Set&lt;/a&gt; &lt;a href=&quot;browse-shop/corpse-on-the-imjin-came-the-dawn-the-ec-comics-library-gift-set.html&quot; title=&quot;Corpse on the Imjin! + Came the Dawn (The EC Comics Library) Gift Set&quot;&gt;&lt;img src=&quot;components/com_virtuemart/shop_image/product/c02ce08ff1adcbd970c4563e29c705b8.jpg&quot; border=&quot;0&quot; alt=&quot;Corpse on the Imjin! + Came the Dawn (The EC Comics Library) Gift Set&quot; hspace=&quot;5&quot; vspace=&quot;5&quot; /&gt;&lt;/a&gt; Price: $57.98 $46.38   &lt;p&gt;&lt;a href=&quot;jackdavishalloween&quot;&gt;&lt;img style=&quot;margin-right: 8px&quot; src=&quot;images/flog/covers/2012/thumbs/bookcover_jdtftc.jpg&quot; border=&quot;0&quot; alt=&quot;Jack Davis&amp;#39;s Tales from the Crypt&quot; width=&quot;145&quot; align=&quot;left&quot; /&gt;&lt;/a&gt;Order this book and receive the &lt;a href=&quot;jackdavishalloween&quot;&gt;Jack Davis&amp;#39;s Tales from the Crypt&lt;/a&gt; Halloween mini-comic shown here as a FREE bonus! Limit one per customer while supplies last.&lt;/p&gt;  &lt;p&gt;The  20th century had hit its exact midpoint. Social upheaval &amp;mdash;  sexual,  social, racial, cultural &amp;mdash; was in the air; and the fledgling EC  comics  line was about to become a vital part of it.&lt;/p&gt; &lt;p&gt;Working within the  horror, war, crime, and science fiction genres,  publisher William  Gaines and editor/writer Al Feldstein combined a  deliciously  disreputable, envelope-pushing sensibility with moments of  genuine,  outraged social consciousness, which shone a hard light onto such  hot-button  topics as racism, anti-Semitism, mob justice, and misogyny  and sexism.&lt;/p&gt; &lt;p&gt;The 1950s were also a launching pad for some of the  greatest comic  book artists in history, many of whom worked for EC &amp;mdash;  including Wallace  Wood, whose hypnotically detailed, lushly expressive  brushwork brought  to life menacing thugs, ominous cityscapes, and  small-town America, as  well as Everymen grappling with profound moral  issues &amp;mdash; not to mention  some of the most heart-stoppingly beautiful  women ever to sashay across a  comic book page.&lt;/p&gt; &lt;p&gt;Came the Dawn  collects all 26 Wood-drawn horror and crime  stories &amp;mdash; including the  full baker&amp;rsquo;s dozen of EC&amp;rsquo;s most courageous and  politically charged  dramas.&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;eccomicslibrary&quot;&gt;&lt;img style=&quot;margin-right: 8px&quot; src=&quot;images/banners/eclogo-145.jpg&quot; alt=&quot;EC Comics Logo&quot; align=&quot;left&quot; /&gt;&lt;/a&gt;Taking  its title from one of Wood&amp;rsquo;s all-time classics, the evil little  paranoid thriller &amp;ldquo;Came the Dawn,&amp;rdquo; this collection features page after  page after page of Wood&amp;rsquo;s sleek and meticulously crafted artwork put in  the service of cunning twist-ending stories, most often from the  typewriter of EC editor Al Feldstein. These tales range from  supernatural shockers from the pages of Tales From the Crypt and The Haunt of Fear  (&amp;ldquo;The Living Corpse,&amp;rdquo; &amp;ldquo;Terror Ride,&amp;rdquo; &amp;ldquo;Man From the Grave,&amp;rdquo; &amp;ldquo;Horror in  the Freak Tent&amp;rdquo;) to often pointedly contemporary crime thrillers from Crime SuspenStories (&amp;ldquo;The Assault,&amp;rdquo; &amp;ldquo;The Whipping,&amp;rdquo; and &amp;ldquo;Confession,&amp;rdquo; which was singled out for specific excoriation in the anti-comics screed Seduction of the Innocent, thus giving it a special cachet), but the breathtaking art and whiplash-inducing shock endings are constants throughout.&lt;/p&gt; &lt;p&gt;Like every book in the Fantagraphics EC line, Came the Dawn   features extensive essays and notes on these classic stories by EC   experts &amp;mdash; but the real &amp;ldquo;meat&amp;rdquo; of the matter (sometimes literally, in the   grislier stories) is supplied by these ofted lurid, sometimes  downright over-the-top, but always  compelling and superbly crafted,  classic comic-book masterpieces.&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;corpseontheimjin&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_corimj.jpg&quot; alt=&quot;Corpse on the Imjin! and Other Stories by Harvey Kurtzman&quot; title=&quot;Corpse on the Imjin! and Other Stories by Harvey Kurtzman&quot; width=&quot;450&quot; height=&quot;638&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;corpseontheimjin&quot;&gt;Corpse on the Imjin! and Other Stories&lt;/a&gt;  (&lt;a href=&quot;eccomicslibrary&quot;&gt;The EC Comics Library&lt;/a&gt;)&lt;br /&gt; by &lt;a href=&quot;harveykurtzman&quot;&gt;Harvey Kurtzman&lt;/a&gt;, et al.&lt;/p&gt; &lt;p&gt;240-page black &amp;amp; white/color 7.25&amp;quot; x 10.25&amp;quot; hardcover &amp;bull; $28.99&lt;br /&gt; ISBN: 978-1-60699-545-7&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;corpseontheimjin&quot;&gt;See Previews / Order Now&lt;/a&gt;  &lt;/p&gt;  BARGAIN COMBO: &lt;a href=&quot;browse-shop/corpse-on-the-imjin-came-the-dawn-the-ec-comics-library-gift-set.html&quot;&gt;Corpse on the Imjin! + Came the Dawn (The EC Comics Library) Gift Set&lt;/a&gt; &lt;a href=&quot;browse-shop/corpse-on-the-imjin-came-the-dawn-the-ec-comics-library-gift-set.html&quot; title=&quot;Corpse on the Imjin! + Came the Dawn (The EC Comics Library) Gift Set&quot;&gt;&lt;img src=&quot;components/com_virtuemart/shop_image/product/c02ce08ff1adcbd970c4563e29c705b8.jpg&quot; border=&quot;0&quot; alt=&quot;Corpse on the Imjin! + Came the Dawn (The EC Comics Library) Gift Set&quot; hspace=&quot;5&quot; vspace=&quot;5&quot; /&gt;&lt;/a&gt; Price: $57.98 $46.38   &lt;p&gt;&lt;a href=&quot;jackdavishalloween&quot;&gt;&lt;img style=&quot;margin-right: 8px&quot; src=&quot;images/flog/covers/2012/thumbs/bookcover_jdtftc.jpg&quot; border=&quot;0&quot; alt=&quot;Jack Davis&amp;#39;s Tales from the Crypt&quot; width=&quot;145&quot; align=&quot;left&quot; /&gt;&lt;/a&gt;Order this book and receive the &lt;a href=&quot;jackdavishalloween&quot;&gt;Jack Davis&amp;#39;s Tales from the Crypt&lt;/a&gt; Halloween mini-comic shown here as a FREE bonus! Limit one per customer while supplies last.&lt;/p&gt;  &lt;p&gt;The creation of MAD  would have been enough to cement Harvey Kurtzman&amp;rsquo;s reputation as one of  the titans of American comics, but Kurtzman also created two other  comics landmarks: the scrupulously-researched and superbly-crafted war  comics Two-Fisted Tales and Frontline Combat. Here   were finally war comics without heroic, cigar-chomping sergeants,  wisecracking privates from  Brooklyn, or cartoon Nazis and &amp;ldquo;Japs&amp;rdquo; to be  mowed down by the Yank  heroes, but an unflinching look at the horror  and madness of combat throughout  history.&lt;/p&gt; &lt;p&gt;Kurtzman employed  some of the finest of the EC artists including Jack Davis, John Severin,  and Wallace Wood, but his vision came through clearest in the dozen or  so stories he both wrote and drew himself, in his uniquely bold,  slashing, cartoony-but-dead-serious style (&amp;ldquo;Stonewall Jackson,&amp;rdquo; &amp;ldquo;Iwo  Jima,&amp;rdquo; &amp;ldquo;Rubble,&amp;rdquo; &amp;ldquo;Big &amp;lsquo;If &amp;rsquo;,&amp;rdquo; and Kurtzman&amp;rsquo;s own favorite, &amp;ldquo;Air Burst&amp;rdquo;) &amp;mdash;  as well as his vividly colored, narratively-dense covers, all 23 of  which are reproduced here in full color in a special portfolio.&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;eccomicslibrary&quot;&gt;&lt;img style=&quot;margin-right: 8px&quot; src=&quot;images/banners/eclogo-145.jpg&quot; alt=&quot;EC Comics Logo&quot; align=&quot;left&quot; /&gt;&lt;/a&gt;Corpse on the Imjin!  is rounded off with a dozen or so stories written and laid out by  Kurtzman and drawn by &amp;ldquo;short-timers,&amp;rdquo; i.e. cartoonists whose  contributions to his war books only comprised a story or two &amp;mdash; including  such giants as designer extraordinaire Alex Toth, Marvel comics  stalwart Gene Colan, and a pre-Sgt. Rock Joe Kubert... and such  unexpected guests as &amp;ldquo;The Lighter Side of...&amp;rdquo; MAD artist Dave Berg and DC comics veteran Ric Estrada &amp;mdash; as well as a rarity: a story by EC regular John Severin inked by Kurtzman.&lt;/p&gt; &lt;p&gt;Like every book in the Fantagraphics EC line, Corpse on the Imjin!  features extensive essays and notes on these classic stories by EC  experts &amp;mdash; but Kurtzman&amp;rsquo;s stories, as vital, powerful, affecting, and  even, yes, modern today as when they were created 60 years ago, are what  makes this collection a must-have for any comics reader.&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;thecartoonutopia&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_caruto.jpg&quot; alt=&quot;The Cartoon Utopia by Ron Reg&amp;eacute; Jr.&quot; title=&quot;The Cartoon Utopia by Ron Reg&amp;eacute; Jr.&quot; width=&quot;450&quot; height=&quot;538&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;thecartoonutopia&quot;&gt;The Cartoon Utopia&lt;/a&gt; &lt;br /&gt; by &lt;a href=&quot;ronregejr&quot;&gt;Ron Reg&amp;eacute;, Jr.&lt;/a&gt; &lt;/p&gt; &lt;p&gt;144-page black &amp;amp; white 10.25&amp;quot; x 12.25&amp;quot; hardcover &amp;bull; $24.99&lt;br /&gt; ISBN: 978-1-60699-596-9&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;thecartoonutopia&quot;&gt;See Previews / Order Now&lt;/a&gt;  &lt;/p&gt; &lt;p&gt;Ron  Reg&amp;eacute;, Jr. is a very unusual yet accomplished storyteller whose work  exudes a passionate moral, idealistic core that sets him apart from his  peers. The Cartoon Utopia is his Magnum Opus, a unique work of  comic art that, in the words of its author, &amp;quot;focuses on ideas that I&amp;#39;ve  become intrigued by that stem from magical, alchemical, ancient ideas  &amp;amp; mystery schools.&amp;quot; It&amp;#39;s part sci-fi, part philosophy, part visual  poetry, and part social manifesto. Reg&amp;eacute;&amp;#39;s work exudes psychedelia,  outsider rawness, and pure cartoonish joy.&lt;/p&gt; &lt;p&gt;In The Cartoon Utopia,  &amp;quot;Utopians&amp;quot; of the future world are attempting to send messages through  consciousness, outside of the constricts of time as we understand it.  They live in a world of advanced collective consciousness and want to  help us understand how to achieve what they have accomplished. They get  together to perform this task in a way that evolved out of our current  system of consuming information and entertainment. In other words, the  opposite of television. Instead, these messages appear in the form of  art, music and storytelling.&lt;/p&gt; &lt;p&gt;Praise for Ron Reg&amp;eacute;, Jr.:&lt;/p&gt; &lt;p&gt;&amp;quot;One  of a handful of cartoonists in the history of the medium to not only  reinvent comics to suit his own idiosyncratic impulses and inspirations  as an artist, but also to imbue it with his own peculiar, ever changing  emotional energy. To me, he is unquestionably one of &amp;#39;the greats.&amp;#39;&amp;quot; &amp;ndash; &lt;a href=&quot;administrator/chrisware&quot;&gt;Chris Ware&lt;/a&gt;&lt;/p&gt; &lt;p&gt;&amp;quot;Slow  down when you read his pictures and ornately lettered words, quivering,  scintillating, radiant, and they will leave you awake and awakened.&amp;quot; &amp;ndash;  Paul Gravett&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;charliebrownxmas&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_cbxmas.jpg&quot; alt=&quot;Charlie Brown&amp;#39;s Christmas Stocking by Charles M. Schulz&quot; title=&quot;Charlie Brown&amp;#39;s Christmas Stocking by Charles M. Schulz&quot; width=&quot;450&quot; height=&quot;457&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;charliebrownxmas&quot;&gt;Charlie Brown&amp;#39;s Christmas Stocking&lt;/a&gt; &lt;br /&gt; by &lt;a href=&quot;charlesmschulz&quot;&gt;Charles M. Schulz&lt;/a&gt;&lt;/p&gt; &lt;p&gt;56-page three-color 5.75&amp;quot; x 5.75&amp;quot; hardcover &amp;bull; $9.99&lt;br /&gt; ISBN: 978-1-60699-624-9&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;charliebrownxmas&quot;&gt;See Previews / Order Now &lt;/a&gt; &lt;/p&gt; &lt;p&gt;During his fifty-year career, ninety-nine percent of Charles Schulz&amp;#39;s creative energies went into the daily Peanuts  comic strip. But once in a while he would create a special something  else on the side, and this adorable little package collects two of his  best &amp;quot;extras&amp;quot; from the 1960s: two Christmas-themed stories written and  drawn for national magazines.&lt;/p&gt; &lt;p&gt;Created in 1963 (two years before the Charlie Brown Christmas TV special) as a supplement for Good Housekeeping magazine, &amp;quot;Charlie Brown&amp;#39;s Christmas Stocking&amp;quot; comprises 15 original captioned vignettes featuring the entire Peanuts  cast of the time &amp;mdash; Charlie Brown, Snoopy, Lucy, Linus, Schroeder,  Frieda, Violet, Shermy, and Sally &amp;mdash; each with a joke or reflection about  the season.&lt;/p&gt; &lt;p&gt;&amp;quot;The Christmas Story&amp;quot; is an original tale created for Woman&amp;#39;s Day  in 1968, this one focusing just on Snoopy and the Van Pelt siblings,  with Lucy and Linus each explaining the meaning of the holiday to  Snoopy. &amp;quot;I&amp;rsquo;m going to have to be careful,&amp;quot; Snoopy reflects at the end of  the story, resting on his doghouse next to his bone-decorated tree;  &amp;quot;all this theology could ruin my Christmas.&amp;quot;&lt;/p&gt; &lt;p&gt;The book also  includes notes on the provenance of the stories and a pocket-sized  biography of Schulz. A perfect gift item for the season!&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;headsortails&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_heatai.jpg&quot; alt=&quot;Heads or Tails by Lilli Carr&amp;eacute;&quot; title=&quot;Heads or Tails by Lilli Carr&amp;eacute;&quot; width=&quot;450&quot; height=&quot;579&quot; /&gt;&lt;/a&gt; &lt;/p&gt;  SPECIAL OFFER: &lt;a href=&quot;thelagoon&quot; title=&quot;The Lagoon&quot;&gt;&lt;img src=&quot;components/com_virtuemart/shop_image/product/84ab8ad463690e0b6bb9030b8c011a16.jpg&quot; border=&quot;0&quot; alt=&quot;The Lagoon&quot; hspace=&quot;5&quot; vspace=&quot;5&quot; /&gt;&lt;/a&gt; Add Lilli Carr&amp;eacute;&amp;#39;s acclaimed debut &lt;a href=&quot;administrator/thelagoon&quot;&gt;The Lagoon&lt;/a&gt; to your order for just $9.99 ($5 off)! Use the option menu when ordering.  &lt;p&gt;&lt;a href=&quot;headsortails&quot;&gt;Heads or Tails&lt;/a&gt; &lt;br /&gt; by &lt;a href=&quot;lillicarre&quot;&gt;Lilli Carr&amp;eacute;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;200-page full-color 7&amp;quot; x 9&amp;quot; softcover &amp;bull; $22.99&lt;br /&gt; ISBN: 978-1-60699-597-6&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;headsortails&quot;&gt;See Previews / Order Now&lt;/a&gt;  &lt;/p&gt; &lt;p&gt;The creator of 2008&amp;rsquo;s acclaimed graphic novel The Lagoon &amp;mdash; named to many annual critics&amp;rsquo; lists including Publishers Weekly and USA Today&amp;rsquo;s Pop Candy  &amp;mdash; is back with a stunningly designed and packaged collection of some of  the most poetic and confident short fiction being produced in comics  today. These stories, created over a period of five years, touch on  ideas of flip sides, choices, and extreme ambivalence.&lt;/p&gt; &lt;p&gt;Carr&amp;eacute;&amp;rsquo;s  elegant short stories read like the gothic, family narratives of  Flannery O&amp;rsquo;Connor or Carson McCullers, but told visually. Poetic rhythms  &amp;mdash; a coin flip, a circling ferris wheel &amp;mdash; are punctuated by elements of  melancholy fantasy pushed forward by character-driven, naturalistic  dialogue. The stories in Heads or Tails display a virtuosic  breadth of visual styles and color palettes, each in perfect service of  the story, and range from experimental one-pagers to short masterpieces  like &amp;quot;The Thing About Madeline&amp;quot; (featured in The Best American Comics 2008), to graphic novellas like &amp;quot;The Carnival&amp;quot; (featured in David Sedaris&amp;rsquo; and Dave Eggers&amp;rsquo; 2010 Best American Nonrequired Reading, originally published in MOME), to new work created for this book.&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;lastvispo&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_lasvis.jpg&quot; alt=&quot;The Last Vispo Anthology: Visual Poetry 1998-2008&quot; title=&quot;The Last Vispo Anthology: Visual Poetry 1998-2008&quot; width=&quot;450&quot; height=&quot;576&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;lastvispo&quot;&gt;The Last Vispo Anthology: Visual Poetry 1998-2008&lt;/a&gt; &lt;br /&gt; by various artists; edited by Nico Vassilakis &amp;amp; Crag Hill&lt;/p&gt; &lt;p&gt;336-page full-color 8&amp;quot; x 10&amp;quot; softcover &amp;bull; $39.99&lt;br /&gt; ISBN: 978-1-60699-626-3&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;lastvispo&quot;&gt;See Previews / Order Now&lt;/a&gt; &lt;/p&gt; &lt;p&gt;Fantagraphics  spotlights the intersection of art and language in this innovative new  collection &amp;mdash; without peer in English &amp;mdash; that gathers the work of visual  poets from around the world into one stunning volume. The alphabet is  turned on its head and inside-out and the results culminate in a  compilation of daring and surprising verbo-visual gems.&lt;/p&gt; &lt;p&gt;The Last Vispo Anthology  is composed of vispo (a portmanteau of the words &amp;ldquo;visual&amp;rdquo; and &amp;ldquo;poetry&amp;quot;)  from the years 1998 to 2008, during a burst of creative activity fueled  by file sharing and email, which made it possible for the vispo  community to establish a more heightened and sophisticated dialogue with  one another. The collection extends the dialectic between art and  literature that began with ancient &amp;ldquo;shaped text,&amp;rdquo; medieval pattern  poetry, and dada typography, pushing past the concrete poetics of the  1950s and the subsequent mail art movement of the 1980s to its current  incarnation. Rather than settle into predictable, unchallenged patterns,  this vibrant poetry seizes new tools to expand the body of work that  inhabits the borderlands of visual art and poetic language.&lt;/p&gt; &lt;p&gt;The Last Vispo Anthology  features 148 contributors from 23 countries on five continents. It  includes 12 essays that illuminate the abundant history and the state of  vispo today. The anthology offers a broad amalgam of long-time  practitioners and poets new to visual poetry over the last decade,  underscoring the longevity and the continued vitality of the art form.&lt;/p&gt; &lt;p&gt;Advance Praise:&lt;/p&gt; &lt;p&gt;&amp;ldquo;The descriptor &amp;lsquo;visual poetry&amp;rsquo; cannot begin to hint at the wealth of potent mystery that The Last Vispo  contains. It knocked my mind right off its cozy little track and sent  it sprawling through a myriad of brand new experiences. I can&amp;rsquo;t remember  the last time I encountered something so charged, mysterious, deep and  pleasurably upsetting as this book.&amp;rdquo; &amp;ndash; &lt;a href=&quot;administrator/jimwoodring&quot;&gt;Jim Woodring&lt;/a&gt;&lt;/p&gt; &lt;p&gt;&amp;ldquo;A  delightful cornucopia of imaginary languagescapes, opening the eye to  other alphabetic climes, beyond the ho-hum regimentation of linear  normalcies. &amp;amp; all from (just about) the past decade. Visual  poetries: alive and expanding. It&amp;rsquo;s positively viral.&amp;rdquo; &amp;ndash; Charles  Bernstein&lt;/p&gt; &lt;p&gt;&amp;ldquo;Staring your way into and through the letter as  object &amp;mdash; the letter as solitary sign, the letter as crowned king.  Staring gives us the keys to the kingdom. This book is a glorious  adjunct to the long history of concrete and visual poetry. Long live the  king!&amp;rdquo; &amp;ndash; Harry Mathews&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;lostartofahpook&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_losart.jpg&quot; alt=&quot;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill&quot; title=&quot;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill&quot; width=&quot;450&quot; height=&quot;350&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;lostartofahpook&quot;&gt;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel&lt;/a&gt; &lt;br /&gt; by &lt;a href=&quot;malcolmmcneill&quot;&gt;Malcolm McNeill&lt;/a&gt; &lt;/p&gt; &lt;p&gt;168-page full-color 10.25&amp;quot; x 13.25&amp;quot; hardcover &amp;bull; $39.99&lt;br /&gt; ISBN: 978-1-60699-445-0&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;lostartofahpook&quot;&gt;See Previews / Order Now &lt;/a&gt; &lt;/p&gt;  BARGAIN COMBO: Order this book with its companion volume and save 20%! &lt;a href=&quot;ahpookset&quot;&gt;The Lost Art of Ah Pook + Observed While Falling - Gift Set&lt;/a&gt;  &lt;a href=&quot;ahpookset&quot; title=&quot;The Lost Art of Ah Pook + Observed While Falling - Gift Set&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_losart-obswhi.jpg&quot; border=&quot;0&quot; alt=&quot;The Lost Art of Ah Pook + Observed While Falling - Gift Set&quot; hspace=&quot;5&quot; vspace=&quot;5&quot; /&gt;&lt;/a&gt; Price: $69.98 $55.98   &lt;p&gt;In 1970, William S. Burroughs and artist Malcolm McNeill began a small collaborative project on a comic entitled The Unspeakable Mr. Hart, which appeared in the first four issues of Cyclops,  England&amp;rsquo;s first comics magazine for an adult readership. Soon after,  Burroughs and McNeill agreed to collaborate on a book-length meditation  on time, power, control, and corruption that evoked the Mayan codices  and specifically, the Mayan god of death, Ah Pook. Ah Pook Is Here  was to include their character Mr. Hart, but stray from the  conventional comics form to explore different juxtapositions of images  and words.&lt;/p&gt; &lt;p&gt;Ah Pook was never finished in its intended form. In a 1979 prose collection that included only the words from the collaboration, Ah Pook is Here and Other Texts  (Calder, 1979), Burroughs explains in the preface that they envisioned  the work to be &amp;ldquo;one that falls into neither the category of the  conventional illustrated book nor that of a comix publication.&amp;rdquo; Rather,  the work was to include &amp;ldquo;about a hundred pages of artwork with text  (thirty in full-color) and about fifty pages of text alone.&amp;rdquo; The book  was conceived as a single painting in which text and images were  combined in whatever form seemed appropriate to the narrative. It was  conceived as 120 continuous pages that would &amp;quot;fold out.&amp;quot; Such a book  was, at the time, unprecedented, and no publisher was willing to take a  chance and publish a &amp;ldquo;graphic novel.&amp;rdquo;&lt;/p&gt; &lt;p&gt;However, Malcolm McNeill  created nearly a hundred paintings, illustrations, and sketches for the  book, and these, finally, are seeing the light of day in The Lost Art of Ah Pook.  (Burroughs&amp;rsquo; text will not be included.) McNeill himself is an exemplary  craftsman and visionary painter whose images have languished for over  30 years, unseen. Even in a context divorced from the words, they  represent a stunning precursor to the graphic novel form to come.&lt;/p&gt; &lt;p&gt;Sara  J. Van Ness contributes an historical essay chronicling the long  history of Burroughs&amp;rsquo; and McNeill&amp;rsquo;s work together, including its  incomplete publishing history with Rolling Stone&amp;rsquo;s Straight Arrow Press, the excerpt that ran in Rush magazine, and the text that was published without pictures.&lt;/p&gt; &lt;p&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_obswhi.jpg&quot; alt=&quot;Observed While Falling&quot; width=&quot;450&quot; height=&quot;684&quot; /&gt;&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;observedwhilefalling&quot;&gt;Observed While Falling: Bill Burroughs, Ah Pook, and Me&lt;/a&gt; &lt;br /&gt; by &lt;a href=&quot;malcolmmcneill&quot;&gt;Malcolm McNeill&lt;/a&gt;&lt;/p&gt; &lt;p&gt;192-page full-color 6.75&amp;quot; x 10.25&amp;quot; hardcover &amp;bull; $29.99&lt;br /&gt; ISBN: 978-1-60699-561-7&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;observedwhilefalling&quot;&gt;See Previews / Order Now &lt;/a&gt; &lt;/p&gt; &lt;p&gt;Observed While Falling  is an account of the personal and creative interaction that defined the  collaboration between the writer William S. Burroughs and the artist  Malcolm McNeill on the graphic novel Ah Pook Is Here.  The  memoir chronicles the events that surrounded it, the reasons it was  abandoned  and the unusual circumstances that brought it back to life.  McNeill describes  his growing friendship with Burroughs and how their  personal  relationship affected their creative partnership. The book is  written with insight and humor, and is  liberally sprinkled with the  kind of outr&amp;eacute; anecdotes one would expect  working with a writer as  original and eccentric as Burroughs. It confirms  Burroughs&amp;rsquo; and  McNeill&amp;rsquo;s prescience, the place of Ah Pook in relation to the  contemporary graphic novel, and its anticipation of the events  surrounding 2012. The book offers new insights into Burroughs&amp;rsquo; working  methods as well as how the two explored the possibilities of words and  images working together to form the ambitious literary hybrid that they  didn&amp;rsquo;t know, at the time, was a harbinger of the 21st century &amp;ldquo;graphic  novel.&amp;rdquo; McNeill expounds on the lessons of that experience to bring Ah Pook into present time. In light of current events, Ah Pook is unquestionably Here now.&lt;/p&gt; &lt;p&gt;Observed While Falling  presents a unique view of the creative process that will be of interest  to artists, writers and general readers alike. A perspective evoked by a  literary experiment that has endured for forty years and still  continues to &amp;ldquo;happen.&amp;rdquo;&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;ahpookset&quot;&gt;&lt;img src=&quot;http://farm8.staticflickr.com/7250/7849090428_60830fd75d_d.jpg&quot; alt=&quot;The Lost Art of Ah Pook Is Here &amp;amp; Observed While Falling&quot; width=&quot;450&quot; height=&quot;338&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;Exclusive Savings: &lt;a href=&quot;ahpookset&quot;&gt;Order both volumes together&lt;/a&gt;  and save 20% off the combined cover price!&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;prisonpit4&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_ppit04.jpg&quot; alt=&quot;Prison Pit Book 4 by Johnny Ryan&quot; title=&quot;Prison Pit Book 4 by Johnny Ryan&quot; width=&quot;450&quot; height=&quot;588&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;prisonpit4&quot;&gt;Prison Pit Book 4&lt;/a&gt; &lt;br /&gt; by &lt;a href=&quot;johnnyryan&quot;&gt;Johnny Ryan&lt;/a&gt; &lt;/p&gt; &lt;p&gt;116-page black &amp;amp; white 6.5&amp;quot; x 8.5&amp;quot; softcover &amp;bull; $12.99&lt;br /&gt; ISBN: 978-1-60699-591-4&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;prisonpit4&quot;&gt;See Previews / Order Now&lt;/a&gt;  &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;browse-shop/fbi-mini-8-cool-shit-from-the-pit-2.html&quot;&gt;&lt;img style=&quot;margin-right: 8px&quot; src=&quot;components/com_virtuemart/shop_image/product/605c99506c0a6f09d8c12cdee2b654ef.jpg&quot; border=&quot;0&quot; alt=&quot;&quot; width=&quot;145&quot; height=&quot;224&quot; align=&quot;left&quot; /&gt;&lt;/a&gt;Order this book and receive this &lt;a href=&quot;fbiminis&quot;&gt;FBI&amp;bull;MINI&lt;/a&gt; comic shown here as a FREE bonus! &lt;a href=&quot;browse-shop/fbi-mini-8-cool-shit-from-the-pit-2.html&quot;&gt;Click here for details.&lt;/a&gt; Limit one per customer while supplies last.