Zak Sally sent over some samples of his new comic in his Eisner-nominated series, RECIDIVIST Vol. IV, an experiment in comics. It's a gorgeous work of art following/not following a man, a place, a time, a house. The comic also comes with a great soundtrack to read to, it is most akin to a genre of ambient terror music (if that exists) and works smashingly well with reading the book. Like I mentioned, this comic is an experience, not your literal and linear reading experience but something to absorb--maybe not even read front to back. It is well worth the price of admission and just a gorgeous object to hold and feel.
You can buy a copy here for $20 smackaroos. There's also a preview flip through of the book. Recidivist vol. IV has 56 pages, on a couple different paper stocks, printed in 8 colors on the Risograph, and then metallic silver on the offset press. It is all written, drawn, printed, recorded, hand collated, stapled, and assembled by THE Zak Sally. There was also a sweet print that is not included but worth totally showing off!
Zak continues to make comics with his micropress, Le Mano, in Minneapolis and is one of the organizes behind the hot show Autoptic, coming up in August 2015. You can find other Zak Sally work here on our site.
Cartoonist from Sammy the Mouse, Le Mano Press and one of the Autoptic Festival organizer,Zak Sally is currently running a Kickstarter to create an interdisplinary experiment in art education! With all the heavy-wallet-hitting schools like SCAD, SVA and CCS (which I love, don't get me wrong), seeing education programs like SAW, Frank Santoro's low-residency Comics Workbook program and now SchoolHaus are very encouraging for the highly-ambitious, hard-working people without a lot of extra dough. When the choice is eat dinner or new bristol? Sometimes that's a tough choice.
Along with Dan Ibarra of Aesthetic Apparatus, Zak Sally aims to create an educational system derived from what the students want to learn instead of hitting goals to earn a degree. Money made from the campaign will go towards many student's tuition. Minneapolis is already the home of many amazing book-friendly places like MCAD itself, Minneapolis Center for Book Arts, stores like Big Brain or Magers & Quinn; Ibarra and Sally's work in printing and education is definitely something the locals can sink their teeth into. Check out the Kickstarter and throw a few bucks their way, they have all sorts of beautiful rewards from screenprinted aprons to object books like the one below.
Hey all, Fantagraphics is heading over to Autoptic in Minneapolis this Sunday. A swell new one day show that's SURE to knock the socks off your feet (or sandals off your sockless feet). Sunday, August 18th from 11am-7pm at Aria, 105 N 1st Street. We have some books debuting and some authors signing in addition to giving you the sweet inside scoop to their lives, comic processes and more in some panels. Find us at table 33!
Friday, August 16th 6:00-9:00pm Artist reception for "Jaime Hernandez: 30 Years of Locas" at the Minneapolis College of Art and Design (2501 Stevens Ave, Minneapolis, MN). Jaime's talk starts at 7pm and don't miss it!
Saturday, August 17th 7:00 p.m. - 8:30 pm Alexander Stewart and Lilli Carré's EYEWORKS animation Festival on a double bill with Sara Drake and PupHouse's shadow puppet play SALTWATER WEATHER. (also on view: Bats by Marijpol) Open Eye Theater (506 E 24th St, Minneapolis, MN)
Sunday, August 18th Noon-1pm Printmakers Panel Anders Nilsen moderates with panelists: Nick Butcher, Jenny Schmid, Ryan Duggan. Every picture has a story. We'll dig into how artists approach different projects of their own and work for hire. How do you come up with an image for a death metal band versus one for a book festival? What would you do if you were approached by a band you hate? Located at ARIA (programming area 1)
1:30-2:30pm Animals as People "Funny Animal" comics have been a staple of the medium since its inception, though the reasons for using animals that act like humans or actual anthropomorphic animals has evolved through the years. Many artists find ways to emphasize the animal's true nature while at the same time using them as a stand-in for human characters. Moderator Isaac Cates will discuss with artists Lisa Hanawalt, Jon Lewis, Zak Sally and Anders Nilsen the ways in which they've been able to explore a number of different themes and ideas through their use of animals as their characters. Located at Alliance Francaise (programming area 2)
2:30-3:30 The Dark Roots of Myth A number of cartoonists are using familiar fantasy, horror and mythological tropes as a staging ground for getting at deeper issues. Sexuality, politics, class, gender, religion and other issues have been evoked and explored using the visceral and familiar images and storytelling techniques of fantasy. Moderator Rob Clough will join artists Caitlin Skaalrud, Max Mose, Eamon Espey, Anna Bongiovanni and Eleanor Davis in elaborating on their own personal takes on fantasy and myth. Located at ARIA (programming area 1)
4:00-5:00pm Jaime Hernandez & Lisa Hanawalt In Conversation Jaime Hernandez is a legendary cartoonist whose Love and Rockets series just passed its 30th anniversary. Lisa Hanawalt is a humorist whose hilarious, surreal and frequently gross cartoons have garnered her a great deal of praise and attention in a relatively short period of time. Both artists greatly admire the work of the other, even as their comics seem to have little in common. Moderator Rob Clough will join them in exploring their common ground as artists and what each finds most intriguing about the other's work. Located at ARIA (programming area 1)
Love and Rockets enters its fourth decade with this installment of its acclaimed graphic novel-format iteration, featuring both old friends and new faces, and some genuine surprises... The cover shows Gilbert's new star Killer in a pose and milieu that will bring back memories for long-time fans - imitating the hammer-wielding Luba in her adopted Palomar. Jaime continues to explore his intriguing new character Tonta: In "Fuck Summer," Tonta is talked into joining the summer swim team but can't figure out why the brand new swim coach knows her.