&lt;/p&gt;   BARGAIN COMBO: &lt;a href=&quot;prisonpit1-4&quot;&gt;Prison Pit: Books 1 - 4&lt;/a&gt;  &lt;a href=&quot;prisonpit1-4&quot; title=&quot;Prison Pit: Books 1 - 4&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_ppit01-04.jpg&quot; border=&quot;0&quot; alt=&quot;Prison Pit: Books 1 - 4&quot; hspace=&quot;5&quot; vspace=&quot;5&quot; /&gt;&lt;/a&gt; Price: $51.96 $38.97   &lt;p&gt;As always, a plot summary of the latest installment of Johnny (Angry Youth Comix)  Ryan&amp;rsquo;s hugely popular sci-fi-prison-planet-gore-fest-slugfest-a-thon  serial must, in order to be presentable to normal, decent human beings,  be cut into fine Belgian lace. And so, with apologies:&lt;/p&gt; &lt;p&gt;&amp;ldquo;Cannibal  F***face discovers the only way to escape the Caligulon is to brainf***  the Slorge and create a giant, brainless oafchild that only knows how  to annihilate everything in its path. And what happens when the  Slugstaxx show up and use their nightj*** to turn this mindless monster  against CF? Total F***ing Mayhem.&amp;rdquo;&lt;/p&gt; &lt;p&gt;Advance Praise: &amp;quot;You know you&amp;#39;re reading Prison Pit when there&amp;#39;s a character called Undigestible Scrotum and someone tries to see if he lives up to his name... Prison Pit is what you read when no one is home and you&amp;#39;re not eating.&amp;quot; &amp;ndash; Chris Mautner&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;ralphazham1&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_ralaz1.jpg&quot; alt=&quot;Ralph Azham Vol. 1: Why Would You Lie to Someone You Love? by Lewis Trondheim&quot; title=&quot;Ralph Azham Vol. 1: Why Would You Lie to Someone You Love? by Lewis Trondheim&quot; width=&quot;450&quot; height=&quot;350&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;ralphazham1&quot;&gt;Ralph Azham Vol. 1: Why Would You Lie to Someone You Love?&lt;/a&gt; &lt;br /&gt; by &lt;a href=&quot;lewistrondheim&quot;&gt;Lewis Trondheim&lt;/a&gt; &lt;/p&gt; &lt;p&gt;96-page full-color 8.5&amp;quot; x 6.625&amp;quot; hardcover &amp;bull; $14.99&lt;br /&gt; ISBN: 978-1-60699-593-8&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;ralphazham1&quot;&gt;See Previews / Order Now&lt;/a&gt;  &lt;/p&gt; &lt;p&gt;Within  his tiny village, Ralph Azham is considered an insolent  good-for-nothing layabout, a virtual pariah &amp;mdash; particularly since he was  supposed to be a Chosen One. (Things didn&amp;rsquo;t work out.) Yet his odd azure  coloration and a few unique abilities (he can predict births and  deaths) suggest that there may be more to him than meets the eye. And  when the terrifying Horde stages one of its regular raids on his  village, Ralph takes the young Raoul under his wing and sets out for a  series of adventures...&lt;/p&gt; &lt;p&gt;Trondheim is already well known to fantasy buffs for the worldwide success Dungeon, the complex set of interlocking series he created with fellow cartoonist Joann Sfar and a raft of artists. While Ralph Azham  works within the same genre, this is a far more tightly focused,  single-character-starring new series for which Trondheim is solely  responsible &amp;mdash; that is, except for the stunningly rich coloring, provided  by his longtime collaborator Brigitte Findakly working in hand-executed  watercolors for the first time in over a decade.&lt;/p&gt; &lt;p&gt;Witty and fleet-footed like all of Trondheim&amp;#39;s work, madly inventive in terms of characters, creatures, and events, Ralph Azham is scheduled to run for at least six volumes and is presented in a distinctive &amp;quot;landscape&amp;quot; format.&lt;/p&gt; &lt;p&gt;&amp;quot;Trondheim  is a master! Fun, irreverent, and filled with moments of  truthiness!  Just when you think you know where he&amp;#39;s taking you, he  suddenly turns  sideways and surprises.&amp;quot; &amp;ndash; Jeff Smith, creator of Bone&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;mickey4&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_wdmm04.jpg&quot; alt=&quot;Walt Disney&amp;#39;s Mickey Mouse Vol. 4: House of the Seven Haunts by Floyd Gottfredson&quot; title=&quot;Walt Disney&amp;#39;s Mickey Mouse Vol. 4: House of the Seven Haunts by Floyd Gottfredson&quot; width=&quot;450&quot; height=&quot;371&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;mickey4&quot;&gt;Walt Disney&amp;#39;s Mickey Mouse Vol. 4: House of the Seven Haunts&lt;/a&gt; &lt;br /&gt; by &lt;a href=&quot;floydgottfredson&quot;&gt;Floyd Gottfredson&lt;/a&gt; &lt;/p&gt; &lt;p&gt;280-page black &amp;amp; white/color 10.5&amp;quot; x 8.75&amp;quot; hardcover &amp;bull; $29.99&lt;br /&gt; ISBN: 978-1-60699-575-4&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;mickey4&quot;&gt;See Previews / Order Now&lt;/a&gt;  &lt;/p&gt; &lt;p&gt;Who  says dead men tell no tales? When grim grinning ghosts come out to  socialize, they&amp;rsquo;ll find fearless Mickey all ready to rumble &amp;mdash; as soon as  he&amp;rsquo;s done fighting gangsters, bandits, and international men of  mystery, that is! From Africa to Eastern Europe, our favorite big cheese  is in for terrifying thrills &amp;mdash; and he&amp;rsquo;s bringing Goofy, Donald Duck,  and that big palooka Pegleg Pete along for the ride!&lt;/p&gt; &lt;p&gt;When Mickey  sets out to eject &amp;quot;The Seven Ghosts&amp;quot; from Bassett Manor, he finds more  than just specters providing the scares! Next, moving smoothly from  horror to science fiction, our hero discovers an awesome &amp;quot;Island in the  Sky&amp;quot; &amp;mdash; and meets its maker, the powerful atomic scientist Dr. Einmug!&lt;/p&gt; &lt;p&gt;Lovingly restored from Disney&amp;rsquo;s original negatives and proof sheets, House of the Seven Haunts  also includes more than 50 pages of spooky supplementary features!  You&amp;rsquo;ll enjoy rare behind-the-scenes art, vintage publicity material, and  fascinating commentary by a haunted houseful of Disney scholars.&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;mickey3-4&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_mmx3%264-3d.jpg&quot; alt=&quot;Walt Disney&amp;#39;s Mickey Mouse Vol. 3 + 4 Box Set by Floyd Gottfredson&quot; title=&quot;Walt Disney&amp;#39;s Mickey Mouse Vol. 3 + 4 Box Set by Floyd Gottfredson&quot; width=&quot;450&quot; height=&quot;459&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;mickey3-4&quot;&gt;Walt Disney&amp;#39;s Mickey Mouse Vol. 3 + 4 Box Set&lt;/a&gt; &lt;br /&gt; by &lt;a href=&quot;floydgottfredson&quot;&gt;Floyd Gottfredson&lt;/a&gt; &lt;/p&gt; &lt;p&gt;two 280-page black &amp;amp; white/color 10.5&amp;quot; x 8.75&amp;quot; hardcovers with slipcase &amp;bull; $49.99&lt;br /&gt; ISBN: 978-1-60699-576-1&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;mickey3-4&quot;&gt;See Previews / Order Now&lt;/a&gt;  &lt;/p&gt; &lt;p&gt;Two  more volumes of Mickey&amp;#39;s thrilling adventures from the 1930s,  packaged  in a beautiful and sturdy slipcase and priced cheaper than the   individual volumes! A perfect gift and/or collector&amp;#39;s item.&lt;/p&gt;  &lt;p&gt;&lt;a href=&quot;youllneverknow3&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_nevkn3.jpg&quot; alt=&quot;You&amp;#39;ll Never Know Book 3: Soldier&amp;#39;s Heart by C. Tyler&quot; title=&quot;You&amp;#39;ll Never Know Book 3: Soldier&amp;#39;s Heart by C. Tyler&quot; width=&quot;450&quot; height=&quot;393&quot; /&gt;&lt;/a&gt; &lt;/p&gt; &lt;p&gt;&lt;a href=&quot;youllneverknow3&quot;&gt;You&amp;#39;ll Never Know Book 3: Soldier&amp;#39;s Heart&lt;/a&gt; &lt;br /&gt; by &lt;a href=&quot;ctyler&quot;&gt;C. Tyler&lt;/a&gt; &lt;/p&gt; &lt;p&gt;128-page full-color 12&amp;quot; x 10.25&amp;quot; hardcover &amp;bull; $29.99&lt;br /&gt; ISBN: 978-1-60699-548-8&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;youllneverknow3&quot;&gt;See Previews / Order Now &lt;/a&gt; &lt;/p&gt;  BARGAIN COMBO: &lt;a href=&quot;youllneverknow1-3&quot;&gt;You&amp;#39;ll Never Know Books 1-3: The Complete Trilogy&lt;/a&gt;  &lt;a href=&quot;youllneverknow1-3&quot; title=&quot;You&amp;#39;ll Never Know Books 1-3: The Complete Trilogy&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_nevkn1-3.jpg&quot; border=&quot;0&quot; alt=&quot;You&amp;#39;ll Never Know Books 1-3: The Complete Trilogy&quot; hspace=&quot;5&quot; vspace=&quot;5&quot; /&gt;&lt;/a&gt; Price: $74.97 $59.98   &lt;p&gt;In one of the most eagerly-anticipated graphic novels of 2012, Soldier&amp;rsquo;s Heart  concludes the story of Carol Tyler and her delving into her father&amp;rsquo;s  war experiences in a way that is both surprising and devastating &amp;mdash; and  rather than trying to summarize this episode and thus possibly spoil it  for readers, we prefer to simply offer a selection of comments on the  first two installments of this autobiographical masterpiece.&lt;/p&gt; &lt;p&gt;Publishers Weekly:  &amp;ldquo;(Starred Review) In the first volume of  Tyler&amp;rsquo;s planned trilogy of  graphic memoirs, she dug into the eruptive, violent memories of her  father&amp;rsquo;s WWII experiences while  simultaneously dealing with a husband  who decided to go find himself and leave her with a daughter to raise.  [Book Two] is  no less rich and overwhelming. Tyler gets back to the  business of detailing her father&amp;rsquo;s war stories &amp;mdash; difficult given  that  he is &amp;lsquo;one of those guys who closed it off and never talked about it&amp;rsquo; &amp;mdash;  as well as coming to terms with her already  touchy parents&amp;rsquo;  increasingly ornery attitudes. Closing the circle  somewhat is Tyler&amp;rsquo;s  concern over her daughter&amp;rsquo;s troubled nature, which  seems to mirror her  own wild past. While the language of Chicago-raised and Cincinnati-based  Tyler has a  winningly self-deprecating Midwestern spareness to it, her  art is a lavishly prepared kaleidoscope of watercolors and  finely  etched drawings, all composed to look like the greatest family photo  album of all time. The story&amp;rsquo;s honest  self-revelations and humane  evocations of family dramas are tremendously moving. Tyler&amp;rsquo;s book could  well leave readers  simultaneously eager to see the third volume, but  also nervous about the  traumas, home front and war front, that it might  contain.&amp;rdquo;&lt;/p&gt; &lt;p&gt;Booklist: &amp;ldquo;Tyler&amp;rsquo;s fluid, expressive  linework, complemented by subtly overlaid watercolors, gives ideal  visual expression to a narrative that&amp;rsquo;s at once sensitive and  hard-nosed... Decades of drawing mostly autobiographical stories have  honed her skills, enabling her to produce a work that ranks in quality  with the graphic memoirs of Alison Bechdel (Fun Home) and Marjane Satrapi (Persepolis).&amp;rdquo;&lt;/p&gt;</description>
			<author>mike</author>
		<category>William S Burroughs</category>
 <category>Wally Wood</category>
 <category>Ron Regé Jr</category>
 <category>Peanuts</category>
 <category>Nico Vassilakis</category>
 <category>new releases</category>
 <category>Mickey Mouse</category>
 <category>Malcolm McNeill</category>
 <category>Lilli Carré</category>
 <category>Lewis Trondheim</category>
 <category>Johnny Ryan</category>
 <category>Harvey Kurtzman</category>
 <category>Floyd Gottfredson</category>
 <category>EC Comics</category>
 <category>Disney</category>
 <category>Crag Hill</category>
 <category>Chris Wright</category>
 <category>Charles M Schulz</category>
 <category>Carol Tyler</category>
		</item>
		<item>
			<title>New Comics Day 10/24/12: Ah Pook, Ralph Azham, You'll Never Know</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=New-Comics-Day-10-24-12-Ah-Pook-Ralph-Azham-You-ll-Never-Know.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;This week&amp;#39;s comic shop shipment is slated to include  the following                                    new      titles. Read  on to see what             comics-blog            commentators    and   web-savvy  comic    shops    are               saying    about        them (more to be       added    as    they      appear),  check   out   our   previews   at        the      links,    and             contact  &lt;a href=&quot;retailerdirectory&quot;&gt;your local shop&lt;/a&gt;  to confirm availability.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;lostartofahpook&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_losart.jpg&quot; alt=&quot;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill&quot; title=&quot;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill&quot; width=&quot;450&quot; height=&quot;350&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;lostartofahpook&quot;&gt;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel&lt;/a&gt; &lt;br /&gt;by &lt;a href=&quot;malcolmmcneill&quot;&gt;Malcolm McNeill&lt;/a&gt; &lt;/p&gt;&lt;p&gt;168-page full-color 10.25&amp;quot; x 13.25&amp;quot; hardcover &amp;bull; $39.99&lt;br /&gt;ISBN: 978-1-60699-445-0&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_obswhi.jpg&quot; alt=&quot;http://www.fantagraphics.com/images/flog/covers/2012/bookcover_obswhi.jpg&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;observedwhilefalling&quot;&gt;Observed While Falling: Bill Burroughs, Ah Pook, and Me&lt;/a&gt; &lt;br /&gt;by &lt;a href=&quot;malcolmmcneill&quot;&gt;Malcolm McNeill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;192-page full-color 6.75&amp;quot; x 10.25&amp;quot; hardcover &amp;bull; $29.99&lt;br /&gt;ISBN: 978-1-60699-561-7&lt;/p&gt;&lt;p&gt;&amp;quot;Might as well start off with The Lost Art of Ah Pook Is Here: Images From the Graphic Novel,  a 168-page hardcover suite of materials composed by artist Malcolm  McNeill for an aborted &amp;rsquo;70s book collaboration with William S.  Burroughs... The Burroughs stuff will not be included in that  book, although interested parties may nonetheless want to check out Observed While Falling: Bill Burroughs, Ah Pook, and Me, a new 192-page memoir by McNeill detailing their creative relationship.&amp;quot; &amp;ndash; Joe McCulloch, &lt;a href=&quot;http://www.tcj.com/this-week-in-comics-102412-limited-edition/&quot; target=&quot;_blank&quot;&gt;The Comics Journal&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&amp;quot;My splurge would be the one-two punch of The Lost Art of Ah Pook Is Here and Observed While Falling: Bill Burroughs, Ah Pook and Me by Malcolm McNeill. Ah Pook  is a pseudo-comic that Burroughs and McNeill collaborated on but never  finished back in the 1970s. The first book offers a look at McNeill&amp;rsquo;s  elaborate paintings for the work, while in the second McNeill writes  about his experiences working with the Naked Lunch author. I imagine both books would make for fascinating reading.&amp;quot; &amp;ndash; Chris Mautner, &lt;a href=&quot;http://robot6.comicbookresources.com/2012/10/food-or-comics-multiple-warheads-of-lettuce/&quot; target=&quot;_blank&quot;&gt;Robot 6&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;ralphazham1&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_ralaz1.jpg&quot; alt=&quot;Ralph Azham Vol. 1: Why Would You Lie to Someone You Love? by Lewis Trondheim&quot; title=&quot;Ralph Azham Vol. 1: Why Would You Lie to Someone You Love? by Lewis Trondheim&quot; width=&quot;450&quot; height=&quot;350&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;ralphazham1&quot;&gt;Ralph Azham Vol. 1: Why Would You Lie to Someone You Love?&lt;/a&gt; &lt;br /&gt;by &lt;a href=&quot;lewistrondheim&quot;&gt;Lewis Trondheim&lt;/a&gt; &lt;/p&gt;&lt;p&gt;96-page full-color 8.5&amp;quot; x 6.625&amp;quot; hardcover &amp;bull; $14.99&lt;br /&gt;ISBN: 978-1-60699-593-8&lt;/p&gt;&lt;p&gt;&amp;quot;...Ralph Azham, Volume 1: Why Would You Lie to Someone You Love [is] Lewis Trondheim&amp;rsquo;s new fantasy series about a town pariah that might have  more going on than first glance would suggest. Trondheim has proved  with his contributions to the ongoing Dungeon series that he&amp;rsquo;s  quite comfy in the fantasy milieu, able to create intricate worlds and  stories that blend free-spirited humor with emotional gravitas. I expect  this will be more of the excellent same.&amp;quot; &amp;ndash; Chris Mautner, &lt;a href=&quot;http://robot6.comicbookresources.com/2012/10/food-or-comics-havarti-or-the-hive/&quot; target=&quot;_blank&quot;&gt;Robot 6&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;quot;...I like Trondheim and a six-volume fantasy series by him is something I&amp;rsquo;m ready to begin.&amp;quot; &amp;ndash; Michael May, &lt;a href=&quot;http://robot6.comicbookresources.com/2012/10/food-or-comics-multiple-warheads-of-lettuce/&quot; target=&quot;_blank&quot;&gt;Robot 6&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;quot;...Lewis Trondheim sees a new (est. 2011) French series released for English delectation with Ralph Azham Vol. 1: Why Would You Lie to Someone You Love?&amp;quot; &amp;ndash; Joe McCulloch, &lt;a href=&quot;http://www.tcj.com/this-week-in-comics-102412-limited-edition/&quot; target=&quot;_blank&quot;&gt;The Comics Journal&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;quot;Lewis Trondheim is a wonderful, prolific and very mainstream-oriented  cartoonist -- by the last I mean he has books in print that I can give  to just about anybody on my Christmas shopping list, with everyone  getting a different book. I liked this one quite a bit on the first  read; the writing seemed way more measured than a lot of fantasies in  comics form usually seem to me.&amp;quot; &amp;ndash; Tom Spurgeon, &lt;a href=&quot;http://www.comicsreporter.com/index.php/index/this_isnt_a_library_notable_releases_to_the_comics_direct_market102412/&quot;&gt;The Comics Reporter&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;youllneverknow3&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_nevkn3.jpg&quot; alt=&quot;You&amp;#39;ll Never Know Book 3: Soldier&amp;#39;s Heart by C. Tyler&quot; title=&quot;You&amp;#39;ll Never Know Book 3: Soldier&amp;#39;s Heart by C. Tyler&quot; width=&quot;450&quot; height=&quot;393&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;youllneverknow3&quot;&gt;You&amp;#39;ll Never Know Book 3: Soldier&amp;#39;s Heart&lt;/a&gt; &lt;br /&gt;by &lt;a href=&quot;ctyler&quot;&gt;C. Tyler&lt;/a&gt; &lt;/p&gt;&lt;p&gt;128-page full-color 12&amp;quot; x 10.25&amp;quot; hardcover &amp;bull; $29.99&lt;br /&gt;ISBN: 978-1-60699-548-8&lt;/p&gt;&lt;p&gt;&amp;quot;... [In] the third and final volume of Carol Tyler&amp;rsquo;s&amp;nbsp;You&amp;rsquo;ll Never Know  trilogy, ...(I hope) we will finally discover what&amp;nbsp;traumatized her  father during World War II and haunted him for the rest of&amp;nbsp;his life.  Even if we don&amp;rsquo;t, Tyler&amp;rsquo;s superb storytelling makes this a book to&amp;nbsp;read  over and over again.&amp;quot; &amp;ndash; Brigid Alverson, &lt;a href=&quot;http://robot6.comicbookresources.com/2012/10/food-or-comics-multiple-warheads-of-lettuce/&quot; target=&quot;_blank&quot;&gt;Robot 6&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;quot;...I&amp;rsquo;d... grab the third volume of You&amp;rsquo;ll Never Know,  Carol Tyler&amp;rsquo;s three part saga about her father and how his experiences  during WWII shaped him and his family. Tyler is a great cartoonist and  woefully under-appreciated, so here&amp;rsquo;s hoping this final volume gets her  some of the recognition she so richly deserves.&amp;quot; &amp;ndash; Chris Mautner, &lt;a href=&quot;http://robot6.comicbookresources.com/2012/10/food-or-comics-multiple-warheads-of-lettuce/&quot; target=&quot;_blank&quot;&gt;Robot 6&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;quot;...Carol Tyler wraps up her hugely admired familial biography series with You&amp;rsquo;ll Never Know Vol. 3 (of 3): Soldier&amp;rsquo;s Heart.&amp;quot;  &amp;ndash; Joe McCulloch, &lt;a href=&quot;http://www.tcj.com/this-week-in-comics-102412-limited-edition/&quot; target=&quot;_blank&quot;&gt;The Comics Journal&lt;/a&gt;&lt;/p&gt;&lt;p&gt;And finally, &lt;a href=&quot;http://www.comicsreporter.com/index.php/index/this_isnt_a_library_notable_releases_to_the_comics_direct_market102412/&quot;&gt;The Comics Reporter&lt;/a&gt;&amp;#39;s Tom Spurgeon on the Malcolm McNeill &amp;amp; C. Tyler books: &amp;quot;As much grief as my former employers sometimes get for things that it&amp;#39;s perceived they don&amp;#39;t  do as well as publisher A, B or C, this week throws a spotlight on two  of their great virtues through two top-of-post worthy works: providing a  home for archival work of great interest, facilitating later-in-career  work from masterful cartoonists of the underground and early-alternative  generations. Good on them. Buy both books.&amp;quot; &lt;/p&gt;</description>
			<author>mike</author>
		<category>William S Burroughs</category>
 <category>New Comics Day</category>
 <category>Malcolm McNeill</category>
 <category>Lewis Trondheim</category>
 <category>Carol Tyler</category>
		</item>
		<item>
			<title>The Lost Art of Ah Pook Is Here and Observed While Falling by Malcolm McNeill - Now in Stock</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=The-Lost-Art-of-Ah-Pook-Is-Here-and-Observed-While-Falling-by-Malcolm-McNeill---Now-in-Stock.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;Just arrived and shipping now from our mail-order department:&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;lostartofahpook&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_losart.jpg&quot; alt=&quot;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill&quot; title=&quot;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill&quot; width=&quot;450&quot; height=&quot;350&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;lostartofahpook&quot;&gt;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel&lt;/a&gt; &lt;br /&gt;by &lt;a href=&quot;malcolmmcneill&quot;&gt;Malcolm McNeill&lt;/a&gt; &lt;/p&gt;&lt;p&gt;168-page full-color 10.25&amp;quot; x 13.25&amp;quot; hardcover &amp;bull; $39.99&lt;br /&gt;ISBN: 978-1-60699-445-0&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;lostartofahpook&quot;&gt;See Previews / Order Now &lt;/a&gt; &lt;/p&gt; BARGAIN COMBO: Order this book with its companion volume and save 20%! &lt;a href=&quot;ahpookset&quot;&gt;The Lost Art of Ah Pook + Observed While Falling - Gift Set&lt;/a&gt;  &lt;a href=&quot;ahpookset&quot; title=&quot;The Lost Art of Ah Pook + Observed While Falling - Gift Set&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_losart-obswhi.jpg&quot; border=&quot;0&quot; alt=&quot;The Lost Art of Ah Pook + Observed While Falling - Gift Set&quot; hspace=&quot;5&quot; vspace=&quot;5&quot; /&gt;&lt;/a&gt; Price: $69.98 $55.98     &lt;p&gt;In 1970, William S. Burroughs and artist Malcolm McNeill began a small collaborative project on a comic entitled The Unspeakable Mr. Hart, which appeared in the first four issues of Cyclops,  England&amp;rsquo;s first comics magazine for an adult readership. Soon after,  Burroughs and McNeill agreed to collaborate on a book-length meditation  on time, power, control, and corruption that evoked the Mayan codices  and specifically, the Mayan god of death, Ah Pook. Ah Pook Is Here  was to include their character Mr. Hart, but stray from the  conventional comics form to explore different juxtapositions of images  and words.&lt;/p&gt;  &lt;p&gt;Ah Pook was never finished in its intended form. In a 1979 prose collection that included only the words from the collaboration, Ah Pook is Here and Other Texts  (Calder, 1979), Burroughs explains in the preface that they envisioned  the work to be &amp;ldquo;one that falls into neither the category of the  conventional illustrated book nor that of a comix publication.&amp;rdquo; Rather,  the work was to include &amp;ldquo;about a hundred pages of artwork with text  (thirty in full-color) and about fifty pages of text alone.&amp;rdquo; The book  was conceived as a single painting in which text and images were  combined in whatever form seemed appropriate to the narrative. It was  conceived as 120 continuous pages that would &amp;quot;fold out.&amp;quot; Such a book  was, at the time, unprecedented, and no publisher was willing to take a  chance and publish a &amp;ldquo;graphic novel.&amp;rdquo;&lt;/p&gt;  &lt;p&gt;However, Malcolm McNeill  created nearly a hundred paintings, illustrations, and sketches for the  book, and these, finally, are seeing the light of day in The Lost Art of Ah Pook.  (Burroughs&amp;rsquo; text will not be included.) McNeill himself is an exemplary  craftsman and visionary painter whose images have languished for over  30 years, unseen. Even in a context divorced from the words, they  represent a stunning precursor to the graphic novel form to come.&lt;/p&gt;  &lt;p&gt;Sara  J. Van Ness contributes an historical essay chronicling the long  history of Burroughs&amp;rsquo; and McNeill&amp;rsquo;s work together, including its  incomplete publishing history with Rolling Stone&amp;rsquo;s Straight Arrow Press, the excerpt that ran in Rush magazine, and the text that was published without pictures.&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_obswhi.jpg&quot; alt=&quot;http://www.fantagraphics.com/images/flog/covers/2012/bookcover_obswhi.jpg&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;observedwhilefalling&quot;&gt;Observed While Falling: Bill Burroughs, Ah Pook, and Me&lt;/a&gt; &lt;br /&gt;by &lt;a href=&quot;malcolmmcneill&quot;&gt;Malcolm McNeill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;192-page full-color 6.75&amp;quot; x 10.25&amp;quot; hardcover &amp;bull; $29.99&lt;br /&gt;ISBN: 978-1-60699-561-7&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;observedwhilefalling&quot;&gt;See Previews / Order Now &lt;/a&gt; &lt;/p&gt;&lt;p&gt;Observed While Falling  is an account of the personal and creative interaction that defined the  collaboration between the writer William S. Burroughs and the artist  Malcolm McNeill on the graphic novel Ah Pook Is Here.  The  memoir chronicles the events that surrounded it, the reasons it was  abandoned  and the unusual circumstances that brought it back to life.  McNeill describes  his growing friendship with Burroughs and how their  personal  relationship affected their creative partnership. The book is  written with insight and humor, and is  liberally sprinkled with the  kind of outr&amp;eacute; anecdotes one would expect  working with a writer as  original and eccentric as Burroughs. It confirms  Burroughs&amp;rsquo; and  McNeill&amp;rsquo;s prescience, the place of Ah Pook in relation to the  contemporary graphic novel, and its anticipation of the events  surrounding 2012. The book offers new insights into Burroughs&amp;rsquo; working  methods as well as how the two explored the possibilities of words and  images working together to form the ambitious literary hybrid that they  didn&amp;rsquo;t know, at the time, was a harbinger of the 21st century &amp;ldquo;graphic  novel.&amp;rdquo; McNeill expounds on the lessons of that experience to bring Ah Pook into present time. In light of current events, Ah Pook is unquestionably Here now.&lt;/p&gt;  &lt;p&gt;Observed While Falling  presents a unique view of the creative process that will be of interest  to artists, writers and general readers alike. A perspective evoked by a  literary experiment that has endured for forty years and still  continues to &amp;ldquo;happen.&amp;rdquo;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;ahpookset&quot;&gt;&lt;img src=&quot;http://farm8.staticflickr.com/7250/7849090428_60830fd75d_d.jpg&quot; alt=&quot;The Lost Art of Ah Pook Is Here &amp;amp; Observed While Falling&quot; width=&quot;450&quot; height=&quot;338&quot; /&gt;&lt;/a&gt; &lt;/p&gt;Exclusive Savings: &lt;a href=&quot;ahpookset&quot;&gt;Order both volumes together&lt;/a&gt;  and save 20% off the combined cover price!</description>
			<author>mike</author>
		<category>William S Burroughs</category>
 <category>new releases</category>
 <category>Malcolm McNeill</category>
		</item>
		<item>