Assembled from work done in Anders Nilsen’s sketchbooks over the course of the year following the death of his fiancée in 2005, The End is a collection of short strips about loss, paralysis, waiting, and transformation. collection of short strips about loss, transformation, waiting, and paralysis. A concept album in disparate styles, a meditation on paying attention, an abstracted autobiography and a travelogue. Now updated & expanded to 80 pages.
This landmark collection features ten of Clowes's most influential graphic narratives, along with interviews about his career and creative process, and twelve thought-provoking essays by contemporary scholars and critics. It also features the full Ghost World, Clowes's celebrated graphic novel about the complex friendship of two teenage girls. It also includes stories — some reprinted for the first time — about boys coming of age, troubled superheroes, and the place of artists and critics in popular culture.
Thank you to everyone who came by our booth this past weekend at APE: the Alternative Press Expo in San Francisco, CA! Look at how happy you made our Marketing Director, Mike Baehr! We hope we were able to make you guys happy, too, with all our amazing debuts and wonderful guests.
Our good pal Daniel Clowes made an unofficial appearance, and braved the crowds for a visit with The Hernandez Bros! I think that lady to the right just realized who cut in front of her in line...
Jim Woodring delighted fans with sketches of his iconic characters, and he somehow did it with just a cheapie ballpoint pen! (His usual drawing pen decided to give up the ghost right before signings began.)
The great Mark Kalesniko was all-smiles as he signed copies of his books for fans! Mark also brought both an electronic slideshow and some originals, which was a wonderful lesson in cartooning for everyone who stopped by.
We didn't manage to snap a pic of the elusive Tim Hensley, but he was at APE, debuting his Ticket Stub collection with Rina Ayuyang's Yam Books! And, good lord, can I tell you people, it is a thing of freakin' beauty. Get one, seriously.
Speaking of elusive, the rumors were true: Zak Sally did make an unexpected secret appearance at the show! He snuck away before I could take a photo, though!
While I visited with Fanta-friends Tom Neely and Emily Nilsson of Sparkplug Comics, Mike had to contend with that line you see in the upper-righthand corner of this pic for the Love and Rockets signing! Yikes, sorry, Mike!
A quick run back to our own booth, and I was able to catch the adorable Brett Warnock of Top Shelf kanoodling with Rich Koslowski across the aisle!!!
Going through our photos, I was surprised that neither Mike nor I snapped any pictures of my birthday-buddy Tom Devlin of Drawn & Quarterly. (We both turned a year older on Saturday of the show.) But his v-neck sweater really did look great with the collared-shirt. Happy birthday, dear Tom!
Yay, that was fun! Let's do it again next year, San Francisco!
The most delicious comic-con ever debuts this weekend, Saturday, June 16th and Sunday, June 17th... Introducing CAKE: the Chicago Alternative Comics Expo, a weekend-long celebration of independent comics, inspired by Chicago’s rich legacy as home to many of underground and alternative comics’ most talented artists!
While Fantagraphics won't be tabling there ourselves (sob!), many of our wonderful artists will be there, as featured guests, panelists, exhibitors, or probably just walkin' around somewhere.