			<title>Fantagraphics at the 2012 Small Press Expo!</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Fantagraphics-at-the-2012-Small-Press-Expo.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;&lt;img src=&quot;http://farm8.staticflickr.com/7272/7819243074_d8177a52b0_o.jpg&quot; alt=&quot;Small Press Expo 2012&quot; width=&quot;450&quot; height=&quot;682&quot; /&gt;&lt;/p&gt;&lt;p&gt;Join Fantagraphics this weekend for the &lt;a href=&quot;http://www.spxpo.com/&quot; target=&quot;_blank&quot;&gt;2012 Small Press Expo&lt;/a&gt; in Bethesda, Maryland! On September 15th &amp;amp; 16th, we&amp;#39;ll be filling the Marriott Betheseda Conference Center with some dazzling debuts, panels, and signings! Come meet your favorite artists and get your books signed:&lt;/p&gt;&lt;p&gt;&lt;u&gt;Saturday, September 15th&lt;/u&gt;&lt;br /&gt;11:30-1:00 PM&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/lillicarre&quot;&gt;Lilli Carr&amp;eacute;&lt;/a&gt; // &lt;a href=&quot;http://www.fantagraphics.com/noahvansciver&quot;&gt;Noah Van Sciver&lt;/a&gt;&lt;br /&gt;1:00 - 2:00 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/danielclowes&quot;&gt;Daniel Clowes&lt;/a&gt; // &lt;a href=&quot;http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Fantagraphics-to-Publish-Crockett-Johnson-s-BARNABY.html&amp;amp;Itemid=113&quot;&gt;Phillip Nel&lt;/a&gt; &lt;br /&gt;2:00 - 3:00 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/marknewgarden&quot;&gt;Mark Newgarden&lt;/a&gt; &lt;br /&gt;2:00 - 3:30 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/stevenweissman&quot;&gt;Steven Weissman&lt;/a&gt; // &lt;a href=&quot;http://www.fantagraphics.com/chriswright&quot;&gt;Chris Wright&lt;/a&gt; &lt;br /&gt;3:30 - 4:30 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/kevinhuizenga&quot;&gt;Kevin Huizenga&lt;/a&gt;  // &lt;a href=&quot;/richtommaso&quot;&gt;Rich Tommaso&lt;/a&gt; &lt;br /&gt;4:30 - 6:30 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/gilberthernandez&quot;&gt;Gilbert Hernandez&lt;/a&gt; // &lt;a href=&quot;http://www.fantagraphics.com/jaimehernandez&quot;&gt;Jaime Hernandez&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Sunday, September 16th&lt;/u&gt;&lt;br /&gt;12:00-1:00 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/lillicarre&quot;&gt;Lilli Carr&amp;eacute;&lt;/a&gt; // &lt;a href=&quot;http://www.fantagraphics.com/stevenweissman&quot;&gt;Steven Weissman&lt;/a&gt;&lt;br /&gt;1:00 - 2:00 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/gilberthernandez&quot;&gt;Gilbert Hernandez&lt;/a&gt; // &lt;a href=&quot;http://www.fantagraphics.com/jaimehernandez&quot;&gt;Jaime Hernandez&lt;/a&gt;&lt;br /&gt;2:00 - 3:00 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Fantagraphics-to-Publish-Crockett-Johnson-s-BARNABY.html&amp;amp;Itemid=113&quot;&gt;Phillip Nel&lt;/a&gt;  // &lt;a href=&quot;richtommaso&quot;&gt;Rich Tommaso&lt;/a&gt;&lt;br /&gt;3:00 - 4:00 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/chriswright&quot;&gt;Chris Wright&lt;/a&gt; &lt;br /&gt;3:30 - 4:30 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/noahvansciver&quot;&gt;Noah Van Sciver&lt;/a&gt;&lt;br /&gt;4:00 - 5:00 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/kevinhuizenga&quot;&gt;Kevin Huizenga&lt;/a&gt; &lt;br /&gt;5:00 - 6:00 PM&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href=&quot;http://www.fantagraphics.com/gilberthernandez&quot;&gt;Gilbert Hernandez&lt;/a&gt; // &lt;a href=&quot;http://www.fantagraphics.com/jaimehernandez&quot;&gt;Jaime Hernandez&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Fantagraphics will be located at tables W40-W44, as seen in the map excerpt below! For a larger version of the complete floor map, &lt;a href=&quot;http://www.spxpo.com/wp-content/uploads/2008/12/SPX2012FLOORMAP.jpg&quot; target=&quot;_blank&quot;&gt;please click here&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/619/SPX2012FLOORMAP.jpg&quot; border=&quot;1&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;&lt;p&gt;It&amp;#39;s mind-boggling how many debuts we&amp;#39;re bringing -- and many of these books won&amp;#39;t be in stores until October or November! Check out more details &lt;a href=&quot;http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Fantagraphics-at-the-2012-Small-Press-Expo-Debuts.html&amp;amp;Itemid=161&quot;&gt;here&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=66644d521adaf93d9dedd20f0c99ceaf.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; border=&quot;0&quot; alt=&quot;Barack Hussein Obama [Sept. 2012]&quot; hspace=&quot;5&quot; width=&quot;145&quot; height=&quot;185&quot; align=&quot;left&quot; /&gt; &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/browse-shop/the-lost-art-of-ah-pook-is-here-images-from-the-graphic-novel.html&quot;&gt;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/malcolmmcneill&quot;&gt;Malcolm McNeill &lt;/a&gt;&lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/browse-shop/observed-while-falling-bill-burroughs-ah-pook-and-me.html&quot;&gt;Observed While Falling: Bill Burroughs, Ah Pook, and Me&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/malcolmmcneill&quot;&gt;Malcolm McNeill&lt;/a&gt;&lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/browse-shop/barack-hussein-obama.html&quot;&gt;Barack Hussein Obama&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/stevenweissman&quot;&gt;Steven Weissman&lt;/a&gt;&amp;nbsp; &lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=c4e85b234244904894b48d7e6125d654.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; alt=&quot;Blacklung&quot; hspace=&quot;10&quot; width=&quot;145&quot; height=&quot;192&quot; align=&quot;left&quot; /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/blacklung&quot;&gt;Blacklung&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/chriswright&quot;&gt;Chris Wright&lt;/a&gt;&lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/camethedawn&quot;&gt;Came the Dawn and Other Stories (The EC Comics Library)&lt;/a&gt; illustrated by &lt;a href=&quot;http://www.fantagraphics.com/wallacewood&quot;&gt;Wallace Wood&lt;/a&gt;; written by Al Feldstein et al.; edited by Gary Groth&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=6dc237a0ab227ab20042fc4ee5ac7b68.jpg&quot; alt=&quot;The Cartoon Utopia&quot; hspace=&quot;10&quot; width=&quot;145&quot; height=&quot;173&quot; align=&quot;left&quot; /&gt;&lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/cartoonutopia&quot;&gt;The Cartoon Utopia&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/ronregejr&quot;&gt;Ron Rege, Jr.&lt;/a&gt;&amp;nbsp; &lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/corpseontheimjin&quot;&gt;Corpse on the Imjin! and Other Stories (The EC Comics Library)&lt;/a&gt;   by &lt;a href=&quot;http://www.fantagraphics.com/harveykurtzman&quot;&gt;Harvey Kurtzman&lt;/a&gt;, et al.; edited by Gary Groth&lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/nakedcartoonists&quot;&gt;Naked Cartoonists: Drawers Drawing Themselves Without Drawers&lt;/a&gt;  by Various Artists; edited by Gary Groth &lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=9b4bcf96177b819ae055cee0458c169b.jpg&quot; alt=&quot;Heads or Tails&quot; hspace=&quot;10&quot; width=&quot;145&quot; height=&quot;186&quot; align=&quot;left&quot; /&gt;&lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/headsortails&quot;&gt;Heads or Tails&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/lillicarre&quot;&gt;Lilli Carr&amp;eacute;&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/thehypo&quot;&gt;The Hypo&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/noahvansciver&quot;&gt;Noah Van Sciver&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/isthatallthereis&quot;&gt;Is That All There Is?&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/noahvansciver&quot;&gt; &lt;/a&gt;&lt;a href=&quot;http://www.fantagraphics.com/joostswarte&quot;&gt;Joost Swarte&lt;/a&gt; [softcover &amp;amp; hardcover 2nd edition debut]&amp;nbsp; &lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/lrnewstories5&quot;&gt;Love and Rockets: New Stories #5&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/hernandezbros&quot;&gt;Gilbert &amp;amp; Jaime Hernandez&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=2d9a123a16e5f94fd7170e30ce5d5e63.jpg&quot; alt=&quot;Prison Pit Book 4&quot; hspace=&quot;10&quot; width=&quot;134&quot; height=&quot;175&quot; align=&quot;left&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/prisonpit4&quot;&gt;Prison Pit: Book 4&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/johnnyryan&quot;&gt;Johnny Ryan&lt;/a&gt;&amp;nbsp; &lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/browse-shop/ralph-azham-vol.-1-why-would-you-lie-to-someone-you-love.html&quot;&gt;Ralph Azham Vol. 1: Why Would You Lie to Someone You Love?&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/lewistrondheim&quot;&gt;Lewis Trondheim&lt;/a&gt;&amp;nbsp;&lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/mickeymouse4&quot;&gt;Walt Disney&amp;#39;s Mickey Mouse Vol. 4: House of the Seven Haunts&lt;/a&gt;   by &lt;a href=&quot;http://www.fantagraphics.com/floydgottfredson&quot;&gt;Floyd Gottfredson&lt;/a&gt;&amp;nbsp; &lt;br /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/youllneverknow3&quot;&gt;You&amp;#39;ll Never Know Book 3: Soldier&amp;#39;s Heart&lt;/a&gt;    by &lt;a href=&quot;http://www.fantagraphics.com/ctyler&quot;&gt;C. Tyler&lt;/a&gt;&amp;nbsp; &lt;/p&gt;&lt;p&gt;And &lt;a href=&quot;http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Fantagraphics-at-the-2012-Small-Press-Expo-Panels.html&amp;amp;Itemid=161&quot;&gt;click here&lt;/a&gt;  to see a schedule of programming featuring our fantastic Fantagraphics artists! &lt;/p&gt;&lt;p&gt;It&amp;#39;s gonna be an incredible year! See you at SPX! &lt;/p&gt;</description>
			<author>janice</author>
		<category>William S Burroughs</category>
 <category>Wally Wood</category>
 <category>Steven Weissman</category>
 <category>Ron Regé Jr</category>
 <category>Rich Tommaso</category>
 <category>Noah Van Sciver</category>
 <category>Mickey Mouse</category>
 <category>Mark Newgarden</category>
 <category>Malcolm McNeill</category>
 <category>Love and Rockets</category>
 <category>Lilli Carré</category>
 <category>Lewis Trondheim</category>
 <category>Kevin Huizenga</category>
 <category>Joost Swarte</category>
 <category>Johnny Ryan</category>
 <category>Harvey Kurtzman</category>
 <category>Gary Groth</category>
 <category>Floyd Gottfredson</category>
 <category>events</category>
 <category>EC Comics</category>
 <category>Daniel Clowes</category>
 <category>Chris Wright</category>
 <category>Carol Tyler</category>
 <category>Basil Wolverton</category>
 <category>Barnaby</category>
		</item>
		<item>
			<title>Fantagraphics at the 2012 Small Press Expo: Debuts!</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Fantagraphics-at-the-2012-Small-Press-Expo-Debuts.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;&lt;img src=&quot;http://farm8.staticflickr.com/7272/7819243074_d8177a52b0_o.jpg&quot; alt=&quot;Small Press Expo 2012&quot; width=&quot;450&quot; height=&quot;682&quot; /&gt;&lt;/p&gt;&lt;p&gt;You won&amp;#39;t believe how many debuts we&amp;#39;re bringing with us to Bethesda for&amp;nbsp; the &lt;a href=&quot;http://www.spxpo.com/&quot; target=&quot;_blank&quot;&gt;2012 Small Press Expo&lt;/a&gt; on September 15th &amp;amp; 16th! Here&amp;#39;s your SPX shopping list -- bring extra bags to carry everything:&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=e6f18ac66a10f47f6cdfe842d32cfc55.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; alt=&quot;The Lost Art of Ah Pook.&quot; hspace=&quot;10&quot; width=&quot;145&quot; height=&quot;113&quot; align=&quot;left&quot; /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/browse-shop/the-lost-art-of-ah-pook-is-here-images-from-the-graphic-novel.html&quot;&gt;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/malcolmmcneill&quot;&gt;Malcolm McNeill &lt;/a&gt; (not officially out &amp;#39;til October!) In  1970, William S. Burroughs and artist Malcolm McNeill agreed to  collaborate on a book-length meditation on time, power, control, and  corruption that evoked the Mayan codices and specifically, the Mayan god  of death, Ah Pook. McNeill created nearly a hundred paintings,  illustrations, and sketches for the book, and these, finally, are seeing  the light of day in The Lost Art of Ah Pook.&lt;/p&gt;&lt;p&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/browse-shop/observed-while-falling-bill-burroughs-ah-pook-and-me.html&quot;&gt;Observed While Falling: Bill Burroughs, Ah Pook, and Me&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/malcolmmcneill&quot;&gt;Malcolm McNeill&lt;/a&gt;  (not officially out &amp;#39;til October!) Observed While Falling  is an account of the personal and creative interaction that defined the  collaboration between the writer William S. Burroughs and the artist  Malcolm McNeill on the graphic novel Ah Pook Is Here. The  memoir chronicles the events that surrounded it, the reasons it was  abandoned and the unusual circumstances that brought it back to life.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=66644d521adaf93d9dedd20f0c99ceaf.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; border=&quot;0&quot; alt=&quot;Barack Hussein Obama [Sept. 2012]&quot; hspace=&quot;5&quot; width=&quot;145&quot; height=&quot;185&quot; align=&quot;right&quot; /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/browse-shop/barack-hussein-obama.html&quot;&gt;Barack Hussein Obama&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/stevenweissman&quot;&gt;Steven Weissman&lt;/a&gt; It&amp;rsquo;s neither a  biography nor an experiment, but a whole,  fully-realized parallel America, a dada-esque,  surrealistic satirical  vision that is no more cockeyed than the real  thing, its weirdness no  more weird, its vision of the world no more terrifying, where the   zombie-esque simulacra of Joe Biden and Hillary and Newt and Obama   wander, if not exactly through the corridors of power, through an  America they made and  have to live in, like it or not.&amp;nbsp; NOTE: &lt;a href=&quot;http://www.fantagraphics.com/stevenweissman&quot;&gt;Steven Weissman&lt;/a&gt; will be signing at SPX!&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=c4e85b234244904894b48d7e6125d654.