And check out these panels with our Fantagraphics artists! Why, it's the icing on the... okay, I'll stop:
• Crude and Rude: Comics and Vulgarity: featuring Ivan Brunetti , Lisa Hanawalt, Hellen Jo and Onsmith, moderated by Josh Reinwald and Justin Rosenberg (Sponsored by Quimby’s Bookstore)
• Jeffrey Brown Makes a Minicomic: Jeffrey Brown makes a minicomic in 1 hour!
• Double Vision: Comics and Animation: with a Q&A featuring Jo Dery, Jim Trainor, Amy Lockhart and Marc Bell, presented by the Eyeworks Animation Festival (Lilli Carré and Alexander Stewart)
• Start a Micropress: featuring Sarah Becan, Austin English, Jesjit Gill, Annie Koyama, Greg Means and Caroline Paquita, moderated by Zak Sally
• Comics In Chicago: The Past 10 Years (Sponsored by the Chicago Independent Radio Project - CHIRP): featuring Ezra Claytan Daniels, Lyra Hill, Paul Hornschemeier, Robin Hustle and Jeremy Tinder, moderated by Edie Fake;
• Queer Communities, Queer Anthologies: featuring Justin Hall, Robert Kirby and Annie Murphy, moderated by Noah Berlatsky (Sponsored by Little Heart, a Comic Anthology for Marriage Equality)
• Violent Line: Mark-Making and Meaning: featuring Anya Davidson, Charles Forsman, Patrick Kyle, Grant Reynolds, Conor Stetchschulte, Lale Westvind and Mickey Zacchilli, moderated by Noel Freibert
• Real Life: A Roundatable on Women and Graphic Autobiography: featuring Rina Ayuyang, Lucy Knisley, Keiler Roberts, Marian Runk, Leslie Stein, Julia Wertz
CAKE will be held at the Columbia College of Chicago's Ludington Building [ 1104 S. Wabash (8th Floor) ] from 11 AM to 6 PM. It is free and open to the public. Go, and give our artists a hug and your money.
• Review: "Certainly, the comic’s self-contained gag-a-day format, along with the clarity and force of Bushmiller’s compositions, can often make each strip seem like an instance of emphatic singularity, a totem to be worshipped in dumb awe. But Nancy Is Happy returns to this gag-a-day strip precisely its daily qualities, so often overlooked. There is, we rediscover, an aspect of the quotidian to Nancy, a rhythmic unfolding in time, an ordinariness repeated with such unrelenting frequency that we’ve opted to shunt it into the sublime. Reading Nancy in continuity, rather than in isolation, may be an unfamiliar experience, but it is one which reveals the strip’s patient and inquisitive reaction to the bric-a-brac and ins-and-outs of everyday life—an attentive curiosity whose effect is diminished by removing the comics from their daily or weekly contexts." – Sean Rogers, The Comics Journal [Disclosure: I stole the pull-quote from TCJ.com editor Dan Nadel – Ed.]
• Interview:Inkstuds podcast host says "Sammy the Mouse cartoonist/publisher/printer Zak Sally joined me for a comics talk that goes into some interesting directions. We cover his latest book, as well as variety of funny book topics."