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; alt=&quot;Blacklung&quot; hspace=&quot;10&quot; width=&quot;145&quot; height=&quot;192&quot; align=&quot;left&quot; /&gt;&amp;bull; &lt;a href=&quot;/blacklung&quot;&gt;Blacklung&lt;/a&gt;  by &lt;a href=&quot;/chriswright&quot;&gt;Chris Wright&lt;/a&gt;  (not officially out until October!) Chris Wright&amp;rsquo;s Blacklung is unquestionably one of the most impressive graphic novel debuts in recent years, a sweeping, magisterially conceived, visually startling tale of violence, amorality, fortitude, and redemption, one part Melville, one part Peckinpah. Blacklung is a story that lives up to the term graphic novel, that could only exist in sequential pictures &amp;mdash; densely textured, highly stylized, delicately and boldly rendered drawings that is, taken together, wholly original. NOTE: &lt;a href=&quot;http://www.fantagraphics.com/stevenweissman&quot;&gt;&lt;/a&gt;&lt;a href=&quot;chriswright&quot;&gt;Chris Wright&lt;/a&gt; will be signing at SPX! &lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=9223157d93e70ebc10609e9b2160f0ce.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; alt=&quot;Came the Dawn and Other Stories (The EC Comics Library)&quot; hspace=&quot;10&quot; width=&quot;123&quot; height=&quot;175&quot; align=&quot;right&quot; /&gt;&amp;bull; &lt;a href=&quot;/camethedawn&quot;&gt;Came the Dawn and Other Stories (The EC Comics Library)&lt;/a&gt;  by author: Illustrated by &lt;a href=&quot;http://www.fantagraphics.com/wallacewood&quot;&gt;Wallace Wood&lt;/a&gt;; written by Al Feldstein et al.; edited by Gary Groth  (not officially out until October!) Working within the horror, war, crime, and science fiction genres,  publisher William Gaines and editor/writer Al Feldstein combined a  deliciously disreputable, envelope-pushing sensibility with moments of  genuine, outraged social consciousness, which shone a hard light onto such hot-button  topics as racism, anti-Semitism, mob justice, and misogyny and sexism.&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=6dc237a0ab227ab20042fc4ee5ac7b68.jpg&quot; alt=&quot;The Cartoon Utopia&quot; hspace=&quot;10&quot; width=&quot;145&quot; height=&quot;173&quot; align=&quot;left&quot; /&gt;&amp;bull; &lt;a href=&quot;/cartoonutopia&quot;&gt;The Cartoon Utopia&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/ronregejr&quot;&gt;Ron Rege, Jr.&lt;/a&gt; (not officially out until October!) Ron Reg&amp;eacute;, Jr. is a very unusual yet accomplished storyteller whose work exudes a passionate moral, idealistic core that sets him apart from his peers. The Cartoon Utopia is his Magnum Opus, a unique work of comic art that, in the words of its author, &amp;quot;focuses on ideas that I&amp;#39;ve become intrigued by that stem from magical, alchemical, ancient ideas &amp;amp; mystery schools.&amp;quot; It&amp;#39;s part sci-fi, part philosophy, part visual poetry, and part social manifesto. Reg&amp;eacute;&amp;#39;s work exudes psychedelia, outsider rawness, and pure cartoonish joy.&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=8db7dd0ace7bcb54a1764ff273867c04.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; alt=&quot;Corpse on the Imjin! and Other Stories (The EC Comics Library)&quot; hspace=&quot;10&quot; width=&quot;145&quot; height=&quot;206&quot; align=&quot;right&quot; /&gt;&amp;bull; &lt;a href=&quot;/corpseontheimjin&quot;&gt;Corpse on the Imjin! and Other Stories (The EC Comics Library)&lt;/a&gt;   by &lt;a href=&quot;http://www.fantagraphics.com/harveykurtzman&quot;&gt;Harvey Kurtzman&lt;/a&gt;, et al.; edited by Gary Groth  (not officially out until October!) Corpse on the Imjin! is rounded off with a dozen or so stories written and laid out by Kurtzman and drawn by &amp;ldquo;short-timers,&amp;rdquo; i.e. cartoonists whose contributions to his war books only comprised a story or two &amp;mdash; including such giants as designer extraordinaire Alex Toth, Marvel comics stalwart Gene Colan, and a pre-Sgt. Rock Joe Kubert... and such unexpected guests as &amp;ldquo;The Lighter Side of...&amp;rdquo; MAD artist Dave Berg and DC comics veteran Ric Estrada &amp;mdash; as well as a rarity: a story by EC regular John Severin inked by Kurtzman.&lt;/p&gt;  &lt;p&gt;&amp;bull; &lt;a href=&quot;/nakedcartoonists&quot;&gt;Naked Cartoonists: Drawers Drawing Themselves Without Drawers&lt;/a&gt;  by Various Artists; edited by Gary Groth In an irreverent twist to the fine art tradition of The Nude, this  unique and original collection presents a &amp;ldquo;stripped&amp;rdquo; down version of the  infamous &amp;ldquo;Gallery of Rogues&amp;rdquo; exhibit of cartoonist self-portraits at  Ohio State University. Here you&amp;rsquo;ll find a cornucopia of cartoonists&amp;rsquo; nude self-portraits from the collection of Mark J. Cohen and Rose Marie McDaniel.&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=9b4bcf96177b819ae055cee0458c169b.jpg&quot; alt=&quot;Heads or Tails&quot; hspace=&quot;10&quot; width=&quot;145&quot; height=&quot;186&quot; align=&quot;right&quot; /&gt;&amp;bull; &lt;a href=&quot;/headsortails&quot;&gt;Heads or Tails&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/lillicarre&quot;&gt;Lilli Carr&amp;eacute;&lt;/a&gt; (not officially out until November!) The creator of 2008&amp;rsquo;s acclaimed graphic novel &lt;a href=&quot;/thelagoon&quot;&gt;The Lagoon&lt;/a&gt;  &amp;mdash; named to many annual critics&amp;rsquo; lists including Publishers Weekly and USA Today&amp;rsquo;s Pop Candy &amp;mdash; is back with a stunningly designed and packaged collection of some of the most poetic and confident short fiction being produced in comics today. These stories, created over a period of five years, touch on ideas of flip sides, choices, and extreme ambivalence. NOTE: &lt;a href=&quot;chriswright&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.fantagraphics.com/lillicarre&quot;&gt;Lilli Carr&amp;eacute;&lt;/a&gt; will be signing at SPX!&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=2ed3c7f6bbb57bb9acda4c761cdf57c5.jpg&quot; alt=&quot;The Hypo&quot; hspace=&quot;10&quot; width=&quot;145&quot; height=&quot;186&quot; align=&quot;left&quot; /&gt;&amp;bull; &lt;a href=&quot;/thehypo&quot;&gt;The Hypo&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/noahvansciver&quot;&gt;Noah Van Sciver&lt;/a&gt; The debut graphic novel from Noah Van Sciver follows the twentysomething  Abraham Lincoln as he loses everything, long before becoming our most beloved president. Lincoln is a rising Whig in the state&amp;rsquo;s legislature  as he arrives in Springfield, IL to practice law. As time passes and uncertainty creeps in, young Lincoln is forced to battle a dark cloud of depression brought on by a chain of defeats and failures culminating into a nervous breakdown that threatens his life and sanity. This cloud of dark depression Lincoln calls &amp;ldquo;The Hypo.&amp;rdquo; NOTE: &lt;a href=&quot;http://www.fantagraphics.com/noahvansciver&quot;&gt;Noah Van Sciver&lt;/a&gt; will be signing at SPX!&lt;/p&gt;&lt;p&gt;&amp;bull; &lt;a href=&quot;/isthatallthereis&quot;&gt;Is That All There Is?&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/noahvansciver&quot;&gt; &lt;/a&gt;&lt;a href=&quot;http://www.fantagraphics.com/joostswarte&quot;&gt;Joost Swarte&lt;/a&gt; [softcover &amp;amp; hardcover 2nd edition debut] Under Swarte&amp;rsquo;s own exacting supervision, Is That All There Is? will collect virtually all of his alternative comics work from 1972 to date, including the RAW magazine stories that brought him fame among American comics aficionados in the 1980s.&lt;/p&gt;&lt;p align=&quot;left&quot;&gt;&amp;bull; &lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=b2728a33aafa299db9b12969df2bd0df.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; border=&quot;0&quot; alt=&quot;Love and Rockets: New Stories #5 [Sept. 2012]&quot; hspace=&quot;5&quot; width=&quot;145&quot; height=&quot;179&quot; align=&quot;left&quot; /&gt;&lt;a href=&quot;http://www.fantagraphics.com/lrnewstories5&quot;&gt;Love and Rockets: New Stories #5&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/hernandezbros&quot;&gt;Gilbert &amp;amp; Jaime Hernandez&lt;/a&gt; In  Jaime&amp;#39;s story &amp;ldquo;Crime Raiders International Mobsters and Executioners,&amp;rdquo;  Tonta comes to visit for a weekend and sees what kind of life the  Frog  Princess is living with Reno and Borneo. On the other-brother side,  Gilbert celebrates the 30th  anniversary by bringing one of his current  characters (&amp;ldquo;Killer,&amp;rdquo;  granddaughter to the legendary Luba) into the  Palomar milieu. NOTE: &lt;a href=&quot;http://www.fantagraphics.com/noahvansciver&quot;&gt;&lt;/a&gt;&lt;a href=&quot;http://www.fantagraphics.com/hernandezbros&quot;&gt;Gilbert &amp;amp; Jaime Hernandez&lt;/a&gt;  will be signing at SPX!&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=2d9a123a16e5f94fd7170e30ce5d5e63.jpg&quot; alt=&quot;Prison Pit Book 4&quot; hspace=&quot;10&quot; width=&quot;134&quot; height=&quot;175&quot; align=&quot;right&quot; /&gt;&amp;bull; &lt;a href=&quot;/prisonpit4&quot;&gt;Prison Pit: Book 4&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/johnnyryan&quot;&gt;Johnny Ryan&lt;/a&gt; (not officially out until November!)&amp;nbsp; &amp;ldquo;Cannibal F***face discovers the only way to escape the Caligulon is to brainf*** the Slorge and create a giant, brainless oafchild that only knows how to annihilate everything in its path. And what happens when the Slugstaxx show up and use their nightj*** to turn this mindless monster against CF? Total F***ing Mayhem.&amp;rdquo;&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=119920366678bd60e7fbaeb041aed18d.jpg&quot; alt=&quot;Ralph Azham&quot; hspace=&quot;10&quot; width=&quot;145&quot; height=&quot;113&quot; align=&quot;left&quot; /&gt;&amp;bull; &lt;a href=&quot;http://www.fantagraphics.com/browse-shop/ralph-azham-vol.-1-why-would-you-lie-to-someone-you-love.html&quot;&gt;Ralph Azham Vol. 1: Why Would You Lie to Someone You Love?&lt;/a&gt;&lt;a href=&quot;prisonpit4&quot;&gt;&lt;/a&gt;  by &lt;a href=&quot;http://www.fantagraphics.com/lewistrondheim&quot;&gt;Lewis Trondheim&lt;/a&gt; (not officially out until October!)&amp;nbsp; Within his tiny village, Ralph Azham is considered an insolent good-for-nothing layabout, a virtual pariah &amp;mdash; particularly since he was supposed to be a Chosen One. (Things didn&amp;rsquo;t work out.) Yet his odd azure coloration and a few unique abilities (he can predict births and deaths) suggest that there may be more to him than meets the eye. &lt;/p&gt;&amp;bull; &lt;a href=&quot;/mickeymouse4&quot;&gt;Walt Disney&amp;#39;s Mickey Mouse Vol. 4: House of the Seven Haunts&lt;/a&gt;   by &lt;a href=&quot;http://www.fantagraphics.com/floydgottfredson&quot;&gt;Floyd Gottfredson&lt;/a&gt; (not officially out until October!) Who says dead men tell no tales? When grim grinning ghosts come out to socialize, they&amp;rsquo;ll find fearless Mickey all ready to rumble &amp;mdash; as soon as he&amp;rsquo;s done fighting gangsters, bandits, and international men of mystery, that is! From Africa to Eastern Europe, our favorite big cheese is in for terrifying thrills &amp;mdash; and he&amp;rsquo;s bringing Goofy, Donald Duck, and that big palooka Pegleg Pete along for the ride! &lt;p&gt;&lt;img src=&quot;http://www.fantagraphics.com/components/com_virtuemart/show_image_in_imgtag.php?filename=2cdd031478a780eff40484e169589463.jpg&quot; alt=&quot;You&amp;#39;ll Never Know 3&quot; hspace=&quot;10&quot; width=&quot;145&quot; height=&quot;127&quot; align=&quot;left&quot; /&gt;&amp;bull; &lt;a href=&quot;/youllneverknow3&quot;&gt;You&amp;#39;ll Never Know Book 3: Soldier&amp;#39;s Heart&lt;/a&gt;    by &lt;a href=&quot;http://www.fantagraphics.com/ctyler&quot;&gt;C. Tyler&lt;/a&gt; (not officially out until October!) In one of the most eagerly-anticipated graphic novels of 2012, Soldier&amp;rsquo;s Heart concludes the story of Carol Tyler and her delving into her father&amp;rsquo;s war experiences in a way that is both surprising and devastating &amp;mdash; and rather than trying to summarize this episode and thus possibly spoil it for readers, we prefer to simply offer a selection of comments on the first two installments of this autobiographical masterpiece.&lt;/p&gt;</description>
			<author>janice</author>
		<category>William S Burroughs</category>
 <category>Wally Wood</category>
 <category>Steven Weissman</category>
 <category>Ron Regé Jr</category>
 <category>Noah Van Sciver</category>
 <category>Nico Vassilakis</category>
 <category>Mickey Mouse</category>
 <category>Malcolm McNeill</category>
 <category>Love and Rockets</category>
 <category>Lou Reed</category>
 <category>Lorenzo Mattotti</category>
 <category>Lilli Carré</category>
 <category>Lewis Trondheim</category>
 <category>Joost Swarte</category>
 <category>Johnny Ryan</category>
 <category>Jaime Hernandez</category>
 <category>Harvey Kurtzman</category>
 <category>Gilbert Hernandez</category>
 <category>Gary Groth</category>
 <category>Floyd Gottfredson</category>
 <category>events</category>
 <category>EC Comics</category>
 <category>Chris Wright</category>
 <category>Carol Tyler</category>
 <category>Basil Wolverton</category>
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		<item>
			<title>The Lost Art of Ah Pook Is Here and Observed While Falling by Malcolm McNeill - Previews, Pre-Order</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=The-Lost-Art-of-Ah-Pook-Is-Here-and-Observed-While-Falling-by-Malcolm-McNeill-Previews-Pre-Order.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;&lt;a href=&quot;lostartofahpook&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_losart.jpg&quot; alt=&quot;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill&quot; title=&quot;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill&quot; width=&quot;450&quot; height=&quot;350&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;lostartofahpook&quot;&gt;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel&lt;/a&gt; &lt;br /&gt;by &lt;a href=&quot;malcolmmcneill&quot;&gt;Malcolm McNeill&lt;/a&gt; &lt;/p&gt;&lt;p&gt;168-page full-color 10.25&amp;quot; x 13.25&amp;quot; hardcover &amp;bull; $39.99&lt;br /&gt;ISBN: 978-1-60699-445-0&lt;/p&gt;&lt;p&gt;Ships in: October 2012 (subject to change) &amp;mdash; &lt;a href=&quot;lostartofahpook&quot;&gt;Pre-Order Now &lt;/a&gt; &lt;/p&gt; BARGAIN COMBO: Order this book with its companion volume and save 20%! The Lost Art of Ah Pook + Observed While Falling - Gift Set &lt;a href=&quot;ahpookset&quot; title=&quot;The Lost Art of Ah Pook + Observed While Falling - Gift Set&quot;&gt;&lt;img src=&quot;images/flog/covers/2012/thumbs/bookcover_losart-obswhi.jpg&quot; border=&quot;0&quot; alt=&quot;The Lost Art of Ah Pook + Observed While Falling - Gift Set&quot; hspace=&quot;5&quot; vspace=&quot;5&quot; /&gt;&lt;/a&gt; Price: $69.98 $55.98  &lt;a href=&quot;index.php?page=shop.cart&amp;amp;func=cartAdd&amp;amp;product_id=2170&amp;amp;option=com_virtuemart&amp;amp;Itemid=62&quot;&gt;Add to Cart&lt;/a&gt;   &lt;p&gt;In 1970, William S. Burroughs and artist Malcolm McNeill began a small collaborative project on a comic entitled The Unspeakable Mr. Hart, which appeared in the first four issues of Cyclops, England&amp;rsquo;s first comics magazine for an adult readership. Soon after, Burroughs and McNeill agreed to collaborate on a book-length meditation on time, power, control, and corruption that evoked the Mayan codices and specifically, the Mayan god of death, Ah Pook. Ah Pook Is Here was to include their character Mr. Hart, but stray from the conventional comics form to explore different juxtapositions of images and words.&lt;/p&gt;  &lt;p&gt;Ah Pook was never finished in its intended form. In a 1979 prose collection that included only the words from the collaboration, Ah Pook is Here and Other Texts (Calder, 1979), Burroughs explains in the preface that they envisioned the work to be &amp;ldquo;one that falls into neither the category of the conventional illustrated book nor that of a comix publication.&amp;rdquo; Rather, the work was to include &amp;ldquo;about a hundred pages of artwork with text (thirty in full-color) and about fifty pages of text alone.&amp;rdquo; The book was conceived as a single painting in which text and images were combined in whatever form seemed appropriate to the narrative. It was conceived as 120 continuous pages that would &amp;quot;fold out.&amp;quot; Such a book was, at the time, unprecedented, and no publisher was willing to take a chance and publish a &amp;ldquo;graphic novel.&amp;rdquo;&lt;/p&gt;  &lt;p&gt;However, Malcolm McNeill created nearly a hundred paintings, illustrations, and sketches for the book, and these, finally, are seeing the light of day in The Lost Art of Ah Pook. (Burroughs&amp;rsquo; text will not be included.) McNeill himself is an exemplary craftsman and visionary painter whose images have languished for over 30 years, unseen. Even in a context divorced from the words, they represent a stunning precursor to the graphic novel form to come.&lt;/p&gt;  &lt;p&gt;Sara J. Van Ness contributes an historical essay chronicling the long history of Burroughs&amp;rsquo; and McNeill&amp;rsquo;s work together, including its incomplete publishing history with Rolling Stone&amp;rsquo;s Straight Arrow Press, the excerpt that ran in Rush magazine, and the text that was published without pictures.&lt;/p&gt;  &lt;p&gt;17-page excerpt (&lt;a href=&quot;images/stories/previews/losart-preview.pdf&quot; target=&quot;_blank&quot;&gt;download 3.1 MB PDF&lt;/a&gt;):&lt;/p&gt;&lt;p&gt;&lt;br/&gt;&lt;/p&gt;&lt;p&gt;Video &amp;amp; Photo Slideshow Preview (&lt;a href=&quot;http://www.flickr.com/photos/fantagraphics/sets/72157631218259526/show/&quot; target=&quot;_blank&quot;&gt;view in new window&lt;/a&gt;):&lt;/p&gt;&lt;p&gt;   &lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/covers/2012/bookcover_obswhi.jpg&quot; alt=&quot;http://www.fantagraphics.com/images/flog/covers/2012/bookcover_obswhi.jpg&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;observedwhilefalling&quot;&gt;Observed While Falling: Bill Burroughs, Ah Pook, and Me&lt;/a&gt; &lt;br /&gt;by &lt;a href=&quot;malcolmmcneill&quot;&gt;Malcolm McNeill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;192-page full-color 6.75&amp;quot; x 10.25&amp;quot; hardcover &amp;bull; $29.99&lt;br /&gt;ISBN: 978-1-60699-561-7&lt;/p&gt;&lt;p&gt;Ships in: October 2012 (subject to change) &amp;mdash; &lt;a href=&quot;observedwhilefalling&quot;&gt;Pre-Order Now &lt;/a&gt; &lt;/p&gt;&lt;p&gt;Observed While Falling is an account of the personal and creative interaction that defined the collaboration between the writer William S. Burroughs and the artist Malcolm McNeill on the graphic novel Ah Pook Is Here.  The memoir chronicles the events that surrounded it, the reasons it was abandoned  and the unusual circumstances that brought it back to life. McNeill describes  his growing friendship with Burroughs and how their personal  relationship affected their creative partnership. The book is written with insight and humor, and is  liberally sprinkled with the kind of outr&amp;eacute; anecdotes one would expect  working with a writer as original and eccentric as Burroughs. It confirms  Burroughs&amp;rsquo; and McNeill&amp;rsquo;s prescience, the place of Ah Pook in relation to the contemporary graphic novel, and its anticipation of the events surrounding 2012. The book offers new insights into Burroughs&amp;rsquo; working methods as well as how the two explored the possibilities of words and images working together to form the ambitious literary hybrid that they didn&amp;rsquo;t know, at the time, was a harbinger of the 21st century &amp;ldquo;graphic novel.&amp;rdquo; McNeill expounds on the lessons of that experience to bring Ah Pook into present time. In light of current events, Ah Pook is unquestionably Here now.&lt;/p&gt;  &lt;p&gt;Observed While Falling presents a unique view of the creative process that will be of interest to artists, writers and general readers alike. A perspective evoked by a literary experiment that has endured for forty years and still continues to &amp;ldquo;happen.&amp;rdquo;&lt;/p&gt;  &lt;p&gt;19-page excerpt (&lt;a href=&quot;images/stories/previews/obswhi-preview.pdf&quot; target=&quot;_blank&quot;&gt;download 391 KB PDF&lt;/a&gt;):&lt;/p&gt;&lt;p&gt;&lt;br/&gt;&lt;/p&gt;&lt;p&gt;Video &amp;amp; Photo Slideshow Preview (&lt;a href=&quot;http://www.flickr.com/photos/fantagraphics/sets/72157631218163116/show/&quot; target=&quot;_blank&quot;&gt;view in new window&lt;/a&gt;):&lt;/p&gt;&lt;p&gt;   &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;ahpookset&quot;&gt;&lt;img src=&quot;http://farm8.staticflickr.com/7250/7849090428_60830fd75d_d.jpg&quot; alt=&quot;The Lost Art of Ah Pook Is Here &amp;amp; Observed While Falling&quot; width=&quot;450&quot; height=&quot;338&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;Exclusive Savings: &lt;a href=&quot;ahpookset&quot;&gt;Order both volumes together&lt;/a&gt;  and save 20% off the combined cover price! &lt;/p&gt;</description>
			<author>mike</author>
		<category>William S Burroughs</category>
 <category>video</category>
 <category>previews</category>
 <category>new releases</category>
 <category>Malcolm McNeill</category>
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		<item>
			<title>First Look: The Lost Art of Ah Pook Is Here &amp; Observed While Falling by Malcolm McNeill</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=First-Look-The-Lost-Art-of-Ah-Pook-Is-Here-Observed-While-Falling-by-Malcolm-McNeill.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;&lt;img src=&quot;images/flog/mike/201208/2012-08-09-15.52.55.jpg&quot; alt=&quot;The Lost Art of Ah Pook Is Here&quot; title=&quot;The Lost Art of Ah Pook Is Here&quot; width=&quot;450&quot; height=&quot;336&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/mike/201208/2012-07-26-13.01.01.jpg&quot; alt=&quot;Observed While Falling&quot; title=&quot;Observed While Falling&quot; width=&quot;450&quot; height=&quot;602&quot; /&gt;&lt;/p&gt;&lt;p&gt;I should&amp;#39;ve photographed them together to give the proper sense of scale, but here are your first glimpses of companion volumes &lt;a href=&quot;lostartofahpook&quot;&gt;The Lost Art of Ah Pook Is Here: Images from the Graphic Novel&lt;/a&gt;  and &lt;a href=&quot;observedwhilefalling&quot;&gt;Observed While Falling: Bill Burroughs, Ah Pook, and Me&lt;/a&gt;, both by &lt;a href=&quot;malcolmmcneill&quot;&gt;Malcolm McNeill&lt;/a&gt;. In the former, see the stunning artwork McNeill created for his great &amp;quot;lost&amp;quot; unpublished collaboration with William S. Burroughs; and in the latter, read all about their collaboration in McNeill&amp;#39;s own words &amp;mdash; a story so great it had to be contained in its own book. Both books will debut at &lt;a href=&quot;http://www.spxpo.com&quot; target=&quot;_blank&quot;&gt;SPX&lt;/a&gt;  next month and should arrive in stores in October; we&amp;#39;ll have more previews to share before then. You can pre-order each book from us now and save $14 by &lt;a href=&quot;ahpookset&quot;&gt;purchasing them as a set&lt;/a&gt;.&lt;/p&gt;</description>
			<author>mike</author>
		<category>William S Burroughs</category>
 <category>Malcolm McNeill</category>
 <category>Coming Attractions</category>
		</item>
		<item>
			<title>Daily OCD: 1/24/12</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Daily-OCD-1-24-12.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;Today&amp;#39;s Online Commentary &amp;amp; Diversions:&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;donaldduck1&quot;&gt;&lt;img style=&quot;margin-right: 4px&quot; src=&quot;components/com_virtuemart/shop_image/product/d74eab0413a1d8bba619c602554d6d07.jpg&quot; border=&quot;0&quot; alt=&quot;Walt Disney&amp;#39;s Donald Duck: Lost in the Andes&quot; width=&quot;145&quot; height=&quot;202&quot; /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;bull; Review: &amp;quot;And indeed, [Carl Barks&amp;#39;s] work of c. 1948&amp;ndash;54 ranks amongst the most  consistently inspired, inventive, touching, and plain fun in the history  of comics. Fantagraphics&amp;rsquo; inaugural volume in their complete edition of Barks&amp;rsquo;s  Disney comics [&lt;a href=&quot;donaldduck1&quot;&gt;Walt Disney&amp;#39;s Donald Duck: Lost in the Andes&lt;/a&gt;] drops the reader in right at the onset of this creative  surge, covering the years 1948&amp;ndash;49. ...[T]his is a series that finally promises Barks done right, promising a major revival of one of our greatest cartoonists.&amp;quot; &amp;ndash; Matthias Wivel, &lt;a href=&quot;http://www.tcj.com/reviews/donald-duck-lost-in-the-andes-2/&quot; target=&quot;_blank&quot;&gt;The Comics Journal&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;http://farm4.staticflickr.com/3640/5792715044_1165d682b9_m.jpg&quot; alt=&quot;Jim Woodring&quot; width=&quot;145&quot; height=&quot;174&quot; /&gt;&lt;/p&gt;&lt;p&gt;&amp;bull; Interview: &lt;a href=&quot;http://believermag.tumblr.com/post/16408330778/an-interview-with-jim-woodring-part-i-for-three&quot; target=&quot;_blank&quot;&gt;The Believer&lt;/a&gt;  blog presents part 1 of an interview with &lt;a href=&quot;jimwoodring&quot;&gt;Jim Woodring&lt;/a&gt;  conducted in 2008 by Ross Simonini: &amp;quot;There&amp;rsquo;s a Robinson Jeffers poem about a guy who has made wounds on the  back of his hands and keeps them fresh by cutting them over and over  again with a sharp piece of clean metal. That always struck me as being  akin to what I do. I wouldn&amp;rsquo;t let those childhood wounds heal. The  tunnel kept trying to close behind me, and I kept forcing it open so I  could remember those primordial things, the way that the world seemed to  me as a child. It&amp;rsquo;s been a vocation for me to keep that view intact.&amp;quot; &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;paulnelson&quot;&gt;&lt;img src=&quot;components/com_virtuemart/shop_image/product/75dc1743559c01672c257f4de0ba2492.jpg&quot; alt=&quot; Everything Is an Afterthought: The Life and Writings of Paul Nelson&quot; width=&quot;145&quot; height=&quot;207&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&amp;bull; Interview (Audio): Matt Smith-Lahrman of &lt;a href=&quot;http://newbooksinpopmusic.com/2012/01/24/kevin-avery-everything-is-an-afterthought-the-life-and-writings-of-paul-nelson-fantagraphics-2011/&quot; target=&quot;_blank&quot;&gt;New Books Network&lt;/a&gt;  talks to &lt;a href=&quot;kevinavery&quot;&gt;Kevin Avery&lt;/a&gt;  about &lt;a href=&quot;paulnelson&quot;&gt;Everything Is an Afterthought: The Life and Writings of Paul Nelson&lt;/a&gt;; in Smith-Lahrman&amp;#39;s written introduction he says &amp;quot;In Avery&amp;rsquo;s biography, Nelson is a man who deeply believed in the idea of  the American hero as a maverick: tough, brave, in touch with the  essence of what it means to be human, and, importantly, alone. Nelson  died in 2006, just as Avery was beginning to write this book. He died  alone.... Nelson&amp;rsquo;s writing is deeply personal, inviting readers into the  relationships he had with the people he wrote about. Avery&amp;rsquo;s biography  similarly invites readers into Paul Nelson&amp;rsquo;s life, lonely as it was.&amp;quot;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;lostandfound&quot;&gt;&lt;img src=&quot;components/com_virtuemart/shop_image/product/2be3801d58cd2a7edb306b3748c56bc8.jpg&quot; alt=&quot;Bill Griffith: Lost and Found - Comics 1969-2003&quot; width=&quot;145&quot; height=&quot;182&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&amp;bull; Plug: &amp;quot;New from Fantagraphics, a decade spanning comics anthology from icon  maker Bill Griffith. Griffith is surely best known as the creator of the  polka-dot robe wearing daily strip character, Zippy the Pinhead, but Griffith&amp;#39;s productivity reaches far beyond Zippy. &lt;a href=&quot;lostandfound&quot;&gt;Lost and Found&lt;/a&gt;  is  a collection of comics, handpicked by the artist, many rare and out of  print, from 1969-2003 (but with the first third of that time period, the  heyday of the underground, occupying the majority of the book). Though  most of the comics in Lost and Found aren&amp;#39;t about Zippy, there are some  unique and important Zippy moments included, like the icon&amp;#39;s first  appearance...