• Hooray for Hollywood:Screen Daily reports that the in-development film adaptation of Jason's I Killed Adolf Hitler has a director attached, a cult-fave actor in casting talks, and a CGI Hitler
• Review: "The white rabbit who serves as our guide suggests Alice in Wonderland, but despite fantastical touches, Interiorae is much more concerned with the world as it presents itself. Intertwining the lives of the people who live in an apartment complex, it’s in some sense a book-length meditation on a rather beautiful idea, that the day-to-day lives of all the little people aren’t just worth paying attention to, but are essential to the very fabric of the spaces we inhabit. Giandelli doesn’t entirely avoid mushy sentimentality nor the excesses of an open heart — absolutely no one is deserving of even so much as mild criticism here, which feels more naive than accepting — but her feel for our inner lives, as well as a visual style that evokes the richness of life as she sees it, win out in the end." – David Berry, National Post
• Review: "Nicolas Mahler’s childishly cute drawings put an adorable face on a satire with a pretty deep cynicism with the superhero comics industry. A creation of Korporate Komics, Angelman is pink dumpling with wings, blessed with the superpowers of sensitivity, open-mindedness and being a good listener, at least until focus groups and lagging sales put him through a gritty reboot and a some deep-seated neuroses about being a second-rate hero. Mahler’s points about corporate art certainly don’t aim for subtlety, but that doesn’t make them any less true, and a droll sense of humour keeps things from getting too preachy." – David Berry, National Post
• Review: "Athos in America... is another collection of graphic novellas and graphic short stories from master of deadpan presentation Jason in the style of Low Moon, and, as with the release of all new work from Jason, a cause for celebration.... This book is chock-full of examples of Jason’s inspired appropriation of classic trash pop culture, and his repurposing of it in formally experimental (or is playful a better word?) explorations of the human experiment.... Jason’s comics are among the hardest in the world to review, as it’s difficult to say anything beyond 'Well, that was perfect' in terms of assessment, and the specific magic he works is so difficult to describe in words, and so easy to communicate by simply pointing to a random volume of his work and saying, 'Hey, check this out.'" – J. Caleb Mozzocco, Robot 6
• Review: "For a list price of $39.99... this book [Amazing Mysteries] does a wonderful job of showing off Bill [Everett]’s early work and lets us learn a lot about the man. .... Bill was an enormous talent for telling stories. Bill’s work, often as writer and artist holds up much better then many other artists from his time. This volume is a lot of fun as you can flip through it and see how much Bill played with layouts and panel design.... Bill was an amazing talent.... Bill’s style is so distinct it is often easy to tell when he did all the work. Bottom line for a good collection of a master in his early days, this book is hard to beat." – Jim Martin, Comics and... Other Imaginary Tales
• Review: "There are only a handful of rock journalists who could have a collection of their work seem like a necessity, and Paul Nelson would be at the very top of that list.... Kevin Avery's book [Everything Is an Afterthought] gathers many of Nelson's finest pieces, most for Rolling Stone magazine... As amazing as all those stories are, it's also Avery's riveting biographical chapter on Paul Nelson that really takes a sledgehammer to the soul. Weaving together the recollections of many of Nelson's peers, the portrait we're left is of a man that struggled to maintain a hold on reality, finding higher enjoyment in the world of the mind.... Paul Nelson took what was already life-changing, and the way he saw it and could speak about it, made it even more thrilling. Now we can celebrate him all over again." – Bill Bentley, The Morton Report
• Profile: The lead-in to TCAF at Canada's National Post continues with David Berry talking to Zak Sally: "His latest book, Sammy the Mouse, had an original home as part of Fantagraphics’ Ignatz series, but is now being collected and bound by Sally himself, by hand in his Minnesota studio. The world of Sammy reflects this hands-on approach: it feels immediate and lived-in, almost less like a story than a tour of Sally’s internal brain architecture, with a slight misanthropy and freewheeling visual style that recall work like Chester Brown’s Yummy Fur. 'For me, finding those first underground comics was incredible,' says Sally, who got his start reading superhero tales, but was quickly turned. 'It turned comics into something you realized you could just do yourself: just get your s–t together and do it.'"
• Review: "Everything Is an Afterthought: The Life and Writings of Paul Nelson by Salt Lake City native Kevin Avery is a fitting testimonial to a man who pioneered rock 'n' roll criticism. Those familiar and unfamiliar with the culture of the '60s will appreciate this finely written tribute.... Overall, Everything Is an Afterthought will break your heart and inspire you to be a better person. It is a wonderful story of a man who deserves his chance in the spotlight." – Shelby Scoffield, Deseret News
• Review: "A little impenetrable in that wordless story kind of way, even when there are words. I like the stories – actually read them – but I’m more interested in studying the way each page sports a new texture or approach. The art is simply fantastic. Some stories retain a color scheme for their entirety and some switch up the limited palette within the story itself. Totally my kind of thing. I like the coloring, the line drawing, the combination of both. The graphic, printmaking quality of it and the 'classical' drawing are also attractive to me. I found myself just flipping through this collection for a long time.... High class stuff. Also, this book gets an award for best endpapers. Check it out." – Frank Santoro, The Comics Journal
• Review: "Lost and Found is the sort of retrospective project that begs summary statements. The introduction reads like a compressed memoir. The book, while extremely dense and a bit overwhelming to read, testifies to Griffith’s heroic output of underground comics, and his commitment to a lifetime of making work that is challenging, inventive, and beautifully drawn. His signature narrative discombobulation and linguistic elasticity unite all these disparate pieces into a cohesive statement of surprise and protest. It is ridiculously quotable. Also, it is very funny. Lost and Found delivers wholesale entertainment value with a socially redeeming dose of satire." – Matthew Thurber & Rebecca Bird, The Comics Journal
• Interview (Audio):Inkstuds host Robin McConnell says of his latest episode, "One of the most prolific cartoonists of the underground generation, Bill Griffith, joined me to chat about his new collection, Lost and Found. It is an interesting conversation that touches on a number of different topics, ranging from his Zippy the Pinhead work, to discussing his contemporaries like Rory Hayes."
• Interview: Paul Gravett chatted with Robert Crumb for Art Review magazine; he presents an unexpurgated version at his blog: "In the last few years, I’ve got so deeply involved investigating scandalous shit that goes on in modern business and culture. It’s very difficult to interpret in comics, I’m trying to figure it out. There’s not a lot of action or humour, it’s serious, grim shit. You could get your ass in trouble doing that, too. I remember when I did this thing in the Seventies, ‘Frosty the Snowman’, where I had him being this revolutionary who throws bombs at the Rockefeller mansion and shortly after that was published, the Internal Revenue Service came after me."
• Interview: Chris Mautner's Q&A with Zak Sally at Robot 6 is a must read: "I’m no Pollyanna, nor am I a hippie; the world is NOT cut and dried with stuff like this, nor do I view it that way — if, for instance, Fantagraphics (who I love dearly) decided to print all their stuff over here, they’d probably have to kill important books by artists who don’t sell as well to ameliorate that extra cost. Or, hell, i don’t know — maybe they’d go under. Do i want either of those things? Heck no. I want Noah van Sciver and Chris Wright’s new books to get out in the world, and to reach their audience. I want Fantagraphics to be around for … forever. BUT: let’s also not fool ourselves that this 'lowest cost' imperative isn’t fucking up our world significantly, all day every day, as an economic paradigm. It’s a real thing, and that can’t be ignored either."
• Profile: At HiLobrow, Norman Hathaway puts the spotlight on Guy Peellaert: "Years later I realized that Peellaert had also been responsible for one of my favorite pieces of power-pop comic art; Jodelle (and later Pravda), which plastered hip, mid-’60s fashion drawing into a dystopian landscape of the future, done in a completely different linear graphic design-based style."
• Profile: Dan Taylor of The Press Democrat chats with Monte Schulz: "'My dad is actually mentioned in a very subtle way in The Big Town,' Schulz said. 'The main character, Harry, is in a barber shop. It says, "Back in St. Paul, he'd gotten his hair cut in the Family Barbershop on North Snelling Avenue by a cigar-smoking German fellow, whose young son drew funny little pictures."'"
• Profile (Video): Enjoy a brief video spotlight on the great Kim Deitch presented by Seth Kushner at Trip City
• Tribute/History: From last week, at The Stranger, rememberances of our former art director, the late Dale Yarger
• DeKalb, IL: The Northern Illinois Unversity Art Museum debuts the exhibition “Graphic Novel Realism: Backstage at the Comics,” curated by our own Eisner Award-winning graphic novelist, artist and editor, Paul Karasik, and featuring work from Joyce Farmer, Jaime Hernandez, Mark Newgarden and Megan Montague Cash, as well as Jason Lutes, Seth and James Sturm. (more info)
• Seattle, WA: The idiosyncratic work of cartoonist Lynda Barry, a Seattle native, is the subject of a new book by Portland author Susan E. Kirtley. Lynda Barry: Girlhood Through the Looking Glass is the first comprehensive critique of this influential American artist. Kirtley will discuss her book with Real Comet Press publisher Cathy Hillenbrand, who published Barry’s first four books, at 6:00 PM at Fantagraphics Bookstore & Gallery. An informal reception and book signing will follow the discussion. (more info)
• New York City, NY: Comic New York: A Symposium kicks off at Columbia University, with a wealth of panels, including one with our own Bill Griffith! Stay tuned to the FLOG for more information about this event, coming soon!
• Northridge, CA: Gilbert, Jaime, & Mario Hernandez will be speaking to Professor Charles Hatfield's class on Monday, March 26th at the California State University, Northridge (in greater Los Angeles). This event is open to the public, not just students! (more info)
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