&amp;quot; &amp;ndash; &lt;a href=&quot;http://211blog.drawnandquarterly.com/2012/01/i-gave-my-heart-to-pinhead-and-he-made.html&quot; target=&quot;_blank&quot;&gt;211 Bernard (Librairie Drawn &amp;amp; Quarterly)&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;angelman&quot;&gt;&lt;img style=&quot;margin-right: 4px&quot; src=&quot;components/com_virtuemart/shop_image/product/95b2d0544b02da9924cb5d58600f2f7e.jpg&quot; alt=&quot;Angelman: Fallen Angel&quot; width=&quot;145&quot; height=&quot;216&quot; /&gt;&lt;/a&gt;&lt;a href=&quot;interiorae&quot;&gt;&lt;img src=&quot;components/com_virtuemart/shop_image/product/a0fa89c33a803a8fd4a7dc9ab86391a2.jpg&quot; alt=&quot;Interiorae&quot; width=&quot;145&quot; height=&quot;198&quot; /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&amp;bull; Plugs: &lt;a href=&quot;http://robot6.comicbookresources.com/2012/01/previews-what-looks-good-for-march/&quot; target=&quot;_blank&quot;&gt;Robot 6&lt;/a&gt;&amp;#39;s Michael May &amp;amp; Graeme McMillan look ahead to a couple of our upcoming releases:&lt;/p&gt;&lt;p style=&quot;margin-left: 20px; margin-right: 20px&quot;&gt;&lt;a href=&quot;angelman&quot;&gt;Angelman&lt;/a&gt;  &amp;ndash; I&amp;rsquo;ve not read much by Austrian cartoonist Nicolas  Mahler, but I think I&amp;rsquo;m won over just by the idea of his new book,  which satirizes not just superheroes, but the business behind them.  [Graeme]&lt;/p&gt; &lt;p style=&quot;margin-left: 20px; margin-right: 20px&quot;&gt;&lt;a href=&quot;interiorae&quot;&gt;Interiorae&lt;/a&gt;  &amp;ndash; Lovely, lovely art by Gabriella Giandelli in  this collection of his Ignatz series. (It&amp;rsquo;s also in full-color, unlike  the original serialization, which is another win.) [Graeme]&lt;/p&gt; &lt;p style=&quot;margin-left: 20px; margin-right: 20px&quot;&gt;I don&amp;rsquo;t know why it&amp;rsquo;s taken this long for Fantagraphics to collect  the comics that got their cool Ignatz format a few years ago, but I&amp;rsquo;ll  shut up and be grateful. I greatly enjoyed Giandelli&amp;rsquo;s creepy tale of an  apartment building, its residents, the large rabbit who roams its  halls, and the creature the rabbit seems to serve. What&amp;rsquo;s also exciting  though is that this means Richard Sala&amp;rsquo;s Delphine will &lt;a href=&quot;http://richardsala.tumblr.com/post/15976134789/the-complete-collected-delphine-coming-later&quot; target=&quot;_blank&quot;&gt;get a collection too&lt;/a&gt;. [Michael]&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/67/pook450.jpg&quot; alt=&quot; &quot; width=&quot;145&quot; height=&quot;193&quot; /&gt;&lt;/p&gt;&lt;p&gt;&amp;bull; Plug: &amp;quot;Malcolm McNeill was just finishing art school when he began his seven year collaboration with the author, William S. Burroughs. This work,  which has never been published, is finally going to see the light of  day. Fantagraphics has two books coming out this Spring by McNeill: one  with his lost drawings and paintings, and the other a reflection on the  relationship between word and image which has made an indelible mark on  the artist and master draftsman.&amp;quot; &amp;ndash; Laura Williams, &lt;a href=&quot;http://www.lostateminor.com/2012/01/25/malcolm-mcneill-and-the-lost-art-of-ah-pook/&quot; target=&quot;_blank&quot;&gt;Lost at E Minor&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;ishalldestroy&quot;&gt;&lt;img src=&quot;components/com_virtuemart/show_image_in_imgtag.php?filename=bookcover_ishall.jpg&amp;amp;newxsize=145&amp;amp;newysize=&amp;amp;fileout=&quot; border=&quot;0&quot; alt=&quot;I Shall Destroy All the Civilized Planets&quot; title=&quot;I Shall Destroy All the Civilized Planets&quot; width=&quot;145&quot; height=&quot;186&quot; /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;bull; Analysis: &lt;a href=&quot;http://goodcomics.comicbookresources.com/2012/01/24/frantic-as-a-cardiograph-scratching-out-the-lines-day-24-fantastic-comics-16/&quot; target=&quot;_blank&quot;&gt;Comic Book Resources&lt;/a&gt;&amp;#39; Greg Burgas examines a 1941 Fletcher Hanks &amp;quot;Stardust the Super Wizard&amp;quot; page as reprinted in &lt;a href=&quot;ishalldestroy&quot;&gt;I Shall Destroy All the Civilized Planets!&lt;/a&gt; &lt;/p&gt;</description>
			<author>mike</author>
		<category>Zippy the Pinhead</category>
 <category>William S Burroughs</category>
 <category>reviews</category>
 <category>Paul Nelson</category>
 <category>nicolas mahler</category>
 <category>Malcolm McNeill</category>
 <category>Kevin Avery</category>
 <category>Jim Woodring</category>
 <category>interviews</category>
 <category>Gabriella Giandelli</category>
 <category>Fletcher Hanks</category>
 <category>Disney</category>
 <category>Daily OCD</category>
 <category>Carl Barks</category>
 <category>Bill Griffith</category>
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			<title>Burroughs Ah Pook animation from 1994</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Burroughs-Ah-Pook-animation-from-1994.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;&lt;/p&gt;&lt;p&gt;Apropos of &lt;a href=&quot;news/burroughs&quot;&gt;our announcement&lt;/a&gt;  that we&amp;#39;re publishing Ah Pook Is Here by William S. Burroughs &amp;amp; Malcolm McNeill next year, &lt;a href=&quot;http://www.youtube.com/watch?v=2C5XuylNFLo&quot; target=&quot;_blank&quot;&gt;here is an award-winning 1994 &amp;quot;Ah Pook&amp;quot; animation&lt;/a&gt;  directed by Philip Hunt, brought to our attention by &lt;a href=&quot;http://www.thedailycrosshatch.com&quot; target=&quot;_blank&quot;&gt;Brian Heater&lt;/a&gt;. &lt;/p&gt;</description>
			<author>mike</author>
		<category>William S Burroughs</category>
 <category>video</category>
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			<title>Fantagraphics to Publish Lost William S. Burroughs Graphic Novel</title>
			<link>http://www.fantagraphics.com/index.php?option=com_myblog&amp;amp;show=Fantagraphics-to-Publish-Lost-William-S.-Burroughs-Graphic-Novel.html&amp;amp;Itemid=113</link>
			<description>&lt;p&gt;FANTAGRAPHICS ACQUIRES LOST &amp;lsquo;GRAPHIC NOVEL&amp;#39; BY WILLIAM S. BURROUGHS &amp;amp; ARTIST MALCOLM McNEILL&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/67/AhPookSolicCover.jpg&quot; alt=&quot; &quot; width=&quot;450&quot; height=&quot;346&quot; /&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;SEATTLE, WA, SEPT. 9, 2010 --- Fantagraphics Books is proud to announce the acquisition of the only graphic novel written by &amp;mdash;  and possibly the last unseen work of his to be published &amp;mdash;  the innovative Beat writer and Naked Lunch author,&amp;nbsp;&lt;a href=&quot;http://en.wikipedia.org/wiki/William_S._Burroughs&quot; target=&quot;_blank&quot;&gt;William S. Burroughs&lt;/a&gt;. This lost masterpiece, Ah Pook Is Here, created in collaboration with artist&amp;nbsp;&lt;a href=&quot;http://www.malcolmmcneillart.com/&quot; target=&quot;_blank&quot;&gt;Malcolm McNeill&lt;/a&gt;&amp;nbsp;in the 1970s, will be published in the summer of 2011 as a spectacularly packaged two-volume, hinged set, along with Observed While Falling, McNeill&amp;#39;s memoir documenting his collaboration with one of America&amp;#39;s most iconic authors.&lt;/p&gt;&lt;p&gt;Ah Pook Is Here first appeared in 1970 under the title The Unspeakable Mr. Hart as a monthly comic strip written by Burroughs and drawn by the British cartoonist and painter Malcolm McNeil in the English magazine Cyclops. When the publication folded, Burroughs and McNeill decided to develop the project into a full-length, Word/Image novel (the term &amp;quot;graphic novel&amp;quot; had not yet been coined). Burroughs was 56 at the time, McNeill 23.&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/67/pook450.jpg&quot; alt=&quot; &quot; width=&quot;450&quot; height=&quot;600&quot; /&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;The book was conceived as a single painting in which text and images were combined in whatever form seemed appropriate to the narrative. It was conceived as 120 continuous pages that would &amp;quot;fold out.&amp;quot; Such a book was, at the time, unprecedented, and no publisher was willing to take a chance and publish a &amp;quot;graphic novel.&amp;quot; Burroughs and McNeill finally abandoned the project after collaborating on it for 7 years.&lt;/p&gt;&lt;p&gt;&amp;quot;It is singularly appropriate that after championing literate comics and the graphic novel form for over 30 years, Fantagraphics Books should bring a literary collaboration between one of America&amp;#39;s most distinctive writers and his exemplary hand-chosen artist to light,&amp;quot; says Fantagraphics Publisher and acquiring editor Gary Groth.&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/67/ahpookdetail.jpg&quot; alt=&quot; &quot; width=&quot;450&quot; height=&quot;613&quot; /&gt;&lt;/p&gt;&lt;p&gt;Ah Pook Is Here is a consideration of time with respect to the differing perceptions of the ancient Maya and that of the current Western mindset. It was Burroughs&amp;#39; contention that both of these views result in systems of control in which the elite perpetuate its agendas at the expense of the people. They make time for themselves and through increasing measures of Control attempt to prolong the process indefinitely.&lt;/p&gt;&lt;p&gt;John Stanley Hart is the &amp;quot;Ugly American&amp;quot; or &amp;quot;Instrument of Control&amp;quot; - a billionaire newspaper tycoon obsessed with discovering the means for achieving immortality. Based on the formulae contained in rediscovered Mayan books he attempts to create a Media Control Machine using the images of Fear and Death. By increasing Control, however, he devalues time and invokes an implacable enemy: Ah Pook, the Mayan Death God. Young mutant heroes using the same Mayan formulae travel through time bringing biologic plagues from the remote past to destroy Hart and his Judeo/Christian temporal reality.&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/67/AHPOOKunspeakableHart.jpg&quot; alt=&quot; &quot; width=&quot;450&quot; height=&quot;344&quot; /&gt;&lt;/p&gt;&lt;p&gt;Ah Pook Is Here was an experiment, not just in terms of the form in which the idea was expressed but the possible effects the form might produce. Burroughs was preoccupied throughout his career with the fundamental nature of words and images, particularly with regard to their ability to transcend time. In the case of Ah Pook Is Here, the rapport between artist and writer produced results that confirmed that contention. Ah Pook is the kind of extrapolative, futuristic feat of imagination that a reader would expect from the author of Nova Express and The Ticket That Exploded &amp;mdash; a mind-boggling tour de force, dramatizing outr&amp;eacute; theories with a science fiction patina.&lt;/p&gt;&lt;p&gt;The second book in the set is Observed While Falling, written by Malcolm McNeill, an account of the personal and creative interaction that defined the collaboration between the writer and the artist, the events surrounding it, and the reasons for its ultimate demise. McNeill describes his growing friendship with Burroughs and how their personal relationship affected their creative partnership. The book is written with insight and humor, and liberally sprinkled with the kind of the hilarious anecdotes one would expect working with a writer as original and eccentric as William S. Burroughs. It confirms the prescience of Ah Pook Is Here with respect to the contemporary graphic novel; Burroughs&amp;#39; exploration of the artistic potential of combining words and images was a revelation to the artist. The book offers new insights into Burroughs&amp;#39; working methods as well as how the two explored the possibilities of words and images working together to form the ambitious literary hybrid that they didn&amp;#39;t know, at the time, was a harbinger of the 21st century&amp;#39;s &amp;quot;graphic novel.&amp;quot;&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/67/AHPOOKsquare.jpg&quot; alt=&quot; &quot; width=&quot;450&quot; height=&quot;175&quot; /&gt;&lt;/p&gt;&lt;p&gt;&amp;quot;Fantagraphics is honored to bring this major work into print and to publish what is quite possibly the last great work from one of America&amp;#39;s most original prose stylists,&amp;quot; added Groth. &amp;quot;Burroughs once said that &amp;#39;The purpose of writing is to make it happen.&amp;#39; We are proud to make Ah Pook Is Here finally happen.&amp;quot;&lt;/p&gt;&lt;p&gt;Fantagraphics Books ( www.fantagraphics.com ) has been the world&amp;#39;s leading publisher of comics and graphic novels since 1976, with titles by &lt;a href=&quot;robertcrumb&quot;&gt;R. Crumb&lt;/a&gt;, &lt;a href=&quot;charlesmschulz&quot;&gt;Charles Schulz&lt;/a&gt;, &lt;a href=&quot;joesacco&quot;&gt;Joe Sacco&lt;/a&gt;, &lt;a href=&quot;danielcowes&quot;&gt;Daniel Clowes&lt;/a&gt;  and many others. In 2007, the company launched its prose division, which books by &lt;a href=&quot;alexandertheroux&quot;&gt;Alexander Theroux&lt;/a&gt;  (Laura Warholic), &lt;a href=&quot;monteschulz&quot;&gt;Monte Schulz&lt;/a&gt;  (This Side of Jordan), and &lt;a href=&quot;stephendixon&quot;&gt;Stephen Dixon&lt;/a&gt;  (What Is All This?).&lt;/p&gt;&lt;p&gt;&lt;img src=&quot;images/flog/67/burroughs.jpg&quot; alt=&quot; &quot; width=&quot;450&quot; height=&quot;329&quot; /&gt;&lt;/p&gt;&lt;p&gt;TO LEARN MORE ABOUT AH POOK IS HERE, GO&amp;nbsp;&lt;a href=&quot;http://www.bigbridge.org/MCN-INT.HTM&quot; target=&quot;_blank&quot;&gt;HERE&lt;/a&gt;&amp;nbsp;FOR AN INTERVIEW WITH MALCOLM McNEILL.&amp;nbsp;&lt;/p&gt;</description>
			<author>Eric</author>
		<category>William S Burroughs</category>
 <category>Malcolm McNeill</category>
 <category>Coming Attractions</category>
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